Re: parts for natural horns and trumpets

I'm trying to understand your problem. Is it that the horn part is currently in concert pitch and you're looking for an easy way to transpose it? Are you asking how to notate the changes? Perhaps it would help if you attached an image of what things look like now and described what you want. Alex

Re: Best practice with inconsistent "à 2"

In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double stems for passages where the voices are also split at some point. On Aug 7, 2014, at 8:49 AM, Urs Liska wrote: > Hi folks, > > I have a large romantic score in front of me. In the handwritten score the > \partco

Re: Notation

I got a similar problem a while back. For me it wasn't a problem with lilypond, it's a problem with LaTeX. LaTeX relative includes seem to be relative to where the command was run from, not from where the file is, so cd to where the output is and try running LaTeX from there. On Fri, Jul 18, 2014

Re: How to avoid key change with \transpose ?

I don't know about keeping in the right key for transposition (I actually ran into the same project today). To make the ending work, perhaps you should do something like: base = \relative c' { c4 c8 [ d8 ] e4 e8 [ f8 ] g4 } violinI = \relative c' { \base e f g} violinII = \relative c' { r2 \trans

Re: Is there a translator from LilyPond to XML?

I was under the impression MuseScore had Lilypond import and XML export On May 21, 2014, at 2:18 PM, pls wrote: > > On 21.05.2014, at 18:44, Dennis Clason wrote: > >> I have a publisher interested in some of my work, but they want it in their >> house style. They know about LilyPond, but

Re: pas de midi avec frescobladi dev

Avez-vous Timidity ? Je l'ai du installer sur mon ordinateur. On May 8, 2014 12:12 PM, "Éditions IN NOMINE" wrote: > Merci pour cette réponse rapide, mais hélas, j'avais déjà touché à tous > les boutons avant de poster... bon ça ne fonctionne pas chez moi... Je n'ai > que Midi Through Port-0 pour

Page number padding

Page numbers are consistently too close to other content. What is the best way to force them away? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Lilypond and midi files

I know Lilypond can import MusicXML files, so you could import the MIDI into something that can export Music XML (I think Sibelius might work?) and then import the XML file. I'm not sure if it's possible to go directly from MIDI to Lilypond. On Tue, Feb 4, 2014 at 7:35 AM, Claudio Garanzini < cla

Re: Beam height

Is there a way to make them all the same height? On Jan 25, 2014, at 2:55 AM, Janek Warchoł wrote: > 2014/1/25 Alex Loomis : >> Is this a bug? I would expect for the beams to all line up with the first. >> They do if you take it down an octave. >> >> \version &

Beam height

Is this a bug? I would expect for the beams to all line up with the first. They do if you take it down an octave. \version "2.19.1" {\relative c' {\repeat unfold 4 { es16 fes ges es }}} ___ lilypond-user mailing list lilypond-user@gnu.org https://lists

Re: bar-check warning when generating rehearsal midi soprano, alto, tenor etc

Could you try to make a minimal (not) working example? On Wed, Jan 22, 2014 at 8:45 PM, MING TSANG wrote: > When compile the .ly there is no warning or error in the log file: > Starting lilypond-windows.exe 2.19.0 [test-midi.ly]... > Processing `C:/Users/Tsang/Dropbox/CHOIR/the-rock/test-midi.l

Re: Overriding bound details of VoiceFollower line

Move it to after the e but before the change. \voiceOne \showStaffSwitch cs8 a r a e' e \once \override VoiceFollower #'(bound-details right Y) = #-2 \change Staff = "Right" \voiceTwo gs fs16 e On Mon, Jan 20, 2014 at 11:55 AM, David B. Stocker wrote: > I've followed the directions in

Re: multi-column markup function/macro?

gt; Here it is split into two files, so that the example does show up in > frescobaldi. I removed the deletion of the xelatex-* working files, so > you can start xelatex without lilypond and see, if there are errors on > the shell. > > Cheers, Jan-Peter > > > Am 16.01.2014 01:3

