It shouldn't be hard to look over the SciTE properties file for TeX/LaTeX
filetypes and edit that to be lilypond compatible. I've started a couple
times, but since I keep going back to Emacs, I've never really seen it to
be worth my while. :)
Josiah
On Wed, 22 Mar 2006, RDNewman wrote:
At
There are two parts to my response: I will try to give you an outline that
Should Work, then I will suggest that when you finally *do* finish it, you
submit what you have to the Lilypond Snippet Repository (LSR) which can be
found here: http://lsr.dsi.unimi.it/
% example code begins
\version
actually, if you boiled it down to a measure or two, and called it
something like chorale with lyrics, it would probably be quite useful.
On Mon, 13 Mar 2006, jango wrote:
i will definitly do that, though i don't think that music will be very useful
:)
--
View this message in context:
Two things you might want to read in the manual, and I will assume you're
using version 2.6:
First, as an attempt to answer your question, you might find sections 2.10
(Combining notes into chords) and 2.16 (Single staff polyphony) useful.
Also, section 6.6 is devoted to a more thorough
If you go to the Lilypond Snippet Repository (LSR), do a search for blank
manuscript paper (staff paper, something like that). There is an expample
there of how to do most of the tings you are asking about, and I think
you've figured out everything else (namely, how to make a landscape page).
Is it possible that if fontforge was compiled without support for svg that
this sort of problem might exist? If that is the case, then it might be a
packaging issue.
Josiah
On Sun, 19 Feb 2006, Han-Wen Nienhuys wrote:
Pedro Kröger wrote:
[EMAIL PROTECTED] (Pedro Kröger) writes:
Hi,
This would be particularly useful if you had a file containing a number of
your shortcuts, so all you would have to do is something like this:
\include shortcutsFile.ly
then call whatever shortcut(s) you need, when you need them.
Josiah
On Thu, 16 Feb 2006, Thies Albrecht wrote:
Hi
I produce a 70 pages conductor's score in less than half an hour (and
this is a *very* conservative estimate) on a two years old PC. True, it
has 2GB of memory, but other than that, it is to be considered a fairly
old beast by today's standards.
...
And it takes forever on my 700Mhz PII!
Not being a windows user, I can't really help you with the matter of
invocation. However, on the matter of midi2ly and translating midi files
to lilypond, there has been considerable discussion on this list.
Regarding midi2ly:
I need to know everything there is to turn a MIDI file into a
I think Recordare has plugins or something of that nature that allow Sibelius
to output MusicXML.
Sorry, I meant to dig up the link and include that before sending. Here it
is: http://store.recordare.com/dolet3sib.html
I've never used this, so I can't verify its quality. If you go this way,
Or should I just re-notate the whole thing?
I know that this is just a way for me to admit to being a bit of a
masochist, but I generally find it easier (and just as time consuming) to
start over. I've tried using the lily code that Rosegarden, NoteEdit, and
Denemo produce, but I spend so
There were a few mentioned above. Someone recently pointed out that Emacs
is available for Windows, and (if you prefer) so is Vim (both are easy to
find with google).
In my former windows days, I used NoteTab:
http://www.notetab.com/
My brother, who actually makes money writing code, likes
Are you referring to printed output or screen display of the pdf?
Different PDF viewers and ghostscript libraries seem to produce different
results on screen, sometimes in some fairly problematic ways. I have seen
no problems when I've printed to paper, however.
Josiah
On Thu, 12 Jan 2006,
On Sun, 8 Jan 2006, Joshua Koo wrote:
I have no say in Lilypond development, but I do have similar thoughts I
would like to share (well as maybe a more bias windows user).
It seems to me that part of the issue that's at play in this thread is a
matter of porting software from a Unix-based
There are two things that this reminds me of. Did you include the entire
line, including the deb at the beginning? Did you run apt-get update (or
the synaptic equivalent)?
Josiah
On Sat, 7 Jan 2006, S L Raymond wrote:
after adding that line, I get the following error when running synaptic:
how much to sponser the addition of a half-stop sign (similar to the
mathematical circled plus) to the feta font? or is it just easier to try
to use a text markup to put it in?
josiah
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On Tue, 27 Dec 2005, Jannik Jeppesen wrote:
Hi... is there really no one who ca?n help me with this. Please...?
I have a few questions.
