Are the tools/config released to the community or open source, if someone
wanted to pick up the mantle?
On Sun, Aug 25, 2024, 8:39 PM Mike Blackstock
wrote:
> OMET (Online Music Engraving Tools , https://ide.omet.ca), an online
> front-end to lilypond, will cease operation after on or shortly af
Copying fonts...'
cp ${LILYJAZZ}/otf/* ${LILY}/fonts/otf
cp ${LILYJAZZ}/svg/* ${LILY}/fonts/svg
cp ${LILYJAZZ}/supplementary-files/lilyjazz-*/*.otf ${LILY}/fonts/otf
echo 'Done'
echo -n 'Copying stylesheets...'
cp ${LILYJAZZ}/stylesheet/* ${LILY}/stylesheet
echo 'Done
>>
>> —script
>>
>> REV = “2.24.4"
>> LILY = "/opt/homebrew/share/lilypond"
>>
>> cp lilyjazz/otf/* ${LILY}/${REV}/fonts/otf
>> cp lilyjazz/svg/* ${LILY}/${REV}/fonts/svg
>> cp lilyjazz/stylesheet/* ${LILY}/${REV}/ly
>>
zz"
> }
>
> What am I missing?
>
>
> Robert,
>
> looking at lilyjazz's own stylesheet [1] you would need to specify
> lilyjazz-text for roman and lilyjazz-chord for sans
>
> [1]
> https://github.com/OpenLilyPondFonts/lilyjazz/blob/master/stylesheet/lily
with and use the \transpose
function to generate sheets. Simple, but very effective.
-Jeff. :)
On Wed, Aug 7, 2024 at 2:57 PM Pierre-Luc Gauthier
wrote:
> Hello there,
>
> I thought I'd share my LilyPond "system" that I use to generate scores for
> orchestras
On 6/26/2024 12:45 AM, Xavier Scheuer wrote:
This works: \new TabStaff \with { \tabFullNotation } { \mus }
Thanks, Xavier. The NR example, that I now see, also works:
\new TabStaff { \tabFullNotation \mus }
All is good!
Jeff
I still had to remove my \tabFullNotation command to avoid an
implicit TabStaff.
Is there an alternative place (outside the music code) to put
\tabFullNotation? Perhaps as a context setting for the explicit TabStaff?
Jeff
ed at TabStaff in the IR but didn't find anything at that level to
silence the whole thing. Also looked at Keeping contexts alive in the
NR for clues on how to suppress it.
How can I keep all my embedded TabStaff settings without showing an
implicit TabStaff?
TIA,
Jeff
\version "
3.png]
>
> Paul Scott posted a script which can notate this a couple of years ago:
> https://lists.gnu.org/archive/html/lilypond-user/2022-12/msg00313.html
>
> As this effect is quite commonly used, I wondered if there was any
> interest in getting this mark added to Lilypond&
Sounds like just the VSLilyPond-PDF-Preview extension is not being
maintained. I'll take a look at that tonight...thanks, Federico!
On Thu, May 2, 2024 at 4:41 PM Federico Sarudiansky
wrote:
> Hi Jeff.
>
> I've been using VSLilypond for VSCode for a while now and I found a
for that.
And his maintenance will evolve, for sure.
Here is some more about Simon.
https://github.com/martineausimon/lilypond-lib
Jeff
On 02/05/2024 22:16, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user mailing list submissions to
lilypond-user@gnu.org
To subscribe or unsub
tions that could be worked out over time.
Overall, a reasonable replacement if Frescobaldi goes awayuntil then,
Frescobaldi is still easier.
-Jeff. :)
On Thu, May 2, 2024 at 3:57 PM jeff wrote:
> Well done Kenneth! I don't have anything better to say. Maybe asking
> Simon Marti
ttle longer and read and learn from you.