Re: partcombine and quoteDuring

And also, with the first version the rest disappears. On Wed, Jan 15, 2014 at 8:11 PM, Alex Loomis wrote: > In addition to the problem Mogens described, the first B is marked Solo > when \partcombine should be marking it a2. > > > On Mon, Jan 13, 2014 at 1:05 PM, Mogens Lemv

Re: partcombine and quoteDuring

In addition to the problem Mogens described, the first B is marked Solo when \partcombine should be marking it a2. On Mon, Jan 13, 2014 at 1:05 PM, Mogens Lemvig Hansen wrote: > Hi, > > With the first version of voiceB below I get “ warning: ignoring too many > clashing note columns” > The seco

Re: how close are we to having an "addAt" or "insertAt" feature?

How much sense would it make for there to be a separate \mark-style command that functioned identically but didn't mess with the counter? On Tue, Jan 14, 2014 at 8:30 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Werner, > > > I suggest that such a command allows for a third,

Re: global variables

>there may be some temptation for offering a >LilyPond-native syntax for that. Pretty please? It's the feature I've been missing the most in lilypond. On Wed, Jan 15, 2014 at 11:48 AM, David Kastrup wrote: > Jacques Menu writes: > > > Le 15 janv. 2014 à 17:15:53, David Kastrup a écrit : > > >

Re: multi-column markup function/macro?

I got no output and a page full of fontconfig warnings when I ran it. I left out all but the first since there were about 100 and they're all nearly identical. Starting lilypond 2.19.0 [xelatex-command-list.ly]... Processing `/tmp/xelatex-command-list.ly' Parsing... This is XeTeX, Version 3.14

Re: v2.19 released, etc.

http://www.lilypond.org/development.html On Sat, Jan 11, 2014 at 8:59 PM, Philip Rhoades wrote: > Alex, > > They are still showing: > > LilyPond 2.18.0-1 > > Regards, > > Phil. > > > > On 2014-01-12 12:55, Alex Loomis wrote: > >> The repo

Re: overlap

To change the padding, use \once \override Staff.Hairpin.outside-staff-padding = #'0 but depending on what's going on you might also have to manually set the space between the staffs. On Sat, Jan 11, 2014 at 3:54 PM, Shane Brandes wrote: > O.k. that was a terrible question, after further wor

Re: v2.19 released, etc.

The repository packages are updated rarely, the lilypond website's packages are updated pretty much day of. On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades wrote: > People, > > > > On 2014-01-12 06:57, Kieren MacMillan wrote: > >> Hello all, >> >> Thanks for v2.19! Great work. >> >> For anyone

Re: Engraving challenges

Another vote for this. It would also make logistics easier. On Jan 8, 2014, at 6:48 AM, Simon Bailey wrote: > On Wed, Jan 8, 2014 at 12:42 PM, Phil Holmes wrote: > It might actually be interesting _not_ to collaborate, and see what > differences occur. This might also be true for Lilypond.

Re: Is it possible to invert the two-sided option?

In books, recto (odd) pages have larger left margin and versos have larger right margins. Does anyone know why LilyPond reverses it? On Sat, Jan 4, 2014 at 1:23 PM, Carl Peterson wrote: > On Sat, Jan 4, 2014 at 12:52 PM, Speldosa wrote: > > I would like to use \paper{two-sided = ##t} in order t

Re: Open string tunings for guitar

The Frescobaldi website says to post feature requests here. https://github.com/wbsoft/frescobaldi/issues On Sun, Jan 5, 2014 at 2:12 PM, Fulvio Turra wrote: > Federico hit the point. I forgot to mention in my first message that > Frescobaldi is the editor I use and a custom tuning generator wou

Professional Engraving

This isn't directly related to LilyPond, but I have a question for people on the mailing list. it seems like several people on this mailing list get payed to engrave music. How did you get started with those jobs? ___ lilypond-user mailing list lilypond-u

Re: TextLine help needed

How likely is the content to change? You could make that in LaTeX and include it in LaTeX from an eps file, but even as I'm typing it that seems like a very clunky way of doing things to me... I'll sleep on it and see if I can come up with anything. On Sat, Jan 4, 2014 at 2:54 PM, Kieren MacMilla

