On Monday 27 February 2006 20.26, [EMAIL PROTECTED] wrote:
Dear fellows:
I'm working on an essay where a sentence like the following is needed
The first segment has a duration of 110 dotted quarter and blah,
blah...
where dotted quarter should be replaced by the musical glyph.
1) Is
On Tuesday 21 February 2006 09.06, Graham Percival wrote:
On 20-Feb-06, at 7:12 PM, Steve D wrote:
The graphical example doesn't seem to accurately illustrate the code
above it. The stems for notes on the middle line of the staff all point
down, despite \override Stem #'neutral-direction =
On Monday 16 January 2006 18.50, andrea valle wrote:
I forgot to say (maybe it's relevant) that I changed staff space and I
use percussion.
Here's a minimum excerpt:
Hi,
The bug is fixed in 2.5.35. Thanks!
--
Erik Sandberg
Maintainer of the Lilypond bug CVS archive,
http
On Saturday 18 February 2006 13.54, Kieren Richard MacMillan wrote:
[Mac OS X 10.4.4 ; Lilypond Version 2.7.28-2 (Build from 30-12-2005
19:17) ]
Hi, everyone!
Clearly I don't understand the \change Staff feature... =\
Could someone tell me what I'm doing wrong in the enclosed excerpt?
On Thursday 16 February 2006 13.14, Thies Albrecht wrote:
Hi everybody!
To prevent having to use extensive scheme code inside my score I prefer
to define shortcuts for often used code snippets, e.g. when setting
ottavation on and off.
In the following code example Point'n'click is turned
On Wednesday 15 February 2006 06.28, Richard Schoeller wrote:
I'd like to weigh in on this one.
My experience is totally contrary to the way this discussion has gone.
The actual entry and correction of the music is a trivial small part of
the time I spend working with Lilypond. I spend much
Citerar Mats Bengtsson [EMAIL PROTECTED]:
Quoting Erik Sandberg [EMAIL PROTECTED]:
...
BTW, some watching of the process leads me to think that one of the
biggest performance sinks is conversion to PDF.
Sounds very strange. However, if ps-pdf conversion does take forever,
then
you
Citerar Ben Fisher [EMAIL PROTECTED]:
Running lilypond seems to take a while on my machine. For a project I'm
working on it'd be nice to have much faster time to output. Maybe some of
this time is spent for lilypond to load all of its fonts and set up.
Instead of running lilypond.exe
On Saturday 11 February 2006 01.43, Hendrik Maryns wrote:
Hi,
I?m not sure about the word foreplay, I mean Dutch voorspel, it is a
short piece of music that comes before the main piece, typical in
folklore dance music. Concretely, I have a song (Erev shell shoshanim),
which has this
On Wednesday 08 February 2006 13.09, Han-Wen Nienhuys wrote:
Milan Zamazal wrote:
I started to work on a small project to output a Festival singing mode
file from LilyPond input (this is useful for blind authors to easily
check lyrics is properly aligned with music). I think this could be
On Wednesday 08 February 2006 11.26, Ramana Kumar wrote:
(minor correction: these projects are implementations of GNU, not Linux
emulators. They require that you rebuild packages, and they do not offer
binary compatibility between platforms. Porting denemo to mingw or cygwin
is probably a
On Monday 06 February 2006 23.16, Eduardo Vieira wrote:
Hello users,
I've been struggling to set the lyrics correctly for this song. But I can't
assign the word right and the word true (2nd stanza) for the note d2.
in this part: { d2. } \\ { g,4.( f4.) }
\\ creates new voices implicitly,
On Thursday 02 February 2006 00.11, [EMAIL PROTECTED] wrote:
Hello,
I'm looking through the archives and I've found almost exactly what I
need. I'm trying to have a split where the text for the upper part is
above the staff, and the text for lower voice is below the staff, and
I just cannot
On Saturday 28 January 2006 11.59, Alan McConnell wrote:
Assembled Wisdom!
I used lilypond several years ago, but had a lot of trouble
upgrading, because then one had to build from scratch and there
were always guile imcompatibilities, etc. So I did nothing with
computer music typesetting
On Sunday 29 January 2006 15.09, Gilles wrote:
In the attached file, I want to stack two PianoStaff (each with their
own lyrics and figured bass lines). [See attached pdf.]