Jeff
On 02/05/2024 19:29, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user mailing list submissions to
lilypond-user@gnu.org
To subscribe or unsubscribe via the World Wide Web, visit
https://lists.gnu.org/mailman/listinfo/lilypo
lypond you didn't mention : neovim + nvim-lilypond-suite by
Martineau Simon.
https://github.com/martineausimon/nvim-lilypond-suite
This plugin blow my mind !
Is there someone who experienced it and feel the same enjoyment ?
Happy to be a part of your community again, cheers.
Jeff Lagoutte
san>) so that N people around the
table could sing an N-part round by rotating the score clockwise.
Perhaps a new "spin" on the four-part tablebook format used by Dowland?
Or has Lazy Susan format already been done?
Jeff
On 3/16/2024 10:29 AM, Leo Correia de Verdier wrote:
Wow!
T
x27;ve never used it myself, but there is a whole section on transposing
> music in the manual:
>
>
> https://lilypond.org/doc/v2.24/Documentation/notation/displaying-pitches#instrument-transpositions
>
>
> --
> Knute Snortum
>
>
>
>
--
*Jeff Kopm
7;m hoping to change.
>
> Does anyone have an idea?
>
> Thank you
>
>
--
*Jeff Kopmanis*
Medium: https://kopmanis.medium.com
GLAAC: https://www.glaac.org/
University Lowbrow Astronomers: http://umich.edu/~lowbrows
Orange Can Astronomy: https://www.facebook.com/orangecanastronomy/
** Go Green and leave this email on the Screen! **
tting unless they are converted.
>
> Laurie Savage
> https://www.queensofthewest.com/
>
--
*Jeff Kopmanis*
Medium: https://kopmanis.medium.com
GLAAC: https://www.glaac.org/
University Lowbrow Astronomers: http://umich.edu/~lowbrows
Orange Can Astronomy: https://www.facebook.com/orangecanastronomy/
** Go Green and leave this email on the Screen! **
On 12/7/2023 12:21 PM, Jean Abou Samra wrote:
Documentation question from trying to understand *location* in
David's solution:
Guessing, is sip a stream input pointer? _Where would I look to find
the definition/example of sip?_
*location* doesn't return a string but a special type o
r? _Where would I look to find the
definition/example of sip?_
Or, David, does *location* mean a string literal containing the name of
the file like "eso.ly"?
[1]
https://lilypond.org/doc/v2.24/Documentation/internals/scheme-functions#index-ly_003ainput_002dfile_002dline_002dchar_002dcolumn
TIA,
Jeff
e = #'mensural
Considered it already but didn't want to stress my modern readers with
an unfamiliar benefit.
On Sun, Nov 12, 2023 at 5:24 PM Jeff Olson wrote:
My questions ...
1) How to get petrucci style note head in the tempo indication?
2) Where to get the G clef as
( c2 c4 e2 f4 g2 a4 g2.\) \breathe \bar "," %2
\bar "||"
}
\score {
{ \vexDUMa }
\layout { \context { \Staff \consists "Ambitus_engraver" }}
}
My questions ...
1) How to get petrucci style note head in the tempo indication?
2) Where to get the G clef
t exchanged it for the fretless
style, which I find easier to play (lighter touch) and more expressive.
Intonation can even be better on fretless as the strings can develop
nonuniformities in density. Wonder if that's why those fretted basses
from the 1770's died out?
Thanks again!
Jeff
, at seeing the double bass listed
among fretted instruments.
And thanks, Michael, for your pointer to that documentation in your
response to the OP. I try to follow such links when they're from
someone who apparently knows more about the topic than I do. It is,
indeed, an excellent read
ere and has the advantage that you don't
get into trouble for a) pizzicato (which is weird for "bowed strings")
or b) viol (which is both bowed and fretted and may be used in a string
section for nostalgically informed practice).
Agreed, on both counts.
No blame; just raising awareness to documenters.
Jeff
ved in the second system; however, the double bass is not,
because it is part of the larger group of *fretted* strings, which
is playing."
That larger group in the example consists of Violin I, Violin II, Alto,
Cello, Double bass.