Re: new and context

It depends. It can be easier to read when they are all below the staff. On Tue, Jan 7, 2014 at 12:12 PM, Noeck wrote: > > Figured bass can be displayed using the FiguredBass context, or in most > > staff contexts. > > Hi Simon, > > thanks for the explanation! > > This means bass figures should

Re: Center Lyric Syllables (ignoring punctuation)

Shouldn't this be the default output? Looking at hand-engraved examples, such as this lied, words tend to be centered ignoring punctuation (measures 8 and 14), or furth

Re: snippet: standard staff sizes

> Or from the computer-based point of view: Is anything wrong with > choosing a staff size of 19.1? >From the computer-based view, no. From the typography-based view, yes. Something as small as that won't likely make a difference, but the further from its intended size you force a glyph the worse

Re: Position of text and symbol above note

This should do the trick. a4.^\markup{\vcenter "To Coda"\musicglyph #"scripts.coda"} On Tue, Jan 7, 2014 at 8:59 PM, muggle wrote: > This works, but is there a way to vertically align the coda symbol so that > it > looks nicer? > > > > -- > View this message in context: > http://lilypond.1069

Re: adding extra spacing ABOVE a context

Could you give an example? On Tue, Jan 7, 2014 at 8:29 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > I’ve got a text-only context (TextLine) which contains script information > (dialogue, stage directions, etc.) in my music dramas. This context is the > uppermost

Re: Engraving challenges

I'm interested and have access to both LillyPond (of course) and Sibelius. On Tue, Jan 7, 2014 at 11:15 AM, Urs Liska wrote: > Hi all, > > recently we discussed about comparing LilyPond's performance with that of > competing programs > (http://lists.gnu.org/archive/html/lilypond-user/2013-11/ms

Re: Position of text and symbol above note

a4.^\markup{"To Coda"\musicglyph #"scripts.coda"} On Tue, Jan 7, 2014 at 8:34 PM, muggle wrote: > I want to postion "To Coda" and the coda symbol on a single line above a > note > like this > > > a4.^"To Coda"\coda > pri

Re: Fwd: Start creating with Finale 2014 today

I am throwing together a response to the article someone linked to in this thread, would anyone like to fact-check it when I am through? On Tue, Jan 7, 2014 at 1:05 PM, Shane Brandes wrote: > The universe refuses write access to anything but the future. > Excellent observation. Had me laughing.

Re: Survey: Git (G)UIs

I mostly use the command line. As far as the basics go I know what I'm doing, but branches still don't fully make sense to me. On Jan 6, 2014, at 7:53 AM, Urs Liska wrote: > Hi all Git users, > > I'd like to make a survey on how you are working with Git. > > Do you use the command line excl

Re: musicxml2ly on Windows

Have you tried upgrading to 2.18? It's possible that if the issue is with musicxml2ly that it has been fixed. On Jan 5, 2014, at 4:42 PM, TaoCG wrote: > TaoCG wrote >> >> Phil Holmes-2 wrote >>> - Original Message - >>> From: "TaoCG" < > >>> tao_lilyponduser@ > >>> > >>> To: < >

Re: svg output differs from pdf output

There also seems to be something wring with the ledger lines in the pdf. On Jan 4, 2014, at 5:50 PM, bart deruyter wrote: > Hi all, > > I ran a little test, because I often use svg as output to manipulate > afterwards. > I noticed there seems to be a difference between the pdf and svg output

Re: \include "*.ly" for only part of a score

In general it's best practice to keep includes at the top of the file, so I would do it like this: %file custom.ly varA = %letter paper; can't check syntax on my ipod so not going to try varB = %ragged right %your file \version "2.18.0" \include "custom.ly" \paper{ \varB } etc. On Jan 2, 2014,

Re: Learning LilyPond, comments invited

>From what I've seen, \cadenzaOn seems to be the preferred way of writing >unmeasured music. On Jan 3, 2014, at 3:14 AM, Colin Tennyson wrote: > Carl Sorensen-3 wrote >> Your music has some durations that cross bar lines. These durations mess >> up the bar checks. Is there a reason you don'

Re: Multiple scores on same page

Just put each in a separate \score block. Lilypond will automatically put a line break between each score. On Wed, Jan 1, 2014 at 10:16 PM, Ed Faulk wrote: > I have three related scores, each scored for piano and each requiring two > systems. I'd like to be able to put all three on a single pag

Re: arrrgh. manuals download link hard to find...

