On Tue, Nov 11, 2014 at 10:28 AM, David Nalesnik david.nales...@gmail.com
wrote:
Ah, OK. That's the solution to Jean-Charles's problem.
Nevertheless, it seems that what he describes is a bug.
___
lilypond-user mailing list
lilypond-user@gnu.org
On Tue, Nov 11, 2014 at 10:22 AM, David Kastrup d...@gnu.org wrote:
Not much of a surprise here.
\new Staff
\new Voice = music { \grace c'8 }
\new Lyrics \with { includeGraceNotes = ##t } \lyricsto music { hi }
Ah, OK. That's the solution to Jean-Charles's problem.
--David
Hi,
On Sun, Nov 9, 2014 at 2:42 PM, Federico Bruni fedel...@gmail.com wrote:
Il giorno dom 9 nov 2014 alle 20:52, Mark Stephen Mrotek
carsonm...@ca.rr.com ha scritto:
OK, I see it. I practice the piano, some Bach, and the notation seems
unusual to me (perhaps my limited experience). An
Hi,
On Sun, Nov 9, 2014 at 3:35 PM, Thomas Scharkowski tho...@scharkowski.com
wrote:
I cannot look it up in the moment, but I do not believe the flagged grace
is authentic.
This is from the Bach-Gesellschaft edition. The Schliefer is another
story!
On Sun, Nov 9, 2014 at 4:51 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Sun, Nov 9, 2014 at 3:35 PM, Thomas Scharkowski tho...@scharkowski.com
wrote:
I cannot look it up in the moment, but I do not believe the flagged grace
is authentic.
This is from the Bach
Hi Joram,
A little off-topic, I'm afraid...
You write:
PS: This is work in progress and there is no fine tuning at all.
The positioning of staccato dots is rather irregular--note, for example, m.
70 (bottom staff) and m. 75. If this happens without any intervention on
your part, I think that
Martin,
On Fri, Nov 7, 2014 at 1:52 AM, Martin Tarenskeen m.tarensk...@gmail.com
wrote:
On Fri, 7 Nov 2014, Pierre Perol-Schneider wrote:
system-system-spacing #'padding = #20
You all know today it's allowed to use something like:
system-system-spacing.padding = #20
It's
Hi all,
Ideally, for this sort of thing there should be a special grob. This grob
could also encompass the very common piano notation that shows that a note
ought to be taken by the other hand (the bracket with one wing).
The attached file creates a basic grob, which I've called PianoBracket.
On Fri, Nov 7, 2014 at 2:19 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi all,
Ideally, for this sort of thing there should be a special grob. This grob
could also encompass the very common piano notation that shows that a note
ought to be taken by the other hand (the bracket
Hi,
On Fri, Nov 7, 2014 at 3:08 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Since it would almost certainly require (or at least benefit from)
staff-spanning capabilities (e.g., across the gap in a PianoStaff),
couldn’t this nicely combine into a grob which *encompasses*
Hi,
On Thu, Nov 6, 2014 at 10:22 AM, Urs Liska u...@openlilylib.org wrote:
Am 06.11.2014 15:57, schrieb Alice Eldridge:
Dear Lilypond list,
We are plotting a networked score system, where each part can be updated
dynamically from a central controller. In the simplest case, this would be
Hi Chris,
On Thu, Nov 6, 2014 at 8:43 PM, Chris Trahan trahan.ch...@gmail.com wrote:
I'm new to Lilypond.
Welcome to the community!
I have a simple score that is short. It's a single staff score. I'm trying
to increase the spacing between staves but nothing I try is working. How
do I
Hi Harm,
On Tue, Nov 4, 2014 at 6:16 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi Abraham,
thanks for your reply, sounds logical.
OTOH, we have functions like 'make-bezier-sandwich-stencil', which is
used in 'make-parenthesis-stencil' and finally in
'parenthesize-stencil'
They
Hi Urs,
I'll try to address your first problem--which is pretty tricky!
On Mon, Nov 3, 2014 at 11:06 AM, Urs Liska u...@openlilylib.org wrote:
Hi Scheme wizards, can you help me?
