=
#(define-music-function () () #{ \sustainOn #})
Even if in this case (and in fact in most cases) this does not really
make any
difference I think it is useful to be aware of these differences.
Cheers,
Valentin
Am Dienstag, 7. Februar 2023, 12:45:34 CET schrieb p...@ocmatos.com:
On 2023-02-03 16
On 2023-02-07 12:47, Jean Abou Samra wrote:
On 07/02/2023 12:44, p...@ocmatos.com wrote:
On 2023-02-03 17:41, Knute Snortum wrote:
What I do is have a separate dynamics variable, then include that
variable in both staves of the piano staff in the midi block. Then I
switch the dynamic
On 2023-02-03 16:46, Aaron Hill wrote:
Well, and those names are non-sensical. \sustainOn implies depressing
the pedal.
\version "2.22.0"
pdown = -\sustainOn
pup = -\sustainOff
pupdown = -\sustainOff \sustainOn
{ b'4\pdown 2 4\pupdown 2. 4\pup }
That probably makes more sense.
On 2023-02-03 17:41, Knute Snortum wrote:
What I do is have a separate dynamics variable, then include that
variable in both staves of the piano staff in the midi block. Then I
switch the dynamic performer to the staff level. It looks like this
(for only one staff):
Thanks. What is the
ternative matching nothing. It also provides
> ;; the base case for the recursion with \concat.
> (if (null? repl)
> (ly:text-interface::interpret-string layout props-norepl str)
> (let* ((pat (or (hashq-ref cache repl)
> (let ((p (make
Sorry if this is a silly question... but I am struggling with the
\replace function.
Let's take this example:
---
\markup \replace #'(("100" . "hundred")
("dpi" . "dots per inch")) "A 100 dpi."
---
What code should I use if rather than replacing "100" with
Hi,
I am getting close to what I want, and yet the last bit eludes me. I am
regularly transcribing bass parts from performances played on 5 or
6-string basses. Invariably my intended audience is a 4-string player
and so needs either a modified part or a pencil.
My idea is to accommodate all
Arnold, In Linux Ubuntu, the Lilypond version I had was 2.12. I just
upgraded to 2.14.2 hoping these commands you sent me would work. Nope! I
see the include file you sent was created in version 2.15.39.
Regards,
RDL
ArnoldTheresius wrote:
P Spalding wrote:
That would
Oh !! Thank you, thank you. Very kind of you. Lots of goodies in the
file.
Sincerely,
RDL
ArnoldTheresius wrote:
P Spalding wrote:
That would be excellent, Arnold. I've been inking in the accidental in
past.
Here you are!
http://old.nabble.com/file/p33991423
Hi !
I've been using Lilypond for a couple years now. Just for transposing, not
for arranging or composing. I've never been able to work out how to show a
trill with a sharp, flat, or natural sign next to the trill symbol. Pitched
trill works ok sometimes. But if you look at the attached
ArnoldTheresius wrote:
P Spalding wrote:
Hi !
... That is trill to F# on the 1st E, F natural on the 2nd one. I
would use pitched trill here but I can't get that to work on the 2nd E.
Thanks !
...
Hello,
my observation is: pitched till cooperates with trillspan
Hello all,
I'm happy to share with you, Lily Raga, a collection of lilypond 'language'
files (headers?) that'll help us transcribe Carnatic (South Indian
Classical) Raga music with lilypond in standard western notation.
https://github.com/ananthp/lilyraga
A short sample -
\include
like
Columns = 3 in the score header will be sweet :)
Ananth
On Sat, Sep 18, 2010 at 1:03 PM, Dmytro O. Redchuk
brownian@gmail.com wrote:
On Sat 18 Sep 2010, 09:01 David Kastrup wrote:
ananth p l...@beautifulnote.com writes:
Multi-Column layout! I need that too.
This is how I did
Multi-Column layout! I need that too.
This is how I did this score (3 Columns)- http://www.twitpic.com/2pie84
1. Calculate the width (and height?) of each column; set the page size
accordingly. (page width = column width)
2. Run LilyPond, output the score as PNGs.
3. Tailor PNGs.
Is it possible to use multiple 'pitchnames' in a song (perhaps under
different score segments)? something like
% option 1: Include Files
\include arabic.ly
\include english.ly
...score1: some Arabic music here..
... score2: some English music ..
%option 2: inline
Works like a charm! Thank you.
Thanks for the wonderful IDE too :)
On Thu, Sep 9, 2010 at 1:53 AM, Wilbert Berendsen lily...@xs4all.nl wrote:
And if you do this?
\include arabic.ly
...score1: some Arabic music here..
