Am Mo., 18. Nov. 2019 um 02:37 Uhr schrieb Paolo Prete :
>
> Hello.
>
> I can't find a way to have a single sequence of dynamics that affects both
> upper and lower piano staves in the MIDI output.
> I tried the following snippet but I can't hear any variation of the
On Sun, Nov 17, 2019 at 5:36 PM Paolo Prete wrote:
>
> Hello.
>
> I can't find a way to have a single sequence of dynamics that affects both
> upper and lower piano staves in the MIDI output.
> I tried the following snippet but I can't hear any variation of the
It appears to happen because the 2.19 version seems to associate the MIDI
output per-voice instead of per-staff. As a (ugly) workaround I used this
(setting and soon after unsetting a voice):
LilyPond Score
|
|
| |
LilyPond Score
LilyPond Score made using LilyBin.
|
|
|
It works
Hello,
Regarding my previous question, I just checked that there's a bug on the
dynamics of the produced midi output for a piano staff.The bug can be
reproduced on the 2.19 version. Please, check this snippet ( from
http://lsr.di.unimi.it/LSR/Item?id=357 ), with Lilybin
http://lilybi
Hello.
I can't find a way to have a single sequence of dynamics that affects both
upper and lower piano staves in the MIDI output.I tried the following snippet
but I can't hear any variation of the dynamics in the midi file.
%%%
\score {<< \new PianoSt
On 2019-11-13 6:20 p.m., Carl Sorensen wrote:
On 11/13/19, 1:54 PM, "Cam" wrote:
Hello All,
I'm trying to have dynamics affect the generated MIDI without success. The MWE below produces the MIDI shown even further below. The dynamic markings result in channel
On 11/13/19, 1:54 PM, "Cam" wrote:
Hello All,
I'm trying to have dynamics affect the generated MIDI without success. The
MWE below produces the MIDI shown even further below. The dynamic markings
result in channel volume control messages being injected into the M
Hello All,
I'm trying to have dynamics affect the generated MIDI without success. The MWE below
produces the MIDI shown even further below. The dynamic markings result in channel volume
control messages being injected into the MIDI but always with the value of 0x64,
regardless of the dy
On 11/11/2019 13:16, David Kastrup wrote:
You seem to be hung a bit on my strong verbiage. It wasn't supposed to
be a personal criticism but rather expressed my dismay that the
combination of what LilyPond flags as problematic and what our manuals
and examples suggest led to a result that I had
e c' { e4 f g a }
}
altoStaff = \new Staff = "alto" {
\relative c' { c4 d e f }
}
\score {
<<
\sopStaff
\altoStaff
\context Staff = "sop" {
\set Staff.midiPanPosition = #1.0
}
\context Staff = "alto" {
\set Staff.midiPanPo
he second \score block for the first and
> third measure of my snippet. I would like to avoid this redundancy,
> and I would like to specify the notes of "custom" generated midi only
> for for a subset of specific measures.
Variables and tags are helpful. Consider:
\versio
specify the notes of "custom" generated midi only
for for a subset of specific measures.
Variables and tags are helpful. Consider:
\version "2.19.83"
asdf = \fixed c' {
| c4 d e2
| \tag #'display { 1_\trill }
\tag #'midi { \repeat unfold
generated midi only for for a subset of specific measures.
Il lunedì 11 novembre 2019, 20:37:34 CET, k...@aspodata.se
ha scritto:
Paolo:
...
> I would like to add an invisible midi layer of notes to the
> previous ones
...
Use this template:
\score {
<<
% displaye
Paolo:
...
> I would like to add an invisible midi layer of notes to the
> previous ones
...