Those are links to the online versions, it sounded like he was looking for the PDFs. On Mon, Dec 30, 2013 at 8:06 PM, SoundsFromSound wrote: > Tom Cloyd-2 wrote > > Updating everything, due to new release of Ly, I'm trying to get the new > > manuals. Running into an old problem: > > > > On the h

Re: PDF portfolio of 2.18.0 docs

t 11:10 PM, Alex Loomis wrote: > >You need to open the portfolio in Adobe Reader 9 or later to use it as > intended > > Make that to use it at all. Using anything else all you get is a page with > the message "For the best experience, open this PDF portfolio in Acrobat 9 > or

Re: PDF portfolio of 2.18.0 docs

>You need to open the portfolio in Adobe Reader 9 or later to use it as intended Make that to use it at all. Using anything else all you get is a page with the message "For the best experience, open this PDF portfolio in Acrobat 9 or Adobe Reader 9, or later." Could you also post them as individu

Re: frescobaldi ERROR

Have you checked under frescobaldi's preferences to see what command it's running when you tell it to engrave? On Dec 29, 2013, at 5:38 AM, Martin Tarenskeen wrote: > > > On Sun, 29 Dec 2013, Federico Bruni wrote: > >> But I still can't compile *any* lilypond file, not even a >>

Re: chart alignment

The documentation for chords is here: http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords On Dec 28, 2013, at 6:22 AM, "Phil Holmes" wrote: > - Original Message - From: "Bric" > To: "lilypond-user" > Sent: Saturday, December 28, 2013 6:51 AM > Subject: chart align

Re: improving LilyPond useability

I can proofread the English version. On Dec 27, 2013, at 4:08 AM, Daniel Rosen wrote: >> -Original Message- >> From: Janek Warchoł [mailto:janek.lilyp...@gmail.com] >> Sent: Thursday, December 05, 2013 12:58 PM >> To: Daniel Rosen >> Cc: LilyPond Users; Jan Nieuwenhuizen; David Kastrup

Re: [Feature Request] \compressFullBarRests improvement(s)

How would it behave if \draftSkip were, instead of being changed, tagged, and you ran lilypond with exclude-tag #draft? (I can't remember the syntax off the top of my head, but I think that's reasonably close.) On Dec 27, 2013, at 1:38 AM, "Keith OHara" wrote: > On Thu, 26 Dec 2013 18:44:56

Re: using latex @ packages within \markup

Have you looked at lilypond-book? On Dec 27, 2013, at 9:12 AM, Francois Planiol wrote: > hello, > > I dont know how is developping for Riemann symbols right know. > I developped this in LaTeX and this works ok for me. > The question is how to pack it in a \markup block, using LaTeX and two >

Re: note / rest clash

Change the fourth line to << { \voiceTwo b,2 b4\rest } \\ { \voiceFour g'4 g g } \\ { \voiceOne d'2 d4\rest } >> | \break The odd numbered voices will always have stems up and even voices will always have down stems. I don't remember where it was but I remember reading the numbering of voices s

Re: ANN: Frescobaldi 2.0.12

Does anyone know why the version in the ubiuntu repos is always so out of date? On Thu, Dec 26, 2013 at 3:34 PM, SoundsFromSound wrote: > Johan Vromans wrote > > Wilbert Berendsen < > > > wbsoft@ > > > > writes: > > > >> Enjoy, and please report bugs as usual! > > > > Oh, how wonderful it would

