Re: Ossia too long at key change

2014-08-31 Thread Peter Van Kranenburg
On 31/08/14 12:47, Pierre Perol-Schneider wrote: See also : http://lilypond.1069038.n5.nabble.com/Ossia-staff-is-too-long-when-a-key-change-happend-td165937.html Cheers, Pierre Thanks a lot for the suggestions! My ossia contains a ChoirStaff and at least one linebreak, so I can't have it as

Ossia too long at key change

2014-08-30 Thread Peter Van Kranenburg
Dear List, If right after an ossia there is a key change in the other parts, the staff of the ossia extends with the length of the key signature. See below for an example. I can't figure out how to make the ossia stop right at the bar line. I tried to do \set Staff.explicitKeySignatureVisibi

Re: Beam start and end position

2013-11-09 Thread Peter Van Kranenburg
On 11/9/13 10:59 PM, Peter Van Kranenburg wrote: Dear list, In this example: - \version "2.16.2" \score { \new Staff \with { \override StaffSymbol #'thickness = #2.0 } { \relative c'' { g16 a bes c } } } - The beam does not overlap the stems of the n

Beam start and end position

2013-11-09 Thread Peter Van Kranenburg
attached png). It should start at the left of the first stem and end at the right of the last stem rather than in the center of both. Could someone advise me on how to extend the beam a little to the right and to the left? (I need thick lines for engraving the music in a stone). Than

Re: exact dimenions of pdf/png

2012-10-30 Thread Peter Van Kranenburg
On 10/29/12 6:13 PM, David Kastrup wrote: writing \paper { paper-width=110\mm } \score { { c4 c4 c4 c4 } } and using lilypond -dresolution=1200 --png I get an image with 5197 pixels width, which is to a pixel exactly what was demanded. So perhaps you need to check what throws a spanner in your w

exact dimenions of pdf/png

2012-10-29 Thread Peter Van Kranenburg
Dear all, I have to provide a bitmapped image to a publisher: 1200dpi, width: 11cm. It only contains one system. This implies a width of (11.0/2.54)*1200.0 = 5196 pixels. I followed the directions from the 'usage' manual, and I put this on top of my source file. \paper{ indent=0\mm line-

grace at the start results in midi error.

2011-01-28 Thread Peter Van Kranenburg
tst.ly' Parsing... Interpreting music... MIDI output to `tst.midi'... programming error: Going back in MIDI time. continuing, cross fingers programming error: Going back in MIDI time. continuing, cross fingers success: Compilation successfully completed Is this my fault? What to do about it? tha

Re: beaming in 2.13 - other question

2011-01-09 Thread Peter Van Kranenburg
On 1/9/11 4:02 AM, Carl Sorensen wrote: On 1/8/11 5:08 PM, "Peter Van Kranenburg" wrote: Dear all, Consider the following example (adapted from the manual): \version "2.13.44" \relative c'' { \time 3/16 \set Timing.beatStructure = #&#x

beaming in 2.13 - other question

2011-01-08 Thread Peter Van Kranenburg
Dear all, Consider the following example (adapted from the manual): \version "2.13.44" \relative c'' { \time 3/16 \set Timing.beatStructure = #'(2 1) \set Timing.beamExceptions = #'( ;start of alist (end . ;entry for end of beams (

Re: beaming in 2.13

2011-01-08 Thread Peter Van Kranenburg
On 1/9/11 12:21 AM, Xavier Scheuer wrote: You need to clear beamExceptions also. \set Timing.beamExceptions = #'() Most automatic beaming settings for a time signature contain an entry for beamExceptions. For example, 4/4 time tries to beam the measure in two if there are only eight

beaming in 2.13

2011-01-08 Thread Peter Van Kranenburg
is code is accepted by Lilypond, but the eights are still beamed in groups of four. What am I doing wrong? I'm using 2.13.44 Thanks, Peter van Kranenburg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: center text vertically between staves - indicating keyboard changes in organ music

2011-01-04 Thread Peter Van Kranenburg
On 1/4/11 10:01 PM, Carl Sorensen wrote: On 1/4/11 6:56 AM, "Peter Van Kranenburg" wrote: Hello, How can I center text vercially between the staves of a PianoStaff? The two way's I can find in the learning manual (using lyrics and defining a Dynamics context, section

center text vertically between staves - indicating keyboard changes in organ music

2011-01-04 Thread Peter Van Kranenburg
rds, Peter van Kranenburg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
est, Peter On Sun, Jan 2, 2011 at 3:14 PM, Peter Van Kranenburg wrote: On 1/2/11 3:55 PM, James Bailey wrote: minor change since you said you needed a final barline: \version "2.12.3" \layout { \context { \Score \remove Timing_translator \remove Bar_number_engraver } \c