But I can't figure out why the lyrics and figures intended for the first
piano (setup in lines 58-59) come *after*
) to
bug-lilypond. Chances are it's the same problem as
hara-kiri-pianostaff-instr.ly in the bug archive, so you could check that
first (follow one of the links below).
--
Erik Sandberg
Maintainer of the Lilypond bug CVS archive,
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lily-bugs/bugs/
http
On Tuesday 24 January 2006 22.31, Tim Sawyer wrote:
I'm doing this to get percussion drag notation in lilypond 2.6:
\appoggiatura { e16[ e16 ] } \stemUp e4
The grace notes stems are as long as the main note - it would be better if
they were smaller.
Is there a property I can tweak to do
On Tuesday 24 January 2006 07.58, [EMAIL PROTECTED] wrote:
Hello, I'm just wondering…
I'm in lilypond version 2.6.5 on OSX. I'm finding myself increasingly
more facile with the program by the minute. I'm wondering if I'm
doing something wrong with etf2ly. I don't get output, I just get
On Sunday 22 January 2006 21.51, Felix Hammer wrote:
Am Sonntag, 22. Januar 2006 21:24 schrieben Sie:
#(def-markup-command (with-dimensions layout props x y arg)
(number-pair? number-pair? markup?)
Set the dimensions of @var{arg} to @var{x} and @var{y}.
(let* ((m (interpret-markup
On Saturday 21 January 2006 00.34, David Raleigh Arnold wrote:
I am interested in what other long-time users of lilypond think of
this suggestion to implement a \textto to work similarly to \lyricsto.
for lilypond entry of fingering and text:
example:
bassfinger = \text {
.3 '4 .
On Thursday 19 January 2006 18.18, Bostjan Kuzman wrote:
Thanks for the advice.
However, though double clicking lilypond-book.py does something in
Windows, I still don't know how to process the files.
Running
python c:/Progra~1/LilyPond/usr/bin/lilypond-book.py
from Command prompt looks
On Friday 20 January 2006 20.01, debian wrote:
Traditional tunes tend to be short. Just a burst of eight bars,
repeated usually and then a burst of another eight bars again
repeated.
I would like to play the tune a number of times 1,2,3 perhaps 4 times.
I could go:
timidity my.tune
On Wednesday 18 January 2006 07.40, amhso (sent by Nabble.com) wrote:
I'm new to all this lilypond. I used to use noteworhty so this is a big
change for me. anyways... Picture of my situation . I don't get how to
format all this stuff. feels like programming. How do i make the second
clef
On Wednesday 18 January 2006 16.37, Tomasz Bojczuk wrote:
Form which format of Finale files (music xml or ETF) I will get better
Lilypond file (some notation details like dynamic, key/tempo chenges, maybe
fingering etc. ) ??
I don't know what's better currently, but I have a feeling that
On Tuesday 17 January 2006 19.18, Bostjan Kuzman wrote:
I've succesfully installed Lilypond 2.7.27-4 in Windows and in Ubuntu
Breezy (the autopackage - I would suggest using sudo sh
lilypond-X.Y.Z.linux.sh to avoid path problems here).
However, I don't know how to invoke lilypond-book in any
On Tuesday 17 January 2006 03.16, Han-Wen Nienhuys wrote:
alanvw wrote:
PS I would like to hear from others who use Notepad++ and a comment from
Han.
(the name's Han-Wen, not Han).
it looks interesting, since it can be compiled under MinGW as well.
However, It also looks like it might
On Monday 16 January 2006 10.49, andrea valle wrote:
Dear all,
In a piece with a lot of tuplets, I have many collisions between
bracket/number and beams. I solved my problem via manual adjustment.
Also, I noticed that changing fonts I was able to avoid the collisions.