Re: 3x repeats

I'm surprised you can't do it with a spanner. Why don't we have something like: \override TextSpanner #'(center-text text) = \markup { \small Play three times } On Tue, Dec 24, 2013 at 4:12 PM, David Nalesnik wrote: > > Hi Janek, > > On Tue, Dec 24, 2013 at 2:45 PM, Janek Warchoł > wrote: > >>

Re: 3x repeats

Slash repeats are never used with certain instruments and only rarely seen outside handwritten scores. Even Ravel's Bolero doesn't use them in the score, where the snare drum plays the same pair of bars for 65 pages (though it does obviously use them in the part). On Dec 23, 2013, at 8:26 PM,

Re: New user frustration, pedal and alternative endings, roman numerals

There is a way to make roman numerals here. http://lsr.dsi.unimi.it/LSR/Item?id=710 Click on the image, save the wall of text you see as roman.ly, and add the line \include roman.ly after the version line. As for the rest, I would have to see your code to see why it was acting strange. On Mon, D

Re: Alternative notation for guitar 7th chords

I'm not sure what it does, like I said I just upgraded it to be compatible with 2.17.95. Given your error I assume you're using 2.16.x, before a certain change in syntax became usable, so changing it to \override ChordName #'extra-spacing-width = #'(-1.25 . 1.25) should work. If it displays well

Re: calling all opera/musical engravers

Would you mind explaining that code? My scheme is, alas, nearly nonexistent, and I have a project where I would like to change what is page one. On Dec 21, 2013, at 7:23 PM, Kieren MacMillan wrote: > Hi Jean-Charles, > > Thanks for the response. > >> Have you looked at Nicolas Sceaux's work

Re: [Feature Request] \compressFullBarRests improvement(s)

That could be a useful feature but should not me the default. Perhaps an override such as \override MultimeasureRest #'condense-all = ##t would be helpful. That way the default would still be the intuitive way (2+2 gives two separate groups) whereas the other is still an option for those who w

Re: Alternative notation for guitar 7th chords

know. On Sun, Dec 22, 2013 at 12:03 AM, Alex Loomis wrote: > I didn't see it in the LSR and the version of pop-chord.ly I found was > written for 2.11.52, so it might not work perfectly. Give me a moment and > I'll attach one that works with 2.17.95 > > > On Sat, Dec 21

Re: Alternative notation for guitar 7th chords

I didn't see it in the LSR and the version of pop-chord.ly I found was written for 2.11.52, so it might not work perfectly. Give me a moment and I'll attach one that works with 2.17.95 On Sat, Dec 21, 2013 at 10:06 PM, Tim McNamara wrote: > The easiest thing is using the pop-chords.ly alternati

Re: 3x repeats

In many contexts it's preferable to write it out instead of using percent repeats. If it's a long passage then it's frequently written pretty much like you had it except with the x3 at the repeat sign. On Sat, Dec 21, 2013 at 9:31 PM, Mark Stephen Mrotek wrote: > Xavier Noria, > > > > Look at >

Re: [Feature Request] \compressFullBarRests improvement(s)

I agree entirely with James that the input looks good as is. Only tangentially related, does the placement of the first mark bother anyone else? I feel like it would look better after rather than over the clef. On Sat, Dec 21, 2013 at 9:42 PM, James Harkins wrote: > James Harkins gmail.com> wr

Re: [Feature Request] \compressFullBarRests improvement(s)

I agree that in that case it should be fully compressed, but not in the first example. On Sat, Dec 21, 2013 at 5:39 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Alex, > > > Two separate ones. As an orchestral performer those breaks are often > used to signify the beginnings

Re: [Feature Request] \compressFullBarRests improvement(s)

Two separate ones. As an orchestral performer those breaks are often used to signify the beginnings of sections to make counting easier, so if I'm resting and there are 8 bars of one theme followed by 8 of another, I find it much easier to keep my place when it's 8 and 8 instead of 16. Alex On S

Re: [Feature Request] \compressFullBarRests improvement(s)

I don't see what's wrong with the output, that's exactly what I would expect it to be. On Sat, Dec 21, 2013 at 4:09 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > Consider this snippet: > > \version "2.17.97" > > theMusic = { > \compressFullBarRests > R1*2 >

Re: Cannot Find Voice?

