aper, hear it in your head before playing it on any instrument.
I'd expect that you can reach this state faster if notes are represented
more logical. However I don't have an empirical proof yet.
quarter tones? They are seldomly used in Germany.
about people who have a day job and do this just for fun.
Marc Weber
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nly once a year would benefit
from equal appearance meaning equal intervals. This would help them
recognize intervals faster etc.
I know that there is no way rewriting traditional music. There is too
much available.
I still think it should be easier for untrained people to get started
w
O- nr 0
to be always 4 semitones?
Then many tasks such as transposing music to a different key would
become a simple math operation: simply add a number.
Many musicians who play occasionally only would benefit a lot.
Has anyone else thought about this before?
Marc
Am 12.03.2011 21:39, schrieb Carl Sorensen:
On 3/12/11 1:19 AM, "Marc Hohl" wrote:
Am 11.03.2011 18:52, schrieb Carl Sorensen:
Why not just use a FretBoards context?
Good question; it looked way too complicated for my purposes.
I need some chords played on a mandolin, and th
herefore be moved all around the fretboard to play whatever root is
desired.
Do you want to move toward that?
With the chord shapes you provided, I'll give it a try.
Regards,
Marc
Carl
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Am 11.03.2011 18:52, schrieb Carl Sorensen:
On 3/11/11 2:34 AM, "Marc Hohl" wrote:
Am 10.03.2011 19:52, schrieb Keith OHara:
Marc Hohl hohlart.de> writes:
I try to put fret diagrams at the beginning of a piece.
My input file looks like this:
<<
\new Ch
Am 10.03.2011 19:52, schrieb Keith OHara:
Marc Hohl hohlart.de> writes:
I try to put fret diagrams at the beginning of a piece.
My input file looks like this:
<<
\new ChordNames \chordmode {
g:m
}
\new Lyrics \lyricmode {
\markup { \fret-diagram #&
Hello all,
due to the recent changes in tablature.scm concerning parenthesized fret
numbers,
the old bend.ly fails – attached is a revised version that works quite
well for me in combination
with the (attached) bendtest.ly.
Regards,
Marc
Am 10.03.2011 23:16, schrieb Federico Bruni:
Il
rrors appear?
(I used this technique several years before, and I think it compiled
without errors,
but I am not sure and of course didn't save the log output ;-)
Regards,
Marc
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and
stanzblock = ##t.
Apart from this, would a separate property be the better way to handle
the output?
Anyway, this is a very useful enhancement for my current project - great
work, thank you!
Regards,
Marc
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have you taken a look at this snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=654
-Marc
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On 2/21/2011 10:56 AM, Phil Holmes wrote:
- Original Message - From: "Marc Mouries"
To:
Sent: Monday, February 21, 2011 3:53 PM
Subject: Re: Italian translation?
On 2/20/2011 1:39 PM, Phil Holmes wrote:
In the Gondoliers, the Contadine sing "Per voi, bei signori&q
On 2/20/2011 1:39 PM, Phil Holmes wrote:
In the Gondoliers, the Contadine sing "Per voi, bei signori".
According to Google translate, 'bei' does not exist. Is there an
Italian speaker here who can say whether it is Italian, or whether
Gilbert got it wrong?
No google does not know everything!
?
Hi Federico,
use \tabChordRepetition, and LilyPond is (again) your friend.
Regards,
Marc
I couldn't find anything related in the open issues of the tracker.
Thanks,
Federico
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hing useful, so I already feared it
might not be easy (or doable at all...).
I think you can achieve what you want by writing a scheme function
similar to those defined in scm/chord-names.scm.
See for example the definition of note-name->german-markup.
There you find that accidentals are replac
probably the note-performer has to take the string
numbers into account. Or you'll have to create a kind of
"string-channel-performer" which does the right thing.
Performers are written in C++, but that's all I know about
this stuff.
Regards,
Marc
Thanks in advan
Am 08.02.2011 12:00, schrieb Jan-Peter Voigt:
Hello Marc, hello Jakob, hello list,
I just wanted to share a tiny extension of the lyrics->markup function:
...
