Re: How to generate small example PNGs

Thanks for raising the topic. I've been extracting small examples using Gimp. I'll have to try -dpreview! Regards, Bruys On Fri, Jun 24, 2011 at 2:59 AM, Ralf Mattes wrote: > On Thu, 23 Jun 2011 12:23:28 +0200, Federico Bruni wrote: > > > you are missing the option -dprev

Re: why does lily prints both a natural and sharp sign?

on Reference http://lilypond.org/doc/v2.14/Documentation/notation/displaying-pitches#automatic-accidentals under the "modern" style, it would be clearer if the sentence "The modernrule prints the same accidentals as default, with two exceptions..." were amended to "Other than this, the modern rule prints the same accidentals as default, with two further exceptions...", or otherwise rewritten, as the sentence before it has been added explaining that this style also prints fewer natural signs. Regards, Bruys ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Notation convention: dotted notes, duplet or else?

ing a tempo relationship. Your 2nd example is not likely to be used often, as the two ties are fussy without introducing any extra clarity to the beat. But, I can imagine it might be used to visually make a parallel to another part, in rare circumstances. Regards, Bruys On Tue, May 31, 2011 at 8:

Re: Tuplet bracket length

Dear Janek, Thanks for the reply. Please see comments, below. Regards, Bruys 2011/4/18 Janek Warchoł > Dear Bruce, > > 2011/4/16 bruys . : > > I've read this thread. It seems to be mainly concerned with making the > > brackets extend to the full duration of the notes,

Re: Baroque slash ornament

Dear Edward, Thanks for sharing your solution. This is something I'm likely to use. Regards, Bruys On Mon, Apr 18, 2011 at 1:14 AM, Edward Neeman wrote: > Here's the solution I came up with. I just copy/pasted the Scheme code and > edited it a little, I don't understand how

Re: Tuplet bracket length

Thanks, Carl, I've added some notes, below. Regards, Bruys On Sun, Apr 17, 2011 at 4:08 AM, Carl Sorensen wrote: > > > > On 4/15/11 11:55 PM, "bruys ." wrote: > > > Greetings, > > > > I would like the alter the length of the tuplet bracket so

Re: Tuplet bracket length

Dear Janek, Thanks for the reply. I've more questions , see below. Regards, Bruce 2011/4/16 Janek Warchoł > 2011/4/16 bruys . : > > Greetings, > > > > I would like the alter the length of the tuplet bracket so it extends > from > > the left-hand edge of th

Tuplet bracket length

pond draws the bracket enclosing the noteheads, not just the stems. Thanks, Bruys %% tuplets \version "2.12.3" \header { title = "Tuplets" } notes = { %% nb. '3's clash in the following \times 2/3 { b'8[ \times 2/3 { b'16 b' b'

Re: Spacing lyrics and markup

Dear Jan-Peter, Which version are you using? This doesn't work with 2.12.3, an '(n)' appears above the extender line in the second bar. Regards, Bruys On Fri, Apr 15, 2011 at 9:58 PM, Jan-Peter Voigt wrote: > Hello Phil, > > I think you can't move TextScrip

Re: Forced Tie between non-equal notes?

Sorry, I've gone off half-cocked. I can't get this to work when the second note in the tie has an accidental. I thought I could get it to work, as follows, but the tie doesn't print, and the accidental I'm trying not to print gets printed. Bruys \version "2.12.3"

Re: Forced Tie between non-equal notes?

we can trick Lilypond into drawing a tie between notes which appear to be different enharmonic spellings. Do you prefer this way, Nils? You don't have to muck around the changing the shape of a slur. Regards, Bruys \version "2.12.3" % ties work between notes with same name, even th

Re: Forced Tie between non-equal notes?