Nothing to fret about, unless you're in documentation, eh Harm?
Jeff
alloonText #'(0 . 0) \markup \with-color
"#fcc" \draw-circle #3.5 #0.1 ##t { a d' b'
e'' } |
Excellent! How would you similarly circle a rest (both r and f''\rest)?
Jeff
ce { e a d' g' b' e'' } }
} }
Here's the image of the two results. The circle highlight obliterates
the ledger and staff lines:
two results
I see the circle also has no extent so it gets clipped in the png. That
I can workaround.
But how can I get the circle placed behind the staff (as in the second
result) without doing an unwieldy overlay of the whole score?
Jeff
You should look into include files if you've got that much code. Lilipond
can handle it, and it'll make your project much more managable.
On Tue, May 2, 2023, 8:58 AM Andrew Bernard
wrote:
> The work is about 40,000 lines of lilypond code, but split into about ten
> sections. There are only abo
Try Get Info on one of the files and change the program used for all.
I have the same issue, but haven't dug into it yet.
On Tue, May 2, 2023, 4:24 AM Mark Harris wrote:
> Hi, I’ve recently tried to use Lilypond on a MacBook Air M2 with Ventura.
> Quick Look is a vital part of my workflow, as I
s:
#(list (list 'lineto 0 hgt) (list 'closepath))
or, mixing the two styles,
#(list (list 'lineto 0 hgt) '(closepath))
Thanks, Lucas. That helps too!
--
o_ Jeff Olson
(\___\/_/) jjocanoe
~ ~ ~ / ~ ~ ~ ~ @gmail.com
e. It's an excellent
explanation (thanks Jean!).
--
o_ Jeff Olson
(\___\/_/) jjocanoe
~ ~ ~ / ~ ~ ~ ~ @gmail.com
'd welcome a quick syntax fix or a reference to what I should have read
before asking.
TIA,
Jeff
Here's my code (small if not minimal):
\version "2.24.0"
#(define-markup-command (dopath layout props xtip ytip hgt wid txt rot)
(number? number? number? number? str
On 4/5/2023 2:37 PM, Jean Abou Samra wrote:
Le mercredi 05 avril 2023 à 14:30 -0600, Jeff Olson a écrit :
The conclusion of [1], on how to put nicely cropped png or svg images
into individual files with specified file names, was to wrap each score
in a \book block with an individual
n-commenting the two lines above generates "error: bad expression
type".
Adding -lDEBUG didn't explain more. Does that error mean \book is
forbidden here?
How can I include a \book wrapper (and \bookOutputName) in my score
function?
Thx,
Jeff
[1] https://lists.gnu.org/archive/
nt
for properly cropped multi-system scores in separate image files, as
opposed to un-cropped whole pages (tall pages?), I'd still think
separate-page-formats should work.
Maybe the documentation of separate- and tall-page-formats
should elaborate more.
Or am I still missing the one place where that explanation is provided?
Thanks for your patience!
Jeff
s just removing the "-1" it's easy, as you indicate.
But the MidiMismatch example that I showed Jean would be more difficult.
Still holding out hope that ly developers may take the suggestion
I made to Jean, which would allow everything to be resolved inside ly.
Thx again,
Jeff
ld also have enabled bookOutputName in my original example
to have
complete control over the whole file name (with only one file per book).
As it stands, it seems I'd have to use techniques outside of lilypond,
as David W suggests, in order to correct the filenames. Is that what
you're implying?
Thx,
Jeff
x.
P.S. I get the same thing using 'backend 'svg
P.P.S I'm using Windows 10 Pro with Cygnus bash and Frescobaldi 3.1.1
Jeff
pyright statement in a file?
>
> Use
>
>
> copyright = \markup { ... }
>
>
> to construct a multi-line entry.
>
> That doesn't work since \markup { ... } is equivalent to \markup \line {
> ... }.