Use this template:
\score {
<<
% displayed music
>>
\layout {
}
}
\score {
\unfoldRepeats
<<
% midi music
>>
\midi { }
}
Hello,
please, consider this snippet:
http://lilybin.com/ttlid3/1
I would like to add an invisible midi layer of notes to the previous ones so
that I can obtain, when required, effects (for example: the tremolo) that are
not provided by default, without using the "articulate" scrip
Matt Wallis writes:
> On 08/11/2019 14:30, David Kastrup wrote:
>> Matt Wallis writes:
>>
>>> But it doesn't work if I try to set the midiPanPosition inside a midi
>>> context block like this:
>>>
>>> \version "2.19.83&qu
On 08/11/2019 14:30, David Kastrup wrote:
Matt Wallis writes:
But it doesn't work if I try to set the midiPanPosition inside a midi
context block like this:
\version "2.19.83"
\include "english.ly"
sopStaff = \new Staff = "sop" {
\relative c' { e4
Thomas Morley writes:
> Am Fr., 8. Nov. 2019 um 15:35 Uhr schrieb David Kastrup :
>>
>> Matt Wallis writes:
>>
>> > But it doesn't work if I try to set the midiPanPosition inside a midi
>> > context block like this:
>> >
>> > \v
From: Matt Wallis
> To: LilyPond User
> Cc:
> Bcc:
> Date: Fri, 8 Nov 2019 09:10:59 +
> Subject: midiPanPosition in midi context block
>
...
>
> I want to do the setting in the midi context block because I require
> different pan positions for a staff depending o
\layout {
\context {
\Staff
\idFontSize
}
}
}
Didn't test for midi, though, why shouldn't the method work there as
well.
Created a helper to wrap up the conditional context modification:
\version "2.19.83"
modify = #(define-music-function (name
Am Fr., 8. Nov. 2019 um 15:35 Uhr schrieb David Kastrup :
>
> Matt Wallis writes:
>
> > But it doesn't work if I try to set the midiPanPosition inside a midi
> > context block like this:
> >
> > \version "2.19.83"
> >
> > \include "
Matt Wallis writes:
> But it doesn't work if I try to set the midiPanPosition inside a midi
> context block like this:
>
> \version "2.19.83"
>
> \include "english.ly"
> sopStaff = \new Staff = "sop" {
> \relative c' { e4 f g a }
new Staff = "alto" {
> Â \set Staff.midiPanPosition = #1.0
> Â \relative c' { c4 d e f }
> }
> \score {
> Â <<
> Â Â Â \sopStaff
> Â Â Â \altoStaff
> Â >>
> Â \midi {Â }
> }
...
> But it doesn't work if I try to set the
I've been experimenting with midiPanPosition:
http://lilypond.org/doc/v2.19/Documentation/notation/context-properties-for-midi-effects
I find the following works:
\version "2.19.83"
\include "english.ly"
sopStaff = \new Staff = "sop" {
\set Staff.midiPanP
e e8 note. You can tell it
> > ends there because the end-of-track meta-event has a MIDI tick of
> > zero, showing that it happens as soon as the e8 is over. To my
> > mind the end-of-track event should have had a tick of 384
> > indicating that it ended after the r4 quarter
.18.2"
[…]
My concern is that the track chunk which contains the actual notes is
shown as ending immediately after the e8 note. You can tell it ends
there because the end-of-track meta-event has a MIDI tick of zero,
showing that it happens as soon as the e8 is over. To my mind the
end-of-t
I'm a new lilypond user. The following, hopefully small enough, lilypond source:
\version "2.18.2"
\header { }
\language "english"
\score {
{
\clef "treble"
\time 4/4
\relative c' {
c2 d8 e8 r4
}
}
\layout { }
\midi {
Am 22.10.19 um 09:54 schrieb Sandro Santilli:
On Mon, Oct 21, 2019 at 12:15:47PM +0200, Thomas Morley wrote:
please always provide a MWE, with the lily-version in it.
What's MWE ?
A minimal working example, see http://lilypond.org/tiny-examples for why
and how to create one.
__
> Le 22 oct. 2019 à 09:54, Sandro Santilli a écrit :
>
> On Mon, Oct 21, 2019 at 12:15:47PM +0200, Thomas Morley wrote:
>
>> please always provide a MWE, with the lily-version in it.
