Re: repeat

On Thu, 11 Feb 2016 14:48:18 +0100 BB wrote: > That works, but the long note sequence has to be repeated - exactly > that's what I would like to avoid. If entering the notes is the problem, you can put them in a variable.

Best way to provide LilyPond via thumb drive

Greetings - Soon, I shall be visiting a music school which almost certainly has computers but which probably has little internet access. I would like to give them a thumb drive with all the files they would need for setup, learning, and running LilyPond. The biggest catch, probably, is that it

Re: repeat

On Fri, 12 Feb 2016 12:29:47 +0100 BB wrote: > The input of the notes is not the problem, one could easily copy/paste. > I try to shorten the sheet and make it more overseeable. I've once wished for something like \repeat volta 2 { AAA \alternative{{ BB1 }{ BB2

OT: Aligning upbows and downbows

Hi David I would just like to point out that in guitar music, the capo now acts as the open position. Therefore we write as if there was no capo at all. This makes it easy for sight reading. As a professional guitarist I have only came across a few scores written in what I would say an incorrect

Denemo version 2.0.2 Released

Denemo version 2.0.2 has been released. Denemo is a program for inputting music notation. http://www.denemo.org The music is displayed as music notation while typing or playing in and simultaneously it can be typeset via LilyPond. It can also be played via internal synthesizer. Demo videos are at

positioning a rest

I'm trying to duplicate the following measure: My attempt: \version "2.19.32" { \new Staff << \time 3/4 \new Voice { \oneVoice r4 r \voiceOne g' } \new Voice { \voiceTwo s4 c'2 } >> } This works fine for everything but the second quarter-rest, which is

Seeking a Set of Eyes

Hello, My name is Shane w. Dittmar, and I am a blind composer from North Carolina. I've recently gotten into Lilypond, as it's a fantastic tool for blind composers, as it gives ultimate and accessible control over what appears on the page. I write what is, by notation standards, fairly simple

Re: OT: Aligning upbows and downbows

Hello all. I am writing to inform everyone that I received a solution to my problem. See the thread if you may have similar questions regarding the same subject. Take care. David Landt On Fri, Feb 12, 2016 at 3:23 AM -0800, "Stephen MacNeil" wrote:

finger-code with powerchords

Hi all, I continue learning Lilypond and very impressed with its capabilities. This time I'm learning to use fretboards and chords for my guitar lessons. There is one thing I'm unable to do and I'd like to know if it is possible. With this code I get the finger-code inside dots \version

Re: positioning a rest

Try On 12/02/16 17:34, Patrick Karl wrote: { \new Staff << \time 3/4 << { \oneVoice r4 r \voiceOne g' } \new Voice { \voiceTwo s4 c'2 } >> >> } HTH ambs ___ lilypond-user mailing list lilypond-user@gnu.org

Re: positioning a rest

This works for me. \version "2.19.32" { \new Staff << \time 3/4 \new Voice { \override Rest #'staff-position = #0 \voiceOne r4 r4 g' } \new Voice { \voiceTwo s4 c'2 } >> } > On Feb 12, 2016, at 12:34 PM, Patrick Karl wrote:

Re: finger-code with powerchords

On 12.02.2016, at 18:37, Francis Perea wrote: > Hi all, I continue learning Lilypond and very impressed with its capabilities. > > This time I'm learning to use fretboards and chords for my guitar lessons. > > There is one thing I'm unable to do and I'd like to know

Re: Seeking a Set of Eyes

Hello Shane, I’ll be happy to help you, hoping that I’m good enough at judging scores quality (I’m an amateur bassoonist). How many scores/pages do you have in mind, and at what rate/frequency? Money is not to come into the equation, though. Send me a first score so as to see what kind of work

RE: positioning a rest

Patrick, The location of the rest can be “pitch” specified. Change the third line to: \new Voice { \oneVoice r4 b’\rest \voiceOne g' } Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of

Re: repeat

Excuse my replying to the wrong posting, but I can't reply to a posting that seems to be missing from the thread. On Fri 12 Feb 2016 at 09:48:23 (+0100), Johan Vromans wrote: > On Thu, 11 Feb 2016 14:48:18 +0100 BB wrote: > > > That works, but the long note sequence

Re: positioning a rest

Dear Patrick, the problem with your code is that your code says the second rest is in \oneVoice (this means there are no other simultaneous voices around). But there is the c' at the same time in \voiceTwo and that confuses LilyPond. If you mark the voices correctly, you will get this: \version

Re: finger-code with powerchords

Hi pls, Thanks a lot for your fast reply. That was exactly what I needed. I'm impressed with Lilypond's capabilities but also with its community support. Thaks again, you saved my day -- View this message in context:

Horizontal offset in polyphonic contexts.

All, Code below produces perplexing results."\once \override NoteColumn.X-offset" works in two situations, but not a third, and shifts the wrong notes on a fourth. I do not understand why. Why does the .X-offset work for ExampleTwo and ExampleFour, but not when set in the polyphonic context

Tie across voices

In the following three-beat example, I am trying to tie the upper-voice note in the second beat with the lower-voice note of the third beat. My example seems to work somewhat, but the notes of the upper and lower voices of the second and third beats do not align vertically as they should.

Re: Tie across voices

On 2016-02-12 15:37, Joseph N. Srednicki wrote: In the following three-beat example, I am trying to tie the upper-voice note in the second beat with the lower-voice note of the third beat. My example seems to work somewhat, but the notes of the upper and lower voices of the second and third