On Wed, 20 Nov 2019 00:26:58 +, "Urs Liska"
wrote:
> This was just shared on Facebook, and I want to forward it here since -
> while not related to music engraving directly - it may be useful to
> people on this list.
>
> https://bit.ly/2qouMtH?fbclid=IwAR2kWD64268-n2cqKagJ5AxVntbxRsPFN48q61
On Mon, 1 Apr 2019 09:17:26 +0200, Malte Meyn wrote:
> SMuFL integration and using Metafont for glyph creation don’t
> contradict, do they?
They do, in so far that with limited resources you cannot do both.
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On Mon, 1 Apr 2019 11:37:42 +1100, Andrew Bernard
wrote:
> Now to learn Metafont then. Shouldn't be too hard -
As a retired TeXnician I have deep respect for TeX and MetaFont.
Nevertheless I think the right way now is to go for widely accepted
standards where possible.
So I'd rather see decent
On Thu, 14 Mar 2019 08:52:21 +0100, Urs Liska wrote:
> https://github.com/openlilylib/oll-core/wiki
Call me stupid, but shouldn't this be on the OpenLilyLib web site
instead / as well ?
I find it logical to start looking for information on OpenLilyLib on the
OpenLilyLib web site.
_
On Thu, 14 Mar 2019 00:47:59 +1100, Andrew Bernard
wrote:
> Can we add Stefano Troncaro's excellent introductory material about the
> edition engraver to the github wiki for the project?
It is a great guide... Unfortunately I get stuck at one of the first lines:
"Assuming OpenLilyLib is alr
On Tue, 29 Jan 2019 12:21:43 +0100, Urs Liska wrote:
> Are these observations specific to that new GUB build, or would the
> downloaded release behave the same?
AFAICS the release download (2.18.2-1) behaves the same.
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On Tue, 29 Jan 2019 10:19:33 +0100, Knut Petersen
wrote:
> lilypond-2.21.0-1.linux-64.sh
I tried an install into /opt/lilypond. I do not have access to /opt but the
folder /opt/lilypond is completely mine.
The help says it will install into PREFIX/lilypond, but it also tries to
install scri
On Sun, 27 Jan 2019 12:32:05 -0600, Karlin High
wrote:
> and PostScript compatibility requirements
I'm still wondering why this is a hard requirement. AFAIK, drivers like
ghostscript produce excellent prints on all sorts of printers.
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Hi Kieren,
I would suggest to split it in two phases.
Phase 1 would be to parse the input, and collect the syllables and
durations in a structure similar to (e.g. JSON):
[
{ "chords" : [ "C", "D", "E" ],
"phrases" : [ "Aw", "ay in the ", "manger" ]
},
...next line.
On Sat, 15 Dec 2018 09:19:25 -0500, Kieren MacMillan
wrote:
> Yes! It would be very interesting to eventually include multiple
> different formats in the framework.
The ChordPro reference implementation currently supports
* chords above lyrics
* chords under lyrics
* chords within lyrics
* chord
On Sat, 15 Dec 2018 10:08:05 +0100, Thomas Morley
wrote:
> In the last meaure of second line the chords could be done like
> E/E E/BE/Gis E/E
> Af -- fen -- ban -- de
> (No ligature, every syllable with it's own chord-symbol)
>
> In a leadsheet I'd then expect
> E/E E/B E/Gis E/E
> Affenb
On Fri, 14 Dec 2018 11:27:13 -0500, Kieren MacMillan
wrote:
> And yet many, many people I know use it (or LibreOffice). ;)
Libre/Open Office has a nifty plugin called ChordTransposer that makes it
possible to type in chords easily and obtain the right alignment for the
chords (and, as the name
On Fri, 14 Dec 2018 08:49:33 -0500, Kieren MacMillan
wrote:
> > (2) short syllables, both with chords
>
> This is an issue even in Microsoft Word,
Interesting to encounter MSWord as apparent trendsetter... It is about the
worst tool for producing lead sheets.