>
> What's MWE ?
>
A Minimal Working Example.
JM
___
lilypon
On Mon, Oct 21, 2019 at 12:15:47PM +0200, Thomas Morley wrote:
> please always provide a MWE, with the lily-version in it.
What's MWE ?
> Anyway, I assume you're at 2.18.2 (it would have worked out of the box
> with 2.19.83)
Yes, it's 2.18.2
> For _Staff_ you do _Staff_.midiInstrument.
> Why n
Am Mo., 21. Okt. 2019 um 11:12 Uhr schrieb Sandro Santilli :
>
> I can't get anything but a piano rendering of ChordNames staff,
> can other instruments be used ? If so, how ?
>
> This is my sheet snippet:
>
> <<
> \new ChordNames {
> \set midiInstrument = "flute" % does not work here
>
I can't get anything but a piano rendering of ChordNames staff,
can other instruments be used ? If so, how ?
This is my sheet snippet:
<<
\new ChordNames {
\set midiInstrument = "flute" % does not work here
\harmony
}
\new Staff
{
\set Staff.midiInstrument = "f
Vielen Dank or Thank you so very much! Hraban
Looks like 3.0 is only for mint 19 and I won't be upgrading to that for a few
months...
Current version is 3.0.8, see videolan.org
from https://wiki.videolan.org/Midi/:
"""
VLC media player can play Standard MIDI File (.MID)
. Is there an easy way to also get ghost notes to come out correctly
in midi as soft notes?
3. There is not much difference between sn4 and sn4->. In midi the
volumes are 90 for the normal note and 110 for the accented note. I
believe the max for midi is 127. Can the volume of the accented n
quot;unstable"
> version 2.19.83. If you really want to keep 2.18.2 for some strange
> reason, just add the following at the top of your file
>
>
> %%% Corrected definitions of the DrumStaff and DrumVoice performers,
> from version 2.19.x:
> \midi{
> \context {
&g
ore {
\new DrumStaff {
<<
\set Staff.instrumentName = #"Drums"
\new DrumVoice {
\test
% \morePolyphonicPieces
}
>>
}
\layout { }
\midi {
\tempo 4 = 84
}
}
\version "2.18.2"
The above code generates a score just fine, but
"
\new DrumVoice {
\test
% \morePolyphonicPieces
}
>>
}
\layout { }
\midi {
\tempo 4 = 84
}
}
\version "2.18.2"
The above code generates a score just fine, but the MIDI file is
empty
(aside from a header).
I don't actually know mu
gt; \score {
> > \new DrumStaff {
> > <<
> > \set Staff.instrumentName = #"Drums"
> > \new DrumVoice {
> > \test
> > % \morePolyphonicPieces
> > }
> > >>
> > }
> > \l
One s4sn4 s4sn4 }
\\
{ \voiceTwo bd4 s4bd4 s4}
>>
}
\score {
\new DrumStaff {
<<
\set Staff.instrumentName = #"Drums"
\new DrumVoice {
\test
% \morePolyphonicPieces
}
>>
}
\layout { }
\midi {
\t
Greetings List,
I'm trying to understand why one syntax results in MIDI output, while
another syntax does not. I'm new to lilypond and clearly missing
something.
Below is the working case:
tagCymbals = \drummode { \voiceOne cymc4 cymc4 cymc4 cymc4 }
tagDrums = \drummode { \voi
Hi all,
I am am using Lilypond to generate a very large dataset of score images and
their midi representation (for OMR). I start from MusicXML scores and hence
some of the scores I have generate multiple pages in SVG or PNG format. I
would like to split my MIDI files generated with Lilypond
uot;2.19.83"
>
>
>
>
> %{ From
> http://lilypond.org/doc/v2.19/Documentation/notation/controlling-midi-dynamics.fr.html
>
>
> midiMinimumVolume + (midiMaximumVolume - midiMinimumVolume) *
> fraction
>
>
> These are the volume coefficients ('
\version "2.19.83"
%{ From
http://lilypond.org/doc/v2.19/Documentation/notation/controlling-midi-dynamics.fr.html
midiMinimumVolume + (midiMaximumVolume - midiMinimumVolume) * fraction
These are the volume coefficients ('
Hi everybody,
Quick question: is there a fix for the articulate script to perform slurs
correctly until the end if there happens to be a grace note in the middle
of it?