\include english.ly
... score2: some English
Amico,
Thanks for pointing out CarMusTy. It seems to be in the earlier stages of
development. Interestingly it uses Latex (xetex) under the hood. I was
looking for either Latex or Lily solution. Will keep a note of it and try it
out when a working version is ready.
My turn - there's another
the notes print as notes, with the lyrics attached.
Cheers,
Wol
On 7/28/10 6:27 PM, ananth p
l...@beautifulnote.coml...@beautifulnote.comwrote:
Hi,
I've been using lilypond for quite a while to typeset scores.
I'd like to typeset Carnatic (Indian) music scores, which don't use Staff
Hi,
I've been using lilypond for quite a while to typeset scores.
I'd like to typeset Carnatic (Indian) music scores, which don't use Staff
notation system. Just text, like solfa, nevertheless it's a music system
with durations, meters, barlines etc.
I can use the 'lyrics' part to enter my
david,
You have _installed_ a version of the HTML manual together with your
software. It does not make sense at all to google for some online
version that does not fit with the rest of your installation.
SNIP
while i agree with your sentiments, would you mind pointing out
_where_ the
Hi,
GNU LilyPond 2.10.33, input is at the end. The tie between the two 'a's
works, but not between a and b. The problem seems to be related to the
orientation of the stem (i.e. tie between opposite stems) but forcing
the stem (\stemUp) does not seem to help. I am probably missing something
Hi, I have assembled the piano score part for a violin, cello, piano trio
arrangement, and I was wondering if there is a way to shrink the
violin and cello staffs on the score so that they aren't as big as the piano
part (to increase visibility and overall space). thanks!
Dan Pinkham
Hello all,
I am trying to do something that I think would be quite common, placing
chord names for a solo
in the middle of a song. Following the lilypond documentation on
ChordNames and \chordmode,
I came up with the code shown below. The problem is that the chord
names appear below the
1. I'd like to use a 'medium' font-shape (rather than
what looks like boldface) for the figured bass, but I
can't work out how to do it. The command
\override FiguredBass.BassFigure #'font-series =
#'medium
neither gives an error nor does it work. Any
suggestions?
Better still, I'd like to
I've just returned to lilypond after a long time
(version 2.0.1!) and have noticed in version 2.8.1
that the stem lengths seem to be a bit shorter, at
least in the following example (from Telemann) :
\version 2.8.1
upper = \relative c'' {
\clef treble
\key bes \major
\time 4/4
bes16 a
I want to create small fragments of music that are then exported (or
just created) as image files, .gif or .jpg or .tiff doesn't matter. How
do I go about doing that?
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
I have tried invoking ETF2LY from the command line, as the manual SAYS
TO DO.
However... it doesn't do anything.
I'm on a WinXP system. If it doesn't have an .exe extension it's not
executable to the system.
Yes, I have Python's shell. I know squat about how to use it.
Some explanations
I have the following file that simply will NOT compile. I've done it on
two separate machines and re-installed LilyPond twice; it keeps crashing.
Any particular idea why?
Thanks
Paul
\version 2.7.12
\include english.ly
\header
{
dedication = à M. Léon MacSwiney
title = Chanson Triste
--- [EMAIL PROTECTED] wrote:
I need a very portable solution. Does somebody knows if lilypond works on a
Psion Revo (would be best), or Zaurus (but it is expensive)... Psion Netbook
is already too big or some Subnotebook too.
--- end of quote ---
I'm about to flash my Sl-5500 with OpenZaurus
-Original Message-
From: Ruud van Silfhout [mailto:[EMAIL PROTECTED]
Sent: 6 décembre 2004 14:31
To: Lilypond user
Cc: P Scott Horne; [EMAIL PROTECTED]
Subject: Fw: Merging rests in single-staff polyphony
Hi,
I think this question should be posted on the lilypond user list
I'm trying to typeset more of the songs from my college songbook and I'm running
across some problems. One problem is that sometimes there are different words
sung for different verses...
One line runs:
... zum, zum, zum. {But / For /And} here by the fire ...