The approach seen in many Chord
On Thu, 13 Dec 2018 19:30:16 +0100, Yakir Arbib
wrote:
> Thanks a lot for your reply! Unfortunately since the example is in an
> image, and not a text,
When you click on the image, you see the lilypond source.
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On Mon, 10 Dec 2018 13:33:51 +0100, Jean Louis Thiry
wrote:
> ...to use the excellent TablEdit
My objection would be that this is non-free software, and available for
Windows/Mac only.
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On Mon, 10 Dec 2018 12:21:44 +0100, Urs Liska wrote:
> It sounds reasonable to drop the current abc2ly implementation. However,
> I think we shouldn't do this without somehow including abc2xml in the
> distribution and (probably) create a wrapper script abc2ly that
> transparently replaces the
The abc2ly tool supports version v1.6 of the ABC standard, which is 21
years old. The current version of the ABC standard is v2.1 (which is also
quite old, 2011, nevertheless it is the most recent).
Is the abc2ly program still under active support/development? If so, are
there any plans to upgrade
On Thu, 6 Dec 2018 21:15:43 +0100, Annette Kusma
wrote:
> The output should look something like this:
>
> C F C
> Mary had a little lamb
> F G C
> Its fleece was white as snow
>
> I could simply write my sheet in some office programme,
Instead of t
On Tue, 21 Aug 2018 12:21:08 -0700, Aaron Hill
wrote:
> Patents are entirely concerned with inventions, that is novel, useful,
> and non-obvious solutions to specific problems that result either in an
> actual product or a practical process.
That's the theory... Practice is different, unfortun
On Tue, 7 Aug 2018 18:25:53 +1000, Don Gingrich
wrote:
> Then the multiplier would reside in the included files, the
> variable would be in the score file, and by including
> the correct file I could have either type of score.
Why not set the staff size in the included file, just like the paper
Wow!
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On Fri, 13 Apr 2018 22:25:17 +0200, Gianmaria Lari
wrote:
> I'm not 100% sure having understood how to use \pushToTag but the
> following are the examples I personally would put in the manual.
I find your examples very enlightening.
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On Wed, 11 Apr 2018 07:07:10 -0700, Mason Hock wrote:
> Is this the sort of thing you're looking for?
>
> http://projectabjad.org/
When looking for an API that makes detailed handling of scores possible,
yes.
However, I got the idea that OP was looking for an easy way to transform a
LP "scorel
Cute. Really cute.
I did a lot of typing on an old Underwood when I was a kid and it looks
very familiar. But IIRC the period and comma looked much heavier (maybe
because my (lack of) typing skills at the time).
What I also recall is that on a dual-colour typewriter (typically black/red)
you coul
On Wed, 06 Dec 2017 15:36:42 -0500, Tim Slattery wrote:
> I've been setting vocal pieces with German lyrics, and trying to use
> Tools| Special Characters to find things like a and u with Umlauts,
> and the double-s character that looks like a Beta.
I would strongly advise to look into a differe
I only use Linux (mostly Fedora).
I use LilyPond with Frescobaldi, Denemo, Emacs, LibreOffice and a lot of
homegrown tools.
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In sitations like this, I use tags.
Something similar to this:
music = {
...
\tag #'midiOnly { c8. r16 } \tag #'scoreOnly { c4 }
...
}
\score {
\articulate \removeWithTag #'midiOnly \music
\layout {}
}
\score {
\articulate \removeWithTag #'scoreOnly \unfoldRep
On Wed, 6 Sep 2017 11:33:56 +0200, Sylvain Brunerie
wrote:
> I want to generate a table showing the chords structure of a song or
> instrumental tune in a simple way,
What you are looking for are the so-called "jazz grilles".
> and I can't find how to do that using Lilypond.
LilyPond is not re
On Fri, 7 Jul 2017 11:23:49 +1000, Vaughan McAlley
wrote:
> I’ve put version 0.941beta up which fixes the issue of custom layouts not
> working and adds a Denemo layout option.
Thanks.
One thing: When I run lq, I still have to (manually) connnect its 'Virtual
RawMIDI ' port to 'Synth input port
On Tue, 27 Jun 2017 21:42:07 +0200 (CEST), Martin Tarenskeen
wrote:
> OK. I found my keyboard there. Maybe /dev/input/by-id only lists USB
> keyboards - just guessing?