What I mean by that is, once the slur is interrupted by the grace note, the
MIDI file doesn't pick it up from where it lef
> ("sf" . 1.00)
> ("f" . 0.95)
> ("" . 0.92)
> ("fff" . 0.85)
> ("ff" . 0.95) ;; was 0.80
> ("f" . 0.75)
> ("mf" . 0.68)
> ("mp" . 0.61)
>
("ppp" . 0.42)
("" . 0.34)
("p" . 0.25)
)))
\score {
\new Staff \with { midiInstrument = "trumpet" } {
\set Score.midiMinimumVolume = 0.0
\set Score.midiMaximumVolume = 1.0
\set Score.dynamicAbsoluteVolumeFunction =
#my-dynami
y-instrument-equalizer
a'8\pp b' cis'' d'' e''-.\ff d''-. cis''-. b'-. a'
}
\midi { }
}
Can somebody explain how I can control the absolute minimum and maximum
values
Ben,
It's your use of \markup in this example. If I comment out the \markup
line, the \fill-line line, and the final two lines (the last two } ) then I
get a midi file.
If you want to center the output, there is perhaps a better way. Folks on
this list can help with that (one approach is t
On 2019-07-01 1:22 pm, Ben Potter wrote:
I took the example chant and engraved it as a test - fine. I then
added a \midi{} command in, I believe, the correct place but still get
no MIDI file to play. I am stuck - please can someone help this
beginner?
I do not believe \midi can be used within
I am very new to Lilypond but hope to use it to develop my composition
skills, initially by writing Anglican chants. I have no keyboard skills
and, at 71, am too old to learn them. I hope, therefore, to use Lilypond
to create MIDI files to play so I can hear the results of my efforts.
I took
#x27;s snippet :
> >
> > doctitle = "Creating custom dynamics in MIDI output"
> > } % begin verbatim
> >
> > #(define (myDynamics dynamic)
> > (if (equal? dynamic "rfz")
> > 0.9
> > (default-dynamic-absolute-volume d
Am Sa., 8. Juni 2019 um 18:03 Uhr schrieb Karim Haddad :
>
> Dear All,
>
> In the following documentation's snippet :
>
> doctitle = "Creating custom dynamics in MIDI output"
> } % begin verbatim
>
> #(define (myDynamics dynamic)
> (if (equal
Dear All,
In the following documentation's snippet :
doctitle = "Creating custom dynamics in MIDI output"
} % begin verbatim
#(define (myDynamics dynamic)
(if (equal? dynamic "rfz")
0.9
(default-dynamic-absolute-volume dynamic)))
\score
"mu...@gmx.ch" writes:
>> Am 03.06.2019 um 19:18 schrieb:
>>> Nevermind, it is working now for some reason. Thank you.
>>>
>>>
>>> Jun 3, 2019, 9:58 AM by anz...@tutanota.com:
>>>
>>> Hello, I added the following code t
it pdf or
midi - in the folder of your choice save your ly file (Ctrl + S on Windows).
HTH
Stephan
Am 03.06.2019 um 19:18 schrieb Anzick:
> Nevermind, it is working now for some reason. Thank you.
>
>
> Jun 3, 2019, 9:58 AM by anz...@tutanota.com:
>
> Hello, I added the follo
Could you provide a minimal example of code that does not work?
--
Phil Holmes
- Original Message -
From: Anzick
To: lilypond-user@gnu.org
Sent: Monday, June 03, 2019 5:58 PM
Subject: MIDI Output not working
Hello, I added the following code to the score block
Nevermind, it is working now for some reason. Thank you.