Where the But, For and And
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B
$BL>A0$OAaID$G$9$,!"(B
$BM'C#$+$i$O%*%V%8%g%$%H%$$H8F$P$l$F$$$^$9!#(B
$B$7$c$Y$jJ}$dJ8>O$,F|K\?M$8$c$J$$$J$s$F(B
(B[EMAIL PROTECTED]"$=$"[EMAIL PROTECTED]$K$J$C$?$N$G$9!#(B
$B$G$9$,!"F|K\?M$G$9!#(B
$B$"$H!"4i$H$+$7$0$5$,!"%(%m$$$i$7$$$C$F$N$b$&qu
B
$BL>A0$OAaID$G$9$,!"(B
$BM'C#$+$i$O%*%V%8%g%$%H%$$H8F$P$l$F$$$^$9!#(B
$B$7$c$Y$jJ}$dJ8>O$,F|K\?M$8$c$J$$$J$s$F(B
(B[EMAIL PROTECTED]"$=$"[EMAIL PROTECTED]$K$J$C$?$N$G$9!#(B
$B$G$9$,!"F|K\?M$G$9!#(B
$B$"$H!"4i$H$+$7$0$5$,!"%(%m$$$i$7$$$C$F$N$b$&qu
I'm typesetting a book of college songs and came across some parts where two voices
are on a single staff and share rests.
I did some digging in the archives and found that this issue had been raised before:
Start Quote
On Friday, Oct 25, 2002, at 10:35 US/Eastern, Klaus Zimmermann
In the old days of version 1.6.8, we wrote polyphony this way:
{c d e}\\{e f g}
Now the notation is
{c d e}\\{e f g}
There seems to be a bug in the engraving of lyrics set against a staff that
breaks into polyphony with the new notation of double chevrons. In version
1.6.8,
with installation?
Again, this is with Lilypond 2.2.5 for Windows.
Scott Horne
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: 6 septembre 2004 06:01
To: P Scott Horne
Cc: [EMAIL PROTECTED]
Subject: Re: LilyPond error: ps2pdf not found
Just rerun setup.exe once
I have just installed the latest version of LilyPond for Windows from your
Web site. When I tried to run the test ('test.ly'), I got an error message:
ps2pdf not found. How can I obtain and install this missing utility?
For your reference, I have attached a copy of the log file.
Thank you in
hi,
I'm using lilypond 2.2.5 on a debian box, and although I've stumbled through the
basics of lilypond, I have a few problems:
-
I am unable to put page breaks exactly where I want them.
I'm trying to replicate a printed score as faithfully as possible, and although
\break seems to be
I'm relatively new to using lilypond. I've struggled with the syntax and have
had problems finding clear documentation for certain types of markup.
The wiki seems like a great place for people to contribute documentation that
can then be tidied up by Graham Percival (or whoever) and folded into
something like:
_\markup { \column { first verse second verse third verse } }
(in the appropriate place)
Although that would probably look about as good as if I used a sharpie on my
computer screen.. :P
Actually I just had a thought -- I could just switch the notes for tenor 1/tenor
2
$B;v6H<T(B$B#1#86X#J#A#P#A#N(B
(Be-mail[EMAIL PROTECTED]
$B%a!<%kG[?.Dd;_$O2<5-%"%I%l%9$h$jG[?.$NDd;_$r$*4j$$CW$7$^$9!#(B
$B"#G[?.Dd;_%"%I%l%9!'(B http://e-dm.org/news/e-news
$B%a!<%k$G5qH]$O7oL>$K!VDd;_4uK>!W$GK\J8$KDd;_4uK>%"%I%l%9$r5-:\2<$
On Wed, 2003-08-20 at 18:31, Han-Wen Nienhuys wrote:
Ah, got it; it got confused over your use of \markup in the \header
field.
I've fixed it in CVS.
does that mean that \markup now works in the \header block?
sb
--
I have a very strange feeling about this...
-- Luke
i'm having a bit of a blonde moment here...
On Wed, 2003-08-20 at 18:05, Han-Wen Nienhuys wrote:
Can't duplicate this over here. Can you provide a GDB stacktrace ?
(run in GDB, and send output of the bt command after it crashes)
sorry, gdb is complaining that ly2dvi is not in executable
have you rebooted your system since the changes to autoexec.bat?
if so, and it is still not working, you need to check the system
variables (System Properties in the System Management -- sorry, my
windows spaak is not up to scratch). easiest way: right click on My
System on the desktop, select
i like the comment in configure at line 6076... :))
# urg. should test functionality rather than version.
if test $? -eq 0 -a -n 1.6.4; then
am now compiling the software. if i run into problems i'll just shout.
regards,
sb
On Fri, 2003-08-08 at 13:19, Han-Wen Nienhuys wrote:
[EMAIL
hi all,
firstly, is it possible to use the new \markup syntax in the titling
paramaters of a piece?
if not, then there's not a problem.
if yes, then there might be a problem... :/ the following excerpt
results in this error:
paper output to `test.tex'...
lilypond: lily-guile.cc:127: String
On Mon, 2003-08-11 at 13:19, Jan Nieuwenhuizen wrote:
Yes, we will look at conversion to postfix syntax before it becomes
mandatory (in 2.0). It may need the user's attention, though.
ok. it was a fairly quick fix in emacs for the piece i was working on.
