Merci, Pierre.
That succeeded in moving the chord names down to the 5th measure (2nd
system? Not sure of proper term here). However, it made me realize that
all I had to do was add more chords to the Chords block and voila!
Mahalo.
J.
--
Univers
Mahalo. Understand.
J.
On 6/10/19 00:57, Simon Albrecht wrote:
> As a small aside, metadata you sent links this e-mail to a thread
> about part names running off the page. Please make sure you keep
> topics separated into their own threads by not replying to unrelated
> messages and instead compo
Hi John,
Le lun. 10 juin 2019 à 01:35, John Helly a écrit :
> [...]
However, I'm now stuck
> trying to get the guitar chords to appear over each measure of the
> verses and chorus.
>
> Chords = \new ChordNames {
> \chords {
> }
> }
> [...]
>
Try:
As a small aside, metadata you sent links this e-mail to a thread about
part names running off the page. Please make sure you keep topics
separated into their own threads by not replying to unrelated messages
and instead composing new e-mails from scratch.
Best, Simon
___
he chorus to no avail.
J.
On 6/9/19 17:12, Tim McNamara wrote:
>
>> On Jun 9, 2019, at 6:32 PM, John Helly wrote:
>>
>> Aloha.
>>
>> With various suggestions that I'm very grateful for, I've mostly gotten
>> this guitar and vocal piece to score
> On Jun 9, 2019, at 6:32 PM, John Helly wrote:
>
> Aloha.
>
> With various suggestions that I'm very grateful for, I've mostly gotten
> this guitar and vocal piece to score reasonably. However, I'm now stuck
> trying to get the guitar chords to appear o
Aloha.
With various suggestions that I'm very grateful for, I've mostly gotten
this guitar and vocal piece to score reasonably. However, I'm now stuck
trying to get the guitar chords to appear over each measure of the
verses and chorus. I've tried a variety of things but th
Federico Bruni writes:
> Hi Julien
>
> This is another (simpler) way. I've commented with % what is not needed:
>
> \version "2.19.54"
> %\include "predefined-guitar-fretboards.ly"
>
> myChords = \relative {
> \set minimumFret = #3
> 1
> }
>
> <<
> \new ChordNames {
>\chordmode { g1 }
>
David Kastrup writes:
> We have the required information in predefined fretboards. Maybe we
> should have a general function for substituting chords with the
> predefined shapes rather than only do that as part of fretboard display.
Yes, that would be nice :-)
Julien.
___
Il giorno dom 12 feb 2017 alle 22:16, Julien Cubizolles
ha scritto:
Hello list, I'm very new to lilypond so please forgive me if what I'm
asking is obvious but I needed to type some chords commonly used on a
guitar: for instance a g major chord using all 6 chords would be
played with fingers a
Klaus Blum writes:
> Hi Julien,
>
> Julien Cubizolles wrote
>> Is there a way to define
>> such a chord and name it (with the "full" suffix for example) so that in
>> chordmode one could use g:full, c:full and so on ?
>
> you can define your chord by assembling the six "real" pitches:
>
> % ---
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Hello list, I'm very new to lilypond so please forgive me if what I'm
asking is obvious but I needed to type some chords commonly used on a
guitar: for instance a g major chord using all 6 chords would be played
with fingers at frets 355433 (from the bass). In chord mode, I could
only achieve it wi
>For sure, the code you sent is not the one you've compiled.
Oops. I have so many files open that in spite of my efforts to keep
everything straight and send the correct one I still sent the wrong
one. Anyway, as I mentioned in my previous email I found the solution
to the problem.
On Fri, Aug 15
n in this project.
>
> On Fri, Aug 15, 2014 at 1:33 PM, Abraham Lee
> wrote:
>> On Fri, Aug 15, 2014 at 2:24 PM, David Bellows
>> wrote:
>>
>> Hello all, I'm developing a program that does various things to sounds
>> including various ways of creating sc
Hi David,
2014-08-15 22:40 GMT+02:00 David Bellows :
> Wow, that looks so much better. I've attached the pdf of what happens
> when I compile the code (wasn't sure if that was allowed on the list).
