stencil back to ly:slur::print.
>
> Cheers,
> Valentin
>
>
> Am Montag, 29. November 2021, 19:55:13 CET schrieb Adam Good:
> > Hi Everyone,
> > Could someone help me please. Using...
> >
> > \hide Slur
> >
> > ...I would like to cancel my slur markings
Hi Everyone,
Could someone help me please. Using...
\hide Slur
...I would like to cancel my slur markings yet retain the small slur in my
acciaccatura. On a bit of a deadline and would appreciate any help!
Thank you in advance.
Adam
%%%
\relative c' {
c8 (d e f) g (a b c)
\acciaccatura d8
-11-10 7:46 am, Adam Good wrote:
> > Dear List,
> >
> > Here's a question I'm sure has been asked and answered often. I much
> > prefer
> > lyrics below the staff but if I had to, in the example below, what is
> > causing the lyrics on the 2nd and 3rd stafflines to
Dear List,
Here's a question I'm sure has been asked and answered often. I much prefer
lyrics below the staff but if I had to, in the example below, what is
causing the lyrics on the 2nd and 3rd stafflines to be higher than
staffline 1? Playing with:
\override
Hi Everyone,
I just had a chance to look at this thread today. Thomas I downloaded and
ran persian-smufl and it seems to work great.
Seems like the main thing holding up a persian.ly is the absence of two
glyphs. I'd be happy to help sponsor the creation of koron and sori
symbols...anyone else?
eft-aligned }
>> { \combine\cell "1" }{ \combine\cell "3" }{ \combine\cell "3" }
>> { \combine\cell "4" }{ \combine\cell "" }{ \combine\cell "6" }
>> { \combine\cell "7" }{ \combine\cell "
Harm thank you very much! I feel centered.
If anyone could come up with a solution for borders it would be a nice
option.
best,
Adam
On Sun, Feb 21, 2021 at 11:57 AM Thomas Morley
wrote:
> Am So., 21. Feb. 2021 um 17:24 Uhr schrieb Adam Good <
> goodadamg...@gmail.com>:
> &g
Hi Everyone,
I can make this pretty little table, see below but could someone please
help me add borders / gridlines around the cells? And, I'd like to be able
to center the table to the middle of the page.
Thank you in advance!
Adam
%%%
\markuplist {
\override #'(padding . 4)
\table #'(0 0
at 22:02, Freeman Gilmore
> wrote:
> >
> > Using ly:pitch-alteration with makam.ly, if I play {ck}, how would i
> > use ly:pitch-alteration to see the alteration inside makam.ly?
>
> Adam Good has made new file called turkish-makam.ly, which is in the
> distribution.
>
>
Gottit sorry for the misunderstanding. If you haven't figured it out yet
how about this:
https://www.howtogeek.com/99406/how-to-search-for-text-inside-of-any-file-using-windows-search/
Pretty straight forward. Basically you'll add an ly extension to what files
are searchable. Then head to the
Program Files (x86)\LilyPond\usr\share\lilypond\current\ly
to find makam.ly
I would like to ask however, are you having an issue with makam.ly? Or
question? There's some work being done on Turkish makam support and things
have come a ways since.
best,
Adam Good
Hi everyone, I'm finally chiming in here...
On Wed, Apr 8, 2020 at 8:38 AM Werner LEMBERG wrote:
>
> Well, here's the question: Shall we add such glyphs at all? A
> cautionary and a digit can easily be combined on the macro level...
>
In my opinion, the best solution is create glyphs for the
My friend in California and I (in Brooklyn, NY) had some pretty decent luck
with Jactrip:
https://ccrma.stanford.edu/software/jacktrip/
Not the easiest to get set up and we need to try a few more times to
troubleshoot but, give it a try and please report back!
best,
Adam
On Sat, Mar 28, 2020
Hi Everyone,
Here's Adam Good. My apologies for arriving late to the party I wasn't
aware of this thread! From what I can see this looks to be the most updated
version of turkish-makam.ly in the dev channel.
https://github.com/lilypond/lilypond/blob/master/ly/turkish-makam.ly
This has been
Hi List,
I'm baffled by bar lines. In the example below, I would like for the f1 bar
to use a "final" bar line as in \bar "|." the \break then on the next line
begin with a repeat sign. The manual doesn't hint at this
http://lilypond.org/doc/v2.19/Documentation/notation/bars#bar-lines
Am I
Hi Everyone,
I'm working on some Turkish usul percussion notation and the standard is,
rather oddly, to have the low pitched "dum" sound on the top line and
highest pitch "tek" sound on the low. See the snippet below.
Problem that I can't solve: stem direction needs to be the reverse of what
it
On Wed, Oct 31, 2018 at 10:48 AM Torsten Hämmerle
wrote:
> Yes, I'm on the dev list.