I have two unrelated questions regarding the attached file.
It is a very much stripped down version of a
Hi,
On Sun, Nov 2, 2014 at 6:23 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Noeck wrote Sunday, November 02, 2014 12:46 AM
That would be nice, but your example puts the f on the left of the upper
note and not centralized between the staves (I am using 2.19.15).
You're right, Joram,
On Sun, Nov 2, 2014 at 6:55 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David, you wrote Sunday, November 02, 2014 12:44 PM
No, it's not a problem with \offset.
Substitute this for the call to \offset, and you'll see that it's
actually an issue with X-offset here:
\once
Hi again,
On Sun, Nov 2, 2014 at 7:08 AM, David Nalesnik david.nales...@gmail.com
wrote:
Offsetting arpeggio.positions is nice, I think. (Though not precise;
there is quantization which unavoidably kicks in, I think. It's still nice
for arpeggios across tiny intervals, where you don't want
On Fri, Oct 31, 2014 at 6:32 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
David Nalesnik-2 wrote
The attached file is what I come up with.
Absolutely fantastic, David! Thanks really a lot, this function is
looking really great!
Glad I can help!
By the way, part of this can
Hi Joram,
On Sat, Nov 1, 2014 at 6:48 PM, Joram Berger joram.ber...@gmx.de wrote:
Yay! This is an example where \offset is useful! Try this:
\once \offset X-offset -3 DynamicText
Hi Trevor,
thanks, that's cool!
However, how can I control the Y position? Y-offset does not work:
Hi,
Processing the given program test.ly (Windows 7, 64-bit)
\version 2.19.15
{
\override Stem.count-from = 1
c
}
on the command line like so
lilypond -dcheck-internal-types=#t test.ly
I expect to see a programming error like
Grob `Stem' has no interface for property `count-from'
yet
Bernhard,
On Fri, Oct 31, 2014 at 5:42 AM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
I am very astonished that a full pause in a 3/4 measure is four quarters
long. How to note then a full pause?
If I'm understanding correctly: you're wondering why a full bar rest in 3/4
is output
Hi,
On Fri, Oct 31, 2014 at 11:44 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
but, as you can see, it's limited to one beam... :(
Any help from schemers ?
You could scale the stencil. That way you wouldn't need to reconstruct the
beam from what you find in
On Fri, Oct 31, 2014 at 1:45 PM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Von: David Nalesnik [mailto:david.nales...@gmail.com]
Gesendet: Freitag, 31. Oktober 2014 19:35
An: Dr. Bernhard Kleine
Cc: lilypond-user
Betreff: Re
On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
Of course this will only produce good results with flat beams!
No, that should be OK. I was just thinking that the horizontal scaling
might cause the beam to pull away from the stems, but in the examples I've
Hi,
On Fri, Oct 31, 2014 at 2:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
You could scale the stencil.
This will break down if you have sub-beams because the entire beam is
stretched. Thankfully, the coordinates of the various beam segments are
cached, and resetting these does get
On Fri, Oct 31, 2014 at 4:25 PM, Dr. Bernhard Kleine
bernhard.kle...@gmx.net wrote:
The following shows my problem: I want to move the rest symbols:
[...]
And still have the glyph for full rest.
Bernhard
I gave you a link for this earlier in the thread. Did the snippet there
not
On Wed, Oct 29, 2014 at 8:04 AM, Jacques Menu imj-muz...@bluewin.ch wrote:
Hello Jayaratna,
For some reason, your messages lacks the important things
Same for me, but if you follow the link below, you should see everything:
View this message in context:
Hi Dominic,
On Sun, Oct 26, 2014 at 8:44 PM, Dominic dominicirv...@gmail.com wrote:
Minimal example:
/\version 2.19.15
\relative c' {
% === (The following two lines only for cosmetic purposes) ===
\override Glissando.minimum-length = #12
\override
Hi Gilberto,
On Mon, Oct 27, 2014 at 10:46 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I kept the same stencil function, but I wrote a new engraver based on the
regression test scheme-text-spanner.ly.
