Re: parts sharing a staff

On 16 June 2017 at 13:05, Kieren MacMillan wrote: > > Perhaps the best plan is for us to start with some *very simple* use cases > — more simple than the choral work I mention above (and which Mark K > "solved") — and discuss how existing Lilypond features do or do

Re: parts sharing a staff

I don't mind having to insert the occasional layout-related command — I actually prefer the ability to switch between clearly defined behaviors, rather than have Lilypond try to guess which to use. (IMO, the fact that the Automatic mode exists is the biggest design philosophy problem with

Re: parts sharing a staff

Hi Shevek, > I'd be fascinated to have an in depth conversation about shared staves in > Lilypond. I've been giving a fair bit of thought to how I'd like it to work, > at least based on my particular use case. I'd like that, too! I’ve found that the whole situation is fairly simple if the

Re: parts sharing a staff

Kieren MacMillan wrote > That's very interesting! Right now I'm putting together a comparative > analysis of the different methods of coding shared/split staves; this is > not one I had previously seen or considered. As it relies on the > partcombiner — which is both feature-poor and limited to

Re: OpenLilyLib (Was: Re: lilypond export)

2017-06-15 0:01 GMT+02:00 Urs Liska : > That said, currently there are two distinct areas where any engagement > could be fruitful: > > A) > I'd be more than happy if someone could help me or take over the > implementation of the website. Currently it is written as a >

Re: parts sharing a staff

Hi Shevek, > I often run into situations where two parts share a staff some > of the time and have individual staffs the rest of the time. This is quite common. (I have scores where up to 8 different parts will share between 1 and 8 staves, depending on the situation.) > The way I handle it is

parts sharing a staff

I often run into situations where two parts share a staff some of the time and have individual staffs the rest of the time. The way I handle it is like this (including only relevant details): \new StaffGroup \with { instrumentName = "Flute " shortInstrumentName = "Fl." } << \new Staff =

Re: Cross-staffs where a note is already displaced

On Thu 15 Jun 2017 at 00:30:44 (+0200), Thomas Morley wrote: > 2017-06-14 18:58 GMT+02:00 David Wright : > > > > Would I be right in thinking it searches through the grobs for > > this moment, finds out if any have been displaced, and returns > > the displacement? > >

Re: Hal Leonard fretboard style

Hi Manuela, > Does this link help you? > http://leighverlag.blogspot.co.at/2015/12/mimicking-real-book-look.html No, unfortunately… The closest help is , a snippet which includes several different fretboard styles. I was hoping someone had already

Re: How to write anti-accent (breve)

In the German Lilypond forum (now available in the archive) someone figured out a solution, here a comparison of both solutions \version "2.19.56" soft = -\tweak stencil #(lambda (grob) (grob-interpret-markup grob (if (eq? UP (ly:grob-property grob 'direction)) #{

Re: How to write anti-accent (breve)

Hi, the „Arnold“ music font contains it. Search for \arnoldWeakBeat in . Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

naïve note-lyric spacing resolution

Hello again, Here's another example, solved a different way. BEFORE. Even with lyrics horizontally compressed to help, there are visible note-spacing distortions: AFTER. I \omit-ted the lyrics (so that note-spacing reverted to 100% 'neutral' spacing), then added the text back in (without

Re: Hal Leonard fretboard style

Does this link help you? http://leighverlag.blogspot.co.at/2015/12/mimicking-real-book-look.html Greetinx, Manuela 2017-06-13 17:14 GMT+02:00 Kieren MacMillan : > Hi all, > > Before I reinvent this particular wheel… > > Has anyone worked up a stylesheet which

Re: How to write anti-accent (breve)

This seems to work (and is a real articulation, which I find satisfying): ``` #(define (draw-unaccent grob) (let ((stil (make-path-stencil '(M -0.435 0.435 C -0.435 0.185 -0.250 0 0 0 C 0.250 0 0.435 0.185 0.435 0.435)

Re: How to write anti-accent (breve)

Or - using Kieren's solution: \version "2.19" unaccent = -\tweak stencil #ly:text-interface::print -\tweak text \markup \translate #'(0.6 . 0) \stencil #(make-path-stencil '(M -0.435 0.435 C -0.435 0.185 -0.250 0 0 0 C 0.250 0 0.435 0.185 0.435 0.435) 0.13 1 1

Re: How to write anti-accent (breve)

Hi caagr98, How about: \version "2.19" unaccent = -\markup \translate #'(0.6 . 0) \stencil #(make-path-stencil '(M -0.435 0.435 C -0.435 0.185 -0.250 0 0 0 C 0.250 0 0.435 0.185 0.435 0.435) 0.13 1 1 #f) { f''^\unaccent } HTH, Cheers, Pierre 2017-06-15 15:59

naïve note-lyric spacing resolution

Hi all, Some time ago, there was a brief discussion about how great it would be if Lilypond had a springs-and-rods type mechanism for lyrics and notes which encouraged a more even note spacing in spite of the differences in the width of the associated lyrics. Since it will likely be a long

Re: How to write anti-accent (breve)

