PS By doing this I got 2.18.2.
On Wed, Oct 16, 2019 at 12:06 AM Alan Shaw wrote:
> Here's what I did:
> 1.
> https://www.ghostwheel.com/2019/09/05/installing-macports-on-macos-10-15-catalina-beta-7/
> (step 17, sudo make install, failed, but I ran it again and it succe
Here's what I did:
1.
https://www.ghostwheel.com/2019/09/05/installing-macports-on-macos-10-15-catalina-beta-7/
(step 17, sudo make install, failed, but I ran it again and it succeeded.)
2. https://lists.gnu.org/archive/html/lilypond-user/2019-03/msg00040.html
Both of these took a very long time b
I am brand new to Lilypond. I have tried and tried to figure out how to
code SATB four staves of polyphony with different notes, durations and
lyrics, but while I am close, some of the lyrics fall to the very bottom of
the score and will not stick to the staff that I want them to.
Sorry if the exa
Why does this segment go wrong in the second alternative? Is it to do with
the "partial"? I've tried all sorts of things!
Alan
\version "2.16.2"
\header { poet = \markup { \huge " " }
composer = " "
arranger
On Tue, Sep 17, 2013 at 07:31:15AM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> >You are absolutely right! However: try this
>
> >
> > d4. e8 d c | b4 g g4. \bar "" a8 d,4 d | b' g g \bar "|."
>
> Bad timing.
On Tue, Sep 17, 2013 at 12:50:54AM +0200, Janek Warchoł wrote:
> 2013/9/17 Alan McConnell :
> > On Mon, Sep 16, 2013 at 11:21:43PM +0200, Janek Warchoł wrote:
> >>
> >> Please send us a short and compilable example and we'll try to tell
> >> you what exac
\score {
\new Staff
<< \global \violinOne
>>
}
\layout { }
(finish)
Make the second barline Go Away!
Alan
--
Alan McConnell : http://globaltap.com/~alan/
An idea is not responsible for the pe
1 | c \bar "" c c | c }
Alas, no. I played with the \bar command and put in
some fancy stuff. But, peculiarly enough, the original
bar line, mandated I guess by my 3/4 key signature, is
not replaced. It is still implacably there!
Alan
--
On Mon, Sep 16, 2013 at 10:01:42PM +0100, Phil Holmes wrote:
>
> >bar line, mandated I guess by my 3/4 key signature, is
> >not replaced. It is still implacably there!
> >
> >Alan
>
>
> No fancy stuff needed. \bar "" puts in a blank bar line
On Mon, Sep 16, 2013 at 12:32:25AM +0200, Thomas Morley wrote:
> 2013/9/15 Thomas Morley :
>
> > Hi Alan,
> >
> > I've got the image, thanks.
> > Now it's clear what you deserve.
"What I deserve"? Whipping? Methinks thou art getting
leased.
> Have to be off now, so won't reply with anything more useful right now.
> I think we might have discussed this problem once already on the list
> but I don't know what code (if any) might have been waved around in the
> course of the discussion.
As before: any f
First of all, my thanks to both David K and Robert S for
their quick responses!
On Sun, Sep 15, 2013 at 05:25:33PM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> > (start)--
> > \version "2.16.0"
> >
> > global
provision for such a
treatment of the hemiola, but I can't find it in
the documentation. Any help would be gratefully
received!
Alan McConnell, in Silver Spring MD
--
Alan McConnell : http://globaltap.com/~alan/
Know thyself. If you need help, call the C.I.A.
Whenever anyone says
what obtains in 2.15? If not, is not this behavior
anomalous? I realize that this is a "remote corner" of musical
notation, but still . . .
I would hope that any accidental appearing in a key signature
would always, in all circumstances, apply to all octaves. That
does not at p
octaves?
> > Thanks to Mr Kastrup for his tips on Scheme/guile. I'll read what he
> > has pointed at with care and, hopefully, understanding.
>
> Well, looks like I should point more carefully...
I am sorry to have irritated you.
Alan
--
Alan McConnell :
er all the octaves! Otherwise great
confusion ensues.
Maybe this problem is repaired in 2.15?