Could you give us a minimal example? You said you're new, so in case you don't know that's an example with as few things as possible to make your point. On Fri, Dec 20, 2013 at 9:40 PM, James Dorfer wrote: > Hello All, > I am getting a very persistent "Cannot Find Voice: Tenor" error when >

Re: RehearsalMark and MetronomeMark together…again…

This is for a rehearsal mark with text, I'm not sure what Paul was looking for, but I was asking is there is a way to type something like \tempo "Andante" 4=90 "avec douleur" On Thu, Dec 19, 2013 at 3:24 PM, Ed Gordijn wrote: > Hi all, > > > Please note that this is't the last message in this

Re: Gregorian chant bug?

It displays correctly in 2.17.95 On Thu, Dec 19, 2013 at 5:57 PM, wrote: > David: > ... > > > http://www.lilypond.org/doc/v2.16/Documentation/notation/typesetting-gregorian-chant > ... > > At the second '\divisioMinima' (the whole line reads: c' \divisioMinima > \break) the anomaly occurs. > >

Re: delayed turn

Using \override Fingering #'avoid-slur = #'inside (with no \once) and tweaking the offset seemed sufficient. The attached file looked fine to me. On Thu, Dec 19, 2013 at 7:27 PM, Eluze wrote: > Mark Stephen Mrotek wrote > > > > As an example of the inconsistency, one measure was repeated 9 time

Re: Is there a best practise for 3 voices one hand piano?

This would be more normal (I also cleaned up the code to make it easier to read). \version "2.16.1" voicetop = \relative c { \voiceOne \clef bass \key c \major \time 3/4 c8 a bes g a fis | bes a c bes d e | f ges f es d c | fis e fis d e fis | s2. \bar "|." } voicebot = \relative

Re: RehearsalMark and MetronomeMark together…again…

I ran into the same problem earlier. It should be much easier to write, i.e., Allegro 4=130 doucement avec expression. On Dec 18, 2013, at 10:49 AM, Paul Scott wrote: > On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote: >> Follow-up… >> Cancel the bounty call for now: I’ve hack

Re: Invisible Measures?

The documentation seems to be silent on the topic http://www.lilypond.org/doc/v2.17/Documentation/notation/contemporary-scoring-techniques On Dec 17, 2013, at 9:18 PM, SoundsFromSound wrote: > James Dorfer wrote >> Hello all! >> Is is possible in LilyPond to create a score where empty measur

Re: guitar position indication

You could define a function that formats its argument the way you want it to look. On Dec 18, 2013, at 9:21 AM, bart deruyter wrote: > Hi all, > > I'm working on a piece for guitar here where in some parts I want to show the > position it is played in (e.g. IV, forth position) . > > I know

Re: Two column verses below music?

Why dis you drop \column? On Dec 18, 2013, at 12:23 AM, bombcar wrote: > In the multiple verses under the music example in > http://www.lilypond.org/doc/v2.16/Documentation/notation/stanzas#printing-stanzas-at-the-end-in-multiple-columns > is it possible to replace the verses in the markup wit

Re: barline troubles

I don't see the change in the list. On Mon, Dec 16, 2013 at 5:40 PM, Werner wrote: > Hello Federico, > > > this has changed to \bar ":|." > > thank you very much! > > Werner > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://list

Re: mid-measure key change

I thought that the time change might force it to align correctly, but when you have it in 2/2 and use \bar " " the exact same problem appears. Doing what Keith suggested (and what I originally tried, but I couldn't remember how to make the SpanBar transparent) should work the best. On Mon, Dec 16

Re: mid-measure key change

If this is something you're composing, general practice would suggest you move it to the beginning or end of the bar. That said, you could make time signatures and bar lines temporarily invisible and represent that internally as two bars of 2/2. \version "2.16.2" global = { \key c \major \num