> And yeah, I don't get a warning when I compile it. I guess something
> has changed from 2.18 to 2
On Fri, Aug 15, 2014 at 2:24 PM, David Bellows
wrote:
Hello all,
I'm developing a program that does various things to sounds including
various ways of creating scores. One of the things intends to produce
simple guitar chords with fret diagrams, chord names, and strumming
patter
Hello David,
2.18.2 behaves nicely with this example, though.
JM
Am 15.08.2014 um 22:24 schrieb David Bellows :
> Hello all,
>
> I'm developing a program that does various things to sounds including
> various ways of creating scores. One of the things intends to produce
>
Hello all,
I'm developing a program that does various things to sounds including
various ways of creating scores. One of the things intends to produce
simple guitar chords with fret diagrams, chord names, and strumming
patterns by generating a Lilypond file. I'm currently using the
ra
ilypond-user
>
>
Thank you for the advice.
I think I now have the chords as low as they can go down.
Regards
Graham
--
View this message in context:
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Sent from the Gnu - Lilypond - User mailing list ar
GJO wrote:
I have trawled around and can not find how to lower the space between a
guitar chord letter, not symbol, and the top of the music lines.
Any advice?
Thanks
Here's a snippet I created a while back that does what I think you're
asking for:
http://lsr.dsi.unimi.it/LSR/Item?id=537
I have trawled around and can not find how to lower the space between a
guitar chord letter, not symbol, and the top of the music lines.
Any advice?
Thanks
--
View this message in context:
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Sent from the Gnu
On Thu, Apr 16, 2009 at 10:21:42AM +0200, Marc Hohl wrote:
> As a guitarist, I would call this chord B5/A, because it without the
> third, it isn't really
> a minor chord - but this depends on the context.
>
> Just a thought.
It's not me who found out the chord name, anyway you are right, yes.
First, currently the output has "Bm" for my chord, but actually I would
like to have it as 'Bm \super "omit3"/A'. (No, I don't really mind about
the midi output. :) )
As a guitarist, I would call this chord B5/A, because it without the
third, it isn't really
a minor chord - but this
On 4/15/09 10:51 AM, "Miklos Vajna" wrote:
> Hi,
>
> Here is a sample:
>
>
> \version "2.12.1"
>
> \score {
> <<
> \chords {
> e1:sus4 g e:m b:m
> }
> \relative c'
> {
> e8.
> ^\markup \fret-diagram
On Wed, Apr 15, 2009 at 09:18:21PM +0200, Robin Bannister
wrote:
> Like this? (verbatim)
>
> replaceCN = #(define-music-function (parser location new) (markup?)
> #{\once \override ChordNames.ChordName #'stencil =
> #(lambda (grob) (grob-interpret-markup grob $new)) #})
>
> BmsusA =
Miklos Vajna wrote:
First, currently the output has "Bm" for my chord,
but actually I would like to have it as 'Bm \super "omit3"/A'.
Like this? (verbatim)
replaceCN = #(define-music-function (parser location new) (markup?)
#{\once \override ChordNames.ChordName #'stencil =
#(lambda (g
Hi,
Here is a sample:
\version "2.12.1"
\score {
<<
\chords {
e1:sus4 g e:m b:m
}
\relative c'
{
e8.
^\markup \fret-diagram #"f:2;6-o;5-o;4-2-2;3-2-3;2-o;1-o;"
e16( e8) e8 e16 d e8 r4 | e
On May 2, 2008, at 10:18 PM, Thermo wrote:
Does anyone have a .ly file for Amazing Grace as melody and guitar
chords to
share?
