Trevor Daniels wrote:
...
For bar 15, simply replacing \stemDown with \voiceFour, giving
\voiceFour
{ e-1 2 a-1 4 g |} \\
{ c,-2 a-4\6 2 d g,-2 } |
The syntax is perhaps clearer if you write this as
{\voiceFour e-1 2 a-1 4 g |} \\
{ c,-2 a-4\6 2 d g,-2 } |
It's not
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this in lilypond (and submit a patch if I
succed), which file should I look at? Would I need a compiled-by-hand
version of lilypond in order to try to implement this, or is it
possible to work with my 2.10.33 from ubuntu repositories?
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Quoting Dominic Neumann [EMAIL PROTECTED]:
3) I don´t think, it´s possible to let LilyPond decide how to print
stanzas at the end.
It should certainly no be impossible, but would require you to
implement this intelligence using Scheme functions.
/Mats
Dominic
2008/11/6 Atte André
Paul Hodges wrote:
--On 04 November 2008 21:30 -0800 abqconlon [EMAIL PROTECTED] wrote:
when I generate the PDF file all of my special characters are spaces
and I lose the rest of the syllable.
You need to save your .ly file in UDF-8 format - the characters will
then be recognised
There's no need for the \new Score in this situation. You can just as
well do the setting
in the \layout block:
\score {
\new Staff { c''1 \mark molto c'' }
\new Staff { c'1 \mark molto c' }
\layout{
\context {
\Score
\remove Mark_engraver
\remove
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Thanks for all suggestions and ideas. However, I think that the main
answer to my initial question was given by Valentin in
http://lists.gnu.org/archive/html/lilypond-user/2008-11/msg00048.html
For us who follow the bug mailing list, it's not a problem to answer
these questions, but it's a bit
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misleading instruction somewhere?
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Valentin Villenave wrote:
2008/10/29 Reinhold Kainhofer [EMAIL PROTECTED]:
\cresc ... Starts a text crescendo
\dim ... Starts a text diminuendo
Already done, as I mentioned in an earlier email.
\decresc ... Starts a text decrescendo
This one wasn't available earlier, but can of
offer!
* = (Exactly, if the bar line is visible on the opening intro bracket; just
a tad to the left of the last measure, for the closing bracket; just a tad
to the right of the time signature for opening brackets there; etc.)
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Thies Albrecht wrote:
Hi Kieren, hi list,
the crescendo hairpin at repeat bar lines is a bit too long. Any
workaround?
\once \override Hairpin #'bound-padding = #2.5
@Kieren: Yes, it helps... and no, it doesn't help...
Using the proposed override the hairpin is shortened,
Brett Duncan wrote:
The problem was that George had used the \cresc command in his file,
but had \crescHairpin command _before_ the \cresc command. Moving
\crescHairpin appears to have solved his problem.
I couldn't find \cresc in the Notation Reference, but it does appear
in the Internals
Roman Stawski wrote:
The other solution consists of 'adapting' an existing system by adding
or hiding new staves, rather than 'replacing' one system by another one
that's quite different. Your example works in my cut down snippet. In
the full piece, I'd need to add staves above the common one.
Helge Kruse wrote:
The \hideNotes is not accepted inside a chord. As a workaround you
could write the one note of the chord in the other voice.
I rather recommend you to read about the \tweak command, to learn how to
make one note
invisible in a chord.
/Mats
Valentin Villenave wrote:
2008/10/29 Brett Duncan [EMAIL PROTECTED]:
as clearly shown in Notation Reference 1.3.1, it there really a need to keep
it? I can't say that I've seen many instances of the text cresc. without
the dashed line, but perhaps others have.
AFAICS it is used
Kieren MacMillan wrote:
Better yet, why can't the shorthand automatically do the right
thing? i.e.,
{} \\ {}
should be translated automagically into
{} \new Voice {}
That way, the *only* time anyone has to do any tweaking is when they
*want* two brand new voices — which is
,
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This issue was mentioned on the mailing list as late as a few days ago.
As is described in the documentation (at least the 2.11 version),
specifying fingeringOrientations only works for fingerings that are
attached to chords. If you want it for a single note, you have to make
it a single note
Martin Frankland wrote:
I have the same problem. I have an SATB choir with female and male soloists
on top. I'd like to start the soloists' staffs after the choral intro.