But this is a
On Sunday 15 January 2006 13.34, Jay Hamilton, Sound and Silence wrote:
Below is excerpt from a triple choir piece. I took it out trying to
find what I've done wrong to have the lyricmode skip some notes but I
don't see my error.
winxp
the word 'meek' is attached properly but then the next
On Thursday 12 January 2006 23.36, Gilles wrote:
I can't seem to figure out how to slightly change the structure to make
it work :-{
I tried with \addlyrics but it shows only one line of the caption
instead of one for each transposed part...
Several \addlyrics produce the same problem
On Wednesday 11 January 2006 15.39, Gilles wrote:
Hi.
because Lilypond inserts a space between any two markup components.
I noticed that too, and I'd tend to consider this as a bug.
no, it's the intended behaviour of markup.
It could be possible to write a markup function that
On Saturday 07 January 2006 15.43, Gilles wrote:
Hello.
I'm confused by the output of the attached file: lilypond creates
an empty bar. [And generates a programming error.]
And the clef change indicator is pushed to the next line.
Without the addition of the second \transpose part, the
On Thursday 12 January 2006 09.01, debian wrote:
Please,
I have just started using Lilypond (2.4.5) on a debian sarge system
and I am getting on reasonably well with the syntax.
But, the quality of my pdf files is very poor. Notes and staff lines
etc look ugly. Probably this is a font
On Thursday 12 January 2006 19.19, Gilles wrote:
Hello.
I'm confused by the output of the attached file: lilypond creates
an empty bar. [And generates a programming error.]
And the clef change indicator is pushed to the next line.
Without the addition of the second \transpose
On Friday 06 January 2006 02.22, Linda Seltzer wrote:
User Experience engineering does not require a GUI or an abandonment of the
programming and typesetting approach. It does not require the abandonment
of providing detailed features. What it requires is that the language
and documentation
On Tuesday 10 January 2006 05.15, liang seng wrote:
Hi, I'm just wondering if we can use utf-8 to input Chinese (or other
Asian) characters as well?
Yes, see input/sakura-sakura.ly
--
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
On Wednesday 11 January 2006 14.20, Han-Wen Nienhuys wrote:
Erik Sandberg wrote:
Also, there are some limitations with the \with construct (for example,
\consists
bugreport please.
sorry, I remembered incorrectly (it is \accepts that doesn't work inside
\with, see with-accepts.ly in bug
On Thursday 05 January 2006 12.25, Gilles wrote:
Hello.
The problem I've had with that is that when I define
eaigu = the utf-8 double byte for é
and then (later) say
\markup sym \eaigu trique
what I get in the PDF file is
sym é trique
because Lilypond
Citerar Marc Weber [EMAIL PROTECTED]:
Perhaps only providing one installer installing lilypond and jedit +
lily4jedit, perhaps with the default settings to show the error list
pluigin docked at the bottom or the like would have saved those 10 min
administration time ... in case it works out
Citerar Marc Weber [EMAIL PROTECTED]:
Perhaps only providing one installer installing lilypond and jedit +
lily4jedit, perhaps with the default settings to show the error list
pluigin docked at the bottom or the like would have saved those 10 min
administration time ... in case it works out
Citerar Linda Seltzer [EMAIL PROTECTED]:
I would greatly encourage the project to focus on the user interface and
the user experience if this is to catch on in a large way.
Having to install separate editors (and who knows what bugs that will
bring and what other mailing lists one will have
Citerar Gilles [EMAIL PROTECTED]:
Hi.
Seemingly a bug in the same family as my previous post.
Still not a bug (IMHO), just a missing feature. The same solution should work.
It is known that implicit context creation has some problems when a piece starts
with \times, \grace etc., so it's
On Tuesday 20 December 2005 20.57, Gordon Gilbert wrote:
Hi folks!
I have been using version 2.7.20 on FreeBSD very successfully for a few
weeks now. Using jEdit for my .ly files, which is nice too.
Now.
I recently acquired a Windoze computer (XP) and installed 2.7.18 on there.
My
On Saturday 17 December 2005 21.10, Anna Choma wrote:
Hello!