Thanks to Mr Kastrup for his tips on Scheme/guile. I'll read what
he has pointed at with care and, hopefully, understanding.
Alan
--
Alan McConnell : http://patriot.net/users/alan
Have t
ow Scheme/guile is woven into Lilypond, and
explains the various ways guile can be used?
Again, many thanks!
Alan
--
Alan McConnell : http://patriot.net/users/alan
Have the courage to be ignorant of a great number of things, in
order to avoid the calamity of being ignorant of every
one of the two possible
whole tone scales, and also clefs
for C# and D#, giving the other.
I have looked at quite a bit of the
documentation and have not found this
capability. If it already is documented,
please point me at it; if it can be done,
and someone knows how, please let me know!
TIA,
On Sat, Oct 08, 2011 at 04:54:18PM +0200, David Kastrup wrote:
> Alan McConnell writes:
>
> > On Sat, Oct 08, 2011 at 10:28:53AM -0400, Kieren MacMillan wrote:
> >> Hi Alan,
> >>
> >> The easiest way is probably manually inserting space:
> >>
>
On Sat, Oct 08, 2011 at 10:28:53AM -0400, Kieren MacMillan wrote:
> Hi Alan,
>
> The easiest way is probably manually inserting space:
>
> \score { [Trio Music] }
> \markup { \vspace #12 }
This works splendidly! Thank you, and thanks to eluze
who sent t
\layout and about \paper, and I've done some
experimenting, but without success.
I am running lilypond v 2.14.2, on my Debian squeeze box.
TIA for anticipated help!
Alan
--
Alan McConnell : http://patriot.net/users/alan
Music is still the most important aspect
of good living
ke suggestions. I need to thank everyone, on the
LilyPond and TuxGuitar ends for this amazing software. I am a novice, with
a bit of practical instrumental experience from days of my youth, not a
professional musician. My instructor is anxious for more information about
the software I am using t
> title = ""
> composer = ""
> instrument = "Track 1"
>}
> }
>
That worked fine! Thank you. Now I have something to start with...
Alan
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On Fri, Oct 15, 2010 at 1:01 PM, Graham Percival
wrote:
> On Fri, Oct 15, 2010 at 12:44:12PM +1000, Alan E. Davis wrote:
> After spending a little time trying to understand lilypond, I
> >have come to the conclusion that there is something quite particular
> about
> >
ning
chord nomenclature? I am just starting to get a LITTLE bit of a feel for
it.
Thank you,
Alan Davis
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\Staff
\remove "Time_signature_engraver"
\remove "Bar_engraver"
\override Stem #'transparent = ##t
%\override SpacingSpanner #'spacing-increment = #4
\override SpacingSpanner #'shortest-duration-space = #8
}
}
}
"
Alan
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ominant-seventh and d for diminished-seventh.
I would guess that the easiest way to do this would be to include those symbols
as lyrics, but if any of you can think of another way to do it, I'd be
interested.
Thanks for any help you might offer.
Alan
aver in the Score context, the name
is normally centered.
Of course in the example there is no good reason to move the volta engraver,
but in the actual music there is.
Thanks,
Alan
[snippet follows]
\version "2.12.2"
\paper {
ragged-last = ##t
}
\layout {
\conte
I have several instances where instrument names are too high, much higher
than the staff center line. It happens with both full and short names, but
only when a volta bracket is over the first measure.
If this rings a bell and merits further discussion, I can provide examples.
Thanks,
Alan
#x27;(-2.5 . 2.5) #1 }
}
This can be put in place of the command to delete the TS stencil in the
original snippet.
best,
Alan
Alan Shaw wrote:
>
> I've seen discussion of a similar situation at the end of a line, where it
> can be fixed by adjusting break-visibility, but this i
Looks like this was reported as a bug (issue #660). Workarounds, anyone?
Alan Shaw wrote:
>
> I've seen discussion of a similar situation at the end of a line, where it
> can be fixed by adjusting break-visibility, but this is a little
> different. What I am trying to
I've seen discussion of a similar situation at the end of a line, where it
can be fixed by adjusting break-visibility, but this is a little different.
What I am trying to do is set certain passages where a choir and instruments
play together, and the instruments then repeat without the choir. In t
. A great forum.