(cond
((eq? (ly:music-property lyrics 'name) 'LyricEvent)
(ly:music-property
Am 07.02.2011 12:42, schrieb Xavier Scheuer:
On 7 February 2011 11:12, Marc Hohl wrote:
Hello all,
after reading the manual and the archives, I have to admit that I am
probably too stupid for the new spacing system.
I have the following song template and I want the staves to be further apart
Am 07.02.2011 11:52, schrieb Trevor Daniels:
Marc Hohl wrote Monday, February 07, 2011 10:12 AM
I have the following song template and I want the staves to be
further apart
so they fill about 2/3 of the entire page.
I fiddled around with ridiculously high values for padding,
basic-distance
for padding,
basic-distance and minimum-distance,
but the staves don't move.
Most probably, I overlooked something or misunderstood the manuals
completely.
Any hints would be highly apprechiated.
TIA
Marc
\version "2.13.48"
\paper {
indent = 0
}
\header {
title = &q
voicings on
a guitar, I'd expect a
-0-
-1-
-0-
-2-
-3-
---
when C is written, not a
---
---
-0-
-2-
-3-
---
(as a fret diagram, of course).
Just my 2ct ...
Marc
The dim chord is a triad so the fingering should contain only those three notes
with none of them doubled; the dim7 is a tetra
t form with the lowest four
strings,
they do not sound convincing.
Since I mostly have to use a dim7, I am not sure which voicing would be
more universal, though.
Regards,
Marc
Any recommendations?
Thanks,
Carl
c:dim"x;3-4;1-1;o;1-2;o;"
c:dim7 "x;x;1-1;2-3;1-2;2-4;"
gMinor= { < g\4 d'\3 bf'\2 g'\1 >1 }
\storePredefinedDiagram #default-fret-table \gMajor
#violinTuning
#"o;o;2-1;3-2;"
\storePredefinedDiagram #default-fret-table \gMinor
#violi
is:
melody = \relative c' { c8. d16 ~ d8 e ~ e16 d c b ~b 4}
\score {
\new StaffGroup <<
\new Staff {
\new Voice { \melody}
}
\lyricmode { \new Lyrics { "1"4 "2" "3" "4" } }
>>
}
HTH
Marc
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http://sites.google.com/site/jpgzic/
does exactly what you describe. I prepared a patch for including this
font and
its functionality into future releases.
Regards,
Marc
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On 1/26/2011 1:08 AM, Patrick Horgan wrote:
On 01/25/2011 12:25 PM, lilyp...@josebreden.nl wrote:
Hello,
Singing in a coral I would like to exercise the different parts
(soprano, alto, bass).
So I would like to generate from a single .ly-file, multiple midi-files:
- all parts together (which
话 (Mandarin, Chinese standard), 中国 话
zhōngguóhuà, 国语 guóyǔ (Taiwan), 汉族 话 hànzúhuà ("language of the Han
", used by ethnic minorities to denote the Chinese) and Zhongwen 中文
(all languages of China).
-Marc
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Am 24.01.2011 21:24, schrieb Marc Hohl:
[...]
With text spanners, customized dashed lines are easily created.
Oops, you needed dotted lines, not dashed ones ... sorry, I have no clue
at the moment.
HTH,
Marc
Thanks,
Robert
www.bostonsing.org <http://www.bostonsing.
text spanners, customized dashed lines are easily created.
HTH,
Marc
Thanks,
Robert
www.bostonsing.org <http://www.bostonsing.org>
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(howto get override props)
Whatever - looks great! Thanks to you both, Jan-Peter and Jakob for
improving this stuff,
it will be very helpful for my current project!
Regards,
Marc
Cheers,
Jan-Peter
On 24.01.2011 15:12, Phil Holmes wrote:
I've slightly lost the plot of what's needed
orted by
the file mentioned above :-(
But it looks as if Michael Ellis has posted a working solution...
Regards,
Marc
Cheers,
MS
On Jan 20, 2011, at 9:05 PM, Daniel wrote:
Hello,
I have recently discovered Lilypond, and wow. It is just great. I
have been
looking for something like this
Am 21.01.2011 08:46, schrieb Basso Ridiculoso:
Hello Marc,
Danke für deine antwort zu meine frage! :)
Its funny you point out those functins, because I have been looking at
that...but I have not been able to make it work. I hope you don't mind
a direct reply to your email.