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
On 1/2/11 3:54 PM, Neil Puttock wrote: On 2 January 2011 13:33, Peter Van Kranenburg wrote: At the beginning of the music I do: \set Timing.defaultBarType = "" So, I set the music with meter - providing lilypond many good points to insert line breaks - and I make all barlines empt

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
On 1/2/11 3:55 PM, James Bailey wrote: On Jan 2, 2011, at 3:23 PM, Peter Van Kranenburg wrote: On 1/2/11 3:03 PM, Sven Axelsson wrote: On 2 January 2011 14:33, Peter Van Kranenburg wrote: Dear list, I'm typesetting unmetered music. My question is: what is the right (or best) approa

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
your Bach article in CIM 15, btw; nice work! Thanks. Looking forward to meet you in Aberdeen. Best regards, Peter Regards, Frauke On Sun, Jan 2, 2011 at 1:33 PM, Peter Van Kranenburg wrote: Dear list, I'm typesetting unmetered music. My question is: what is the right (or best) app

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
On 1/2/11 3:09 PM, Sven Axelsson wrote: You can also \remove "Time_signature_engraver" in the \Staff context if you don't want the invisible time signature to take up space. Thanks. That looks better indeed. best, Peter ___ lilypond-user mailing l

Re: unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
On 1/2/11 3:03 PM, Sven Axelsson wrote: On 2 January 2011 14:33, Peter Van Kranenburg wrote: Dear list, I'm typesetting unmetered music. My question is: what is the right (or best) approach to do so? If I set Score.timing to false, I have to insert \bar "" everywhere

unmetered music - page breaks and empty bar lines

2011-01-02 Thread Peter Van Kranenburg
part is where the bar lines are when they are not empty. The space before the final note is really bad). I tried to set the next-note distance to 0 in the space-alist of barline, but that didn't remove all horizontal space. Is there a better way to do this? Thanks in advance. Best, Pe

Re: invisible rest that takes no horizontal space

2010-06-18 Thread Peter Van Kranenburg
On 6/18/10 4:08 PM, Arle Lommel wrote: Dmytro, how well defined are the contexts where these occur? If the patterns are well enough defined, you could probably automate all the replacements with \partial by using a regular expression across all the files that is centered on looking for the s2

Re: invisible rest that takes no horizontal space

2010-06-18 Thread Peter Van Kranenburg
On 6/18/10 3:19 PM, Dmytro O. Redchuk wrote: I've found http://lsr.dsi.unimi.it/LSR/Snippet?id=333 and tried this: %-8<- stopThisMeasure = \applyContext #(lambda (x) (ly:context-set-property! (ly:context-property-where-defined x 'measurePosition)

Re: invisible rest that takes no horizontal space

2010-06-18 Thread Peter Van Kranenburg
On 6/18/10 2:10 PM, Dmytro O. Redchuk wrote: Is it possible to set the measurePosition to the measureLength manually? I am lacking lisp skills. How to access Timing.measurelength? This does not work: \set Timing.measurePosition = Timing.measureLength Looks like " " would do. Only for meters

Re: invisible rest that takes no horizontal space

2010-06-15 Thread Peter Van Kranenburg
On 6/15/10 11:34 PM, Peter Van Kranenburg wrote: Thank you. That triggered the right solution. r4*0 does not work. The rest collides with the following note. But, s4*0 works for me. And that is exactly what I need. I have around 1000 melodies in which partial measures were solved by inserting

Re: invisible rest that takes no horizontal space

2010-06-15 Thread Peter Van Kranenburg
On 6/15/10 10:05 PM, Kieren MacMillan wrote: Hi Richie, \skip and s consume score time, but both print some horizontal space. How can I insert an invisible rest that does not take horizontal space? I searched the manuals and snippet repository, but no clue... Use r4*0 You may have to put

invisible rest that takes no horizontal space

2010-06-15 Thread Peter Van Kranenburg
Hi all, \skip and s consume score time, but both print some horizontal space. How can I insert an invisible rest that does not take horizontal space? I searched the manuals and snippet repository, but no clue... Thanks! Peter van Kranenburg

Re: partial measure with independent time signatures

2009-02-26 Thread Peter Van Kranenburg
= #(ly:make-moment -1 4) %\partial 4*1 a,4 | d4. e8 f4 g } >> /Mats Peter Van Kranenburg wrote: Hello all, Why isn't the \partial working in the code below? I get: /Users/pvk/tmp/polymeter.ly:20:3: warning: barcheck failed at: -1/8 d8 | d4 f8 a /Users/pvk/tmp/polymeter.ly:25:4

partial measure with independent time signatures

2009-02-25 Thread Peter Van Kranenburg
is ok. thanks in advance, Peter van Kranenburg \version "2.12.1" \layout { \context { \Score \remove "Timing_translator" \remove "Default_bar_line_engraver" } \context { \Staff \consists "Timing_translator" \consists "Default_bar_line_engrave