Here's another version. amazinggraceGa.ly includes
amazinggracenotesa.;y You can easily have it in any key by changing
the two \transpose comman
2008/5/3 Thermo <[EMAIL PROTECTED]>:
>
> Does anyone have a .ly file for Amazing Grace as melody and guitar chords to
> share?
You might want to have a look at this ABC search engine:
http://trillian.mit.edu/~jc/cgi/abc/tunefind?P=amazing+grace
And then use abc2ly, and then.
Does anyone have a .ly file for Amazing Grace as melody and guitar chords to
share?
Thank you
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On 02.10.2007 (09:57), Zoltan Kota wrote:
> Hi,
>
> I'm newbie here. I have just started to learn lilypond. It looks very nice
> (altough it needs some time to learn syntax, commands and tricks). :-)
>
> Is it possible to add guitar chords above a staff (accompanying guit
Hi,
I'm newbie here. I have just started to learn lilypond. It looks very nice
(altough it needs some time to learn syntax, commands and tricks). :-)
Is it possible to add guitar chords above a staff (accompanying guitar
chords for a vocal)? Like Em, D, C, H, etc. I have played with \c
Silly me, I have just realised that you started both threads!
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___
lilypond-user mailing list
g a bit of a
> challege. Any suggestions
>
> Nick
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
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View this message in context:
http://www.nabble.com/Guitar+Ch
rkup shown above make sure the Lyric Text context sets the word
spacing to a small value like .1 otherwise the letters will be too spread
out.
LyricText #'word-space=0.1
--
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Sent from
This is the nearest thing I could figure out. It shows what I am trying
to get at, but I would rather use \chords or \ChordNames
--
\version "2.8.1"
{
\key c \major
<<
8
^\markup \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
^\markup{ \fontsize #6 \bold C }
>>
<<
8
^\markup \fret-diagram #"6-1;5-1;4
Attempting to make myself a practice sheet. I cant seem to put chord
names above the fret diagrams. Any suggestions ?
\version "2.8.1"
{
\key c \major
^\markup \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
^\markup \fret-diagram #"6-1;5-1;4-3;3-2;2-2;1-1;"
\key c \major
^\markup \fret-diagram #"6-
g all may backlogged
arrangements similarly. So I have complete control over the chord names.
I'm a new LP user. I'll be adding a polyphony staff too once I get the bass
line rhythm worked out, right now it only shows a melody line.
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Chord Mode apparently has little utility in actually scoring notes, unless
you want to use block chords. You could try to use fret diagrams with
markup, or I think you are stuck manually scoring your chords on a staff.
Even if "six" note chords could be specified it would still be restrictive.
I am trying to put some of my favorite songs on the guitar into
lilypond. I noticed that the \chordmode creates 3 note (Piano ?) chords.
Is there a way to force it to do 6 note chords by default?
Is anyone out there using this for guitar (pop) music. I would like to
hear how detailed you have gott
Hi all,
I would like to write classical guitar music and am looking for a way to
include a vertical line spanning either the complete staff or parts of it, to
be placed in front of a chord or the first note of it, indicating a barre chord
in the left hand.
Is there any way?
Cheers
Kai
_
Did you look in the section on Clefs in the manual?
/Mats
Kai Gorlich wrote:
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds. Is there
Hi all,
first of all many thanks for this great software.
In classcial guitar notation the clef C bears an 8 directly attached to it to
show that the instrument is noted an octave lower than it sounds. Is there a
clef in the repository?
I managed to work out the fingering but is there a way t
It is common in our church music to have both normal chords and the capoed
versions (when necessary) in the music. The capoed chords are in
parenthesis. I have figured out how to have both sets of chords over the
staff, but I haven't figured out how to put parenthesis around the capoed
chords. I
New Question:
following is a short lilypond script which ought to illustrate the fingering
for an e-form A major chord. After rendering, I get a block of tab
fingerings with a large stem running through it. How do I avoid this?
.lp code follows: --v
1 \score
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