On 31/01/2023 23:06, Steve Carlock wrote:
> Jean,
>
> Thank you for approving my email - I did subscribe using the website and
> confirmed the email (and have logged into my account page successfully) prior
> to sending my email to the list. Maybe I was impatient and needed to wait a
> day for
Jean,
Thank you for approving my email - I did subscribe using the website and
confirmed the email (and have logged into my account page successfully)
prior to sending my email to the list. Maybe I was impatient and needed to
wait a day for the account setup to completely process.
Thank you all f
The tie ~ and number 1 in measure 3 are in the wrong order, the tie should
come after the number.
What happens is that Lilypond, when it sees a pitch or duration alone
interprets it as a new note, with the missing pitch or duration carried over
from the previous note. So g~1 becomes a g with
Hi Steve,
welcome to the group!
In your third measure, Instead of
g~1
you should write
g1~
Your sequence means the following:
- g without a duration uses the last duration specified, i.e. whole note
from the measure before.
- ~ produces a tie to the following note.
- 1 without a pitch p
Hello,
Welcome to this list. I had to approve your message manually
because you are not subscribed to the list yet. Please fix this
by subscribing on https://lists.gnu.org/mailman/listinfo/lilypond-user
On 31/01/2023 22:04, Steve Carlock wrote:
> New Lilypond user here. The following code is no
New Lilypond user here. The following code is not working as I expect:
\version "2.24.0"
\language "english"
\score {
<<
\new Staff {
\key d \major
\time 4/4
\relative c' {
1 | 1 | g~1 | g2 2 |
}
}
>>
\layout { }
}
I expect to see 4 measures with ties between me