As a general piece of advice that unfortunately not very helpful with any
of the questions that you asked, splitting up your questions is a very
good
On Wed, 28 Dec 2005, Jannik Jeppesen wrote:
Is it possible to Make all the bars exact the same size? It does not look
good that the bars does not stand exactly above each other
Any Ideas (or just a link to the manual:-))
If you search through the mailing list archives, you will find extensive
You might try downloading it from its sourceforge page. I seem to recall
doing that once when the jEdit servers were down and I couldn't download
the plugins through jEdit.
Josiah
On Fri, 16 Dec 2005, David Rogers wrote:
On 16-Dec-2005, at 3:38 PM, Bertalan Fodor wrote:
You need java 5.0
have you tried overriding with #'padding instead of #'extra-offset?
josiah
On Sun, 11 Dec 2005, Kenneth Teh wrote:
I'm having trouble placing the coda symbol. The
closest I've come to what I want is reproduced below.
g2 c,2 | \mark \markup { \small \musicglyph
#scripts.coda } %
I believe that What you're looking for is \compressMusic. Apparently, it
works just like \times, but doesn't show the tuplet brackets. I haven't
used it, so I don't know. It also might be new to 2.7, since I can't seem
to find any mention of it in the manual (2.6 or 2.7).
I did find some
On Wed, 7 Dec 2005, Pedro Mart?nez wrote:
Hello comunity,
At first place I would like to present myself because this is the first time
I write here and I'm so glad to be part of this comunity. My name is Pedro,
I have study Musicology and I didn't know the existence of lilypond until a
few
On Thu, 8 Dec 2005, Josu wrote:
Hi list,
i use to work as engraver for publishers companys.
I work with finale2004 under MacOSX, im really impressed by
this new software, but ive got a few
questions:
- How much quick can be this program? I use to work with really
big scores for large orchestra.
Regarding scheme, I can't really help you and would welcome additional
explanations. However, in general, the easiest way to learn Lilypond (or
at least what worked for me) is to go to the mutopia website and download
lilypond sources. Copy and paste until you get comfortable starting from
I wish I could help you. Have you tried asking this on the bug list?
Gordon Gilbert wrote:
Hi!
My install of 2.6.4 has stopped with the following output:
gmake[1]: Entering directory
`/usr/ports/distfiles/lilypond-2.6.4/python' /bin/sh
On Tue, 22 Nov 2005, Bernard Hurley wrote:
Does LyX work with windows? Maybe with cygwin?
There is a port of LyX for windows. Not being a windows user, I can't say
how well it works, but I've been pleased with its performance on Linux.
Info on the windows port can be found onthe following
Han-Wen Nienhuys wrote:
If there is interest, PDFLaTeX support for lilypond-book is also a
sponsorable feature.
How much?
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You might try treating them the same way you would any articulation, with
_, -, or ^ depending on where you want it placed. I don't know offhand if
this would work, though.
Josiah
On Sun, 6 Nov 2005, Aaron Mehl wrote:
Hi,
I think this is question of where to find this in the
docs.
I want
Han-Wen Nienhuys wrote:
joe ferguson wrote:
There is an article about a highly specialized use of Lilypond in the
December, 2005, issue of Linux Journal.
Make Stunning Schenker Graphs with GNU Lilypond
http://www.linuxjournal.com/article/8364
this seems to be a subscription-only article;
yes, that's a common problem. try downloading the newest ec-fonts-mftraced
package from the lilypond page:
http://lilypond.org/download/fonts/
josiah
On Tue, 1 Nov 2005, Daniel Hernandez wrote:
Hello group,
I'm a novice Lilypond user. I'm working with lilypond 2.4.5 in debian.
I intalled
Unfortunately, this is a bit of a problem with the Debian world.
Outdated and (relatively) proven is given more importance than
up-to-date -- even if the up-to-date software is better, more stable,
and much more desirable.
Because of dependency chains, installing the official 2.6.3 .deb from
i don't know if i should send this here or do lilypond-dev, but i'll send
here first.
it seems that the compilation is hanging while building the documentation,
but i'm not certain. if i would like to try *not* building the
documentation along with the rest of lilypond, would i edit the
a number of files that seem to not have been updated since
2.2.x, such as the control files and the changelog.
Josiah
On Mon, 24 Oct 2005, D Josiah Boothby wrote:
i don't know if i should send this here or do lilypond-dev, but i'll send
here first.
it seems that the compilation is hanging while
The best editor for LilyPond seems to be jEdit (www.jedit.org) with its
LilyPond plugin.