No problem
ssue came up in 2008 and John Mandereau wrote some functions
which IMHO do exactly what you need, please look at
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html
HTH,
Marc
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http://l
ch -- ze laut, Je -- ru -- sa -- lem.
}
and the output is as expected?
I don't know how easy such an implemantation would be, but giving a
list of characters to ignore and filter then out in Lyrics and using
this information to rearrange the text would give a lot more flexibility
to this fea
that
we will accept any patch.
Do I need to fiddle with GUB to install a otf font file?
I understand (roughly) how the metafont stuff works, but
the JazzChord font is otf. I feel that pasting this file anywhere
in lilypond's build tree won't suffice to make the font available :-/
Rega
Am 18.01.2011 18:56, schrieb Graham Percival:
On Tue, Jan 18, 2011 at 05:24:11PM +0100, Marc Hohl wrote:
These functions should be bundled in a snippet, or perhaps included in the
lilypond distribution?
Start by adding it to LSR.
Done.
http://lsr.dsi.unimi.it/LSR/Snippet?id=744
Regards
lilypond distribution?
Great work, thank you!
Regards
Marc
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after the extender (like in the bottom of
the attachment).
How can this be done? Manuals seem to say nothing about this, as well
as the mailing list archive.
Does
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=643
help?
Regards,
Marc
cheers,
Janek
___
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Am 15.01.2011 21:51, schrieb Neil Puttock:
On 15 January 2011 19:01, Marc Hohl wrote:
Now I wonder whether it is possible to create a kind of text book by
including the lyrics in a markup, perhaps with a scheme function which
replaces the " -- " by "".
Is it possible to
Am 15.01.2011 21:51, schrieb Neil Puttock:
On 15 January 2011 19:01, Marc Hohl wrote:
Now I wonder whether it is possible to create a kind of text book by
including the lyrics in a markup, perhaps with a scheme function which
replaces the " -- " by "".
Is it possible to
o achieve
what I want? I'd prefer a lilypondish solution over some script hacking ...
Thanks in advance
Marc
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to staff groups, too.
+1 too
Cheers,
Xavier
+1
-Marc
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On 1/12/2011 4:40 AM, Graham Percival wrote:
On Wed, Jan 12, 2011 at 09:15:41AM +0100, Reinhold Kainhofer wrote:
Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival:
On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote:
i'd like to know about the rationale behin
On 1/12/2011 2:00 AM, Nick Payne wrote:
On 12/01/11 16:08, Marc Mouries wrote:
On Jan 11, 2011, at 6:34 PM, Carl Sorensen wrote:
On 1/11/11 11:30 AM, "Marc M" wrote:
As a matter of fact, I get the same warnings without the function but with
\stemUp with the code:
\versio
On Jan 11, 2011, at 6:34 PM, Carl Sorensen wrote:
> On 1/11/11 11:30 AM, "Marc M" wrote:
>
>> As a matter of fact, I get the same warnings without the function but with
>> \stemUp with the code:
>> \version "2.13.45"
>> \language "engli
s are arpegiated and the top
notes continue.
thanks,
-Marc
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Nick Payne-3 wrote:
>
> Look up \shiftOn \shiftOnn etc in the documentation. If you apply that
> to the G in the middle voice it fixes the collision.
>
> Nick
>
Thansk i tried them but it is really not easy to get it right. I was able to
get a decent layout with several \once \override NoteC
Marc M wrote:
>
> I am using the function looksSlower from the snippet
> http://lsr.dsi.unimi.it/LSR/Item?id=305
> and when i use it, it produces many warnings such as:
> - warning: stem does not fit in beam
> - warning: beam was started here
>
>
As a matter
I am using the function looksSlower from the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=305
and when i use it, it produces many warnings such as:
- warning: stem does not fit in beam
- warning: beam was started here
I tested the snippet and it does not produce those warning because it
does not
-6-4;"
The patternB adds a B flat on the E string (6th) with the 4th
finger.
