Hi crimsonsunrise,
> - Considering a number of scores have an odd number of instruments combined
> (i.e. 3 Trumpets, 3 Clarinets, etc.), why partcombine only works on an even
> number of parts? Shouldn't partcombine work on *n* number of parts instead?
Of course it should. But how to do so is s
Mensagem Original
Ativo 16 de jun de 2018 08:58, Kieren MacMillan escreveu:
Hi crimsonsunrise,
> - Considering a number of scores have an odd number of instruments combined
> (i.e. 3 Trumpets, 3 Clarinets, etc.), why partcombine only works on an even
> number of parts? Shouldn
Hi,
> Apart from the " Scores of Beauty" entry about partially compiling scores and
> some posts regrading errors about edition-engraver, I didn't find any
> relevant info on how to use it and how to get it. Both readme pages on it and
> openlilylib don't tell anything and openlilylib's website
On Fri, 15 Jun 2018 at 22:47, Thomas Morley
wrote:
> 2018-06-15 20:11 GMT+02:00 Aaron Hill :
> > On 2018-06-15 09:40, Gianmaria Lari wrote:
> >>
> >> I'm trying to write some code in scheme. At the moment I do it using
> >> frescobaldi and I need some help for the output.
> >> The following code
Hi all,
I would like my chord names to be centred until they’re of a certain width (say
as wide as Cm7), and anything wider than that would extend to the right from a
position slightly to the left of the note column they’re attached to (as if
X-offset = -1).
Would this best be done with a Sche
> From: Kieren MacMillan
> To: crimsonsunr...@protonmail.com
>
> Subject: Re: questions in regards to combining multiple parts
> Hi crimsonsunrise,
>
> > - Considering a number of scores have an odd number of instruments
> combined (i.e. 3 Trumpets, 3 Clarinets, etc.), why partcombine only works
Hi David,
> Not sure what all the hullabaloo is about.
> You can iterate with \partcombine:
\version "2.19.15"
trumpetOne = \relative c'' { c8 r16 c16 f2. }
trumpetTwo = \relative c'' { g8 16 r16 a2. }
trumpetThree = \relative c' { e8 16 16 r2. }
trumpetsOneAndTwo = \partcombine \trumpetOne \tr
Hi all,
Can someone tell me why the dynamics marking is not centered (like the
default) when using it as a 'compound' command/variable markup?
Is it not possible to create a compound dynamic variable like this (mp
dolce, etc) and have it still place the /dynamic/ centered under the
notehead
SoundsFromSound wrote
> Can someone tell me why the dynamics marking is not centered (like the
> default) when using it as a 'compound' command/variable markup?
Hi Ben,
That's because your declaration is a TextScript markup, and by default, a
TextScript will be set flush left-aligned.
"Real" dy
On 2018-06-16 10:41, Kieren MacMillan wrote:
Hi all,
I would like my chord names to be centred until they’re of a certain
width (say as wide as Cm7), and anything wider than that would extend
to the right from a position slightly to the left of the note column
they’re attached to (as if X-offset
Mensagem Original
Ativo 16 de jun de 2018 14:45, Flaming Hakama by Elaine escreveu:
From: Kieren MacMillan
To: crimsonsunr...@protonmail.com
Subject: Re: questions in regards to combining multiple parts
Hi crimsonsunrise,
> - Considering a number of scores have an odd number of
2018-06-16 16:56 GMT+02:00 Gianmaria Lari :
>
>
> On Fri, 15 Jun 2018 at 22:47, Thomas Morley
> wrote:
>
>> 2018-06-15 20:11 GMT+02:00 Aaron Hill :
>> > On 2018-06-15 09:40, Gianmaria Lari wrote:
>> >>
>> >> I'm trying to write some code in scheme. At the moment I do it using
>> >> frescobaldi an
2018-06-16 21:21 GMT+02:00 Torsten Hämmerle :
> SoundsFromSound wrote
>> Can someone tell me why the dynamics marking is not centered (like the
>> default) when using it as a 'compound' command/variable markup?
>
> Hi Ben,
>
> That's because your declaration is a TextScript markup, and by default,
,
On Sat, Jun 16, 2018, 12:26 PM wrote:
> Mensagem Original
> Ativo 16 de jun de 2018 14:45, Flaming Hakama by Elaine <
> ela...@flaminghakama.com> escreveu:
>
>
> From: Kieren MacMillan
> To: crimsonsunr...@protonmail.com
>
>
>
> Subject: Re: questions in regards to combining
On 6/16/2018 3:21 PM, Torsten Hämmerle wrote:
SoundsFromSound wrote
Can someone tell me why the dynamics marking is not centered (like the
default) when using it as a 'compound' command/variable markup?
Hi Ben,
That's because your declaration is a TextScript markup, and by default, a
TextScrip
I'm attaching a scan from "The Easy Winners" by Scott Joplin, the way it
was published in 1901.
I can't seem to get it to display the way I want.
(The key is des major, 2/4)
My first attempt:
<<
{g16 8. ges16 8 des16~ | }
\
{g,4 ges8. f16~ | }
>>
8 f16 des ees f aes, a
That doesn'
On 16.06.2018 19:41, Kieren MacMillan wrote:
I would like my chord names to be centred until they’re of a certain width (say
as wide as Cm7), and anything wider than that would extend to the right from a
position slightly to the left of the note column they’re attached to (as if
X-offset = -1)
I think that D.C, D.S, and segno marks conventionally do not appear on each
stave, but usually either above each staff group or the entire system. If this
is not the case, what is the convention? If it is the case, then I have some
questions about how to achieve this.
While I don't have a compl
On Sat, Jun 16, 2018 at 8:40 AM, wrote:
> Apart from the " Scores of Beauty" entry about partially compiling scores
> and some posts regrading errors about edition-engraver, I didn't find any
> relevant info on how to use it and how to get it.
So far, the best information I've seen for getting s
Hi all,
Some of you may remember my memory allocation error from a while ago:
trying to compile a 200-page PDF using a 32-bit version of Lilypond on a
64-bit Windows 10 system caused it to run out of memory. I eventually
solved the problem by running Lilypond under the Windows Subsystem for
Linux
This turns out to be a quite challenging snippet to engrave.
Here's the first attempt:
\version "2.18"
\partcombine
\relative {\time 2/4 \key aes\major g'16 8. ges16 8 des16~
| des8 f16 des ees f aes, a |}
\relative {\time 2/4 \key aes\major g'4
\mergeD
Hi Sachar, Hi Carl,
How about :
\relative c'' {
\time 2/4 \key aes\major
\mergeDifferentlyDottedOn
<<
{
g16 8. ges16 8 des16~ |
\stemNeutral 8 f'16 des ees f aes, a |
}
\\
{
g4 ges8. f16~ |
\once\hideNotes f4 s
}
>>
}
Cheers,
Pierre
2018-06-17 6:51 GMT+02:00 C
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