(Of course, the best editor at all is either emacs or vi ;-))
I don't really like neither of them.
On MacOS X there's also LilyPad - not as mighty, but very comfortable.
jEdit with LilyTool would be
On Tue, 11 Oct 2005, Gilles wrote:
I just installed 2.6.3 from source on Debian Sarge/Sid. I didn't have any
problems, though I did not try to make the documentation. I am interested
in making a debian package, but am a little intimidated by that whole
process. Hints are needed and
I just installed 2.6.3 from source on Debian Sarge/Sid. I didn't have any
problems, though I did not try to make the documentation. I am interested
in making a debian package, but am a little intimidated by that whole
process. Hints are needed and encouragement is welcome :)
Josiah
I have two favorite ways to go.
My normal method is with a non-X Emacs session (I suppose Vim, Nano would
work just as well for this as emacs, but I got used to emacs first, so it
stuck). ctrl-X,ctrl-S,ctrl-Z saves and hides the window, then at the
command line, I issue the following:
$
These days I'm a composer and I use Sibelius 4 as a composition tool, and the
thought of learning a new language is rather daunting.
This may or may not be helpful, but it is not a difficult language, as
languages go.
Do composers use Lilypond as their primary work system?
I do, and I
would fundable.org be a viable option? from the faq, the segment on how
much it costs:
http://www.fundable.org/help#howmuch
apparently, the price is dependent upon paypal. i am on the morning end
of an all-nighter, so it is entirely possible that i'm missing
something.
josiah
On Thu, 2005-09-22 at 00:42 +0200, Han-Wen Nienhuys wrote:
David Bobroff wrote:
I think this music was prepared with either Sibelius or Finale but I'm
not sure which (one clue; when slurs/ties pass through time signatures
they 'white out' as they cross them). I used to use Finale but I
On Thu, 2005-09-22 at 09:33 +0200, Werner LEMBERG wrote:
Ties are not normally continued into second endings, but a standard
trick is to add a tie from an invisible note. One way is to make
the invisible note a grace note. In that way, it doesn't destroy
the rhythm.
Uh, oh, ugly (the
I recall a thread on this subject a few months ago, but I have not been
able to find it in the archives.
I'm trying to create a tempo marking -- something like Andante -- that
only shows in the top line of a score, but when parts are extracted,
shows on all of the parts. Similar to a rehearsal
On Wed, 2005-09-21 at 21:38 +0200, Roland Goretzki wrote:
Autopackage seems to be quite easy, I think.
But during the install process I got the message, that I have to have a
newer version of guile.
And now there is a problem with installing guile 1.6.7.
But this is not for this list.
by far the easiest thing you can do is install with autopackage. It works,
quite
nicely. You can install it to your home directory.
Unfortunately, there are not yet any 2.6 or 2.7 packages for Debian.
So, if I understand correctly, at the moment the only way to get 2.6 or
2.7 for
As a small note, and a little off topic, more users will benefit more
from these discussions if the subject tag indicates what is being
discussed.
Josiah
On Tue, 2005-09-20 at 13:37 +0200, Peter Mogensen wrote:
Trent Johnston wrote:
It's been on the list for a while... the windows native
Unless you're interested in installing from source, which shouldn't be a
problem if you're using the ghostscript packages from Sid, by far the
easiest thing you can do is install with autopackage. It works, quite
nicely. You can install it to your home directory.
Unfortunately, there are not yet
The easiest solution would probably be to use lilypond-book. If my
memory serves correctly that you're using 2.7, see chapter 12 in the
manual for more details. There's also a template in section 3.8. I
haven't used lilypond-book since 2.4, so things may have changed, and
it's possible that
Further, there are a number of templates in the manual. But, as Mats
points out, there is absolutely no reason not to submit more snippets --
whether they are templates or not -- to the LSR.
Josiah
Mats Bengtsson wrote:
I don't really see any clear distinction between templates and
the
On the download page, under the heading for version 2.6, the Fedora4
binaries are listed first. In the third text column (under Go here),
you are given the links to Download LilyPond, documentation,
Ghostscript, compatibility libraries. I would suspect that these links
will give you what you
it practical to revert
to the earlier versions.
Any ideas on how to resolve these conflicts?
Thanks,
Mark
-Original Message-
From: D Josiah Boothby [mailto:[EMAIL PROTECTED]
Sent: Monday, September 12, 2005 3:49 PM
To: Hermansdorfer, Mark
Cc: lilypond-user@gnu.org
Subject: Re: Release 2.6.3
Using the autopackage 2.7.6, in a Debian environment.