-Marc
\version "2.13.18"
\language "english"
#(set-global-staff-size 26)
\header{
title = "Patterns Bach Presto"
composer = ""
tagl
This slide function is great. I always have to tweak the glissando
command because it is always too small.
On 12/19/2010 3:26 PM, jakob lund wrote:
I
2010/12/19 Marc Hohl:
Am 16.12.2010 17:04, schrieb Patrick Schmidt:
[...]
Hi Marc,
thanks for your solution but I'm still trying to
On 12/22/2010 9:10 AM, Carl Sorensen wrote:
On 12/22/10 12:12 AM, "Marc Hohl" wrote:
Am 22.12.2010 03:43, schrieb Carl Sorensen:
On 12/21/10 7:26 PM, "Marc Mouries" wrote:
On Dec 21, 2010, at 1:28 PM, Carl Sorensen wrote:
Well, it's supposed to be the number
Am 22.12.2010 03:43, schrieb Carl Sorensen:
On 12/21/10 7:26 PM, "Marc Mouries" wrote:
On Dec 21, 2010, at 1:28 PM, Carl Sorensen wrote:
Well, it's supposed to be the number of semitones above middle C for
each
open string, starting with the highest string.
Wow, th
On Dec 21, 2010, at 1:28 PM, Carl Sorensen wrote:
>
> Well, it's supposed to be the number of semitones above middle C for each
> open string, starting with the highest string.
>
Wow, that's really not self-explanatory but i get why it's needed. However I'll
have one less argument when my frie
On 12/21/2010 12:09 PM, Carl Sorensen wrote:
On 12/21/10 9:44 AM, "Marc Mouries" wrote:
I just tested the example "Defining predefined fretboards for other
instruments" with 2.13 and it produces a bizarre output.
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snip
I just tested the example "Defining predefined fretboards for other
instruments" with 2.13 and it produces a bizarre output.
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings
\paper {
#(define dump-extents #t)
indent = 0\mm
line-wi
On 12/21/2010 12:30 AM, Carl Sorensen wrote:
On 12/20/10 8:47 PM, "Marc Mouries" wrote:
Hi Lilyponders,
I am trying to generate a chord chart for Violin and i have an alignment
problem.
I want to include the different possibilities of playing a chord and
thus i can't
On 12/21/2010 10:51 AM, Carl Sorensen wrote:
On 12/21/10 12:51 AM, "David Kastrup" wrote:
Carl Sorensen writes:
On 12/20/10 8:57 PM, "Marc Mouries" wrote:
The fret diagram prints a fret number indication on the right that is
confusing from a Violinist perspec
The fret diagram prints a fret number indication on the right that
is confusing from a Violinist perspective.
Is there any option for the fret diagram not to print it?
For instance, in the 2nd D chord i'd like to get rid of the "iv" or
print "i" because on the
-3;1-x;"
%% D7
1 ^\markup \fret-diagram #"w:4;4-x;3-o;2-3-2;1-2-1;"
}
>>
Which gives me:
Is there any way to align the fret board using markup? or any other work-around
to be able to use a fretboard and use several definitions for one chord?
thanks,
Marc
Graham Percival-3 wrote:
>
> On Tue, Dec 14, 2010 at 7:27 PM, Marc Hohl wrote:
>>> and "does it make the download size much much bigger".
>>
>> How much is "much much"? Gonville is 3.5 MB, the Jazz font is 10 KB.
>> Downloading lilyp
On 12/20/2010 8:54 AM, Ludo Beckers wrote:
On Sun, Dec 19, 2010 at 9:22 PM, Marc Mouries <mailto:m...@mouries.net>> wrote:
On Dec 18, 2010, at 5:19 PM, Ludo Beckers wrote:
> Just wondering, has there ever been a poll about how many
Lilypond users work with a certain s
sando lines are way too far away
from the fret numbers.
Setting these to 1 will improve the output.
\once \override TabVoice.Glissando #'bound-details = #'((right
(attach-dir . 0) (padding . 1)) (left (attach-dir . 0) (padding . 1)))
a'&#
))
(ly:export $startnote))
#})
{ \slide #7 a'' e'' }
Thanks for this example!