(also, convert-ly only converts up
On Mon, 2003-08-11 at 20:47, Stefaan Himpe wrote:
1) slurs crossing stems (bars 4, 8, 9, 10, 14)
you could try attaching these slurs to stems rather than note heads. in
bar 4 and 14 that should solve that problem. You will have to do a
\override \revert for the slurs that are crossing stems
hi all,
if you look at the excerpt in the attachment, you can see funny
behaviour on behalf of the tuplet brackets over the rest on the last
beat of the bar.
the code that generated this excerpt:
\score {
\notes \relative c'' {
\key g \major
\time 3/4
\property
there is a bad link in the INSTALL.txt file released with 1.8.0:
If, in addition, you want to generate PDF files of your scores and
have installed mftrace, type:
make pfa-fonts
make MAKE_PFA_FILES=1 install
texhash
(PFA versions of the fonts for the
On Thu, 2003-08-07 at 10:51, Mats Bengtsson wrote:
- At first, I didn't really get the idea of the navigation system.
It didn't feel obvious that the top line is the main menu and the
second line is the submenu within the choice made at the top line.
I don't have any good suggestion
this one would interest me as well, as i just tried compiling lily 1.8
and failed at the guile check (1.6.0).
if there is no major dependency problem, then i'll fool the configure
script as well...
regards,
simon.
On Fri, 2003-08-08 at 10:10, Mats Bengtsson wrote:
Related question: Why did
try putting it in one of the staff meta objects (\piece =\newpage part
II)
that's how i got round this problem when i was using plain lilypond for
multipart scores...
hth,
simon.
On Tue, 2003-07-29 at 16:48, Laura Conrad wrote:
Mats == Mats Bengtsson [EMAIL PROTECTED] writes:
Mats It
David Raleigh Arnold wrote:
On Sunday 29 June 2003 05:18 am, P Scott Horne wrote:
In the key of D-flat major, I wrote
d,16 bes' a' aes d, bes'
and got for the middle chord two noteheads side by side, preceded by
a natural sign with a flat sign superimposed.
Aside the obvious
In the key of D-flat major, I wrote
d,16 bes' a' aes d, bes'
and got for the middle chord two noteheads side by side, preceded by a
natural sign with a flat sign superimposed.
Aside the obvious error (presumably a bug) of superimposing accidentals,
this notation is incorrect. Standard
hi joerg,
On Mon, 2003-03-31 at 12:32, Joerg Anders wrote:
Perhaps somebody could give a short answer to 6 questions:
1.) Is the sequence:
notes1 segno notes2 dal segno notes3
the same as:
notes1 ||: notes2 :|| notes3
So, this form is actually
On Mon, 2003-03-31 at 14:14, Joerg Anders wrote:
Still one question to clarify wthether I comprehended ...
notes1 segno-segno notes2 segno notes3 coda-coda notes4 coda notes5
D.S. al codaI
codaI: notesA D.S.S. al codaII
codaII: notesB \bar |.
... this right:
Is the sequence:
Hi! I've tried to instal lilypond SEVERAL times, but none of them I could
see the Publishing section dialogue. What could be wrong??
Greetings!
Cecilia Alonso
_
Help STOP SPAM with the new MSN 8 and get 2 months FREE*
Hello.
I was reading the lilypond example page
http://lilypond.org/stable/examples.html
and looking at the first page of the first example (Petite Ouverture ...)
it seems that a rest can have an incorrect vertical position. E.g. in bars
12 and 13 the second quaver (eighth note) rest is in line
hi,
On Fri, 2002-12-06 at 14:56, s.abeccara wrote:
When I state a key for a piece in Lilypond I expect it to follow
common rules for writing music, i.e. not to put natural signs on every
---SNIP---
who know this (after all simple) solution.
this is a discussion that has been kicked around the
is your python.h in the default include path?
guile 1.6 is needed for lily 1.7, iirc.
greetings,
simon.
On Tue, 2002-10-29 at 15:42, Alexandre Aractingi wrote:
... actually I can't get past the ./configure stage...
I am using a Mandrake 9.0 Linux distribution, and I have tetex, python
and
Hallo Greg,
Am Donnerstag, 9. Mai 2002 um 02:52 schriebst du:
IMHO it is best for Windows users to get ghostscript separately. I had it
before I got cygwin - lilypond and in my case lilypond did download a
version of gs.
However the two versions confused each other, and the way I solved
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