Jun 3, 2019, 9:58 AM by anz...@tutanota.com:
> Hello, I added the following code to the score block:
>
> \midi {}
>
> and in the log it says:
>
>
> MIDI output to `C Major.midi'...
>
>
> But alas, th
Hello, I added the following code to the score block:
\midi {}
and in the log it says:
MIDI output to `C Major.midi'...
But alas, the MIDI file does not appear beside the PDF or LY file. Does anyone
know why and how to fix? Than
Thanks, Phil. That did the trick.
On Sat, May 18, 2019 at 10:17 AM Phil Holmes wrote:
> Have you read
> http://lilypond.org/doc/v2.19/Documentation/notation/controlling-midi-dynamics#setting-midi-block-properties
> and
> tried removing the dynamic performer?
>
>
Have you read
http://lilypond.org/doc/v2.19/Documentation/notation/controlling-midi-dynamics#setting-midi-block-properties
and tried removing the dynamic performer?
--
Phil Holmes
- Original Message -
From: Mr Tim
To: lilypond-user@gnu.org
Sent: Saturday, May 18, 2019 2:37
I had to re-install Lilypond and Frescobaldi on a new computer so they are
much newer version than I had since I usually don't fix things that aren't
broken :-) But I noticed now there are volume events in the MIDI outoupt
that were not there before. I don't even remember wha
mething like
>>>> \transposingInstrument, it seems.
>>>
>>> Why?
>>
>> Would be more explicit: transposition can be understood as the act of
>> transposing,
>
> "transposition" is not a verb. And it describes the relation between
> print
The LPNR:
The pitch to use for |\transposition| should correspond to the real
sound heard when a |c'| written on the staff is played by the
transposing instrument. This pitch is entered in absolute mode, so an
instrument that produces a real sound which is one tone higher than
the printed m
ng like
>>> \transposingInstrument, it seems.
>>
>> Why?
>
> Would be more explicit: transposition can be understood as the act of
> transposing,
"transposition" is not a verb. And it describes the relation between
printed pitch and Midi pitch without necessari
as \transpose exists too.
> I started by writing the code to obtain the same score as the
>> manuscript shown below, where the first staff is written for a viola,
>> hence my notes are in concert pitch.
>>
>> Then I added \transpose to have it printed for an oboe d'a
same score as the
manuscript I’m using, where the first staff is written for a viola,
hence my notes are in concert pitch.
Then I added \transpose to have it printed for an oboe d’amore.
But then I can no longer proof it by ear without changing the MIDI
output too, which I don’t know how to do
e to obtain the same score as the
> manuscript shown below, where the first staff is written for a viola,
> hence my notes are in concert pitch.
>
> Then I added \transpose to have it printed for an oboe d'amore:
>
>
> But then I can no longer proof it by ear without changing
first staff is written for a viola, hence my notes are in
concert pitch.
Then I added \transpose to have it printed for an oboe d’amore.
But then I can no longer proof it by ear without changing the MIDI output too,
which I don’t know how to do.
I’d prefer to keep the notes unchanged, in concert
David Kastrup writes:
> Jacques Menu writes:
>
>> Thanks Lukas and Aaron for your help.
>>
>> In fact, my use case is merely to listen to the MIDI file from within
>> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment,
>> and organ sound i
Jacques Menu writes:
> Thanks Lukas and Aaron for your help.
>
> In fact, my use case is merely to listen to the MIDI file from within
> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment,
> and organ sound is fine for that purpose.
>
> I got the surpri
use case is merely to listen to the MIDI file from within
> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment, and
> organ sound is fine for that purpose.
>
> I got the surprise that transposing a voice for the oboe d’amore in A, in
> Lully’s « Dormez beaux yeux
Thanks Lukas and Aaron for your help.
In fact, my use case is merely to listen to the MIDI file from within
Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment, and organ
sound is fine for that purpose.