I just want to let you know that I
On Mon, Oct 27, 2014 at 11:11 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Gilberto,
On Mon, Oct 27, 2014 at 10:46 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
If you have interest, I posted these alterations of mine in this post:
http://lilypond.1069038
Hi Dominic,
On Mon, Oct 27, 2014 at 12:50 PM, Dominic dominicirv...@gmail.com wrote:
I am a little closer to my goal. I have come up with the following music
function:
/glissIndexPadHack =
#(define-music-function
(parser location index additionalpad normalpad)
Hi Peter,
On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton petecrigh...@gmail.com
wrote:
2014-10-24 23:01 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
2014-10-24 16:54 GMT+02:00 Robin Bannister r...@dataway.ch:
So it looks like LilyPond wants to merge the rests,
but will do this only
On Sat, Oct 25, 2014 at 11:01 AM, Peter Crighton petecrigh...@gmail.com
wrote:
Thanks, David, that indeed does the trick!
I'm curious--what example was Robin's suggestion not working for? Removing
the check for 'MultiMeasureRestEvent works fine for me with multi-measure
rests.
--David
Hi again, Peter--
On Sat, Oct 25, 2014 at 11:01 AM, Peter Crighton petecrigh...@gmail.com
wrote:
2014-10-25 17:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
Hi Peter,
On Sat, Oct 25, 2014 at 10:41 AM, Peter Crighton petecrigh...@gmail.com
wrote:
I now wanted to improve
Hi Sam,
On Fri, Oct 24, 2014 at 5:39 PM, Samuel DA MOTA da.mota@gmail.com
wrote:
Hi,
I'm trying to write a scheme engraver and I'm blocked at some point.
I'm trying to determine if the left-neighbor of a grob is a (semi-)tie
or not.
Can someone provide some help on how to achieve
Hi Pierre,
On Thu, Oct 23, 2014 at 2:46 AM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
That's right, I was focused on the automation thing, but I will use it
manually for now, the piece is not so long anyway :)
Yes, the automation thing is really a shame. Unfortunately, I
Hi Kieren,
On Thu, Oct 23, 2014 at 8:31 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that if you want automation your best approach would be to look
at modifying the position of BarNumber.
I thought of that at first, but rather hoped the InstrumentName
Hi all,
On Thu, Oct 23, 2014 at 9:41 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Thu, Oct 23, 2014 at 8:31 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that if you want automation your best approach would be to look
at modifying the position
Gilberto,
On Wed, Oct 22, 2014 at 4:39 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
This new version is really excellent! I think it handles chords wonderfully
well, and I also like the alist idea very much!
Great--good to hear!
David Nalesnik-2 wrote
The alist
Hi,
On Wed, Oct 22, 2014 at 8:59 AM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
Hi Kieren,
I thought about this option, and I found how to add a counter in the
shortInstrumentName; http://lsr.di.unimi.it/LSR/Item?id=543 (and it works
and give the perfect placement I want) but
On Wed, Oct 22, 2014 at 4:17 PM, Les Editions Valmajour
p...@editions-valmajour.fr wrote:
Thx David,
I feel it's getting close, but I'm stuck waiting for help because I don't
understand the Scheme code. :)
Thank you!
Pierre
What do you want it to do that it isn't doing, or it a problem
Hi Gilberto,
On Tue, Oct 21, 2014 at 3:23 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David, this is a really wonderful job, thank you so much for sharing
it! I
am adding your function to every score of mine right now :)
David Nalesnik-2 wrote
Standard practice
On Tue, Oct 21, 2014 at 8:34 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I do realize that these enhancements make the
difference between usability and thanks, nice toy :)
That may be true on a practical level, but I am truly thankful
On Tue, Oct 21, 2014 at 12:03 PM, David Nalesnik david.nales...@gmail.com
wrote:
Well, I could. The only thing is that number of optional variables is
limited. I suppose there could be an argument which takes an alist of
symbols and settings: '((starting-clef . bass) (short-names . #t
On Tue, Oct 21, 2014 at 9:35 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
I'm not going to venture into automating the process described in the
manual for having an ottava apply to one voice, but not the other.