> And I'll appreciate a co-operation regarding makam issues.
> After all, you and Hans can provide valuable practical examples, and one
> important point after finally having added my new accidental glyphs, all
this issue.
Let me know and thanks ahead!!
Adam
On Wed, Oct 31, 2018 at 9:08 AM Torsten Hämmerle
wrote:
> Adam Good-3 wrote
> > Thank you Torsten, unfortunately this doesn't satisfy the criteria of #3
> > request, working across transpositions. If I ask for:
>
Thank you Torsten, unfortunately this doesn't satisfy the criteria of #3
request, working across transpositions. If I ask for:
\key c \KeySig
...it prints a ces in the key signature. Although irrelevant, the example
I'm giving is much much simpler than my actual needs which involves key
ature (yet still have
it considered in the scale pitch definitions).
2. to have the score (music) always print fis.
3. have this work across transpositions so, if I want \key cis \KeySig the
cis will be suppressed from the key signature, etc.
Thank you ahead!!
Adam Good
%
\version "
Hi All,
A few years ago I believe a Lilypond user offered some Scheme code to
give transposed rhythms, for example to transpose every rhythmic value
to print half of its entered duration. It was awesome and nifty and
would be very useful to me at this moment :)
I've searched high and low in the
Thank you so much James
On Fri, Nov 18, 2011 at 2:48 PM, James pkx1...@gmail.com wrote:
hello,
http://lsr.dsi.unimi.it/LSR/Item?id=305
?
--
--
James
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Carl thank you for the input! Unfortunately I get an error that I
don't know how to do anything with. Below is my input and output.
If you or anyone can help this would be a nice help to me. Thanks!
Adam
@@@
\version 2.12.3
#(define sequence-number 0)
#(define-markup-command (score-sequence
Completely awesome. Thank you guys so much for your help. Long live
Lilyponders!!
On Thu, Mar 17, 2011 at 9:48 AM, Dmytro O. Redchuk
brownian@gmail.com wrote:
On Thu 17 Mar 2011, 09:13 Adam Good wrote:
Carl thank you for the input! Unfortunately I get an error that I
don't know how to do
Another tree to bark up and on a similar note, how to set roman
numerals in Score.markFormatter as rehearsal marks via \mark \default
...
\version 2.12.3
\relative c' {
\set Score.markFormatter = #(fancy-format #f ~@r. 1)
\mark \default
a b c d
\mark \default
a b c d
}
gives:
Hello,
Considering that fretboard diagrams can use (number-type .
roman-lower) how can I get scheme to print Roman numerals in place of
Arabic numbers in the following sequence?
Thanks
Adam
@@@
\version 2.12.3
#(define sequence-number 0)
#(define-markup-command (score-sequence layout props
Francisco (and Carl) thank you very much for your help! It's working
great for me.
best,
Adam
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Hi All,
I'm wanting to use this great counter markup code:
Implementing a counter in markup text
http://lsr.dsi.unimi.it/LSR/Snippet?id=543
though I would like to use it with \mark for example:
\mark \markup {\counter #mycounter}
But it gives results I don't expect and I'm having difficulty
On Wed, Dec 22, 2010 at 2:59 PM, Valentin Villenave
valen...@villenave.net wrote:
On Wed, Dec 22, 2010 at 2:37 PM, Adam Good adamg...@adamgood.com wrote:
Carl, can you elaborate on that? I just installed 2.13.43 and still
see deutsch.ly , english.ly etc in
lilypond/usr/share/lilypond/current
Carl, can you elaborate on that? I just installed 2.13.43 and still
see deutsch.ly , english.ly etc in
lilypond/usr/share/lilypond/current/ly
thanks!
Adam
On Tue, Dec 21, 2010 at 4:58 PM, Carl Sorensen c_soren...@byu.edu wrote:
P.S. this changes in 2.13.4x; the note names are all in the file
custom note names in the wizard and
the piano input.
On Mon, Dec 20, 2010 at 4:32 PM, Adam Good adamg...@adamgood.com wrote:
Hi All,
I'm just now checking out LilyPondTool and have a couple of newbie
questions regarding midi input.
It looks like the Score Setup Wizard is the place to set up
Hi All,
I'm just now checking out LilyPondTool and have a couple of newbie
questions regarding midi input.
It looks like the Score Setup Wizard is the place to set up which
language you would like the pitches to be notated as (cis vs. cs,
etc). Ok fine but I would like to use my own pitch names
Hi,
This should be very simple but I can't find a hint.
Could someone please offer a suggestion...in the snippet below for
some percussion notation I would like for the texts attached to each
note to be horizontally aligned with one another. Now it seems the
height is based on rhythmic value.