I use the 2.6.3 version of Lilypond. I've noticed that braces that
appear ont the left side of each line are wider than the staff. Can
one change this as to make that the ends of the brace would stick to
the staff and not extend
On Tuesday 13 December 2005 22.27, Nicolas Sceaux wrote:
Han-Wen Nienhuys [EMAIL PROTECTED] writes:
I wonder whether this should be changed too. This would mean that
\clef alto
\clef alto
becomes
\clef #alto
or
\clef #'alto
This will simplify the syntax a
On Tuesday 13 December 2005 10.55, Don Blaheta wrote:
Quoth Han-Wen Nienhuys:
Don Blaheta wrote:
2) Is there a Scheme function to retrieve the _current_ context? It
looks like all the functions require a context as an argument.
What do you mean by current ? Where do you need it ?
Citerar Don Blaheta [EMAIL PROTECTED]:
If I compile the following in 2.6.4, I get---as expected---one column
under the third note with p and s. However, I *don't* get
*anything* under the sixth note (where I would expect q and t).
Why?
\score {
\context Voice = foo { a b c \\ d e
On Sunday 11 December 2005 07.33, Don Blaheta wrote:
It all started with wanting to just move over a few pieces of text, but
finally I sat down and worked my way through the labyrinth of figuring
out how the system works. The problem is that there are a lot of
high-level concepts, like grob
On Saturday 10 December 2005 14.44, Pedro Martínez wrote:
Hello again!
I am reading step by step the tutorial that I can find at the web of
lilypond and, except the dificulties that I have because of the language, I
think I understand correctly and I am going to put it in practice nearly.
On Friday 09 December 2005 02.37, Jonatan Liljedahl wrote:
The below snippet shows a bug, the d,, note isn't affected by the
octavation: (see bug.png)
Any tips?
The problem is that the \clef command is executed after the \octdn command;
this overrides the middleCPosition property. This can
On Wednesday 07 December 2005 11.25, Gordon Gilbert wrote:
Hi!
What's the syntax in 2.7.20 for skip lyrics? Previously, I had
%shorthand for Skip Lyric
sl = { \skip 2 }
in the global section, and
\sl
where the words demanded it. How should that be?
IIRC, you can now
On Thursday 08 December 2005 14.47, Pedro Kröger wrote:
Han-Wen Nienhuys [EMAIL PROTECTED] writes:
One problem is that Lily will usually process the entire piece, which
makes entering large pieces time consuming.
but it needn't to be. One can use variables to hold sections of music
and
On Sunday 04 December 2005 18.32, Raphael Manfredi wrote:
What is the technical reason for repeats to not be automatically played
(i.e. unfolded) as many times as necessary in the MIDI output?
The \unfoldRepeats is a crude hack, and I fail to see the justification
behind this feature.
On Saturday 03 December 2005 14.50, fiëé visuëlle wrote:
Hi there,
I need a lot of chords to take the length of a 7/8 measure, but there
isn't a appropriate length 'code', is there?
Try d2..:m or d1*7/8:m
--
Erik
___
lilypond-user mailing list
-beamed-rests.ly:
%crash critical
%Sean Reed
\version 2.7.15
\header {
texidoc = lily segfaults.
reportedin =2.7.16
}
\relative c' {
r16[ b r8]
}
--
Erik Sandberg
Maintainer of the Lilypond bug CVS archive,
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lily-bugs/bugs/
http://lilypond.org
On Thursday 01 December 2005 20.16, Bertalan Fodor wrote:
Could an easier and faster way be sponsored?
I have a suggestion:
- Let music events have a optional grob property list, just like contexts
have. This could be initialised with a syntax similar to:
c d-\override NoteHead #'color = #blue
On Friday 02 December 2005 19.37, Sean Reed wrote:
sorry if this has come up before, but i'm finding an unexplainable
behavior with newer version of lilypond on macos 10.4.
i have several .ly files that i began around 2.7.7 or so, that are
relatively long.
when i open them in any version up
On Friday 02 December 2005 21.28, Nicolas Sceaux wrote:
Hi,
I'm facing some collision problems in a score with three voices on one
staff:
Why don't you just add \voiceThree in the middle voice? This resolves most
collisions.
--
Erik
___
On Sunday 20 November 2005 22.44, Maik Schmidt wrote:
Hi!
I've set three melodies for piano, working quite well. But now I've
come to a point where I do not know how to get it working.