On 06/15/2017 03:42 PM, Kieren MacMillan wrote: Hi caagr98, I'd rather not have to install extra fonts for my scores to work... You don't have to install extra fonts — just find a font that's already installed and has that glyph. That's exactly what I mean - I don't want to depend on what

Re: How to write anti-accent (breve)

> > I'd rather not have to install extra fonts for my scores to work... > Isn't there any way to do it with markup or stencils? > You could try \char ##x1D55 (small letter lower half o) as of Times New Roman. Not sure that's what you look for though. Kind regards, Michael

Re: How to write anti-accent (breve)

Hi caagr98, > I'd rather not have to install extra fonts for my scores to work... You don't have to install extra fonts — just find a font that's already installed and has that glyph. > Isn't there any way to do it with markup or stencils? Of course. Change \markup \fontsize #1 \override

Re: How to write anti-accent (breve)

I'd rather not have to install extra fonts for my scores to work... Isn't there any way to do it with markup or stencils? On 06/15/2017 03:38 PM, Kieren MacMillan wrote: Hi caagr98, As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks. How do I write the first of those?

Re: How to write anti-accent (breve)

Hi caagr98, > As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks. > How do I write the first of those? \lheel is similar, but it's not the same. \version "2.19.62" unaccent = -\tweak stencil #ly:text-interface::print -\tweak text \markup \fontsize #1 \override

How to write anti-accent (breve)

As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks. How do I write the first of those? \lheel is similar, but it's not the same. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: extra note

Thank you guys, it worked! "Whenever anything goes wrong, just follow instructions" Rafael On Thu, Jun 15, 2017 at 5:12 AM, David Kastrup wrote: > Michael Gerdau writes: > > >> I am using \version "2.19.55" > >> > >> the following line, bar > >> > >> e,8 <<

Re: extra note

Michael Gerdau writes: >> I am using \version "2.19.55" >> >> the following line, bar >> >> e,8 << b'' e >> << d a >> 16 b 8. g,16 a b d d b e' e | >> >> the attachment shows that, after compilation, I get an extra a16 after >> the second double stop, why? > > I

Re: extra note

> I am using \version "2.19.55" > > the following line, bar > > e,8 << b'' e >> << d a >> 16 b 8. g,16 a b d d b e' e | > > the attachment shows that, after compilation, I get an extra a16 after > the second double stop, why? I don't know what you want to achieve - you don't

Re: extra note

Rafael González writes: > I am using \version "2.19.55" > > the following line, bar > > e,8 << b'' e >> << d a >> 16 b 8. g,16 a b d d b e' e | > > the attachment shows that, after compilation, I get an extra a16 after the > second double stop, why?

Re: extra note

Am 15.06.2017 1:45 nachm. schrieb Rafael González :I am using \version "2.19.55" the following line, bar   e,8 <<  b'' e >> <<  d a >> 16  b 8. g,16 a b d d b e' e       |the attachment shows that, after compilation, I get an extra a16 after the second double stop, why? 

Re: generating midi and simplify code

Hi Gianmaria, I definitely would go with Thomas Morley's function. You already have all your music in variables so creating your midi files is just a oneliner per file. I don't understand your reservation w/r to complexity. To me this seems to be a perception problem on your part. After all you

extra note

I am using \version "2.19.55" the following line, bar e,8 << b'' e >> << d a >> 16 b 8. g,16 a b d d b e' e | the attachment shows that, after compilation, I get an extra a16 after the second double stop, why? thank you Rafael γγγ ___

generating midi and simplify code

I already asked some question about \markup and \midi and get some usefull answer. Here I attached the real code I'm working on. I would like to generate the midi and I would appreciate some suggestion. Kieren suggest to separate the layout and midi. Pro: clear and easy to do; Cons: a bit

Re: markup and midi

On 15 June 2017 at 12:05, David Kastrup wrote: [...] > The German condition is "working perfectly, never mind how scary the > outcome". > [...] eheh :) ___ lilypond-user mailing list lilypond-user@gnu.org

Re: markup and midi

Gianmaria Lari writes: >> On 15 June 2017 at 10:11, David Kastrup wrote: >> >>> Gianmaria Lari writes: >>> >>> > Ciao Thomas, >>> > >>> > thank you for your code, I made some test and it works perfectly! But it >>> > also scares

Re: markup and midi

If I can, I avoid to use complicate things (particularly if I don't understand them). They work in that specific case but when I need to modify for more general case they are source of problem. Of course I keep your code in the pocket just in case :) Be kind David. Explain me what do you mean

Re: markup and midi

Gianmaria Lari writes: > Ciao Thomas, > > thank you for your code, I made some test and it works perfectly! But it > also scares me :) The German condition. -- David Kastrup ___ lilypond-user mailing list

Re: markup and midi

2017-06-15 8:41 GMT+02:00 Gianmaria Lari : > Ciao Thomas, > > thank you for your code, I made some test and it works perfectly! But it > also scares me :) Why? -Harm ___ lilypond-user mailing list lilypond-user@gnu.org

Re: markup and midi

Ciao Thomas, thank you for your code, I made some test and it works perfectly! But it also scares me :) g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user