That would be indeed painful
Hi Gilberto,
On Tue, Oct 21, 2014 at 4:43 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
Hi David,
David Nalesnik-2 wrote
Actually, no, it averages the ledger lines of the chord members. If the
average is above the threshold, we get an ottava. I'm welcome to better
On Tue, Oct 7, 2014 at 3:11 AM, Jacques Menu imj-...@bluewin.ch wrote:
Hello David,
Thanks a lot for this solution: it works for me since I have only one bar
to span over, with LP 2.18.2 by the way.
Turns out it wasn't too hard to get the ability to span multiple bars.
I kept the same
On Tue, Oct 14, 2014 at 1:57 AM, Janek Warchoł
What i find most fascinating about your work is that you say this
after already making the function quite intelligent :)
I appreciate that, but I'd like to have some sort of analysis of context,
so you wouldn't end up shutting it off for
David,
On Tue, Oct 14, 2014 at 10:53 AM, David Bellows davebell...@gmail.com
wrote:
Wow! It works perfectly! I am officially replacing my software method with
your Lilypond approach. Not only does it do everything I wanted but it has
better fined-grained control since it uses ledger lines and
Hi Erik,
On Tue, Oct 14, 2014 at 1:28 PM, erik flister erik.flis...@gmail.com
wrote:
thanks a lot david, i learned a lot from studying this!
Glad to hear it!
looks like there would be two options to get lilypond to report pitch info:
\void \displayLilyMusic % types absolute pitches
Hi Harm,
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi folks,
consider the following code.
\version 2.19.13
%\version 2.16.0
add-to-script =
#(define-event-function (parser location mrkp music)(markup? ly:music?)
#{
\tweak #'stencil
Hi Harm,
On Tue, Oct 14, 2014 at 6:15 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi David,
2014-10-15 0:54 GMT+02:00 David Nalesnik david.nales...@gmail.com:
Hi Harm,
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Hi folks,
consider
On Tue, Oct 14, 2014 at 5:38 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
Why does this happen? X-offset is _never_ called in the body!
But doing this:
#(let ((message (display boo!\n))) '())
shows that what you're binding message to is evaluated.
--David
On Mon, Oct 13, 2014 at 12:09 PM, Mark Stephen Mrotek
When I extract the code for these measures, extracted.ly, the
triplets are more evenly spaced, extracted.pdf.
Where should I look for a remedy?
Thank you for your kind attention.
Mark Stephen Mrotek
Mark,
The
Hi,
On Mon, Oct 13, 2014 at 1:18 PM, David Bellows davebell...@gmail.com
wrote:
OK, I've now played around with it and it works very nicely and will be
easy to integrate into my software. You've already put a lot of work into
this so I hate to point out any of my peculiar preferences, but
On Mon, Oct 13, 2014 at 3:01 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Awesome work, David!
Thanks!
I think it would be great to actually have some default ottava
settings in official lilypond (e.g. something like \ottavate #4 #-4).
I think so too, but I'd like for the function
Hi Erik,
On Sun, Oct 12, 2014 at 2:35 AM, erik flister erik.flis...@gmail.com
wrote:
hi-
i'm writing some software that generates .ly files and want to offer
the option to automatically add (woodwind) fingering chart annotations
to the engraving. the project is in haskell and i'd rather
On Sun, Oct 12, 2014 at 9:34 AM, David Nalesnik david.nales...@gmail.com
wrote:
It is possible to create markups in the score through a Scheme engraver.
The one I've attached looks for a NoteHead that has had its
'display-property property set to #t.
I mean 'display-fingering
On Sun, Oct 12, 2014 at 7:06 AM, Piaras Hoban phoba...@googlemail.com
wrote:
I thought it might be interesting for those wondering what's possible in
lilypond to see some examples from the field. I've put together a page
collating those things I've done in the past year or so.
I'm
Hi Hans,
On Sun, Oct 12, 2014 at 4:38 AM, Hans Sommer hansisom...@gmx.de wrote:
Hello,
I am relatively new to Lilypond.