Re: What is it called and can I do it?

transparent to midi and lyrics. >>> >>> -- >>> "There is only love, and then oblivion. Love is all we have >>> to set against hatred." (paraphrased) Ian McEwan >>> >>> Guy Stalnaker >>> jimmyg...@gmail.com >>> &g

Re: What is it called and can I do it?

red." (paraphrased) Ian McEwan >> >> Guy Stalnaker >> jimmyg...@gmail.com >> >> On Dec 15, 2013, at 7:30 PM, Alex Loomis >> wrote: >> >> You mean like this? >> http://www.lilypond.org/doc/v2.16/Documentation/notation/inside-the-staff#pa

Re: Alternate endings with chord names above (or below) them look bad

to make the alternate ending signs look better. > > On 12/15/2013 03:40 PM, Alex Loomis wrote: > > If you want them above the bracket, the following code works: > > Thanks, that's a much better way than I'm doing it now, I'll swap over > to that until I figure

Re: What is it called and can I do it?

You mean like this? http://www.lilypond.org/doc/v2.16/Documentation/notation/inside-the-staff#parentheses On Sun, Dec 15, 2013 at 7:51 PM, Guy Stalnaker wrote: > I have a composition with a d-sharp followed in the next measure by an > e-flat. I have seen scores in which the measure with the d-s

Re: Slurs

Oops, yes. Now attached. On Sun, Dec 15, 2013 at 7:31 AM, Urs Liska wrote: > Am 14.12.2013 05:28, schrieb Alex Loomis: > > To test out the new slurs I typeset this monstrosity: >> http://leadingtone.tumblr.com/post/69867321191/adventures- >> in-engraving-vaughan-williams-

Re: Alternate endings with chord names above (or below) them look bad

If you want them above the bracket, the following code works: \version "2.17.95" << \chords { c2 g:sus4 \override Score.ChordName #'Y-offset = #'2 f e g c \override Score.ChordName #'Y-offset = #'0 c/g c } \relative c'' { \override Score.VoltaBracketSpanner #'Y-offset = #'1 \repeat v

Re: stylesheet file structure

If they were to use the keys like Urs suggested then internal sort order wouldn't matter, so, to the user, it would seem like it is user-determined. On Sun, Dec 15, 2013 at 10:42 AM, PMA wrote: > Urs Liska wrote: > Am 15.12.2013 15:19, schrieb Kieren MacMillan: > >> Exactly the other way around

Re: Alternate endings with chord names above (or below) them look bad

I suspect you could get it to work by messing with outside-staff-priority instead of removing the engraver, but I can't test that right away since this computer doesn't have lilypond. On Sun, Dec 15, 2013 at 12:03 PM, Sam Whited wrote: > Hi all, > > I recently asked this question over on Music.

Re: Doubling at the octave

" %version change since I switched computers octava = #(define-music-function (parser location music-input) (ly:music?) #{ \new Voice << $music-input \transpose c c'' $music-input >> #}) \relative c' { \octava { c d e f } } On Sat, Dec 14, 2013 at 8:

Doubling at the octave

Could someone explain why this doesn't work? \version "2.16.2" octava = #(define-music-function (parser location music-input) (ly:music?) #{ \partcombine #music-input \transpose c c' #music-input #}) \octava { c' d' e' } ___ lilypond-user mailing

Re: showing MultiRests when both instruments have rests in Frenched score

Could you include a minimal example? On Sat, Dec 14, 2013 at 4:58 PM, Paul Scott wrote: > On Sat, Dec 14, 2013 at 04:00:13PM -0500, Kieren MacMillan wrote: > > Hi Paul, > > > > > If the following is the solution where can I put showMultiRests so that > > > it doesn't override RemoveEmptyStaves

Slurs

To test out the new slurs I typeset this monstrosity: http://leadingtone.tumblr.com/post/69867321191/adventures-in-engraving-vaughan-williams-the The code isn't pretty, but lilypond will do it just fine. In fact, between dashed slurs and moving the hairpin above the staff, it's actually more readab