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in the NR.
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be explained there.
Thank you in advance.
Cheers,
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am afraid my student
budget does not allow me to pay developers to work full time on LilyPond.
Cheers,
Whining Xavier
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://lsr.dsi.unimi.it/LSR/Item?id=473
Thomas, you might want to star issue #146 to be informed if someone
starts working on this issue in order to implement such feature directly
into LilyPond. http://code.google.com/p/lilypond/issues/detail?id=146
Cheers,
Xavier
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,
Xavier
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On 21 January 2012 20:59, Caio Barros caio.bar...@gmail.com wrote:
\ override DoublePercentRepeat #'font-size = #4
It works here.
Are you sure you have double percent and not [simple] percent repeat?
Cheers,
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On 21 January 2012 21:53, Caio Barros caio.bar...@gmail.com wrote:
\override DoublePercentRepeat #'font-size = #10
It's DoubleRepeatSlash , not DoublePercentRepeat .
\override DoubleRepeatSlash #'font-size = #10
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expect this
still to be ok for 2.12.
2.12 is by far outdated anyway.
When I reply to people still using 2.12 I give the answer with the 2.14
syntax, with a warning, and I suggest to update to 2.14 (at least).
Cheers,
Xavier
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= #scaledDoubleRepeatSlash
\repeat percent 2 { c8. c16 }
}
End of snippet
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be the default behaviour,
please make a request in that sense to bug-lilypond.
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there are several bugs involving ties but not this one
specifically.
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post on such site?
Hopefully people who invented/use free licenses, for cultural works for
instance, or people developing/contributing to free softwares such as
GNU/Linux or… LilyPond did not think the same way!
Cheers,
Xavier
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/detail?id=257
Not sure the fermata should be displayed *below* the tuplet bracket,
though. Is this the convention?
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with the acciaccaturas, but I have not found a solution.
Thanks in advance for your help. I am really looking forward to
grasping enough of this to convert everything to lilypond.
As I said to someone else 4 days ago (on bug-lilypond):
On 8 January 2012 10:35, Xavier Scheuer x.sche...@gmail.com
for this? There is a snippet for the
Mensurstrich layout, but this does not help for standard ChoirStaff.
Hi,
There is a snippet implementing SemiChoirStaff.
http://lsr.dsi.unimi.it/LSR/Item?id=299
Cheers,
Xavier
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,
There is a snippet called Bracketed Passages in the LSR:
http://lsr.dsi.unimi.it/LSR/Item?id=377
Hope that helps.
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-circle-letters
and
\set Score.markFormatter = #format-mark-circle-numbers
It is documented in NR 1.2.5 Bars Rehearsal marks
http://lilypond.org/doc/v2.15/Documentation/notation/bars.html#rehearsal-marks
Cheers,
Xavier
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to use \once \override Hairpin #'minimum-length = #8
instead.
Cheers,
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is
removed (Frenched score: use of \RemoveEmptyStaves).
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-repeats.html
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find
;;; (subdivide . grouping-rules) (not yet implemented, reserved
for future use)
I asked Carl but he doesn't have a schedule for automatic subdivision
on anything other than the beat.
Cheers,
Xavier
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in the learning manual,
LM 3.2.1 I’m hearing Voices.
What do you think? James?
Of course the best would be to solve issue #1316 …
http://code.google.com/p/lilypond/issues/detail?id=1316
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d\staccato etc. Can I do something like (c d e f)\staccato?
http://lsr.dsi.unimi.it/LSR/Item?id=82
http://lsr.dsi.unimi.it/LSR/Item?id=696
or
http://lsr.dsi.unimi.it/LSR/Item?id=769
should help you.
Cheers,
Xavier
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of lines, but not at end).
That's tricky.
The idea to add Mark_engraver to the StaffGroup is more logical and
should work, IMHO.
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[ cis] } |
d4-.) cis e-. d fis-. b d-. |
It is also explained in NR 1.2.6 Special rhythmic concerns Grace notes
http://lilypond.org/doc/v2.15/Documentation/notation/special-rhythmic-concerns.html#grace-notes
Cheers,
Xavier
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/msg00503.html
http://lists.gnu.org/archive/html/lilypond-user/2011-12/msg00505.html
Cheers,
Xavier
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-8.
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to the figured bass just without to have to write
a starting figure.
(And besides I've not found how to make text-spanner thing work because I've
got no text.)
Chris
Hi,
Is this what you are looking for?
http://lsr.dsi.unimi.it/LSR/Item?id=607
Cheers,
Xavier
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that was suggested and works quite well in this case.
http://lists.gnu.org/archive/html/bug-lilypond/2011-03/msg00501.html
Cheers,
Xavier
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On 10 December 2011 00:04, Xavier Scheuer x.sche...@gmail.com wrote:
Hello,
NR 4.5.1 Horizontal spacing overview says
The most common shortest duration is determined as follows: in every
measure, the shortest duration is determined. The most common
shortest duration is taken as the basis
-log grob)))
Cheers,
Xavier
PS: Pinging every French user involved in this discussion, in case they
would like to add something.