I've got three chords, joint by slurs:
{\set doubleSlurs = ##t
f a( f a)( f a f')}
Looks well except
On Tuesday 15 November 2005 14.37, Gilles wrote:
Hello.
- Partial bars:
You probably don't want to use \partial in the middle of a piece. In
your example, it tends to destroy the bar numbering. I think it's a
better idea to set Timing.measureLength directly.
One thing that might
On Monday 14 November 2005 02.10, Han-Wen Nienhuys wrote:
Erik Sandberg wrote:
On 11/12/05, Han-Wen Nienhuys [EMAIL PROTECTED] wrote:
Trevor Bača wrote:
So, both for ease of implementation -- and because actual composers
seem to bar and bracket things quite arbitrarily -- maybe the request
On 11/12/05, Han-Wen Nienhuys [EMAIL PROTECTED] wrote:
Trevor Bača wrote:
So, both for ease of implementation -- and because actual composers
seem to bar and bracket things quite arbitrarily -- maybe the request
shouldn't be for arbitrarily nested contexts, but instead to free up
On Saturday 12 November 2005 11.53, Seng Liang wrote:
Hi, I'm using Lilypond 2.7.12 for Windows 98 and I am having some lyric
difficulties. Here is the file:
\version 2.7.12
\relative c' {
\set Staff.instrument=Soprano
\clef treble #(set-accidental-style 'modern)
\key f
On Friday 11 November 2005 23.25, Trevor Bača wrote:
The InnerStaffGroup system start bracket needs manual nudging to the
left, but both brackets are present around the expected staves.
Adding another InnerStaffGroup doesn't do what we might expect, however:
The type of a context can never
On Wednesday 09 November 2005 11.09, Sean Reed wrote:
btw:
this program (inkscape) looks excitingly promising as an alternative
to illustrator, but unfortunately opening .ps files appears to still
only be a working function on linux and not yet on osx!
I've been playing with inkscape too,
On Sunday 06 November 2005 23.47, Mark Cookson wrote:
However, I can't seem to get anything along these lines...
cmajoroneoctave = { \score {
\new Staff \relative c' {
\override Staff.TimeSignature #'transparent = ##t \cadenzaOn c8[ d e f] g[
a b c] b[ a g f] e[ d] c4 \cadenzaOff \bar ||
}
On Monday 07 November 2005 07.05, Sterling Sympatico wrote:
Hi again,
How do I pad between time signature and first note of a bar?
I notice that the first note following a time signature is almost
touching the time sig. I seem to recall this being a bug but was
wondering if it was fixed now
On Sunday 06 November 2005 22.50, Jannik Jeppesen wrote:
Please keep the discussion on the mailing list.
Hi Erik...
Thanks for your answer...
I have read the unfold, but font understand it...
I have made one bare in drum mode, and want to hear it in midi
continiously... so it keeps on
On Monday 07 November 2005 11.19, Mehmet Okonsar wrote:
accidentals, at the left hand part at the end of that fragment repeat
unexpectedly..
I wasn't able to figure out why?
Please look at the end for the left hand part the code is commented.
unmeteredOn =
{
\set
On Sunday 06 November 2005 02.40, Graham Percival wrote:
On 4-Nov-05, at 12:40 AM, Mats Bengtsson wrote:
If you get two PDF output files, then you still have some \book{...}
left
in one of the included files! Just remove all of them and you should
get
all your pieces in a single PDF
On Sunday 06 November 2005 09.58, Rob van den Berg wrote:
Is there any way I can set the split point for \autochange to any
other note then c' ??
No, but it is easy to do a workaround: If you want to split at f', then do:
\transpose f' c' \autochange \transpose c' f' {music}
--
Erik
On Sunday 06 November 2005 20.07, Jannik Jeppesen wrote:
Hi
is there some code, so i can repeat the midi sound, so it will go on and on
til stopped?
I don't understand what you mean, but you may want to read about the
\repeat unfold
command in the manual.
And. Is it possible to create 2 midi
On Saturday 05 November 2005 09.59, Rob van den Berg wrote:
Hi all,
When I render a piano staff the curly brackets are too big ...
How do I fix this ?