So it seems... My laptop only reports the camera in /dev/input/by-id .
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On Tue, 27 Jun 2017 16:27:24 +1000, Vaughan McAlley
wrote:
> I’m pleased to announce LilyQuick 0.94beta. The main new feature is that
> it counts rhythms as you go and automatically enters bar checks. Also,
> some settings have been made reachable from within LilyQuick rather than
> just the sett
On Thu, 22 Jun 2017 06:39:08 +0200, David Kastrup wrote:
> I don't really see this as calling for changes. If you want to create
> utility files to be included at most once, you can try working with
> guards like it is customary for C/C++ include files.
I think we're shifting topic here from re
On Wed, 21 Jun 2017 15:57:59 -0500 (CDT), msk...@ansuz.sooke.bc.ca wrote:
> This may be a problem if there's any possibility of an include being
> conditional. Then, someone could write a non-infinite recursive include
> deliberately, and be disappointed when Lilypond breaks it.
Instead of abort
On Wed, 14 Jun 2017 15:44:24 -0400, Kieren MacMillan
wrote:
> Hi Johan,
>
> > When I visit https://openliliylib.org/ I get a page with text but
> > nothing to click on. No links (except for the generic links (github
>
> Clicking on the GitHub link will take you to the current repository.
>
>
On Wed, 14 Jun 2017 15:01:19 +0200, Jan-Peter Voigt wrote:
> It is designed as an openlilylib-plugin so you should clone it next to
> oll-core (if you want to try it) It comes with one example file that
> shows the core commands.
Which reminds me...
When I visit https://openliliylib.org/ I ge
Please note that I am just relaying this message. I'm not affiliated with
this project in any way.
On Tue, 13 Jun 2017 08:12:41 +0200, Johan Vromans
wrote:
> Quote: "OpenScore wants to digitise and liberate all public domain sheet
> music, including the great classics of Mozar
Quote: "OpenScore wants to digitise and liberate all public domain sheet
music, including the great classics of Mozart, Beethoven and Bach. Our
community aims to transfer history’s most influential pieces from paper
into interactive scores which you can listen to, edit and share. Together,
we can m
On Wed, 31 May 2017 23:31:53 +0200, Robert Blackstone
wrote:
> write b8 \rest instead of r b8.
Nifty...
Thanks Robert and Trevor.
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Hi,
In the attached example, I would like the 8th rest symbol at the same level
as the 8th notes. See the right side of the attached image.
How can I obtain this?
-- Johan
\version "2.19.59"
\header {
title = "Largo"
tagline = ##f
}
global = {
\key d \major
\time 4/4
}
upper = \relati
On Mon, 29 May 2017 14:24:52 +1000, Vaughan McAlley
wrote:
> Does anyone actually use MIDI from the chord performer?
I do. Although the voicing of the chords is not what a normal player would
do, it is okay for checking scores and practising.
-- Johan
__
Hi David,
This is serious business. Take care and take your time.
Recovering your health is priority #1. Everything else follows.
-- Johan
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On Sun, 14 May 2017 13:57:48 -0500, David Wright
wrote:
> Well, let's make sure we're starting from the same source:
> ...
> The attached shows that the file claims to be encoding="UTF-8"
> In emacs, the Copyright shows as \302\251 so I think you've
> missed the preceding  (0xc2) character someh
On Sun, 14 May 2017 13:45:22 +, Ian Ring wrote:
> If your MusicXML contains a literal copyright character, it's invalid
> XML. Find-and-replace that to © or change it into (c) and you'll be
> good to go.
Not quite. Provided the Copyright symbol is encoded in the same encoding
as the XML docu
On Sun, 14 May 2017 16:06:47 +0200, Urs Liska wrote:
> But can that be? Shouldn't MusicXML allow arbitrary regular Unicode
> characters?
Yes, but the file should be encoded using a single encoding. In this case,
some parts of the file are UTF-8 encoded while other parts are UTF-16.