>
--
*Jeff Kopmanis*
Medium: https://kopmanis.medium.com
On 3/13/2023 7:06 AM, Werner LEMBERG wrote:
https://gitlab.com/lilypond/lilypond/-/merge_requests/1869
Wow! That was fast work, Werner! Thanks for finding a way to include
the extra steps to "Run as administrator".
Jeff
est. The complication of
running as administrator is only needed if you want to protect the
installed files from inadvertent modification.
HTH
Jeff
to disagree. There's no
> right or wrong, only a whole bunch of lost people who for one reason or
> another are unwilling/unable to make the transition. I've had a list
> move underneath me - I didn't move with it ...
>
> Cheers,
> Wol
>
>
--
*Jeff Kopmanis*
Medium: https://kopmanis.medium.com
GLAAC: https://www.glaac.org/
University Lowbrow Astronomers: http://umich.edu/~lowbrows
Orange Can Astronomy: https://www.facebook.com/orangecanastronomy/
** Go Green and leave this email on the Screen! **
to this list" type of message. If you can't take
the time to become a member of a list/community, then there should be no
expectation that the community will take the time to respond to the request.
-Jeff. :)
On Wed, Feb 22, 2023 at 9:43 AM Kevin Cole wrote:
> On Tue, Feb
at there is a known issue on Windows where compiling very
> large scores (several hundreds of pages) can result in crashes. We hope
> to address this in a future bugfix release.
>
--
*Jeff Kopmanis*
Medium: https://kopmanis.medium.com
GLAAC: https://www.glaac.org/
University Lowbrow A
gt;(lambda (j char)
> (ly:stencil-translate
> (stencil-with-color
>box
>(case char
> ((#\0)
> w
> >
> > Hi,
> >
> > I would like to define command aliases for \SustainOn, \SustainOff and
> > the combination \SustainOn\SustainOff and tried the obvious:
> >
> > pup = \SustainOn
> > pdown = \SustainOff
>
>
> It’s \sustainOn and \sustainOff.
I've always terminated my cresc/decres with \!
I found that in the docs a while ago, but is that still the case?
e1\< | a2\!\ff b2
Is the way I'd have done it.
On Mon, Jan 30, 2023, 6:41 AM Jean Abou Samra wrote:
> On 30/01/2023 12:38, Werner LEMBERG wrote:
> >
> > What is the 'official' wa
, 2023 at 7:42 AM Valentin Petzel wrote:
> Hello Jeff,
>
> If I were to reduce what you are doing we’d have something like this
>
> \relative c'' {
> R1*4 \bar "||"
> \repeat segno 2 {
> \alternative {
> { R1*4 }
>
oral issues make it look
dysfunctional at times.
What's the right way to think about these issues?
Jeff
division into books to
keep memory in bounds. Turns out, ironically, that I am now having to
add lots more bookparts so that garbage doesn't build up to where it
triggers a third-party GC bug on Windows. Still waiting for that fix
RSN (2.24.1++?).
But if you only cross ref things
ow they've actually changed the corresponding lang sections?
Some of that may be better suited to a tool that looks at unpublished source.
Jeff
On 1/5/2023 3:24 PM, Jeff Olson wrote:
But there is one for the Contributor's Guide, which I'll send separately due to
size.
And here it is. In this one, the Old/Obsolete sections reveal that most of the
old
administrative policies have been thrown out. Also the Bug Squad an
nter eventually gets executed, bang, you get a 1073741819. Or
something like that. Just an amateur guess.
My projects have about 1200 scores, hence my interest in helping however
I can, as a user not a developer. Perhaps real developers may be able to
use this score generator to prove i
eturn code -1073741819",
that is already in the process of being fixed. Otherwise, yes,
please write about this ASAP.
That's it exactly! What a relief to know a fix is coming.
Jeff
substitution function work. But that's a whole 'nother thread.
Meanwhile I've got to get back to making an MWE to explore why 2.23.14
(but not 2.22.1) is crashing with a segmentation fault when I put too
many scores in a bookpart (clearly another thread).