Everything I've tried so far hasn't worked:
2. The Frenched score using \RemoveEmptyStaffContext doesn't work for me
since
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, but the definition for numericTimeSignature
in property-init.ly is:
\override Staff.TimeSignature #'style = #'()
i don't understand why it's not working. would someone be kind enough to help
me understand?
thanks in advance!
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]:
Hi.
Maybe that
\cadenzaOn
is what you should use.
No, in my minimal example i can not put whole measure rest
inside cadenza even in Score.timing switched on
(and manual barlines commented out).
Best,
Gilles
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Andrew Hawryluk wrote:
This could be nice occasion to use the \change Staff = ... command,
which is explained in the section of keyboard music (where it is
indidpensible), but it can be used on any named staves in your score.
You can also change the instrument name manually at this point.
Note
Quoting Daniel Hulme [EMAIL PROTECTED]:
That's very interesting. My original file had that in a different place:
\new DrumVoice = 1 {\set countPercentRepeats = ##t \skips }
If you do it like that, then the setting is only done within the current
context, i.e. within the current DrumVoice
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isn't
specified?
-Risto
/NITPICKING-OT
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Checking a bit more carefully, I can confirm that it's \tiny (i.e.
font-size -2) that gives the
correct size.
/Mats
Mats Bengtsson wrote:
You are right, the markup should probably be
\markup {\tiny \number 6 \super (1) }
instead of
\markup {\number 6 \super (1) }
I didn't manage
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{
}
\layout {
}
}
\paper {
}
Mats Bengtsson wrote:
Make sure that you don't use any curled double quotes in your file.
If you copied the solution
It seems that your
text editor is playing you some tricks.
/Mats
[EMAIL PROTECTED] wrote:
Thanks,
but the problem
StimmeI
\verseIII }
Trevor
- Original Message - From: Mats Bengtsson
[EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: LILYPOND-USER@gnu.org
Sent: Friday, October 17, 2008 4:45 PM
Subject: Re: Lilypond - 2 voices in 1 score - cannot add lyrics
Sorry, my fingers slipped. Here comes the full
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that show off
some of the more interesting features of LilyPond. I'll produce some
printed examples, and if people start scratching their heads trying to
work out how I did something, I'll have done my job ;-).
Thanks folks,
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Your mistake is that you believe that the repeats can be separated from
the notes. Please always keep in mind that the input should
describe the musical meaning, not only the resulting layout.
In this case, the music that should be played is c g c a, right.
In notation, you can use repeats as a
Quoting Graham Percival [EMAIL PROTECTED]:
Strings are so expressive they can never be properly
synthesized. I grant you that.
To be fair, I'd assume that this applies even more to vocal music
-- quite apart from the expressivity of voice, midi doesn't even
attempt to add lyrics.
Yes and
Quoting Carl Peterson [EMAIL PROTECTED]:
I'm trying to take advantage of automatic part combining to make it easier
to set the songs for a hymnal. There are a couple of technical things I need
assistance on.
1) Whenever two parts on the same staff are on the same note, the part
combiner only
.
/Mats
Eyolf
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{
}
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Please note that the solutions provided in the referenced email could
also have been obtained using
\score { {
\set Score.skipBars = ##t
\new Staff = bla
\new voice =blu {\voiceOne \Sopran}
\new voice =blu {\voiceTwo \Alt}
}
}
(The interpretation of this alternative solution is that the
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SE
: font DejaVuSans
%%EndComments
/Mats
Risto Vääräniemi wrote:
Hi Mats,
2008/10/2 Mats Bengtsson [EMAIL PROTECTED]:
Have you read the warning about the font you need, in
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Entering-lyrics#Entering-lyrics
Yes, I have seen it. I'm
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Quoting Sebastian Menge [EMAIL PROTECTED]:
Hi all
I have a piece with a written out piano intro directly followed by a
leadsheet with lyrics. The lower staff is only needed for the intro.
Now the chords appear below both staffs in the intro, but stay there,
when the leadsheet/with lyrics
Quoting Risto Vääräniemi [EMAIL PROTECTED]:
2008/9/29 Dmytro O. Redchuk [EMAIL PROTECTED]:
i guess: since dynamics are parts of Voice context,
and Lyrics is a separate context (of the same level) --
it is impossible to place dynamics far from staff than lyrics
(to place lyrics between staff
Have you, by chance, included a \book{...} block in your score.ly file?