I got the surprise that transposing a voice for the oboe d’amore in A, in
On 2019-04-29 9:28 am, Jacques Menu wrote:
Hello,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI
instruments.
Which other setting can I use for this instrument in A?
General MIDI does not define such an instrument in the standard, and
neither did GS nor XG. In fact, the reed
Hi Jacques,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments.
Which other setting can I use for this instrument in A? There’s no clarinet in
A either.
To be honest, I fail to see the relation between the transposition of an
instrument and the MIDI instruments to be
Hello,
I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments.
Which other setting can I use for this instrument in A? There’s no clarinet in
A either.
Thanks for your help!
JM
___
lilypond-user mailing list
lilypond-user@gnu.org
t Lyrics = "tenor" \lyricsto "tenorWords" \tenorWords
> \context Lyrics = "bass" \lyricsto "bassWords" \bassWords
> >>
> }
>
> However, I cannot get the lyrics and midi to show.
In the paper block you should use the dot syntax:
top
ew Staff \with {
midiInstrument = "string ensemble 1"
instrumentName = \markup \center-column { "Tenor" "Bass" }
} <<
\clef bass
\new Voice = "tenor" { \voiceOne \tenor }
\new Voice = "bass" { \voiceTwo \bass }
&
On Wed, 20 Feb 2019, Even Thorbergsen wrote:
Thank you for your answer.
Actually, I have tried this, but cannot make it work.
Here is an example of what I have tried, the format is imo not easily
grasped:
Hi Even,
You can find the solution in the P.S. of my previous answer. You are u
On Wed, 20 Feb 2019, Even Thorbergsen wrote:
Thank you for your answer.
Actually, I have tried this, but cannot make it work.
Here is an example of what I have tried, the format is imo not easily grasped:
Hi Even,
You can find the solution in the P.S. of my previous answer. You are using
7;4 e8. dis16
(dis4) fis8. h,16 r8. fis16 h8 a
gis8. h16 r16 d16 r fis e8 d cis e16 d
}
Verk =
<<
\new Staff
{
\set Staff.midiInstrument = "trombone"
\set Staff.instrumentName = \markup \center-column { "Euphonium" }
{\Euphonium}
Hi.
On Wed, 20 Feb 2019 11:37:26 +0100, Even Thorbergsen wrote:
Hello Lilypond users,
I cannot manage to have the use of slurs do any impact on the midi
representation of Lilypond scores.
I guess there is a solution to this?
http://lilypond.org/doc/v2.18/Documentation/notation/the
Hi Even,
On Wed, Feb 20, 2019 at 8:06 AM Even Thorbergsen
wrote:
>
> Hello Lilypond users,
>
>
>
> I cannot manage to have the use of slurs do any impact on the midi
> representation of Lilypond scores.
>
> I guess there is a solution to this?
>
LilyPond'
On Wed, 20 Feb 2019, Even Thorbergsen wrote:
Hello Lilypond users,
I cannot manage to have the use of slurs do any impact on the midi
representation of Lilypond scores.
I guess there is a solution to this?
For a better MIDI interpretation of slurs you could try to
include articulate.ly
Hello Lilypond users,
I cannot manage to have the use of slurs do any impact on the midi
representation of Lilypond scores.
I guess there is a solution to this?
Best regards,
Even Thorbergsen
Norwegian amateur musician
___
lilypond-user
ot;.
> And if I understood everything correctly to this point, this is more
> difficult since at the time a music function is interpreted, the
> actual position in time of the music in question is not yet known.
Yes, this is "this sucks" territory. MIDI is a bit underrepresented
Thanks for the explanations!
Your idea is good. The infrastructure is not there. We probably should
have something like make-translator for stuff that just translates
events and/or meddles with context properties.
So you probably need to work on the music expressions for now similar to
how art
Lukas-Fabian Moser writes:
>> is there a way of automagically adding some volume increase
>> ("accent") in MIDI output to any note that happens to start on the
>> first beat in a bar?