I try to check the total length of a SequentialMusic part, i.e.
my_score_part = { c'4 d e f }
I want to get the result 4 quarters (or any other numerical
Hi,
On Sat, Oct 11, 2014 at 9:05 PM, David Nalesnik
I'll look into fixing up build-new-elts so there won't be so much
duplication of code. Then it will be a lot cleaner to deals with bassas,
OK, now it will provide automatic bassas as well.
The function \ottavate now takes two numbers
On Sun, Oct 12, 2014 at 5:59 PM, Hans Sommer hansisom...@gmx.de wrote:
David Nalesnik david.nalesnik at gmail.com writes:
Hi Hans,
On Sun, Oct 12, 2014 at 4:38 AM, Hans Sommer hansisommer at gmx.de
wrote:Hello,
I am relatively new to Lilypond.
I try to check the total length
Hi,
On Wed, Oct 8, 2014 at 9:48 AM, David Bellows davebell...@gmail.com wrote:
Here's a preliminary experiment. It will add an automatic \ottava 1
before passages where notes have at least a specified number of ledger
lines.
The attached function will work with more complex music
Hi David,
On Sat, Oct 11, 2014 at 4:45 PM, David Bellows davebell...@gmail.com
wrote:
The attached function will work with more complex music expressions.
Nicely done! I really like the greater flexibility achieved based on using
ledger lines. Fortunately in this project I don't use chords
On Sat, Oct 11, 2014 at 5:38 PM, David Nalesnik
This will all be better once this thing has the ability to detect the
current clef. It looks like that's possible, because calling \clef ...
adds a 'PropertySet event to the mix, and 'clefMiddleCPosition (which the
ledger-line counter
Hi Kai,
On Thu, Oct 9, 2014 at 11:05 AM, Dr. med. Kai Lautenschläger
dr.lautenschlae...@gmx.net wrote:
Thanks Trevor,
Am 9.10.2014 um 15:44 schrieb Trevor Daniels t.dani...@treda.co.uk:
Kai, you wrote Thursday, October 09, 2014 2:27 PM
In many of my scores for choral pieces I see an
Hi,
On Mon, Oct 6, 2014 at 3:51 PM, David Bellows davebell...@gmail.com wrote:
I ended up creating my own solution to use in my code that generates
scores. Unfortunately it doesn't really translate into anything usable by
anyone else. Likewise I created my own staff switching method as well
Hi Jacques,
On Mon, Oct 6, 2014 at 1:32 PM, Jacques Menu imj-...@bluewin.ch wrote:
Hello folks,
I’d like to produce the text « très vite » in the same way as this:
But I failed at finding a way with the usual spanners, that accept text at
both sides but not in the middle it seems.
On Wed, Oct 1, 2014 at 4:41 PM, Jay Vara j...@diljun.com wrote:
I wonder two things:
(1) Is there a way to combine the notes and rests in the 1/4 division of
the bars?
Not sure what you mean.
In the example below, it looks strange that there are two tied eighth-note
Gs instead of a
On Thu, Oct 2, 2014 at 7:11 AM, Jay Vara j...@diljun.com wrote:
David,
I tried your snippet with a different meter and it gives some weird
results. It seems to produce additional bars - I changed the bar after the
compound meter to double bar so we can see the extraneous bars. And the
notes
On Thu, Oct 2, 2014 at 7:28 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Wed, Oct 1, 2014 at 4:41 PM, Jay Vara j...@diljun.com wrote:
I wonder two things:
(1) Is there a way to combine the notes and rests in the 1/4 division of
the bars?
Not sure what you mean
Hi Jay,
On Mon, Sep 29, 2014 at 3:42 AM, Jay Vara j...@diljun.com wrote:
Hi David,
Thank you very much. Now I know how to use the listeners!