I'm trying to create alternative repeats that start and end inside of
measures, such as:
\version 2.7.6
\score{
\relative c'' {
\repeat volta 2 {
\time 6/8
\partial 8
c8
c4. c4.
}
\alternative {
{ c4. c4
Graham Percival wrote:
On 16-Aug-05, at 8:03 PM, D Josiah Boothby wrote:
Using the 2.6.0 autopackage on Debian sarge/sid, Evince (v. 0.3.0)
doesn't display the 3's in the time signatures.
Please file a bug report with evince, then. (?)
Looking more carefully
I don't know if -- or how
For the sake of completeness, I set the default version of ghostscript
to gs-gpl, ran the file through lilypond again, then viewed the file
with all of the pdf viewers that are on my system (which I believe to be
all of the pdf viewers available through the standard debian repositories).
Will Oram wrote:
Many orchestral scores have tempo changes and rehearsal marks appear
twice: once at the top (above the wind section) and once above the
string section. It's easy to get lilypond to print \mark once at the
top; can it be told to print it multiple times as described above?
writing in and got nothing. You sure you're not
using plain \markup for rehearsal marks?
Best,
Will
On Aug 17, 2005, at 3:45 AM, D Josiah Boothby wrote:
Will Oram wrote:
Many orchestral scores have tempo changes and rehearsal marks appear
twice: once at the top (above the wind section) and once
You might look in the documentation under the heading Cautionary
accidentals, which happens to be section 6.1.3.
Josiah
[EMAIL PROTECTED] wrote:
hi,
is there a way to put a natural sign manually? in this example the
natural sign is left out at the b, but i want to make sure the reader
Using the 2.6.0 autopackage on Debian sarge/sid, Evince (v. 0.3.0)
doesn't display the 3's in the time signatures.
An example .ly file:
\version 2.6.0
\score {
\relative c' {
\time 3/4 d2.
\time 7/8 e2..
\time 2/4 f2
\time 3/8 es4.
\time 5/8 ges4 f4.
\time 4/8 e2
\time
Han-Wen Nienhuys wrote:
Jamie Bullock wrote:
Hi!
Is there any chance that someone could write a lilypond engraver for
contemporary trill notation? By this I mean the use of the usual trill
sign, with a small, stemless notehead in brackets after the main note,
indicating the 'auxilliary note'
Using the autopackage version of lily 2.6 on Debian sarge, I was playing
around with font selection, and was getting almost nowhere. The
documentation on the website says the following:
By setting the object properties described below, you can select a
font from the
preconfigured font
I want to have four bars at a line and also every bar must have
exactle the same size. Because this makes it much easyer to
read. Because than all the bar line a on one line (vertical)
Actually, although jazz charts are written 4-bars to a line, and it does make
it easier to read -- because
I have not used Ferenc's packages, but have been using the 2.4.5 that is
in Debian Sid (I'm a little mystified as to why it didn't make it into the
Sarge release) without problems.
Correction: the only problem that I had was that when I originally tried
the Sid packages, the ec-fonts-mftraced
I'm installing 2.5.27 in my home directory. I have already compiled
ghostscript 8.15 in my home directory, but when I try compiling lilypond,
I can't figure out how to find $HOME/bin/gs. I tried
--with-gs=$HOME/bin/gs, and looking through config.make doesn't offer me
any clues.
It is
How would I change the font in the header? And is it possible to use
Palatino (or URW Palladio, as it may be called)? Where would I look to
find this?
Currently I'm doing it by overriding the font in individual text markups,
but this feels slow:
\header {
title = \markup { \override
How do I find out which fonts are available? I recall seeing a post about
Pango needing to be able to use the fonts, but I don't know where to look.
The font selection tools I have (xfontsel/gtkfontsel, using Debian) enable
me to find a lot of fonts, but very few of them seem to be recognized
Aaron,
I am inferring from your last few questions to this list that you got
2.5.26 working. If my guess is correct, how did you install the new
version of ghostscript?
Josiah
On Mon, 30 May 2005, Aaron Mehl wrote:
Well that was my exact proble finding a ghoscript new
enough.