>>
>> It seems a well-defined enough request to me so that it shoul
is there a way of automagically adding some volume increase ("accent")
in MIDI output to any note that happens to start on the first beat in
a bar?
It seems a well-defined enough request to me so that it should be
perfectly possible to do this in scheme, but I'm afraid this e
Folks,
is there a way of automagically adding some volume increase ("accent")
in MIDI output to any note that happens to start on the first beat in a bar?
It seems a well-defined enough request to me so that it should be
perfectly possible to do this in scheme, but I'm afraid
Thank you Thomas, this is beyond what I'd hoped for. Lilypond is the
best. I hope the changes can be incorporated in mainline lilypond.
On Sat, 19 Jan 2019 at 04:43, Thomas Morley
wrote:
> Am Sa., 19. Jan. 2019 um 13:05 Uhr schrieb Ted Walther <
> tederi...@gmail.com>:
> >
> > I'm just getting
Am Sa., 19. Jan. 2019 um 13:05 Uhr schrieb Ted Walther :
>
> I'm just getting back into lilypond after a ten year absence. Can you
> suggest some search terms?
Simply looking for video gives several hits:
https://lists.gnu.org/archive/cgi-bin/namazu.cgi?query=video&submit=Search&idxname=lilypond
I'm just getting back into lilypond after a ten year absence. Can you
suggest some search terms?
On Sat, 19 Jan 2019 at 03:43, Thomas Morley
wrote:
> Am Sa., 19. Jan. 2019 um 08:53 Uhr schrieb Ted Walther <
> tederi...@gmail.com>:
> >
> > Beautiful, thank you. Is
Am Sa., 19. Jan. 2019 um 08:53 Uhr schrieb Ted Walther :
>
> Beautiful, thank you. Is there a way to make the MIDI output go to a
> separate file for each page of output?
>
> On Fri, 18 Jan 2019 at 10:16, Valentin Villenave
> wrote:
>>
>> On 1/18/19, Ted Walt
Beautiful, thank you. Is there a way to make the MIDI output go to a
separate file for each page of output?
On Fri, 18 Jan 2019 at 10:16, Valentin Villenave
wrote:
> On 1/18/19, Ted Walther wrote:
> > Is there some simple way I can have lilypond put each bar (and its
> > cor
On 1/18/19, Ted Walther wrote:
> Is there some simple way I can have lilypond put each bar (and its
> corresponding midi) into separate files? Then I can use standard software
> to join them together.
You could do that… or LilyPond can do it for you:
http://lilypond.org/doc/v2.19/Docu
I have some pieces that take a minute or two to play. I'd like to make
them into youtube videos so people can see the notes and lyrics while
hearing the midi file.
Is there some simple way I can have lilypond put each bar (and its
corresponding midi) into separate files? Then I can use sta
> I've been searching the notation manual and the web for over an hour
> without succeeding in finding this again. Does anyone happen to
> remember what it's called or where it's documented?
Feathered beams in Rhythm->Beams. Found it 5 seconds after sending the mail.
Der
M
__
Hi! I've been searching the manula for over an hour trying to find out
how to make a rall from an initial tempo to a slower one sffect the
MIDI output.
I've found soeme mention of this in the articulate.ly script, but also
remember finding a notation in the manual to do this, which
each instrument - and that is a great starting point for me!
By the way, what GUI would you suggest me to use where I can type in
the sourcecode and listen to playback without compiling a midi file
each time?
For the simultaneous midi playback of different metronomes, if
(whichever) GUI you
Hi All,
Thank you very much for your help and suggestions!
On 12/14/18, Carl Sorensen wrote:
>
>
> On 12/13/18, 5:33 AM, "Yakir Arbib" wrote:
>
> Hi All,
>
>
> My name is Yakir and I'm a pianist / composer based in Paris.
>
> I am very new to LilyPond, so please pardon me if my que
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