With your change it seems to work for the two-staff example with (7 4) (1
4) (2 4) meter. This is the only case of compound metre that I commonly
On Wed, Oct 1, 2014 at 11:52 AM, David Nalesnik david.nales...@gmail.com
wrote:
Every time process_music () is called and there are note events, we
figure out how long the note to typeset should be. It should be no longer
than what's specified, than what is left to do and it should
On Wed, Oct 1, 2014 at 12:14 PM, Jay Vara j...@diljun.com wrote:
Also, I just saw your next note - that note and rest events do not cross
added bar lines. In that case, what do they mean by sub-bar units in
lily/completion-noteheads-engraver.cc? If they mean sub-bar units of the
compound
On Sun, Sep 28, 2014 at 10:30 AM, Jay Vara j...@diljun.com wrote:
I wanted to get bar lines after each sub-meter of a compound meter, and
to have Completion_heads_engraver recognize these bar lines and split
and tie notes as needed.
Thanks to David and Jan-Peter, I was able to change their
changes
Provided by Jan-Peter Voigt
Presumably written by David Nalesnik
I think you must have gotten this here:
http://www.mail-archive.com/lilypond-user%40gnu.org/msg78039.html
It says it's written by Jan-Peter, based on something I wrote. What that
something could be, I don't know anymore
Hi Jay,
On Sun, Sep 28, 2014 at 12:48 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Sun, Sep 28, 2014 at 10:30 AM, Jay Vara j...@diljun.com wrote:
I wanted to get bar lines after each sub-meter of a compound meter, and
to have Completion_heads_engraver recognize these bar lines
Hi Jay,
On Sun, Sep 28, 2014 at 3:29 PM, Jay Vara j...@diljun.com wrote:
David,
If I use the compound meter which has a (1 4) as one of the moments, it
does not work. It seems to be treated as a (2 4). Actually, I think the
Completion_heads_engraver may be the one with a problem. I checked
Hi Jay,
On Sun, Sep 28, 2014 at 5:46 PM, Jay Vara j...@diljun.com wrote:
Hi David,
Actually, your logic and reasoning were quite correct. Only, the format
statement was before the measureLength was set. I moved the format
statement after the context-set-property and it now shows that the
Hi Jay,
On Sun, Sep 28, 2014 at 7:24 PM, David Nalesnik david.nales...@gmail.com
wrote:
Possibly the problem is that the custom engraver is setting measureLength
too late for Completion_heads_engraver to use it?
That just might be it. The Completion_heads_engraver listens for
note-events
Hi Kieren,
On Fri, Sep 19, 2014 at 9:10 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David et al.,
What’s the current status on “measure-attached spanners”?
http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01032.html
I haven't been able to look at this,
Hi Jay,
On Fri, Sep 19, 2014 at 4:53 AM, Jay Vara j...@diljun.com wrote:
Paul,
can read up on them in the Guile manual).
Here's the section on equality (eq? eqv? and equal?):
https://www.gnu.org/software/guile/manual/guile.html#Equality
I've found the guile
Hi Orm,
On Wed, Sep 17, 2014 at 7:57 AM, Orm Finnendahl
orm.finnend...@selma.hfmdk-frankfurt.de wrote:
Am Mittwoch, den 17. September 2014 um 07:53:48 Uhr (+0100) schrieb James:
Do you have any other suggestions we could improve the documentation
with perhaps?
The main problem in this
Hi Jay,
On Thu, Sep 18, 2014 at 4:43 AM, Jay Vara j...@diljun.com wrote:
I'm not top posting.
I am using NoteNames context to print the note names automatically for
scales of half notes, quarter notes and eighth notes. I have redefined
the NoteNames using override NoteName.Stencil.
I
On Thu, Sep 18, 2014 at 7:01 AM, David Nalesnik david.nales...@gmail.com
wrote:
myNoteNames =
#(lambda (size)
(lambda (grob)
#(define (myNoteNames size)
(lambda (grob)
Or even the cryptic
#(define ((myNoteNames size) grob)
Now, if you want to have LilyPond detect the note
On Thu, Sep 18, 2014 at 7:42 AM, Jay Vara j...@diljun.com wrote:
Yay! I tried the cryptic version you suggested, and it works nicely. The
syntax does take some time to get used to.