___
On Fri, 12 May 2017 11:14:53 +0200, Leszek Wroński wrote:
> I looked at the file using
> a Hex viewer and I see nothing wrong with it.
The strings like "Finale ..." and some other parts of the file are
multy-byte (UTF-16) encoded while the rest of the file is single-byte, so
LilyPond interprets
On Wed, 26 Apr 2017 19:21:06 +0200, Bernhard Kleine
wrote:
> My problem: when writing scores to be used in our choir I often make
> mistakes. If I could listen to the music instead of reading the notes I
> might find errors faster.
Personally, I use Denemo for this purpose. It does exactly that
On Wed, 19 Apr 2017 09:53:39 +0200, Psalle wrote:
> >> I was wondering how to add a decorative frame to a score within
> >> lilypond,
> > Thread starting at
> > http://lists.gnu.org/archive/html/lilypond-user/2017-04/msg00135.html
> Thanks! So it seems there's no easy in-lilypond way to do suc
On Thu, 13 Apr 2017 22:44:20 +0200, Simon Albrecht
wrote:
> Alt +
Yikes... 1981 calling.
I thought most systems nowadays support a compose key? Unix/Linux systems
have done so since 1983.
https://en.wikipedia.org/wiki/Compose_key
> It’s great that you’re interested in using the typographical
On Tue, 11 Apr 2017 12:09:41 +0200, "N. Andrew Walsh"
wrote:
> thanks for the link. I only needed the font for specific glyphs (sharp
> signs and the like), which I presume are individual glyphs that would
> still work within a body of regular text, yes?
Would Bravura be an option then?
It's ope
Am 20.03.2017 um 22:48 schrieb have@anti.capital:
> I have invented the perfect plaintext file format for premusic.
I think the bottom line is that all text-based music notation systems have
shortcomings when it comes to readability, writability, maintainability
etc. From all imperfect systems we
On Thu, 9 Mar 2017 17:48:59 +1100, Vaughan McAlley
wrote:
> Sorry missed that one. The alsa_seq driver is the one that works,
> couldn't tell you why :)
Indeed, now it all works (except that qsynth is not terminated when lq
exits).
The driver setting is very problematic since I use qsynth often
On Sat, 4 Mar 2017 16:58:14 +1100, Vaughan McAlley
wrote:
> I installed Fedora on to a spare partition and LilyQuick worked! A bit
> annoying :-) I thought it might have to do with SELinux permissions,
> but it appears not.
>
> Could you try typing
>
> sudo cat /dev/input/by-id/usb-Apple__Inc_A
On Sat, 25 Feb 2017 10:33:11 +1100, Vaughan McAlley
wrote:
> Maybe your keyboard is interpreting F8 as something else rather than
> the function key proper.
It seems that lq isn't intercepting keystrokes at all. After uncommenting
line 341 nothing is printed:
$ sudo ./lq
Password:
Welcome to Li
On Fri, 24 Feb 2017 23:49:19 +1100, Vaughan McAlley
wrote:
> I’m pleased to announce LilyQuick, a greatly improved descendant of
> Finale’s Speedy Note Entry.
Sounds very interesting...
It compiles and build flawlessly on Fedora 25, both with system lua and the
supplied lua.
After adjusting t
On Tue, 21 Feb 2017 11:35:40 +0100, Urs Liska wrote:
> Specify the duration at the beginning of each line, even if it's not
> technically necessary. This makes it more obvious on first sight, and it
> helps avoid errors if you should change anything later.
I've been doing that for ages and it is
> \storePredefinedDiagram #default-fret-table \chordmode {c/g}
> #guitar-tuning
> #"3-4;3-3;2-2;o;1-1;o;"
I'd like to see someone playing this as shown :) .
(Try swapping the 3rd and 4th fingers)
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On Fri, 10 Feb 2017 10:51:05 +0100, Michael Gerdau wrote:
> The new page is about 1.3 MB while the original one is about 170 kB
> Factor of 7.x
This is due to CSS/JS overhead and happens only once.
