Re: invisibly short ties in multiple voices

Hi Knute, that's great, thanks very much!--Jim

Re: invisibly short ties in multiple voices

On Tue, Jul 26, 2022 at 11:03 AM Jim Cline wrote: > > I am frequently getting ties that are so short as to be invisible. This > was discussed in a previous thread, and I was happily using the solution > given by > https://lists.gnu.org/archive/html/lilypond-user/2015-02/msg00069.html, > which is

invisibly short ties in multiple voices

I am frequently getting ties that are so short as to be invisible. This was discussed in a previous thread, and I was happily using the solution given by https://lists.gnu.org/archive/html/lilypond-user/2015-02/msg00069.html, which is to insert \once \override Score.NoteColumn.X-offset = 1.5

Re: Ties or multiple voices

Thanks Simon! 2015-10-05 20:57 GMT+02:00 Simon Albrecht : > > > On 05.10.2015 19:00, S wrote: > >> My question may need some clarification. Especially the third example, >> which should look something like this: >> >> Inline afbeelding 1 >> >> \relative c''{ >><<{2.

Re: Ties or multiple voices

On 05.10.2015 19:00, S wrote: My question may need some clarification. Especially the third example, which should look something like this: Inline afbeelding 1 \relative c''{ <<{2. r4}\\{4 a8 c}>> } The tie starting at the b on the third beat in the second voice looks a

Re: Ties or multiple voices

My question may need some clarification. Especially the third example, which should look something like this: [image: Inline afbeelding 1] \relative c''{ <<{2. r4}\\{4 a8 c}>> } The tie starting at the b on the third beat in the second voice looks a little awkward. It may be

Ties or multiple voices

I'm not sure if this is the right forum for this question, but I'll post it anyway. I think it has more to do with music notation in general, but after reading a couple of threads, I'm confident some of you would be able to answer the following question about the use of ties or voices. I'm

Re: Ties and multiple voices

Noeck noeck.marb...@gmx.de writes: Dear Mario, I see two problems related to ties that I can't really explain/fix given my limited understanding of LilyPond: 1. Ties before a repeat and at the end of alternatives: \version 2.14.2 I would recommend to update to the latest stable version

Re: Ties and multiple voices

Am 11.01.2013 16:17, schrieb Mario Lang: Noeck noeck.marb...@gmx.de writes: Dear Mario, … I would suggest to repeat from the very beginning, and end one measure earlier, too. Wouldn't that actually change the position of the repeat bar, then? I am converting from braille music notation

Re: Ties and multiple voices

Mario Lang ml...@delysid.org writes: Hi. I recently noticed that LilyPond apparently can not deal with situations like this: {c1}\\{c'1~} | {c}\\{c'} Where is the problem supposed to be? Wrapping this in { ... } looks just as expected to me. There are two problems: the tie is flipped

Re: Ties and multiple voices

David Kastrup d...@gnu.org writes: Mario Lang ml...@delysid.org writes: Hi. I recently noticed that LilyPond apparently can not deal with situations like this: {c1}\\{c'1~} | {c}\\{c'} Where is the problem supposed to be? Wrapping this in { ... } looks just as expected to me. There

Re: Ties and multiple voices

Dear Mario, I see two problems related to ties that I can't really explain/fix given my limited understanding of LilyPond: 1. Ties before a repeat and at the end of alternatives: \version 2.14.2 I would recommend to update to the latest stable version 2.16. \score { { \clef treble

Re: Grace notes and ties in multiple voices and staves

On 2012-12-22 19:25, Alex Voice wrote: I have been setting myself various tasks to see if I can use LilyPond to its utmost, but some bars of Godowsky (an arrangement of Chopin for piano left hand) are stretching me too far for now, even though I am certain that LilyPond can cope with them in

Re: Grace notes and ties in multiple voices and staves

On 22 December 2012 19:25, Alex Voice alvo...@btinternet.com wrote: Dear LilyPond experts, You've been great when I've asked for help in the past (and I think I am gradually finding my way around quite a large part of this fantastic program). I have been setting myself various tasks to see

Re: Grace notes and ties in multiple voices and staves

On 22 December 2012 23:15, Xavier Scheuer x.sche...@gmail.com wrote: (snip) It is far from perfect (appoggiatura subdivided beam is a bit tricky but unfortunately the beam slope is not good) OK, thanks to Reinhold's code I see I simply forgot a \once \stemDown in the appoggiatura, just

Re: Grace notes and ties in multiple voices and staves

On 22/12/2012 22:15, Xavier Scheuer x.sche...@gmail.com wrote: Nice challenge! I only did measure 3 (plus partial of measure 2). It is far from perfect (appoggiatura subdivided beam is a bit tricky but unfortunately the beam slope is not good), but it should give you an idea how to (try to) do

Re: Grace notes and ties in multiple voices and staves

On 22/12/2012 21:45, Reinhold Kainhofer reinh...@fam.tuwien.ac.at wrote: On 2012-12-22 19:25, Alex Voice wrote: I have been setting myself various tasks to see if I can use LilyPond to its utmost, but some bars of Godowsky (an arrangement of Chopin for piano left hand) are stretching me too

Sponsorship--Merge ties from multiple voices into one voice?

Hello all-- I'm wondering if the following would be possible as a sponsored feature, if it cannot be done somehow already. I mainly write piano music. Often there are temporarily two or more voices in a measure or two, which then merge into one voice soon after. Sometimes (quite often, actually)