When lilypond displays an error, is it possible to know which line of code
the error is in? I am using
Hi Jay,
On Thu, Sep 18, 2014 at 9:54 AM, Jay Vara j...@diljun.com wrote:
On the other hand, what would be nice is if the NoteName could be changed
based on duration. In particular, if the note is a half note, I would like
to add a character (say a - or a a) to the note name. This could be
Hi Jay,
On Thu, Sep 18, 2014 at 10:54 AM, Jay Vara j...@diljun.com wrote:
Is this the way I enter it? For some reason, does not seem to be working
- it seems to be ignoring the suffix.
By the time you set the 'text property, new-name doesn't hold the newest
name, rather the variable text
On Thu, Sep 18, 2014 at 9:57 AM, Jay Vara j...@diljun.com wrote:
David:
Friscobaldi says:
Starting lilypond-windows.exe 2.18.2 [Alam-Ata.ly]...
Processing `c:/users/arjuna/appdata/local/temp/frescobaldi-
pvt8zv/tmptpz4so/Alam-Ata.ly'
Parsing...
Interpreting
Hi Jay,
On Thu, Sep 18, 2014 at 6:28 PM, Jay Vara j...@diljun.com wrote:
I am not top-posting
David,
I defined a second variable nsiz which is 1, 2 or 3
Tried
(case duration-log
((nsiz) a )
(else )))
This condition was never succeeding although I printed out nsiz and
Hi Jay,
On Tue, Sep 16, 2014 at 6:52 AM, Jay Vara j...@diljun.com wrote:
I'm not top posting.
David,
How I wish I could understand how you do what you do! It all looks like
magic to me. Is there a place that shows how to use all these functions?
There is a list of Scheme functions (
Jay,
One more thing. For chords, the note name text would be a single string
a' cis' e'. Don't know if you need that extra ability, but that would
of course require some string manipulation.
--David
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lilypond-user mailing list
Jay,
On Tue, Sep 16, 2014 at 11:03 AM, Jay Vara j...@diljun.com wrote:
David,
That worked. I have now defined a 2.5 octave range that covers most of my
music.
Nice to hear!
I will try to learn the scm slowly - I should say it is a bit confusing
with all the different levels of
Hello,
On Tue, Sep 16, 2014 at 4:33 PM, Orm Finnendahl
orm.finnend...@selma.hfmdk-frankfurt.de wrote:
Hi,
here is the next question:
Is there a way to move the tweaks in the following code into the
markup definition of secs so that they don't clutter up the score?
The only way I can
On Tue, Sep 16, 2014 at 6:19 PM, Orm Finnendahl
orm.finnend...@selma.hfmdk-frankfurt.de wrote:
Hi David,
thanks a lot, that definitely helps! I tried to manipulate the assoc
list of props by consing to it but lacking the knowledge of the
structure of the prop variable didn't get me
Hi Jay,
On Mon, Sep 15, 2014 at 1:18 AM, Jay Vara j...@diljun.com wrote:
David,
Thank you. I will try posting with the line you suggested.
As for the link to the not-working example, it is found here:
http://goo.gl/n54RZB -- the snippet is called bar-lines-lyric-only
Jay,
On Mon, Sep 15, 2014 at 8:41 AM, Jay Vara j...@diljun.com wrote:
David,
Sorry, I did not know that I was using the regression code.
No problem! You will find some interesting stuff in the regression tests,
though the focus is not on providing helpful code for users. There are
some
On Mon, Sep 15, 2014 at 11:16 AM, David Nalesnik david.nales...@gmail.com
wrote:
A subset of the LSR is in the official documentation, but there are many
more snippets. Follow the link on the page referenced above. (Hmm...not
working for me. I believe the address has changed slightly
Hi Jay,
On Mon, Sep 15, 2014 at 4:27 AM, Jay Vara y...@diljun.com wrote:
I'm not top posting.
NoteNames will print the higher (and lower) octave names with
printOctaveNames set to true. It prints them as c', d', c, d, etc.
My question is: Is it possible to have the higher octaves print
On Mon, Sep 15, 2014 at 6:55 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jay,
On Mon, Sep 15, 2014 at 4:27 AM, Jay Vara y...@diljun.com wrote:
I'm not top posting.
NoteNames will print the higher (and lower) octave names with
printOctaveNames set to true. It prints them as c
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