Re: rotation with unwanted shift to the right

2008-11-19 Thread Peter Van Kranenburg
Neil Puttock wrote: Hi Peter, 2008/11/19 Peter Van Kranenburg <[EMAIL PROTECTED]>: I would be grateful if somebody could tell me how to rotate long strings without shifting them to the right. Try this: \override TextScript #'self-alignment-X = #LEFT That works great. Thanks

rotation with unwanted shift to the right

2008-11-19 Thread Peter Van Kranenburg
hift. When there are more digits (e.g. the "0.630947"), the shift is so big that the number is below the next note. I would be grateful if somebody could tell me how to rotate long strings without shifting them to the right. Thanks in advance! Peter van Kranenburg \vers

override-auto-beam-setting in safe mode

2008-07-10 Thread Peter Van Kranenburg
Hello all, When I do #(override-auto-beam-setting '(end * * 3 4) 1 4) in safe mode, I get the following error: Parsing...ERROR: Unbound variable: override-auto-beam-setting Is there a solution for this? thanks, Peter van Kranenburg ___ lil

Re: markup in \wordwrap-string

2008-05-06 Thread Peter Van Kranenburg
Peter Van Kranenburg wrote: Something like \markup { \wordwrap-string #" blah \italic { blah } blah"} doesn't work. From the documentation I could not figure out how to create a paragraph of text in which markup is possible. Does someone have a solution for this? I was t

markup in \wordwrap-string

2008-05-06 Thread Peter Van Kranenburg
Something like \markup { \wordwrap-string #" blah \italic { blah } blah"} doesn't work. From the documentation I could not figure out how to create a paragraph of text in which markup is possible. Does someone have a solution for this? Thanks in advance, Peter

Re: decrease distance between beams in tremolo?

2008-03-02 Thread Peter Van Kranenburg
n g'1:16 \override StemTremolo #'beam-thickness = #0.2 \override StemTremolo #'beam-width = #2 \override StemTremolo #'length-fraction = #0.7 \override StemTremolo #'Y-offset = #-0.4 \stemUp g'4:16 } --------- Adj

decrease distance between beams in tremolo?

2008-02-29 Thread Peter Van Kranenburg
pt for the distance between the slashes. They should be a bit closer together. regards, Peter van Kranenburg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: 17th century keyboard ornament

2006-07-24 Thread Peter Van Kranenburg
Fairchild wrote: Peter - Sorry, I haven't deduced how postscript determines 0, 0. Likely what you want can be done with Scheme That's what I'm gonna try, indeed. Nevertheless, many thanks for the suggestions. Peter ___ lilypond-user mailing list

Re: 17th century keyboard ornament

2006-07-23 Thread Peter Van Kranenburg
Fairchild wrote: Peter - Tune to suit. Thanks. After some tuning, I got the desired result indeed. There are, however, some questions left. With this solution, I have to define two macros for each pitch, one for stem up and one for stem down. Besides this, the direction of the stem must be

17th century keyboard ornament

2006-07-19 Thread Peter Van Kranenburg
This doesn't satisfy me. The vertical space between the dashes is too large. Especially when the stem is short (as is with the bes in the above example). I can't find a parameter to control this distance. Can someone give me a suggestion how to

Re: Lilypond on max os x takes huge amount of time

2006-07-19 Thread Peter van Kranenburg
ng. I don't understand this difference. regards, Peter -- Peter van Kranenburg MA MSc Ph.D. Student WITCHCRAFT Project Department of Information and Computing Sciences Utrecht University Visiting Address: Meertens Instituut Room 0.54 Joan Muyskenweg 25 1096 CJ Amsterdam Netherlands Post

Re: Lilypond on max os x takes huge amount of time

2006-06-29 Thread Peter van Kranenburg
Addition: If lilypond is run from a local account, everything is ok. Then the font-cache file contains the proper contents. So, it has something to do with the creation of the font-cache on a network account. regards, Peter Peter van Kranenburg wrote: Hi When typesetting a score using

Lilypond on max os x takes huge amount of time

2006-06-29 Thread Peter van Kranenburg
.lilypond-2.8.5-font.cache-1 in my homedir is empty. Maybe this has somthing to do with it? Lilypond 2.8.5-1 Mac Os X 10.3.9 PowerPC G4 1.25 GHz My homedir is on a network drive, lilypond is installed on the local harddisk. Thanks in advance, regards, Peter van Kranenburg -- Peter van Kranenburg MA MSc