On Wed, Mar 17, 2010 at 1:11 AM, Neil Puttock n.putt...@gmail.com wrote:
On 16 March 2010 23:11, Adam Good adamg...@adamgood.com wrote:
Greetings,
I searched through the list archives and didn't see much of a
discussion regarding this. Maybe one reference that it's not possible
to transpose
Greetings,
I searched through the list archives and didn't see much of a
discussion regarding this. Maybe one reference that it's not possible
to transpose a key signature that uses
\set Staff.keySignature =
True? If not, hopefully someone can tell me otherwise.
Thanks!
%
\version 2.12.2
I'm Looking to have pitch names marked up above notated pitches and I
vaguely remember an example in the Lily manual that showed a hint or,
showed pitch names in the noteheads...but, I didn't see it online.
Or am I imagining? Anyone have a hint for me?
Thanks
Adam
to
try to work out some basic support for Hamparsum notation (old system
for notating Armenian church music and Turkish music pre-western note
style...each pitch has its own symbol, ultimately no staff necessary).
Adam
On Fri, Jul 17, 2009 at 4:11 PM, Robin Bannisterr...@dataway.ch wrote:
Adam
for but I can put you
in touch with the guy who fronted the most. He's a very good friend
of mine and actually I'm living on his couch this week in Vienna.
I think you'll be very pleased with how Lilypond is working for this
music.
Hope to hear from you,
Adam Good
Hi everyone,
Seems like there is a fairly simple solution but I couldn't even
think of how to search the manual or email archives for what I'm
looking for.
in the snippet below I'm using \relative mode and defined one and
two. When I compile i want the second occurrence of one to be in
Hi everyone,
in the markup below, two lines of text will be printed in a column
so, one on top of the other.
How can I decrease/increase the vspace between them?
Thanks all
Adam Good
%
custommark =
#(define-music-function (parser location marktext) (string?)
(make-music
Hi everyone,
This may be a bit off-topic but I figure others here may be using
ConTeXt to make books out of Lilypond files. I signed up for the
ConTeXt mailing list a couple days ago but still need to get
approved, impatient as always me.
I believe I asked the same question about LaTeX a
Hello,
Is there any handy dandy method to do the following:
let's say I wrote out a piece in 7/8. What if I wanted to see what it
looked like in 7/16 without having to change every note value of what
I already wrote say:
a4. b4 c b8 a g a4 b8 a
etc...
but what gets printed is:
a8. b8 c
Thanks Neil. I should have paid more attention to the manual when
learning this...here's the fix I was looking for:
%%%
\time 9/8
%%% revert default values in scm/auto-beam.scm regarding 9/8 time 3+3
+3+2
#(revert-auto-beam-setting '(end * * 9 8) 3 8)
#(revert-auto-beam-setting '(end * * 9
Hello everyone,
I'm working on a piece using Turkish characters in the key signature
and ran into a minor problem. The key signature I must use can be
found in this piece:
http://www.adamgood.com/turkish_nota/nota/Suzidil/
suzidil_p_tanburi_ali01.gif
and here's what I use in Lilypond to
Hi I'm using Dev version 2.11.27-1
I would expect the following example with 9/8 time sig to be grouped
and auto beamed in 2+2+2+3
%
\version 2.11.17-1
\relative a' {
\time 9/8
#(override-auto-beam-setting '(end * * * *) 2 8)
#(override-auto-beam-setting '(end * * * *) 4 8)
On Jun 29, 2007, at 7:44 PM, Bainos wrote:
by default there is a division at 3/8..
try using revert-auto-beam..
I did try that actually...am I doing something wrong here?
%
\version 2.11.17-1
\relative a' {
\time 9/8
#(revert-auto-beam-setting '(end * * * *) 3 8)
On Jun 18, 2007, at 11:26 AM, Joe Neeman wrote:
I'll attach a PNG of the new output on an example that was provided
by Kieren
elsewhere in this thread.
Joe
test2.preview.png
Joe would you mind to post your code for this fix? Looks better indeed.
thanks
adam
Hey all,
In the example below I want a time signature of 32/4 to show but I'm
having a hard time getting the 4 to be centered under the 32
thanks!
Adam
%
% create 32/4
tsMarkup =\markup { \override #'(baseline-skip . 2) \number { \column
{ 32 4 } } }
\relative a' {
Hi,
How do I specify how many systems per page when I'm using Lilypond-
book? I've read the manual (Integrating LaTeX and music) and have
tried examples but I can't get it working, I'm not sure what I'm
doing wrong.
in the very simple example below there are 6 systems total. what sort
of
, Adam Good wrote:
Hi,
How do I specify how many systems per page when I'm using Lilypond-
book? I've read the manual (Integrating LaTeX and music) and have
tried examples but I can't get it working, I'm not sure what I'm
doing wrong.
in the very simple example below there are 6 systems total
at this point for pieces that I know will fit onto 1 page,
\newcommand{\betweenLilyPondSystem}[1]{\linebreak\vfill}
is an exciting discovery. But a different story when the piece should
be 1+ pages
another wish, tell lilypond-book how many times to do \vfill (like,
12 times to get 12
Hi everyone,
I would like to add volta brackets by hand to my score, here's an
example of what it should look like.