Alan
Reinhold Kainhofer wrote:
>
> Am Montag, 29. Juni 2009 13:45:59 schrieb Alan Shaw:
>> I would need to put it where it didn't affect all lyrics, since there are
>> "normal" staves with lyrics in the same score, and I don't want those
cters that extend upwards, like "lhkfbd".
>
>/Mats
>
> Jonathan Kulp wrote:
>> On Fri, Jun 26, 2009 at 11:42 PM, Alan Shaw > <mailto:alans...@prosoidia.com>> wrote:
>>
>>
>> I am trying to make a staff consisting only of lyrics sepa
been importing my Finale files through musicxml2ly, but
this was one bit that didn't survive the translation.
Thanks again.
Jonathan Kulp-2 wrote:
>
> On Fri, Jun 26, 2009 at 11:42 PM, Alan Shaw
> wrote:
>
>>
>> I am trying to make a staff consisting only of lyrics
n the bars.
Any suggestions? I've searched this forum and the documentation pretty
thoroughly. Thanks.
Alan Shaw
--
View this message in context:
http://www.nabble.com/staff-consisting-of-lyrics-with-bar-lines-tp24230425p24230425.html
Sent from the Gnu - Lilypond - User mailing list archiv
Hi,
the \stemUp command does not work for \longa in my score.
Any solutions?
Thank you,
Alan
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Hi,
the \stemUp command does not work for \longa in my score.
Any solutions?
Thank you,
Alan
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Roman,
perfect, that's it!
Thank you,
Alan
Am 24.09.2008 um 04:23 schrieb Roman Stawski:
Hi,
I integrated a lilypond-file then processed by lilypond-book in latex
and I got an indent as you can see in the attached pdf. The code for
that fragment in latex looks like that:
...
Bestan
Hi,
this time I did not find the following in the manual:
How to change the space between a Staff and a Lyrics?
Thank you,
Alan
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Hi,
the "VerticalAxisGroup #'minimum-Y-extent" does not work with "Voice"
in a "ChoirStaff". Is that normal?
("\override Voice.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)")
Alan
P.S.: I am using lilypond version 2.10.33
__
here:
"black notation"
http://en.wikipedia.org/wiki/Mensural_notation
Thank you,
Alan
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staff stays with
the same size whatever size I give it.
Any ideas?
Thank you,
Alan
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is in Computer Music, I write it in
LaTeX and I want to use lilypond for some music-notation examples.
Would be nice if you help me with this error,
from Munich,
Alan
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Dear Sirs,
I have not been able to compile your LilyPond program. I get the following
error message in the log file.
# -*-compilation-*-
Processing `C:/My Documents/test.ly'
Parsing...
Interpreting music... [2]
Preprocessing graphical objects...
Layout output to `C:My Documents.ps'...
Converting
not defined in file libc.so.6 with link time reference
I am running a very ancient Debian sarge, which I hope to upgrade to etch in
a week or so. Can I fix the above error before that, or is it best to wait
till I have etch working?
TIA for help and best wishes,
Alan
This is exactly what I need, thank you!
As Trevor suggests I'm looking for something like beat counts. I'm using
lyrics to
annotate harmonic changes which usually, but not always, follow a base
voice.
Alan
On 6/4/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Why not use the
Lilypond overlaps the
words 'two' and 'three' -- even though I've tried to override
by placing length numbers after every word. I do want
the words to follow the music, for example if some
accidentals move the horizontal placement of the beat, etc.
Thanks for any help!
Al
offset = #'(-10 . 10)
I have also tried entering separate "\new FiguredBass {...}" as elements
in the list of lyrics. This resulted in increasing vertical offsets. The
increasing offsets eventually cause problems with the page layout.
Any suggestions?
Alan
__
I took the following example from the documentation, but added
the tailing g's. No matter how many notes are cramed into the
line, the figures remain in the same place. Aren't the figures
supposed to track with the notes similar to lyrics?
Alan
\version "2.10.17"
\new Voic
ried using mutiple base figures spaced on 32'nd note
intervals, however the vertical allignment doesn't work very
well. Is there anyone who has already looked into this that
has a better solution?
Alan
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lilypo
I had trouble using markups for stanza numbers inside of lyricmode.