Jeff
o It's especially curious since the 2.23 changes doc uses the 2.22
form unchanged elsewhere:
+ "The solution is to place \bar inside the music for each
staff, as is usual with most commands.
<<
\new Staff { \bar ".|:" c' }
\new Staff { \bar ".|:" c' }
>>
Jeff
On 11/12/2022 1:51 AM, Hans Åberg wrote:
On 12 Nov 2022, at 05:27, Jeff Olson wrote:
On 11/7/2022 6:58 AM, Hans Åberg wrote:
In 2.22 you successfully get "Hello, World!" at top of page.
This example works in LilyPond 2.23.80 (MacPorts), on MacOS 13.0.
Interesting. This must
rying to do it in markup.
Maybe I'll send you a sample off-list to see what an expert would consider.
Jeff
ave to put it
inside an explicit bookpart since it forces the title/composer like on
the front page.
Would be nice if lilypond had a way to load a resource into the
postscript file without having to produce this extra output, or sledge
hammer the bold/italic styles.
So does this sor
ipped down ghostscript can find it
there. Not so on my Windows 10.
Jeff
that directory.
Love the creativity on this list! I was wondering about using the full
Ghostscript executable but never thought of just using its fonts.
Thanks for the idea, Timothy.
Jeff
the \bold and doing just \sans does indeed revert
to /NimbusSans-Regular (no surprise).
So I can get my postscript to run with /NimbusSans-Bold instead of
/Helvetica-Bold. I just have to let lilypond pick the specific font
family for abcxyz based on the generic family. It works, but I'd feel
more confident if I knew the right font-name to cause /NimbusSans-Bold
to be loaded.
Am I still doing something wrong? (wouldn't be a surprise)
Jeff
cumentation/notation/fonts#font-families?
* Or is there a way a font-name override declared outside of
\postscript can be referenced by findfont inside a \postscript block?
In other words, perhaps, what's the verdict on \postscript in lilypond?
Jeff
yboards) so right now I'm still stuck.
Really need Helvetica-Bold or its metrical equivalent to work in 2.23
Jeff
\version "2.23.14"
\markup {
\postscript #"
/Helvetica-Bold findfont
4 scalefont setfont
(Hello, World!) show
"
}Starting lilypond.exe 2.23.14 [
shed in 1916 by Germanistische Presse,
New York. All 99 songs in the book follow this convention.
Jeff
Staff to span staves only at the end
of each system?
See attached MWE-ChoirStaff-end-bars.ly
Jeff
\version "2.22.1"
\header {
tagline = ##f
}
global = {
\key c \major
\time 4/4
}
soprano = {
a'1 b'
\bar "|."
}
alto = \relative {
\global
% Music f
attached (e.g. slurs and beams on the same notes under the barre).
Reminds me of Alice's Restaurant
<https://en.wikipedia.org/wiki/Alice%27s_Restaurant> "... with circles
and arrows and a paragraph on the back ... explaining what each one was
...". We just don't want our creations "... to be used as evidence
against us". :-)
Jeff
On 6/16/2022 3:01 PM, Jean Abou Samra wrote:
Le 16/06/2022 à 01:35, Jeff Olson a écrit :
Jean,
I'm studying your "Overview of LilyPond’s inner workings"
(https://extending-lilypond.readthedocs.io/en/latest/intro.html#overview-of-lilypond-s-inner-workings-and-how-you-mig
ly ask whether the stage "Writing Output" is
done for each bookpart or once for the whole compilation.
If you're still taking suggestions re extending-lilypond.readthedocs.io,
it might help others if each of the processing stages listed in the
Overview explicitly said how they appear in the log, since those phrases
are often familiar even to Frescobaldi users.
Thanks,
Jeff
On 5/4/2022 5:58 PM, Brian Barker wrote:
At 17:30 04/05/2022 -0600, Jeff Olson wrote:
What would Elaine Gould do?