-- Johan
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On Thu, 9 Feb 2017 14:32:18 -0800, "H. S. Teoh"
wrote:
> I don't speak for anyone else, but I'm perfectly OK with using
> Javascript -- as long as it's not *required* for the website to be
> usable at all.
And all necessary javascript is loaded from the site itself, not from
(potential unreliabl
On Thu, 09 Feb 2017 09:44:58 +0100 (CET), Werner LEMBERG wrote:
> What I want is the explicit command line that I
> have to call to convert the input data in the git repository to the
> output html, where to expect the output files, etc., so that I can
> actually try to generate the output by mys
On Sat, 28 Jan 2017 22:24:40 -0600, David Wright
wrote:
> ( ) is a slur, not a tie. Try:
>
> e'8 g~ g g~ g e~ e a |
Shouldn't slurred notes of the same pitch sound as tied?
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On Sun, 11 Dec 2016 23:54:16 +0100, Michael Gerdau wrote:
> I'm fine with using javascript on any site as long as I who generally
> and deliberately disables javascript can still use that site.
I'd like to add: There is good value in javascript for web sites. However,
an astonishing number of we
On Fri, 09 Dec 2016 10:30:32 +0100, Federico Bruni
wrote:
> where $(CPU_CORES) is treated as a string, instead of being executed in
> the shell:
It seems you are using GNU make, so you can write
CPU_CORES = $(shell cat /proc/cpuinfo | grep -m1 "cpu cores" | sed s/".*: "//)
-- Johan
___
On Tue, 29 Nov 2016 10:38:32 +0100 (CET), Werner LEMBERG wrote:
> As David K. pointed out,
> it must be viewable and navigatable by blind people.
As I wrote, there are some aspects that need to be solved. I just do not
reject a potential valuable approach beforehand.
> Additionally, it
> must b
On Tue, 29 Nov 2016 08:45:12 +0100, Urs Liska wrote:
> Additionally there has been *very strict* opposition to anything other
> than statically served sites for lilypond.org in the past. Not all of
> the reasons are bullet-proof but most are, and you will not get consent
> for anything else.
If
On Mon, 28 Nov 2016 18:25:24 -0500, John Roper
wrote:
> Hi, my name is John Roper and I am a freelance developer who does web
> design among other things. I use LilyPond occasionally and I felt that the
> website needed a little bit of a sprucing up. I decided to see what I
> could do and I have
On Mon, 28 Nov 2016 17:27:05 +0100, Urs Liska wrote:
> The point (and a partially understandable one) is that publishers don't
> want to get prepress files but files they can edit in the future, even
> if the original person is not available anymore.
Basically they want program sources, and they
On Mon, 28 Nov 2016 00:48:59 +0100, Urs Liska wrote:
> The big houses more or less *exclusively* use Sibelius and Finale in
> parallel, with a very low share still using SCORE and an actually tiny
> share using Amadeus.
>
> Breitkopf just last year decided to quit any diversity and to move
> eve
On Tue, 15 Nov 2016 11:40:50 +0100
Noeck wrote:
> Am 15.11.2016 um 10:00 schrieb Johan Vromans:
> > and was suprised to find marks A B H J U V W instead of A B H J K T
> > U .
>
> that's because the \set is at the same point in time as the \mark
> \default on th
On Tue, 15 Nov 2016 09:19:17 +0100
David Kastrup wrote:
> Johan Vromans writes:
>
> > At least I would be surprised by the result...
>
> Is that an argument for or against documenting it?
It's just that I tried the (extended) example:
\relative c''
On Mon, 14 Nov 2016 16:57:08 +0100
Mojca Miklavec wrote:
> I would find it useful if the following example:
>
> \relative c'' {
> c1 \mark \default
> c1 \mark \default
> c1 \mark #8
> c1 \mark \default
> c1 \mark \default
> }
>
> was extended to also include something like
>\set S
> It is possible to extract fonts from a PDF file, it's pretty common these
> days but you'd have a few options. This link discusses them.
Usually PDF producing tools include only a subset of the font data in de
PDF (only the glyphs that are actually used). So extracting will (again,
usually) not
On Tue, 30 Aug 2016 20:46:14 +0100
Richard Shann wrote:
> I think you linked to the wrong video here, either
Oops -- Sorry!