It seems to be a bug, and it seems to be fixed in the 2.7 series.
--
Erik
___
lilypond-user
On Friday 04 November 2005 23.12, Markian Hlynka wrote:
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2 r8
Citerar Roland Goretzki [EMAIL PROTECTED]:
Hello list, hello Erik,
You wrote:
Well, a 2.6.3 .deb is in debian unstable now, so perhaps you can try that.
Thank You,
I tried, but on my sarge 3.1 there are some difficulties with
dependencies, so this is not the way ... :-(
Every
On Thursday 27 October 2005 01.59, Roland Goretzki wrote:
Hello list,,
I wrote:
Trying a little example with
lilypond example-1.ly
results in an error message:
[EMAIL PROTECTED]:~/noten/2.6.3.1/probe lilypond example-1.ly
GNU LilyPond 2.6.3.1
[ ... ]
On Tuesday 25 October 2005 07.21, D Josiah Boothby wrote:
i don't know if i should send this here or do lilypond-dev, but i'll send
here first.
Look at the recent lilypond-devel archives. Two people have independently
managed to build debs recently: Gauvain Pocentek (ubuntu) and Thomas
On Wednesday 26 October 2005 01.00, Michael Haynie wrote:
OK -- I verified that -sPAPERSIZE=letter is appearing on the gs line,
and Acrobat reader reports 8.5x11, as I mentioned previously. Printing
A4 on Letter with scaling results in wider margins at the right and
left, since a4 is longer
On Sunday 23 October 2005 09.02, Graham Percival wrote:
On 22-Oct-05, at 9:39 PM, Michael Haynie wrote:
I've noticed that Lilypond consistently produces pages that are
roughly 1/2 a line too long, with the result that my footer line is
cut off.
It's not actually lilypond; it's dvips.
No,
On Wednesday 19 October 2005 15.39, Thies Albrecht wrote:
Hi everybody!
Any idea or hint on how to automatically expand percent repeats once at
line breaks. For example
\repeat percent 50 {c d e f}
should lead to several line breaks. At each new line the repeat should
be unfolded
On Friday 14 October 2005 23.01, Kress, Stephen wrote:
I do have two questions. I was able to reproduce my source score perfectly
(with a couple of tweaks for the way I prefer) except for two things.
I like to have every measure numbered under the staff (easy enough) except
that I can't find
On Saturday 15 October 2005 08.44, Jason Addison wrote:
I'm using 2.7.10.
If I'm in ~/mytunes/ and I type:
$ lilypond -o set1/tune1 set1/tune1.ly
I get the pdf file in ~/mytunes/ and the ps and midi files in
~/mytunes/set1/ I really want the pdf with the other output and source in
On Wednesday 12 October 2005 01.28, Ian Hawthorn wrote:
Erik Sandberg wrote:
You can use two different voices for the notes, and then use \lyricsto to
assign lyrics only to one of the voices:
\new Staff
\context Voice=song {s1 | b4 b b r | s1 | s1 | }
\context Voice=instr {b4
On Sunday 09 October 2005 14.46, lars prins wrote:
Lilypond can do everything and lilypond is for everybody.
Yet, I don't seem to be part of this equation somehow.
I am getting very frustrated to get Lilypond to do the
simplest thing, to create a PDF file with 4 pages of empty
piano sheet
On Tuesday 11 October 2005 01.39, Ian Hawthorn wrote:
Suggested feature: Commands (e.g.) `\LOn' and `\LOff' to turn on and off
the synchronisation of lyrics and avoid overuse of `_'. For example
{ \LOff b4 a g a | \LOn b b b r | \LOff a a a r | b d d r }
addlyrics { lit -- tle lamb }
To
On Tuesday 11 October 2005 21.49, David Bobroff wrote:
I found qtree.sty which seems to do pretty much exactly what I need.
Now to put feta glyphs on the tree...Any hints...?
Hm.. it's outside my area of knowledge, but if I'd get this problem, I would
grab an old lily version (=2.4). Then I'd
On Monday 10 October 2005 09.47, andrew Black wrote:
I want to create repeated chords (in a piano part).
I have tried
c e g*4
but this gives unexpected *.