"When a final pitch is extended by a series of tied notes, it is
acceptable (and a convention) to end the slur with the first whole-bar
duration; alternatively, in cr
ar, and there are no lyrics involved.
So do people have rigid rules on phrasing, or just play it by ear? What
would Elaine Gould do?
Discussion is invited.
Jeff
\version "2.22.1"
\transpose c c' {
\time 3/4
e'2.\( | %1
e'2 d'4 | %2
c'2.~\) | %3
c'
n combining them as one
argument.
But may I ask, why are "$@" and "#@" called 'list splicing' operators?
The same terminology is used in Perl for what appears to me to be very
different behaviors (list editing, insertion and removal), so I'd
appreciate learning why 'splicing' is considered descriptive in lilypond.
Jeff
On 4/5/2022 11:58 PM, Aaron Hill wrote:
On 2022-04-05 10:40 pm, Jeff Olson wrote:
Question (b):
My secondary question is very simple. How do you set the seed for
scheme's "random" function (used in my gen-music.ily). I'd like to
get the repeatability of a pseudo-ran
. Or just point me to the right manual page(s).
Question (b):
My secondary question is very simple. How do you set the seed for
scheme's "random" function (used in my gen-music.ily). I'd like to get
the repeatability of a pseudo-random number generator.
TIA,
Jeff
P.S. M
,
Valentin
Thanks, Valentin. Your quick(!) fixes should be all I need.
Jeff
o disappear if the ambitus belongs to the Staff context
(just change Voice to Staff):
\new Staff \with { \consists "Ambitus_engraver" } {
a'\laissezVibrer c'' c'
}
I don't like ghosts. Please fix.
Jeff
issues:
1) Do the .ily files have to go in a specific directory?
2) I copied and pasted the .ily files into separate text files (couldn't
see any way to download or install them directly from GitHub) and saved
those in the /otf directory ... are the .ily files something more than just
text?
Anyway,
Hello All:
I recently installed LilyPond 2.20.0 and it seems to be working well with
the default font. However, I'd like to use the lily jazz and chord fonts
and style sheet and have downloaded the .otf files and .ily files to do so
... but where do they go?
I put the otf files here:
Applications/
-size commands that would interfere has to be commented out. I
think Harm's solution would help lots of frustrated Mutopia people who
tear their hair out over trying to make the exact same source file
generate satisfactory output on two different paper sizes.
Thx again,
tten in 25.4 as a literal.
BTW2, I've similarly been unable to access the paper variable page-count
within a music function.
Thx,
Jeff
--
\version "2.18.2"
\paper{
page-count = #1
%#(set-paper-size "a4") %uncomment to test specific paper size
#(set-paper-size
I'm not understanding how to merge two scores into one. The song just
continues, but it's a different section with a different voice configuration.
The first section has a single voice, the second has two. The only way I can
figure it out so far is to print out two scores. Is there a way to merg
On 4/29/2016 4:56 PM, Jeff Olson wrote:
< 41312
41340
Okay, now I know what you mean by the > problem and I've modified my
ways and the script (to insert a couple of leading blanks) to show e.g.
< 41312
> 41340
HTH,
Jeff
, %.1f percent
of file.\n", $opm, $opl, $opct;
print "\nHere's a count of selected characters (X represents all others):\n";
foreach $c (sort { $tally{$a} <=> $tally{$b} } keys %tally) {
print "$c $tally{$c}\n";
}
Thank you for your patience. This is my first post to the list
so I'd welcome any comments on replying to posts.
Jeff
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Thank you. In the paper block actually makes it easier to add to multiple
files as I just need to add it to my letterpaper.ly.
Off to scour the documentation for all the overrides!
On Thu, Oct 2, 2014 at 5:49 PM, Abraham Lee
wrote:
> On Thu, Oct 2, 2014 at 6:34 PM, Harris, Jeff wr
hing else I need to do to tell lilypond that I am re-definng
bookTitleMarkup?