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Command-line usage Command line options for lilypond
http://lilypond.org/doc/v2.15/Documentation/usage/command_002dline-usage.html#command-line-options-for-lilypond
Cheers,
Xavier
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concerns Aligning to cadenzas
http://lilypond.org/doc/v2.15/Documentation/notation/special-rhythmic-concerns.html#aligning-to-cadenzas
Cheers,
Xavier
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Score.SpacingSpanner #'spacing-increment = #0.5
\newSpacingSection
e' c g e c1 |
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(with spacer rests)
$(skip-of-length longestVoice) % 2.15.21 syntax
% #(skip-of-length longestVoice) % 2.14.2 syntax
\midLengthVoice
}
\new Staff = longest {
\longestVoice
}
}
Cheers,
Xavier
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and this time I did not check
carefully for 2.14.
Cheers,
Xavier
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-^\trill { b16[ cis] }
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/special-rhythmic-concerns.html#grace-notes
I.e. in your voice one (first staff) add a \grace s8 before your R2.
of measure 18.
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*is* interfering (I did
not check, maybe I would have if the code was self-compilable without
I have to imagine a way to complete the missing variables).
Why are you using \pageBreak at the end of the score and not use a
\bookpart, of which this is the purpose?
Cheers,
Xavier
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?
Cheers,
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(and apparently using manual beams does
not solve the collision here).
Cc: to Mike, IIRC he worked on that collision avoidance (in the case of
changing staff), he could maybe say more about it.
Cheers,
Xavier
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of the documentation outdated? In that case where can
I find the most common shortest duration?
Thanks in advance.
Cheers,
Xavier
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amount of time for a talented developer like you) possible?
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think that would be a nice new feature.
Dear bug squad, could you add this request on the tracker ?
Thanks!
Cheers,
Xavier
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No developer replied at the moment; I hope one will say something
about it. Then I suppose it could be added to the tracker (cc: to
bug-lilypond) as a new feature request.
Cheers,
Xavier
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}
}
Cheers,
Xavier
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on the top of the first page (i.e page
1) of my score?
regards
--
--
James
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On 7 December 2011 00:03, Xavier Scheuer x.sche...@gmail.com wrote:
Sorry I hit the wrong button.
When I saw Nick's reply (and because it was the same as mine) I wanted
to discard the message I was currently writing. Instead I sent an
empty message!
So \on-the-fly #not-first-page
convallis orci, vel consectetur metus
neque sed justo. Praesent luctus laoreet enim sit amet facilisis.
}
}
Cheers,
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it than use this tricky thing, at least it is my point of view.
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\relative c ' { \Music }
}
}
}
Personally, I would use the \relative within the Music.
Music = \relative c' {
% etc.
}
and then, in \score , simply \Music (without the \relative c' ).
Cheers,
Xavier
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Cheers,
Xavier
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use a different font than the default one, maybe?
Cordialement,
Xavier
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there are only 2 alternatives
which have the same measures duration. In the remaining cases
the first alternative is often the shortest.
Thanks for your attention.
Cheers,
Xavier (and many French users)
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can't find where is themissing -1/4 :-S
FWIW I get no warning and correct output with 2.15.20.
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}
\new Staff {
\music
}
}
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, the g at the end of
m6 and the fis beginning m7 should both be shifted a bit, but my use of
force-hshift is not having any effect.
What am I doing wrong?
FWIW \shiftOn works there.
Cheers,
Xavier
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http://lists.gnu.org/archive/html/bug-lilypond/2011-03/msg00291.html
Thanks in advance.
Cheers,
Xavier
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in the the French
users mailing list.
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forgot the Staff. for this one). Then you have the white out.
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On 19 November 2011 11:58, MING TSANG tsan...@rogers.com wrote:
Hi all,
I want to \break in the middle of a measure. I coded the following, but it
is not breaking at the desire place. Is it possible to do that?
Use \bar \break
Cheers,
Xavier
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not a MIDI specialist but such software should exist (maybe as
free software). Use a search engine or other users could help.
Cheers,
Xavier
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in the lower voice.
Is there a trick how I can restrict them to the lower voice?
In your lower voice, insert
\override BreathingSign #'direction = #DOWN
Does it correspond to the output you want?
Cheers,
Xavier
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\time 3/4 at the beginning of loudness, as well as add
Timing_translator *and* Default_bar_line_engraver to the Dynamics
context, then you have your line break.
Cheers,
Xavier
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lilypond
.
Cheers,
Xavier
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-of-ungrouped-staves
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it :-)
Hi,
The output is Hm /a Hm with 2.15.16. So I assume if there was a bug
in the way \once \set falls back to previous it has been corrected.
