Thanks for raising the topic. I've been extracting small examples using
Gimp. I'll have to try -dpreview!
Regards,
Bruys
On Fri, Jun 24, 2011 at 2:59 AM, Ralf Mattes r...@mh-freiburg.de wrote:
On Thu, 23 Jun 2011 12:23:28 +0200, Federico Bruni wrote:
you are missing the option -dpreview
added explaining that this style also prints fewer natural signs.
Regards,
Bruys
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a tempo relationship.
Your 2nd example is not likely to be used often, as the two ties are fussy
without introducing any extra clarity to the beat. But, I can imagine it
might be used to visually make a parallel to another part, in rare
circumstances.
Regards,
Bruys
On Tue, May 31, 2011 at 8:17 PM
Dear Edward,
Thanks for sharing your solution. This is something I'm likely to use.
Regards,
Bruys
On Mon, Apr 18, 2011 at 1:14 AM, Edward Neeman edward.nee...@gmail.comwrote:
Here's the solution I came up with. I just copy/pasted the Scheme code and
edited it a little, I don't understand how
Dear Janek,
Thanks for the reply. Please see comments, below.
Regards,
Bruys
2011/4/18 Janek Warchoł lemniskata.bernoull...@gmail.com
Dear Bruce,
2011/4/16 bruys . noten...@gmail.com:
I've read this thread. It seems to be mainly concerned with making the
brackets extend to the full
Thanks, Carl, I've added some notes, below.
Regards,
Bruys
On Sun, Apr 17, 2011 at 4:08 AM, Carl Sorensen c_soren...@byu.edu wrote:
On 4/15/11 11:55 PM, bruys . noten...@gmail.com wrote:
Greetings,
I would like the alter the length of the tuplet bracket so it extends
from the
left
Dear Jan-Peter,
Which version are you using? This doesn't work with 2.12.3, an '(n)' appears
above the extender line in the second bar.
Regards,
Bruys
On Fri, Apr 15, 2011 at 9:58 PM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hello Phil,
I think you can't move TextScript elements beyond lyrics
the bracket enclosing the noteheads, not just the stems.
Thanks,
Bruys
%% tuplets
\version 2.12.3
\header {
title = Tuplets
}
notes = {
%% nb. '3's clash in the following
\times 2/3 { b'8[
\times 2/3 { b'16 b' b' }
b'8]
}
%% To force drawing
a tie between notes
which appear to be different enharmonic spellings.
Do you prefer this way, Nils? You don't have to muck around the changing the
shape of a slur.
Regards,
Bruys
\version 2.12.3
% ties work between notes with same name, even though the position
% has changed, e.g. { c'2~ \clef
Sorry, I've gone off half-cocked. I can't get this to work when the second
note in the tie has an accidental. I thought I could get it to work, as
follows, but the tie doesn't print, and the accidental I'm trying not to
print gets printed.
Bruys
\version 2.12.3
\score {
{ ces''2 ~ ces''2
.
Regards,
Bruys
\version 2.12.3
% enharmonic ties
\score {
{ ces''2 ~ ces''2
ces''2( b'2)
{ ces''2( ces''2)
}
\\
{ s2.
\once \override Stem #'transparent = ##t
\once \override NoteHead #'font-size = #-3 % nb \tweak does
to try and dig through those source files.
Regards,
Bruys
On Tue, Apr 12, 2011 at 3:21 PM, Keith OHara k-ohara5...@oco.net wrote:
bruys . notenoir at gmail.com writes:
I wondered if
\partcombine is supposed to work with more than two parts. The
documentation refers to combining several
P.S. Sorry, the closing brace '}' was missing.
\version 2.12.3
% enharmonic ties
\score {
{ ces''2 ~ ces''2
ces''2( b'2)
{ ces''2( ces''2)
}
\\
{ s2.
\once \override Stem #'transparent = ##t
\once \override NoteHead #'font-size
snippet. If you have an example, that would be
appreciated.
Regards,
Bruys
On Mon, Apr 11, 2011 at 8:35 AM, James Lowe james.l...@datacore.com wrote:
The problem is that in this example, there is a collision with the
tie, second from the top (d'') and the f# (fis''). Ms. Gould's
solution
it
disappears behind the sharp sign.
Best wishes,
bruys
On Sun, Apr 10, 2011 at 6:51 PM, -Eluze elu...@gmail.com wrote:
hi bruys
bruys . wrote:
The one disappointing aspect is that (with version 2.13), I get a
warning that Lilypond couldn't find the property type-check for
'dash-definition
Dear Nick,
Looks like a good thing to try, when in difficulty.
There isn't any collision avoidance occurring, of course; slurs are
usually placed further away from the notes than ties.
If you make the middle voices vacant, you can see this.
Regards,
bruys
\version 2.12.3
\relative c'' {
{ g
all be relevant.
Perhaps it is something as simple as needing to configure JEdit to
find your pdf reader or Lilypond:
http://lilypondtool.blogspot.com/p/install-configure.html
Regards,
bruys
On Fri, Apr 8, 2011 at 2:53 PM, Michael Dykes thedoctor81...@gmail.com wrote:
I just started using JEdit
of a hack, as this wouldn't
generally be the case.)
Regards,
bruys
On Sat, Apr 9, 2011 at 7:07 PM, -Eluze elu...@gmail.com wrote:
bruys . wrote:
Hello Again,
Part 2: If I put each part into a separate voice context, the ties are
in the right direction, but otherwise it's a real mess.
i
,
bruys
\version 2.12.3
partOne = {
\set tieWaitForNote = ##t % for arpeggiated ties
\once \override Beam #'positions = #'(5.0 . 5.0) % raise beam to avoid
% collision with top tie
\grace {
\tieUp d''16[~ s16 s16 s16 s16
Hello Again,
Part 2: If I put each part into a separate voice context, the ties are
in the right direction, but otherwise it's a real mess.
Thanks,
bruys
partOne = {
\voiceOne
\set tieWaitForNote = ##t % for arpeggiated ties
\once \override Beam #'positions = #'(5.0 . 5.0) % raise
to resolve the problem in my
previous post).
Thanks to all you people working on bug fixes - Lilypond is an
impressive achievement.
Regards,
bruys
P.S. As an aside, the Scheme function context-spec-music is referred
to in the snippets, without giving any details of what it does
exactly. I expected I
.
Thanks for your help!
Regards,
bruys
On Sun, Apr 3, 2011 at 4:49 PM, madMuze camero...@yahoo.com wrote:
It will be interesting to see if it works
in this example where there is more than one tie at a time.
That potentially answers half my question. I wonder if anyone knows
how to alter the curve
-- Forwarded message --
From: bruys . noten...@gmail.com
Date: Sun, Apr 3, 2011 at 11:14 AM
Subject: Re: Dividing ties and adjusting ties in an arpeggiated chord
To: -Eluze elu...@gmail.com
Dear Eluze,
Thank you very much for that, it looks like just what I need. The link
didn't
-- Forwarded message --
From: bruys . noten...@gmail.com
Date: Sun, Apr 3, 2011 at 11:00 AM
Subject: Re: Beyond bars, book by Elaine Gould
To: flup2 phili...@philmassart.net
Dear Philippe,
Behind Bars is published by Faber Music (Elaine Gould is an editor
with Faber), so
I'd like some help on how to adjust ties. The following example comes
from Behind Bars: The Definitive Guide to Music Notation by Elaine
Gould, p.133; or it would do, if I could get it to work.
The problem is that in this example, there is a collision with the
tie, second from the top (d'') and
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