--
This signature file intentionally left blank.
On Thu, Oct 2, 2014 at 3:38 PM, tisimst wrote:
> On Thu, Oct 2, 2014 at 4:16 PM, Jeff Harris [via Lilypond] <[hidden email]
> <http://user/SendEmail.jtp?type=node&
I am trying to modify header fonts for the requirement of a publisher.
I would rather not use text markup commands in the header, as it's not
simple to change multiple works at the same time.
I would much rather put the style changes in an external file, so they can
all be changed at the same tim
ardcoded to look for something in "/opt/local" (MacPorts) and
was throwing an error when it couldn't find it.
So, success according to my experience. Thanks for your efforts.
Regards,
--
Jeff
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lilypo
On Tuesday, May 20, 2014 4:19:34 PM UTC+2, Davide Liessi wrote:
> I did not say that it is impossible to bundle a working PortMIDI with
> Frescobaldi
>
I know. My suggestions were only a related tangent. Your current
predicament got me thinking is all. I didn't mean to add any distractions
fr
On Tuesday, May 20, 2014 2:46:08 PM UTC+2, Marnen Laibow-Koser wrote:
Or just communicating with the QuickTime synthesizer directly?
>
Sure, whatever works. (I just thought the combination I mentioned sounded
better.)
> That may not be a bad idea. But then how would you handle Lilypond
> u
On Monday, May 19, 2014 6:50:31 PM UTC+2, Davide Liessi wrote:
> The main problems are:
> - PortMIDI is not included in the bundle, and even if it is included
> (with the appropriate option of py2app) Frescobaldi cannot see the
> MIDI ports provided by SimpleSynth or FluidSynth;
>
What about
pplication bundle), but I confirm
> that I didn't include PortMIDI in the bundle.
> I'll take care of this as soon as possible.
>
Ah, that's great to hear! Looking forward to it. Thanks for your help.
--
Jeff
___
lilypond-us
Will this software import MidiSoft Desktop Sheetmusic files? .mmm or Finale?
Thanks,
Jeff
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Surely there is a template for the "Welcome to lilypond-user" e-mail that gets
sent out that could be edited to add "Your posts will appear after the
moderator approves your subscription. This could take up to a day."
Regards,
Jeff
>
>
> From: Jan Nieuwenhuizen
> Jeff Barnes writes:
>
>> $ cat 'my-melody-in-lily-note-syntax.txt' | ~/bin/fourwayclose.pl |
> lilypond
>
> $ echo '{ a b c }' | LANG= lilypond -o stdin -
What's the LANG env variable for?
;my-melody-in-lily-note-syntax.txt' | ~/bin/fourwayclose.pl | lilypond
Regards,
Jeff
___
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get a response.
If it takes longer than 5 or 10 minutes to authorize a new user to post, a
warning should be put in the welcome e-mail.
My .02.
Jeff
- Original Message -
> From: Tim McNamara
> To: lilypond-user@gnu.org
> Cc:
> Sent: Thursday, June 7, 2012 2:35 PM
&
> From: Tim Roberts
>
> Jeff Barnes wrote:
>> While I'm sensitive to David's request to end the discussion for
> now, there are some misconceptions about Qt that need addressing.
>
> That's not entirely clear.
I don't think starting from here i
> From: Tim McNamara
>
> On Jun 4, 2012, at 8:30 AM, Jeff Barnes wrote:
>>> From: Joseph Rushton Wakeling
>>>
>>> On 30/05/12 02:12, Han-Wen Nienhuys wrote:
>>>> One of the problems of LilyPond is that C++ had very poor support
> for
>
> From: Joseph Rushton Wakeling
>
>On 30/05/12 02:12, Han-Wen Nienhuys wrote:
>> One of the problems of LilyPond is that C++ had very poor support for
>> things we desperately need: reflection, automatic memory management
>> and callbacks.
>
>How about D?
Also, consider Qt. It has all of the abo
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