Cheers,
Xavier
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https
/Documentation/notation/breaks.html
And especially NR 4.3.6 Explicit breaks
http://lilypond.org/doc/v2.15/Documentation/notation/explicit-breaks
and NR 4.3.7 Using an extra voice for breaks
http://lilypond.org/doc/v2.15/Documentation/notation/using-an-extra-voice-for-breaks
Cordialement,
Xavier
--
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to the text. How
would I shift it up a bit?
Use the \raise command:
\raise #0.5 \tiny \flat
All these markup commands are in Appendix of the notation manual:
A.9 Text markup commands
http://lilypond.org/doc/v2.15/Documentation/notation/text-markup-commands.html
Cheers,
Xavier
--
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of main mandolin voice
%% etc.
}
}
}
\layout {
}
}
End of snippet
Cheers,
Xavier
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it could be interesting to find the commit responsible for this
change and see if we could get back to the behaviour where some scores
(mine) look better)?
Thanks in advance.
Cheers,
Xavier
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on this mailing
list, here is your email for contact.
There is also OMET (Online Music Editing Tools) http://www.omet.ca/
http://www.vex.net/~mikeb/omet/ by Mike Blackstock
blackstock.m...@gmail.com .
Cheers,
Xavier
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to comment #5.
Cheers,
Xavier
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c }
}
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}
}
Cheers,
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on lilypond-devel:
do we want special versions of the accidentals for use with text?
http://lists.gnu.org/archive/html/lilypond-devel/2011-09/msg00353.html
http://lists.gnu.org/archive/html/lilypond-devel/2011-09/msg01089.html
Cheers,
Xavier
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system, make sure you have ragged-right = ##f
If that does not solve you problem, then please send your file or a
minimal example of code showing the issue.
Cheers,
Xavier
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= #Free Serif
chordRootNamer = #my-chord-name-pop-markup
chordChanges = ##t
}
}
Cheers,
Xavier
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remove
it?
Try to explicit every context (with \new Staff , \new Voice ,
\new ChordNames , etc.).
There are some differences in the way 2.14 assumes implicit context
creation compared to 2.12.
Cheers,
Xavier
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(and beatStructure).
See in the doc version 2.14 NR 1.2.4 Beams Setting automatic beam
behavior
http://lilypond.org/doc/v2.14/Documentation/notation/beams.html#setting-automatic-beam-behavior
Cheers,
Xavier
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On 12 October 2011 00:33, Xavier Scheuer x.sche...@gmail.com wrote:
The latter is more difficult to define as automatic beam behavior and
AFAIK impossible for now, since it is not possible (yet!) to define
rules for subdivide beams.
OK, apparently the following settings work but I actualy do
Reinhold would have better thoughts about this.
The smaller size does not come from instrument switch; it comes from
the settings of CueVoice. fontSize = #-4
Thanks!
Seems obvious now that you have said it!
Cheers,
Xavier
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think my scores will look even better once this patch would have
been reviewed and finally pushed.
Thank you Joe, thank you everybody.
Cheers,
Xavier
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https
head?
Or there is no way to do that and I'll have to use a dirty solution
consisting in adding \hspace #0.5 in all my TextScript?
Thanks in advance.
Cheers,
Xavier
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= #-10
Cheers,
Xavier
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)? In this case should we use a capital or not?
Many thanks in advance.
Cheers,
Xavier
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Xavier Scheuer x.sche...@gmail.com
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that such a simple request would lead to
non trivial code (I mean, this is not a simple override!).
Who should I thank for this wonderful snippet (and engraver)?
Neil maybe (he always provides helpful codes like this one)?
Many thanks to you all!
Cheers,
Xavier
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,
Xavier
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= #0.384
}
}
You can put this \layout things in a separate file that you include.
Cheers,
Xavier
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behavior with 2.14?
This is a feature!
PianoStaff are now removed only if both staves are empty.
To be able to remove staves from PianoStaff independently, simply add
\context {
\PianoStaff
\remove Keep_alive_together_engraver
}
to your \layout block.
Cheers,
Xavier
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}
\context {
\Staff
\RemoveEmptyStaves
\override VerticalAxisGroup #'remove-first = ##t
}
}
Cheers,
Xavier
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this because if I use a global variable containing the tempo
indications (with the \tempo command) and spacer rests, I would not be
able to use it for parts with MMR if I want these tempo indications
to be centered above these MMR.
Cheers,
Xavier
--
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in this
define-event-function and if this is implemented, I would be happy to
use it of course). ;-)
Thank you.
Cheers,
Xavier
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-variables.fr.html
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
\version 2.14.2
#(set-global-staff-size 19)
\header {
tagline = ##f
title = Boléro
composer = Maurice Ravel
arranger = arr.C.Schermann
}
global= {
\time 3/4
\key c \major
}
vIRavelBolero = \new Voice {
\relative c
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