I also
As there are no .deb packages for the 2.5 series yet, the easiest way, as
has been suggested to me, is to compile it from source. If you compile
with a prefix for your home directory, you don't have to worry about
overwriting anything from your stable install. It has also been suggested
to me
-- Initial Header ---
From : D Josiah Boothby [EMAIL PROTECTED]
To : Antonio PALAMA' [EMAIL PROTECTED]
Cc : lilypond-user@gnu.org
Date : Thu, 12 May 2005 19:52:23 -0700 (PDT)
Subject : Re: Text font problems with 2.4.5
I think that has something to do
I think that has something to do with the config file that the sid version
of ec-fonts-mftraced has. Try downgrading to the version that is in sarge
(which, I believe is the same version but with the right config file).
Josiah
On Thu, 12 May 2005, Antonio PALAMA' wrote:
After upgrading from
in the computing business for over a
quarter of a century and have become used to taking elaborate
precautions: experience shows that it ends up saving more time than it
wastes.
/Bernard
D Josiah Boothby wrote:
By suggesting that I create a new user, are you implying that I cannot
make uninstall
If I wanted to compile 2.5 in Debian, while keeping 2.4, what do I need to
do to make it something like Pedro's lilypond-snapshot?
Josiah
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. If you get this far you might want to think about packaging lily,
but you have done enough to be able to run it.
/Bernard
On Thu, 2005-04-28 at 14:09 -0700, D Josiah Boothby wrote:
If I wanted to compile 2.5 in Debian, while keeping 2.4, what do I need to
do to make it something like Pedro's
):
sprechstimme.ly:4:20: Unbound variable: ly:font-get-glyph
On Tue, 12 Apr 2005, Jonatan Liljedahl wrote:
On Mon, 11 Apr 2005 11:54:57 -0700 (PDT)
D Josiah Boothby [EMAIL PROTECTED] wrote:
I searched the lilypond-user and lilypond-devel archives and wasn't
able
to find anything regarding
I searched the lilypond-user and lilypond-devel archives and wasn't able
to find anything regarding sprechstimme, though I seem to recall that
there was a thread a couple months ago asking about it.
Is it supported in Lilypond? If not, has anyone found a way to insert the
little x onto the
I can't help you with the lyrics question, but:
(Pre-question: is there a mode where the key signature is not shown, but
all accidentals are printed? This seems to be the common way to write
horn parts, but I don't see how to do it in Lilypond except to
manipulate the key signatures myself.)
Hello, all
Is pdflatex supported with lilypond-book (Debian, lilypond 2.2.6)? I've
tried running this way only to find a way fraught with errors, but I don't
know if I'm just missing something. An example error (using the musicological
document example from the documentation) would be:
perhaps this is the wrong place to ask this question, but how would i use
feta glyphs in a latex document?
in particular, i'd like to use flats and sharps that matches better with
the palatino font than the math font that latex uses for it (namely,
feta).
if this is the wrong place, please
I'm not interested in midi. So \transpostion seems to be useless to me. The
manual just says nothing about it :-(
I agree that the manual should probably be more clear here. I have an
example that I would be happy to add which clarifies one of your next
questions.
And as for the workaround
In regards to the Horn and other instruments for which transpositions
can change during the course of a piece, I should mention that the
Lilypond way is much easier to deal with than, for instance, the Finale
way (at least up until Finale 2001, the last version that I used
regularly). Granted,
I'll attempt to clarify again:
\transposition is something that allows midi to know how the music has
been transposed so that when you listen to a midi file, you hear what you
wrote, not what the transposed notes look like.
\transpose actually transposes the notes in the music.
so, if you want
the example at the end of my post assumes that the notes you entered are
at sounding pitch. you would just do everything in the opposite manner if
you enter a Bb part and want to see a C part printed.
josiah
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I've got an example here:
http://students.washington.edu/josiah/lilypond/manuscript.ly
It draws 12 lines, with the standard staff size (20). It should not be
hard to change this for your preferences.
Josiah
On Wed, 26 Jan 2005, Tim Hucker wrote:
I'm trying to print a page of blank staves in
I'm trying to make a few beams longer than they normally would be
because I'm adding tremolo and the tremolo overlaps with the beam. Am I
misusing \override?
\version 2.4.2
Notes = \relative c''' {
\time 6/8
\override Stem #'beamed-lengths = #20
a,!8:128\mf^\markup{ \large\bold{Un peu
Using 2.4.2, I'd like to be able to transpose a part, create a midi
file, and create the graphical output. The midi output is transposed
right along with the score if everything is in the same score block. Is
it possible to have an untransposed midi with transposed parts without
having to play
\midi { \tempo 4 = 60 }
\layout { raggedright = ##t }
}
Mats Bengtsson wrote:
The table of contents of the users manual includes two sections
with titles including transpose or transposition. Make sure
to read both of them.