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On Tue, 30 Aug 2016 13:15:53 +0200
Pierre Perol-Schneider wrote:
> In conclusion, since you can typeset a ly file as fast as you read the
> music, it is far more interesting to do that than to go through a scanning
> process.
To chime in on this: I use Denemo to enter new music. Its separation o
On Tue, 30 Aug 2016 09:21:32 +0100
"Phil Holmes" wrote:
> It's possible, though not necessarily easy nor free.
I gave Audiveris a try some time ago. It has a nice UI that allows solving
scanning problems before the recognition phase.
I don't know if it is still under active development, though.
On Tue, 30 Aug 2016 10:35:50 +0200
Jacques Menu Muzhic wrote:
> If I’m not mistaken, SharpEye has been renamed to PhotoScore Ultimate
> some time ago.
A trial version can still be found on
http://www.visiv.co.uk/installsharpeye2.exe
It runs under Wine as well.
On Wed, 24 Aug 2016 17:13:50 +0200
Federico Bruni wrote:
> ... or rather strings in a scheme file? Here's a scary example:
> http://git.savannah.gnu.org/cgit/guix/guix-artwork.git/tree/website/www/about.scm
This approach, at least this example, is totally missing CSS/JavaScript
integration that
As of 2.19.28, chord modifier 5 is interpreted to mean a power chord. This
is not yet reflected in the NR.
I propose the following changes.
Type "Major", modifier "nothing" and example "c1" with lily code
\chords { c1 }
\chordmode { c1 }
Type "Minor", modifier "m".
These changes are mandat
Appendix A.1 of the Notation Reference contains examples of chords and
chords names as used by LilyPond.
The list contains a duplicate: , CΔ9, which occurs at measures
32 and 36.
Does anyone has a good suggestion for another chord to be put in the list?
Otherwise I'll submit a patch to remove the
On Thu, 18 Aug 2016 16:36:26 +0200
Federico Bruni wrote:
> > Does it really to this even when you disable rescaling in the print
> > options?
>
> I'm now using a different printer from yesterday and no, it doesn't
> help if I disable rescaling.
Most likely evince prints through CUPS. Have y
David Kastrup wrote:
> ... the change to let
> c:5 exclude the third was introduced as late as version 2.19.28).
Does that mean that there are no (regression)tests for musicxml2ly?
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On Wed, 17 Aug 2016 14:15:02 +0200
David Kastrup wrote:
> Well, musicxml2ly.py presumably also generates a \version header, and
> running convert-ly on the resulting file possibly fixes a number of
> those problems (even though it complicates the rules, the change to let
> c:5 exclude the third w
Johan Vromans wrote:
> is translated into
>
> d:m5
>
> and apparently not understood -- lilypond renders it as a major D chord
> without warning.
The code in musicxml2ly.py does, indeed, generate :m5 for minor.
Surprisingly, the NR, A.2 Common chord modifiers, reads:
M
Hi,
In the attached XML, the minor D chord
D
minor
is translated into
d:m5
and apparently not understood -- lilypond renders it as a major D chord
without warning.
Dm(maj7) becomes d:maj7m5.
A similar thing happens to half-diminished chords
On Mon, 15 Aug 2016 12:33:44 -0500
David Wright wrote:
> My contention there was that the volta construction can produce the
> correct score and the correct midi when applied correctly (ie to all
> the voices).
How do you think I produced correct scores and MIDI for the last 20 years?
> I don't
On Mon, 15 Aug 2016 09:39:39 -0500
David Wright wrote:
> I'm sorry, but your wishlist has nothing to do with the statement
> "Specifying the structure of a score in \global is wonderful, it just
> doesn't work with midi."
There is something called the principle of least surprise. I can put bars,
On Mon, 15 Aug 2016 10:22:14 +0200
David Kastrup wrote:
> That's not really surprising. The "repeats are shown" just by changing
> the bar line type, ...
That is the explanation of the current behaviour.