P.S. Sorry, the closing brace '}' was missing. > > > \version "2.12.3" > % enharmonic ties > > \score { > { ces''2 ~ ces''2 > ces''2( b'2) > << > { ces''2( ces''2) > } > \\ > { s2. >\once \override Stem #'transparent = ##t >\once \override Not

Re: status of release (was: status of mutopia project)

ll have to try and dig through those source files. Regards, Bruys On Tue, Apr 12, 2011 at 3:21 PM, Keith OHara wrote: > bruys . gmail.com> writes: > > > I wondered if > > \partcombine is supposed to work with more than two parts. The > > documentation refers to comb

Re: Forced Tie between non-equal notes?

the cue note method. Regards, Bruys \version "2.12.3" % enharmonic ties \score { { ces''2 ~ ces''2 ces''2( b'2) << { ces''2( ces''2) } \\ { s2. \once \override St

Re: Dividing ties and adjusting ties in an arpeggiated chord

I'm not really sure how to use his snippet. If you have an example, that would be appreciated. Regards, Bruys On Mon, Apr 11, 2011 at 8:35 AM, James Lowe wrote: >>> The problem is that in this example, there is a collision with the >>> tie, second from the top (d'&#x

Re: Slurs are better than ties at automatically avoiding collisions

Dear Nick, Looks like a good thing to try, when in difficulty. There isn't any collision avoidance occurring, of course; slurs are usually placed further away from the notes than ties. If you make the middle voices vacant, you can see this. Regards, bruys \version "2.12.3&quo

Re: Dividing ties and adjusting ties in an arpeggiated chord

s no much of the tie before it disappears behind the sharp sign. Best wishes, bruys On Sun, Apr 10, 2011 at 6:51 PM, -Eluze wrote: > > hi bruys > > bruys . wrote: >> >> The one disappointing aspect is that (with version 2.13), I get a >> warning that Lilypond couldn't

Re: Dividing ties and adjusting ties in an arpeggiated chord

volved. But, that would be a bit of a hack, as this wouldn't generally be the case.) Regards, bruys On Sat, Apr 9, 2011 at 7:07 PM, -Eluze wrote: > > > bruys . wrote: >> >> Hello Again, >> >> Part 2: If I put each part into a separate voice contex

Re: Difficulty in jedit with LilyPondTools

would all be relevant. Perhaps it is something as simple as needing to configure JEdit to find your pdf reader or Lilypond: http://lilypondtool.blogspot.com/p/install-configure.html Regards, bruys On Fri, Apr 8, 2011 at 2:53 PM, Michael Dykes wrote: > I just started using JEdit and the Lilyp

Re: status of release (was: status of mutopia project)

my pathetic attempts to resolve the problem in my previous post). Thanks to all you people working on bug fixes - Lilypond is an impressive achievement. Regards, bruys P.S. As an aside, the Scheme function context-spec-music is referred to in the snippets, without giving any details of what it does

Dividing ties and adjusting ties in an arpeggiated chord

Hello Again, Part 2: If I put each part into a separate voice context, the ties are in the right direction, but otherwise it's a real mess. Thanks, bruys partOne = { \voiceOne \set tieWaitForNote = ##t % for arpeggiated ties \once \override Beam #'positions = #'(5.0

Dividing ties and adjusting ties in an arpeggiated chord

Part 2 to follow! Thanks, bruys \version "2.12.3" partOne = {    \set tieWaitForNote = ##t % for arpeggiated ties    \once \override Beam #'positions = #'(5.0 . 5.0) % raise beam to avoid                                                     % collision with top tie    

Re: Fwd: Dividing ties and adjusting ties in an arpeggiated chord

x27;m not giving up yet. Your white box idea is yet another avenue for exploration. Thanks for your help! Regards, bruys On Sun, Apr 3, 2011 at 4:49 PM, madMuze wrote: > >>It will be interesting to see if it works >>in this example where there is more than one tie at a time. >>That pot

Fwd: Beyond bars, book by Elaine Gould

-- Forwarded message -- From: bruys . Date: Sun, Apr 3, 2011 at 11:00 AM Subject: Re: Beyond bars, book by Elaine Gould To: flup2 Dear Philippe, Behind Bars is published by Faber Music (Elaine Gould is an editor with Faber), so it is more likely to be available with a print

Fwd: Dividing ties and adjusting ties in an arpeggiated chord

-- Forwarded message -- From: bruys . Date: Sun, Apr 3, 2011 at 11:14 AM Subject: Re: Dividing ties and adjusting ties in an arpeggiated chord To: -Eluze Dear Eluze, Thank you very much for that, it looks like just what I need. The link didn't work, but knowing the title

Dividing ties and adjusting ties in an arpeggiated chord

I'd like some help on how to adjust ties. The following example comes from Behind Bars: The Definitive Guide to Music Notation by Elaine Gould, p.133; or it would do, if I could get it to work. The problem is that in this example, there is a collision with the tie, second from the top (d'') and th