At the very bottom of the page you see these brackets with the text
2.Haneye and 3-4.Hanelere
http://www.adamgood.com/turkish_nota/nota/Sehnaz/sehnaz_p_ali_aga01.gif
they
Thanks Mats, I checked it out. Now there are a couple of things:
1. at the end of the bracket (the right side) it simply stops, how do
i get it to to hook down like it does for \alternative endings? (if
that makes sense)
2. also i understand needing to change the font for the text that
of the installation I may have missed.
Thanks!
Adam Good
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This could be a real long shot but here goes:
I'm making pieces that have long rhythm cycles like 28/4 , 32/4 and
even 120/4
It's important for me to show how the 28/4 or whatever it is is broken
up, ie:
6+4+4 + 6+4+4
so i use:
\new Voice {
\repeat unfold 8 { s4*6 \bar : s1 \bar : s1
which must appear in
every measure between the last prefatory item (i.e., bar line, key
signature, time signature, clef; is that it?) and the first musical
element (i.e., notehead, accidental, arpeggio or other attachment,
etc.).
--
Adam Good
[EMAIL PROTECTED]
www.adamgood.com
646.257.3797
For my book that contains 20+ pieces what would be a handy way to make
a Table of Contents if each of the pages of this book contains nothing
but an include Lilypond file?
Header info is in the included file which is handy for me.
I have simply this:
\lilypondfile[indent=1.5\cm]{piece_01.ly}
A question from a forever it seems newbie...
When I compile a piece in Lilypond that turns out to be say, a 3 page
pdf, I get one pdf file that has 3 pages. is it possible to have it
instead compile 3 separate .pdf files?
that could be extremely useful for making a book in LaTeX...
thanks
Ok I have this working in my LaTeX file:
\newcommand{\betweenLilyPondSystem}[1]{\linebreak}
\begin {lilypond} etc...
to put more space between score lines. actually i used
{\linebreak\linebreak } to get even closer to what I needed but now the
line spacing from one piece to another is
In the code below there are 3 bars of 4/4 followed by 3 bars of 10/8.
It is important that the \break is at the end of the 3rd bar of 4/4.
you'll see at the end of the 1st line there is a sort of warning that
10/8 is coming...how do I get rid of that? Without cancelling the 10/8
on the 2nd
Hi,
I just started trying to mess around with bringing Lilypond into LaTeX
and so far the most frustrating thing is that my \paper settings are
getting messed up.
between-system-space and between-system-padding seem to get ignored
altogether.
anything to do about that? I have very
sure, below, it's not exactly a little bit of code but it shows my
problem, at least to me.
Adam
On Apr 25, 2007, at 7:39 PM, Dominic Neumann wrote:
could you please post a minimal examples meaning reduced to the
minimum by still reproducing your error?
begin---
%%!TEX TS-program
Basically it comes down to something like this, if I take Lilypond code
that works for me, then use the same code in LaTeX, my spacing gets all
goofy.
It seems that Latex is doing some automatic margin stuff that ends up
kicking lilypond code out of place.
how do I come up with something
this?
I hope this all makes sense, I can't find anything in the manual that
can help me.
thanks!
Adam Good
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Hi, I'm getting strange results when trying to make a tuplet grouping...
the piece is in 12/8
i want four 16th notes within three 8th notes
in the example below i have 2 staves.
1. the top is showing the proper rhythm and proper grouping of 8th
notes.
2. bottom is a mirror of the above except i
Markus and Mats,
Thank you both. it's working.
although now, only thing missing for me is the fraction shows 4:6
when I think it's very common practice to write 4:3
i want to tell the musicians that this is four against three
--
\repeat volta 2 { \mark \default
\set
Hello,
i would love some help with this!
I'm trying to set the beams in a piece with a 12/8 time signature so
that I don't have to manually put in [ ] brackets around note
entries.
the 8th notes in the 12 is grouped like:
3 4 3 2
so, in other words, rather than have to put in brackets
Mats,
thanks for answering...interesting, that's what I was doing before as
it seems logical but i'm not getting the results that I want, beams are
not correct. code for the score is posted below. any ideas?
No, not in that section but in the section on Setting
automatic beam behavior. Try
flat symbols and
other microtonal characters that are already supported?
best,
Adam Good
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Hi I'm Adam Good, musician of Balkan, Turkish, Eastern European
music. I've been in contact with Han-Wen regarding some major support
in Lilypond for Turkish music which can be considered a microtonal
music. It would be fantastic to be able to create charts for Turkish
Classical or Ottoman
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