Regards,
Marc
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then the macro to jump to the next match and
make the edit.
Marc Weber
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Am 16.12.2010 17:04, schrieb Patrick Schmidt:
[...]
Hi Marc,
thanks for your solution but I'm still trying to find out what's wrong
with the scheme function I posted. I discussed the need for this
function with Carl and he gave me some advice:
http://www.mail-archive.com/lily
Am 15.12.2010 00:36, schrieb Valentin Villenave:
On Tue, Dec 14, 2010 at 8:39 PM, Marc Hohl wrote:
Oh - thanks for the hint! I'll contact him...
I'm available to do the go-between if needed.
Thanks for your offer! I have no response until now, but
when problems occur, I
Am 14.12.2010 20:34, schrieb jakob lund:
2010/12/14 Marc Hohl:
Am 14.12.2010 19:38, schrieb Graham Percival:
Jean-Pierre G writes that the font is free to use, but he doesn't leave a
contact
mail address on the page (or I have overlooked it - my french is very rusty)
so it is difficult t
Am 14.12.2010 20:09, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 08:02:11PM +0100, Marc Hohl wrote:
Ok, you're right - but IMHO 1204 is about documenting the new font features,
whereas Marc Mouries proposed to include the Jazz font and Gonville into the
standard lilypond distrib
#
\override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
}
}
Regards,
Marc
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Am 14.12.2010 19:38, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 07:32:09PM +0100, Marc Hohl wrote:
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included
into lilypond
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
+1
Marc
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
On 12/14/2010 7:15 AM, Valentin Villenave wrote:
On Tue, Dec 14, 2010 at 11:58 AM, M Watts wr
On Dec 13, 2010, at 11:33 PM, Carl Sorensen wrote:
> Make your leger lines transparent and the final A should look great.
>
i am not sure i am following because if the ledger line is transparent it
defeats the purpose to show that the A is now on a line.
What is bizarre is that the ledger line
27;text = \markup { \lower #0.5
\fontsize #-3.5 G} g
\once \override NoteHead #'text = \markup { \lower #0.5
\fontsize #-3.5 A} a
}}
On Dec 13, 2010, at 9:10 PM, Marc Mouries wrote:
}
a
\once \override NoteHead #'text = \markup { B }
b
}
You'll have to do a fair bit of tweaking to get the right size and placement...
Cheers,
Mike
On Dec 13, 2010, at 5:36 PM, Marc Mouries wrote:
I am wondering if it is possible to write text inside the staff close to the no
I am wondering if it is possible to write text inside the staff
close to the notes or without the notes like in the attached image
to show the name of the notes.
-Marc
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You get 2 stems because you created 2 voices with the signs "<<" and \\
see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Multiple-voices.html
What are you trying to compose?
On Dec 9, 2010, at 7:35 PM, Marco Correia wrote:
> Hi,
>
> I just started using lilypond, so it is very p
it's explained here: http://screenr.com/3L0
On Dec 10, 2010, at 3:32 AM, Phil Burfitt wrote:
>> From: "Marc Mouries"
>>
>> I like however the page that allows to sync scores with youtube videos.
>> Check it out it's really nice. http://musescore.
wkes, and Peters, have barlines spanning all staff-groups in a score,
%% Eulenburg and Philharmonia, like Lilypond, have no barlines between staffgroups.
%% If you want the Eulenburg/Lilypond style, comment out the following line:
\layout {\context {\Score \consists Span_bar_engraver}}
}
Apparently the lilypond-book script does not accept
Would anyone point me to the instruction to register an enhancement request?
On Dec 1, 2010, at 12:04 PM, Marc Mouries wrote:
> On 11/19/2010 4:54 AM, Bill Mooney wrote:
>> Hi,
>> you might try :-
>>
>> lilyp
thanks for passing the info. that's interesting. Too bad is supports only 32
bits OS.
On Dec 6, 2010, at 8:54 PM, Mike Blackstock wrote:
> I've attached a screenshot of Ubuntu and Windows 7 running concurrently on a
> 1 gig netbook (yeah, believe it or not). andlinux has a somewhat different
Talking about Ghostscript, I noticed that the latest version is GPL Ghostscript
9.00 released 2010-09-17
Wouldn't it make sense to update it in the lilypond distribution to benefit
from the updates and ease the integration with other authoring software like
LyX?