What I want to say is that it would be nice if instead it would
be like the repeats were a
On Sun, 14 Aug 2016 21:45:51 -0500
David Wright wrote:
> This is true, they are not. In fact, I don't quite understand what
> you mean by "applying" \global "to the music parts". All the Voices
> are just Voices, aren't they?
>
> Anyway, the repeat structure has to be in all the parts
> as summa
On Fri, 12 Aug 2016 14:58:10 -0700
"H. S. Teoh" wrote:
> % Score for midi only
> \score {
> <<
> \new Staff << \global \fluteIPart >>
For midi, \unfoldRepeats is necessary.
Last time I tried, the repeats (in \global) were note applied to the music
On Fri, 12 Aug 2016 09:21:22 -0700
"H. S. Teoh" wrote:
> global = {
> \tempo "Allegro" 4 = 120
> s1*16
> \mark "A"
> s1*16
> \tempo "Largo" 4 = 45
> s1*16
> \mark "B"
> s1*32
>
With MusicXML, import could you please add --no-stem-directions to the
settings?
Maybe even better (and easier) if MusicXML2ly had a power option to "Ignore
everything that LilyPond can do better".
-- Johan
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On Sat, 6 Aug 2016 17:11:26 +0200
Pierre Perol-Schneider wrote:
> Plus pdf
Bij far: Number 9, provided the lily lines are a bit thinner, and the
leaves individually drawn. Printers today have resolutions of 600dpi and
higher so no need for such a thick lines.
Also, I don't think that drawing th
On Sat, 06 Aug 2016 01:38:58 +0200 (CEST)
Werner LEMBERG wrote:
> >> Looks promising! Can you adjust the `packman' to have a softer gap?
> >
> > “softer”? shorter? narrower? Sorry, I don’t know what you mean ...
>
> Something similar to the waterlily logo at
>
>
> https://www.iconfinde
On Fri, 5 Aug 2016 14:01:26 +0200
Malte Meyn wrote:
> But maybe less is more and two flower layers are enough; so here is a
> combination of logo3 and logo4 (only two flower layers -> less detail,
> only one pad but with gap -> more typical).
Yes, simplicity is better. However, this looses the
On Thu, 21 Jul 2016 11:19:16 +0200
Simon Albrecht wrote:
> Or even, as the docs suggest, a font where you can change font-shape to
> small caps.
Again, smallcaps is totally different from caps. The fact that a smallcaps
A with umlaut has long been used instead of a real Ä is just like
using min
On Thu, 21 Jul 2016 11:18:22 +0200
Simon Albrecht wrote:
> The issue is that caps and smallCaps are exactly the same to LilyPond,
> which is in itself nonsense.
Exactly.
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On Wed, 20 Jul 2016 23:01:49 +0200
Jonathan Scholbach wrote:
> And that was
> when I found out, that \caps, as well as \smallCaps, "does not support
> accented character" (quoted from
> http://lilypond.org/doc/v2.19/Documentation/notation/font) - the ä - is
> printed as a lowercase letter.
Any d
On Wed, 13 Jul 2016 14:11:26 +0100
Richard Shann wrote:
> On Wed, 2016-07-13 at 13:35 +0200, Johan Vromans wrote:
> > As for real-time recording, rumor can do that.
>
> I can't find anything called "rumor" doing obvious searches - can you be
> more specific
On Wed, 13 Jul 2016 12:24:49 +0100
Richard Shann wrote:
> Entering rhythms is still a bit of a bore,
Yes, but often you can copy/paste parts that have similar rhythms, and then
fill in the correct notes.
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On Wed, 13 Jul 2016 11:54:01 +0200
bart deruyter wrote:
> frescobaldi does step-recording, I just tried it, works fine here :-)
I got used to midi input with Denemo, where you can put in the rhythm
(durations) first, and then the notes. Frescobaldi only does the latter.
Another advantage of Dene
On Mon, 11 Jul 2016 08:34:28 -0400
Kieren MacMillan wrote:
> For those using Mac OS but not Frescobaldi, you can always just use
> option- and option-shift- with [ and ] to get typographer’s quotes (in
> any application).
For Linux users with a compose key, it is:
Compose + < + "open, do
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