/Mats
D Josiah Boothby wrote:
Using 2.4.2, I'd like to be able
specify that
the setting should be done at the Staff level (not at the Voice level),
as I did in the example above.
/Mats
D Josiah Boothby wrote:
Thank you for showing me that there are two sections on transposing,
Mats, but now I have a new question:
In a recent email to the list, I saw
So \override Staff.KeySignature = ##t just hides the key signature, but
leaves accidentals out (unless they fall outside of the key). Should I be
playing with automatic accidentals, or is transparency not the right way
to go?
Josiah
On Tue, 4 Jan 2005, Mats Bengtsson wrote:
Also, the setting
I've got the same problem, though with Pedro Kroeger's lilypond-snapshot
(version 2.4.2). Here's a small example:
A .png can be found at the following url:
http://students.washington.edu/josiah/music/barnumbers.png
\version 2.4.2
\header {
title = bar number test
}
\score {
{
\time 3/2
I'm about to install either ubuntu or mepis onto a computer that has no
internet access. How do I figure out which packages to download onto my
usb thumbdrive to get Pedro Kroeger's lilypond-snapshot running?
Josiah
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thank you mats for the .tex file, i'll have to try that.
unfortunatly, i've had problems with \remove Bar_number_engraver before,
but I don't know enough about what makes these things work to try filing
it as a bug.
am i doing something wrong, or should i try filing this as a bug?
josiah
trying to make manuscript paper, but I can't get the rests or bar numbers
to remove:
\version 2.4.2
\header {
tagline =
}
\score {
{
\repeat unfold 12 { R1 \break }
}
\layout {
indent = 0\in
\context {
\Staff
\remove Bar_number_engraver
\remove
student, sometimes arranger/copyist (lately there hasn't been a
difference for me between these), rarely a composer.
used to use finale, but frustrated by my attempts to make it work under
wine, i started using lily. at this point, there are few things that i
would prefer finale for.
josiah
On Tue, 30 Nov 2004, Albert Einstein wrote:
Does the mark of the rest in case of pause in whole duration of bar
independently of metrum (2/4 6/8 4/4) look the same and is centered and under
fourth line?
R1 for 4/4 ?
R2 for 2/4?
R2. for 3/4?
Yes, at least in 2.4.x (I don't remember if this is the
How can I make lilypond output an image file just large enough to
hold the music?
You could set the papersize, line length, and margins as described in
section 7.5 (for 2.4.x, but section 4.6 for v. 2.2.x) of the manual,
especially if you want the high resolution of a .ps or .pdf.
If you try at
and \paper
is what you can put into them. In \layout{}, you specify things related
to how the music is typeset, whereas \paper{} describes the paper layout
(such as paper size, margins, ...).
/Mats
D Josiah Boothby wrote:
I think I figured this out on my own (though I still think the
documentation
Hello list,
The documentation pertaining to headers has been a bit confusing to me, so
I'm taking my questions here:
With a multimovement piece, how do I get a large roman numeral centered
between movements indicating which movement is beginning?
Similarly, how do I get a header indicating
in the documentation for v. 2.4.2 regarding the difference between \paper
and \layout (this again!), \paper is described in section 7.5.11, but
should that be \layout?
is it possible that some description of the difference between \layout and
\paper can make it into the documentation? this is
I think I figured this out on my own (though I still think the
documentation seems a bit vague on the matter):
\layout is for inside the \score block, where \paper is for outside the
\score block.
Josiah
On Tue, 23 Nov 2004, D Josiah Boothby wrote:
in the documentation for v. 2.4.2 regarding
On my default install of FreeBSD-5.2 there is a
/usr/share/doc which does not contain any lilypond files or
subdirectories. There is also
/usr/local/share/lilypond/2.2.2 directory which contains
subdirectories or files of dvips, fonts, ls-R, ly, make, ps, python,
scm, tex, vim.
And then there
i'd like to have something like a \sfzp, but it looks like i'd have to
define it myself since that's not included in the default absolute
dynamics. is it possible to do this?
josiah
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If I wanted to put parentheses around noteheads, is the easiest way to
use \markup? Something like \markup{ {} \raise #-4.0 {( )}}?
Josiah
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