On Dec 6, 2010, at 10:16 PM, He
require too much gui a vserver would do as
well. Interested people could login using SSH and get started - viewing
pdf files using a browser. (Even VNC access is possible - the fun
depends on your internet connection speed)
Marc Weber
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r bar automatically?
On Dec 4, 2010, at 9:49 PM, Marc Mouries wrote:
>
> thanks all for your help. Browsing the lilypond doc I have stumbled upon the
> section on the Gregorian notation and what do i find? a half-bar!
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Type
thanks all for your help. Browsing the lilypond doc I have stumbled upon the
section on the Gregorian notation and what do i find? a half-bar!
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Typesetting-Gregorian-chant.html#Divisiones
I tried to use it but apparently it is a breath mar
On 11/19/2010 4:54 AM, Bill Mooney wrote:
Hi,
you might try :-
lilypond -f png -dresolution=600 "filename"
where the 600 is an example - whatever you find is appropriate
Hope this helps
Regards
Bill
Thanks Bill. The option -d is not accepted by lilypond-book only by
lilypond.
Is there any way
e Score.BarNumber #'font-size = #-4
\override Score.BarNumber #'direction = #DOWN
% Melody
\melody
}
}
--Marc
% test bar number close to the staff to avoid confusion with fingering
\version "2.13.40"
melody = \relative c' { c1-1 c1_1 c'1-1 c'
Am 24.11.2010 15:59, schrieb Steve Yegge:
Hi Marc,
On Tue, Nov 23, 2010 at 11:28 PM, Marc Hohl <mailto:m...@hohlart.de>> wrote:
Just for clarification: as the guitar is notated one octave above
its sounding pitch,
I use the following template:
\score {
\new S
re welcome!
Regards,
Marc
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ned.
Unfortunately the code \markup { {\bold \underline ma} licious }
produces two words: ma licious.
How should it be done?
Maybe \concat solves your problem? See
http://lilypond.org/doc/v2.13/Documentation/notation/align
HTH
Marc
cheers,
Jan
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t's already clear
that it's an open A, so having a circled string number at that
note is pointless.
As mentioned above, the simple override solves at least this problem.
Regards,
Marc
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ou
give it a try and tell me whether it works well in real-life situations.
You can get it here:
http://lilypond-s-support-for-tablatures.3383434.n2.nabble.com/harmonics-in-tablature-tp5518526p5578089.html
By the way, there is a mailing list especially for tablature concerns:
http:/
were you able to see the preview image of the lilypond score in Lyx?
For me on Mac as well when i open the lyx file i get an error message saying
that I am missing a latex package.
On Nov 21, 2010, at 4:24 PM, Damian leGassick wrote:
> So...
>
> I just ran Onyx 2.2 and now everything works fin
quot;2.12.3"
>
> \relative c' {
> \override Staff.BarLine #'bar-size = #2.0
> c4 c c c |
> c c c c |
> }
>
>
> On Sat, Nov 20, 2010 at 9:00 PM, Marc Mouries wrote:
> thanks Nick. A half-bar is Bach's writing was a bar containing the
I am typesetting some Bach solo work and want to emphasize the counterpoint. I
found a way to typeset it like this with 2 voices
\relative c' {
\time 3/8
<<
{ f16 d' b g e c | d b' g e c a' }
\\
{ f16[ s s s e s] | d[ s s s c s] }
>>
}
but that means the score has to be type
thanks Nick. A half-bar is Bach's writing was a bar containing the same number
notes but only went over the staff from the 2nd to the 4th lines.
On Nov 20, 2010, at 11:20 PM, Nick Payne wrote:
> On 21/11/10 15:10, Marc Mouries wrote:
>> I searched and checked
>> http://li
I searched and checked
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars
but could not find a way to print a half-bar like Bach used in some of his
music.
It is not really used often so i'd not be surprised but just wanted to check
with you guys just in case.
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|lilypond --png filename.ly
just type lilypond and you will see all the possible options.
-Marc
|
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