If that's the case, then I can understand
that you get this problem. If you don't have any explicit
\book{...} block, then you can get a page break between
any score line (system), so you shouldn't get the problem
you
Hi,
I haven't had the time to read all the discussions related to the new
web layout of the 2.11 documentation, but wonder if I'm the only one
who miss the possibility to view the full table of contents with all
subsections expanded. I'm very used to search for some word in the
table of
Quoting Reinhold Kainhofer [EMAIL PROTECTED]:
Ahm, sorry if I sound destructive, but: How hard is it to click
on [Contents], which is located in EVERY gray navigation bar on EVERY page?
Sorry! It's the eyes that get blind first, right?
/Mats
For the cue notes, there's built-in support, see
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Writing-parts#Formatting-cue-notes
For the time signature changes, you would have to enter them into the
trumpet part even if you didn't have any cue notes, right? I guess the
part looks
Emacs
session but rather opens a new buffer in an existing Emacs session.
However, you have to make sure that the corresponding server is started
in Emacs, which you can do by adding (server-start)
in your .emacs file.
/Mats
2008/9/26 Mats Bengtsson [EMAIL PROTECTED]
Please read
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as I uninstalled my older version before trying to
install this one, until I get this fixed I don't actually have a working
version of Lilypond on my system.
Thanks
George
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Trevor Daniels wrote:
Sebastian Menge wrote Monday, September 22, 2008 9:54 PM
I would suggest:
* a search engine field at the top of the main template (cf wikipedia)
It would be nice, and others are pressing for this, but it poses some
problems.
We have one on the main page of
Sebastian Menge wrote:
Am Mon, 22 Sep 2008 21:53:02 +0200
schrieb Robin Bannister [EMAIL PROTECTED]:
To see how, search (twice) for Skips in lyric mode in the vocal
snippets:
http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Vocal-music
Thanks, exactly what I was looking
?
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Quoting Werner LEMBERG [EMAIL PROTECTED]:
Folks,
if I need a `p espr.' mark, it's probably best (from a typographical
point of view) to write
c\markup { \dynamic p \italic espr. }
No, this is not the best solution from a typographical point of view.
If you for example have a hairpin
Quoting Werner LEMBERG [EMAIL PROTECTED]:
if I need a `p espr.' mark, it's probably best (from a typographical
point of view) to write
c\markup { \dynamic p \italic espr. }
No, this is not the best solution from a typographical point of
view.
It *is*, since it is one (abbreviated)
= \relative
{
c'2 \dynX e4(\pEspr d) c1
}
\score
{
\theMusic
}
%%%
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You can find similar solutions in the mailing list archives, for
example in
http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html
/Mats
Quoting Wilbert Berendsen [EMAIL PROTECTED]:
Op maandag 15 september 2008, schreef Aaron Dalton:
was later crossed out to be another.
If you want a setting like \override Lyrics.BlaBlaBla #'something = #something
to apply to a specific Lyrics context, the setting has to be done within
that context. For example, you can say
\new Lyrics \lyricsto B { \override Lyrics.VerticalAxisGroup
#'minimum-Y-extent = #'(-3 . 0) \textBeins
a Staff and a Lyrics?
Thank you,
Alan
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Anthony W. Youngman wrote:
Obviously, I can't (easily) tweak the placing of things like Allegro
if it's going to be inserted into lots of parts (nor do I want the
hassle). But, to give a current example, my trombone part has a top f
(in lily terms, an f' in bass clef) right where I want to
[EMAIL PROTECTED] wrote:
lilypond --pdf filename.ly
There's no need for the --pdf flag, you get a PDF by default.
On my WInXP machine, this works fine. The program spits out some status lines, and the
*.ps and *.pdf files appear. On my Win Vista laptop, when I type the command the version
P.S.: I am using lilypond version 2.10.33
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#(ly:set-option 'backend 'tex)
{
b a g a b1
}
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James E. Bailey wrote:
I've wondered that as well. Especially with piano fingerings for
chords, where I may want to specifically have 1 finger above the note
and another finger below.
See the section on Finger instructions in the Notation Reference.
/Mats
Quoting Daryna Baikadamova [EMAIL PROTECTED]:
Hi
I have received a symphony score, which parts are not typed in concert
pitch. This creates a problem when I want to create midi files for the
score. It also gives me some minor programming hassles when I want to
create parts with a different
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[EMAIL PROTECTED] wrote:
Maybe my jEdit plugin configuration is incorrect?