Is the * notation only applicable to full bar rests (eg R1*4).
Please read the manual.
*4 only modifies a duration. You can write
c
On Saturday 08 October 2005 17.45, andrew Black wrote:
Hi
I have 2 voices on the same stave. Sometimes both parts are singing the
same note. This is notated to 2 semibreves side by side.
Is it possible to combine the two.
You can e.g. replace one of them with a skip. However, I think it is
On Thursday 06 October 2005 07.30, Guy Durrieu wrote:
Hello,
I recently succeeded (not really easily) in compiling lilypond-2.6.3
on a Sun station (Solaris 10). It seems to work fine, but I have a
problem when converting a .ly into a TeX file. the
\magfontemmentalerBGmPBBo command is
On Wednesday 05 October 2005 15.33, Kyle Baldwin wrote:
I am trying to get a stem of a note in a sequence of 3 notes to be longer.
When ever I use the beamed-lengths it will change the stem of the first 2
beams but no the last one. (The one I actully need to change because the
tremolo runs
On Thursday 06 October 2005 09.47, Guy Durrieu wrote:
Erik Sandberg wrote :
The tex back-end is deprecated and unsupported. The normal operation is to
create a .ps file directly.
Why do you need tex output?
Thanks for your answer.
What I find interesting in TeXT/LaTeX based tools
Citerar Guy Durrieu [EMAIL PROTECTED]:
Erik Sandberg a écrit :
This has to do with the viewer. In gv, you can press 'Reload' after each
recompile; this is also done automatically if you wait for a long time. It's
possible that there is a ps viewer out there, which automatically updates
On Wednesday 05 October 2005 08.18, borko (sent by Nabble.com) wrote:
Hi there,
I am new to this forum. I have been using Lilypond for about a month now
and I have generated some nice pages. I am needing to make some chord
diagrams for ukulele now.
Here is my problem: since this is a markup
On Saturday 01 October 2005 05.17, Bohdan Krowicky wrote:
Hi,
I'm impressed by the printed results from your program - I remember
'Score', about a millennium ago which I ran on an XT and that was a
script based application. When you were ready to print a score, you
had to run the print run
Citerar Trent Johnston [EMAIL PROTECTED]:
Hello again,
I'm currently typesetting a trio sonata by Locatelli...
In one movement the the two flutes are in 12/8 time while the Continuo part
is in Common time.
This is ok I thought I can set the flute parts in tuplets and fake 12/8
On Thursday 29 September 2005 22.38, Daniel Johnson wrote:
Dear list,
Because I am typesetting a fragment of a larger work, I would like to
display the bar number on the first line. By default Lilypond does not
do so, but begins displaying it on line 2. In ly/engraver-init.ly, we
encounter
On Tuesday 27 September 2005 23.21, Fairchild wrote:
Got it!
Still think it is a bug.
Here's the workaround.
Though your solution happens to work, it's an unsupported tweak. Don't expect
it to work with future versions of lily.
I did a quick test, and the following seems to be the right
On Saturday 24 September 2005 22.10, John Lapeyre wrote:
This question is perhaps tangentially related to the list.
I am transcribing music from a recording into lilypond. I
wonder what possible legal implications of posting my work
on the net might be. Tabs for guitar of contemporary major
On Friday 23 September 2005 23.34, Daniel Johnson wrote:
Ruud van Silfhout wrote:
As I am just an amateur regarding music notation I have a question
concening the attached piece of music.
The natural shown below the last note, is that meant as a natural
normally placed before the note?
On Thursday 22 September 2005 11.37, Peter Mogensen wrote:
Erik Sandberg wrote:
why not do something like this?
\new DrumStaff {
\drummode {
\repeat volta 2 { sn4 sn sn sn}
\alternative {
{sn4 sn sn sn }
{\grace s4 sn4 hh2
On Friday 23 September 2005 01.19, Han-Wen Nienhuys wrote:
Han-Wen Nienhuys wrote:
IIRC think I have set the price at EUR 110 for #1 + #2 (incl VAT and/or
transfer costs, depending on where you live.)
Sorry, I'm a bit uncoherent. The point I'm trying to make is that the
Grand Unified
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