However, assigning it to a variable seems to work around the problem.
bflat = \markup { "B" \flat ":" }
textA = {
\lyricmode {
\override LyricText #'extra-offset = #'(0 . 9.1)
\override StanzaNumber #'extra-offset = #'(0 .
comment
prefix.
% Any %%X comme
--- End offending input ---
file offset = 1374
gsapi_run_string_continue returns
-101
I suspect that this is to do with the century school book
font but I’m unsure how to rectify this problem.
Any suggestions would be welcome
Alan Rufli
How can I make a non-music part of my .ly file conditional? For example,
suppose I want to add something like
between-system-padding = 0.3 \in
to the \paper{} section, but only if the Scheme variable "partNum" is equal to
0. There doesn't seem to be any way to do it. The #{ ... #} syntax d
provide me with a step by
step walkthrough on how I should go about doing the conversion? I am using
Tiger OS X and have LilyPond 2.6.5-1 installed.
Thank you,
~Alan
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"The intelligence and facts were being fixed around the policy."
Impeachment proceedings should be started immediately.
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Since I can't access the
LilyPond user forum, not being a member, and there is no "contact" link on the
LilyPond website, and a) my downloaded Cygwin doesn't work, and b) I can't
delete the heavy cigwin files from my hard disk, where can I turn to for
help ?
Ala
Hello,
I've just downloaded
LilyPond for music notation onto my Windows XP.
When I click on the desktop
icon, all I get is a window with my e-mail adress and a $
sign.
No result when I try to
download a test.
Yet I think I installed
everything correctly.
Yours,
Alan
Be
This is Alan. Clarence Barlow told me I should
check out lilypond and so I do. I downloaded the fink stuff and installed it.
All I have on my HD is now a directory called "sw" with endless
directories.
On the website there is said one should enable the
"unstable" tree
s come out at the bottom, even though I
specifgy them first in the \simulataneous block?
Many Thanks, and all the best for 2004!!!
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor Wits University
School of Electrical and Information Engineer
ct in the first line of
``Silent Night'', attached below the .sig?, or point me to the righ place
in the manual?
Many Thanks
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor Wits University
School of Electrical and Information E
there a way to put the fingerings on a separate ``line'', ie not tied
to note heads?
I suspect that 1) is possible, but 2) not.
Thanks for any help. (Using 1.4.6, BTW)
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor
s of different file formats you could
choose from. It worked OK.
--
Alan Lakin
Wallington, Surrey, England
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string is seen as one word.
I have tried running the examples in the manual with no look. Is this a bug in
the version I am using?
Thanks.
--
Alan Lakin
Wallington, Surrey, England
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r. Otherwise, you may do:
The flex that I downloaded and installed -- I had to unpack
it with ar -- is flex_2.5.4a-22_i386.deb. I have the right
FlexLexer.h, I believe, and the right libfl.a.
But perhaps you are referring to something else? perhaps you could be
more explicit
nfo, but I think I have lots of documentation . . .
I have geometry.cfg and geometry.sty, down inside . ./tex/latex/ . . .
I have MetaPost and mfplain.mp
I trust that this list of prerequisites is complete; but maybe not . .
Any suggestions/help would be much appreciated.
TIA and best wishe
to do.
A tip: I'm told also that gcc 3.0 handles STL better. I am not now
nor have I ever been a C++ programmer(although I've written lots of
C), so I don't know what difference this makes to Lilypond.
Some further comments:
On Thu, Nov 08, 2001 at 05:24:45PM +0100, Jan Ni
or 1
rm out/lexer.cc
make[1]: Leaving directory `/root/music/lilypond-1.4.8/lily'
make: *** [all] Error 2
-(finish)
I am running Debian Woody, gcc 3.0, and GNU make, version 3.79.1.
Has anyone else had trouble with this build? any hints about how to
proceed?
Best wishes to all,
Alan
--
Alan M
ody person.
Anyway, any help with guile/guile-config will be much appreciated.
Best wishes,
Alan, who looks forward to working with lilypond
--
Alan McConnell We are bombing Afghanistan in order to get rid of the
Pixel Analysis Taliban who -- allegedly -- are sheltering ObL who --
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