I have:
Path to LilyPond binary: /usr/local/lilypond/usr/bin
I guess this should rather be: /usr/local/bin/
If you check what path is used to the lilypond program on your command
line, I bet
that this is what's
What typesetting layout would you propose in these situations, where
the arpeggio is too short to fit in the zigzag or arrow head or ...?
Should the arpeggio be extended somewhat above and below the notes of
the chord, or ...?
As a workaround, you could add invisible note heads to the chord.
Quoting Ole Schmidt [EMAIL PROTECTED]:
I tried to follow your advice and read the lilypond-book section in
the lilypond-program file.
Even if you use LilyPond version 2.10.x, I strongly recommend you
to read the manual for the latest development version 2.11, which has
been significantly
Thomas Bushnell BSG wrote:
are the consequences of not cleaning these files up significant compared
with the implications of relying on what should no longer be a dependency.
Yes. Because the files are still hanging around, failure to clean them
produces bugs. People will expect to
This script hasn't been updated since 2006, whereas
LilyPond has kept changing improving significantly since then.
Why not read in the manual on how to use lilypond-book with
the --pdf option, which simplifies things a lot. If you still need
a script to simplify things even further, I'm sure you
Francisco Vila wrote:
Isn't this exactly what the recommends: field in .deb files is
for? lilypond-book should recommend latex, docbook, texinfo, and
www-browser.
it does need latex, it does not need docbook (I wonder), it does not
need www-browser. So we have to levels of
how to solve the problem using
Version 2.10.33?
Thanks,
Chris
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James E. Bailey wrote:
Speaking of which, how difficult would it be to collect a known
issues list? Something akin to the LSR, but for known issues for
which there are solutions. It would help tons when troubleshooting why
a particular output isn't what's expected.
Isn't the intention to
-
Mike Blackstock wrote:
Not being a singer, I assumed that vocal music never has beams -
wrong! I see that when notes are slurred, the slurred notes have
beams. Is there an easy way to indicate that if notes are within a
slur, they should be beamed, otherwise not?
No, there's no easy way, but
Michael Käppler wrote:
... for this great piece of software. I'm using LilyPond for about one
year now, since I've finally dropped my laptop's Windoze partition.
Capella, which I former used doesn't work properly with Wine. Honestly
I have to admit that it took me sometimes hours to figure out
Trevor Daniels wrote:
The warnings are not exactly errors. Another thread with the words
durations needed in which Mats explained very well some related
issues, can be of help.
I've now been able to check back to 2.10.34, and the
warnings were issued there too. Seems like they might
have
Voice {c'2 d'4 e'8 f'8}
\new Lyrics \lyricsto v \mylyrics
\new Lyrics \mylyrics
/Mats
Mats Bengtsson wrote:
Trevor Daniels wrote:
The warnings are not exactly errors. Another thread with the words
durations needed in which Mats explained very well some related
issues, can be of help
One of the first things I would try, would be to turn off the
point-and-click feature in LilyPond (see the manual for details).
However, if you're unlucky it's some font related issue that
causes the problems.
/Mats
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Read any general Linux instruction on how to set environment
variables. If you use bash as your shell, then it should work to
do
export LILYPOND_GC_YIELD=60
lilypond ...
/Mats
Stefan Thomas wrote:
Dear lilypondusers,
I have read the article in
Rob Canning wrote:
but at the moment we have found that lilypond pulls texlive as a
dependency
How come? This used to be true a very long time ago, but there
are requirements to have a TeX installation to be able to run
LilyPond. See http://lilypond.org/doc/v2.10/Documentation/topdocs/INSTALL
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A couple of comments on your code:
#(set-global-staff-size 20) % 20 this is said to be standard for most scores
This is also the default in LilyPond, so the line is redundant (I'm sure
you already
know that and only keep the line in case you want to change the size later).
tagline =
Quoting Paul Scott [EMAIL PROTECTED]:
Lara Diamand wrote:
Hi Dominic,
Thanks, this realy helps, one thing is not yet solves though: The text
in the verses do not tek notice of the volta, so the text in verse
two runs through under volta 1. It should skip volta1 and go straight
to volta 2.
It would be great if somebody went through the list of reserved
words in install-dir/lilypond/usr/share/emacs/site-lisp/lilypond-words.el
(for the Linux installer) and compare it to the indexes to see what's
missing. Since that file is more or less automatically generated from
the source code,
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