-US/docs/Web/JavaScript/Reference/template_strings
I mention this only for curiosity’s sake. "I have no dog in this race", as
they say, and as David mentioned, LilyPond as a language is not comparable to
Javascript, Python, Perl, etc… that would be the Scheme/Guile depa
larifications and additions welcome.
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
> On Dec 29, 2015, at 11:02 AM, Steve Fullerton wrote:
>
> In tab, lilypond draws a double stem for half notes. This is done
> intentionally to distinguish half notes from quarter notes.
I’m curious about these double stems. Does anyone know if they are a
common/standard way to indicate half
e? Would that have saved us from the error?
I don’t think it would have prevented this error but it probably makes sense to
make it an optional argument. I’ll prepare a patch for that so the code will
match the doc string.
-Paul
___
lilypond-user mai
he Staff
context to a custom scheme procedure is a way to do this. Try searching the
LSR for examples of how this is done.
Cheers,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
quite
> more readable as – for instance – circles drawn around the fret numbers to
> indicate half or whole notes (this looks even more ugly with chords).
Good to know, thanks. Double stems seem like as good a way to indicate half
notes in ta
a lookup-table (alist) that maps semitones
to staff positions, as shown in the snippet below.
HTH,
-Paul
\version "2.18"
#(define (my-procedure pitch)
(let
;; get the semitone of the pitch
((semitone (ly:pitch-semitones pitch))
;; lookup-alist maps semitones to
Hi,
I'm a new use of lilypond-windows on Win 8.1 64bit and Win 7. First of all,
thanks for wonderful software; I'm generating many snippets for educational
purposes.
My main problem so far is getting the bravura alternative font to appear. I
don't mind trying a few things, but this problem has me s
difference in the minimal example below (taken from the piece).
Thanks,
-Paul
[1] http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1938
[2] https://lists.gnu.org/archive/html/lilypond-devel/2015-09/msg00273.html
%%
\version "2.18"
centermarkup = {
\once
postscript is as per the parallelogram example in Snippets, p.185 in
the pdf version.
The log file offers this.
Layout output to `file.svg'...
warning: missing stencil expression `embedded-ps'
Layout output to `file.preview.svg'...
warning:
David Kastrup gnu.org> writes:
>
> Andrew Bernard gmail.com> writes:
>
> > Hi Paul,
> >
> > I don’t know if it is by design or not in lilypond, but I incorporate
> > a lot of postscript in my scores and they simply will not render as
> > SVG. So
> On Jan 9, 2016, at 1:30 PM, Richard Shann wrote:
>
> I could not see where the ly:one-line-breaking algorithm was written
> however (looking in the .scm and .ly files) is it in C++ ?
Yes, see:
lily/page-breaking-scheme.cc
lily/one-line-page-breaking.cc
er
customizable margins) rather than having to do this manually with Inkscape.)
-Paul
%%% TEST SNIPPET %%%
\version "2.19.36"
\paper {
% system-system-spacing.basic-distance = #0
page-breaking = #ly:one-page-breaking
% ragged-bottom = ##t
% top-margin = 0
% bottom-margin =
e “\whiteout" markup command does not currently use the color
property (although the functions it calls does, “stencil-whiteout” etc.). No
reason it couldn’t be enhanced to use it though.
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.
> On Jan 12, 2016, at 6:09 PM, Thomas Morley wrote:
>
> Though, there might be a bug in `stencil-whiteout-outline', Paul cc-ed.
>
> Look at:
>
> \markup \stencil
> #(stencil-whiteout-outline
> (make-filled-box-stencil '(-1 . 1) '(-1 . 1))
>
r bitter
to make the syntax. For example:
\markup {
\override #'(style . outline)
\override #'(thickness . 3)
\override #`(color . ,red)
\whiteout ''text with red outline"
}
\markup {
\outline #3 #red "text with red outline"
}
Cheers,
-Paul
_
cing. So
a new patch set for that is on the way, when I can get to it...)
-Paul
%%% TEST SNIPPET %%%
\version "2.19.36"
\paper {
% system-system-spacing.basic-distance = #0
page-breaking = #ly:one-page-breaking
% ragged-bottom = ##t
% top-margin = 0
% bottom-margin = 0
%
ht of the lowest system (or top
level markup), and use that to calculate and then set the final page height so
that it fits the content of the page.
-Paul
%%% TEST SNIPPET %%%
\version "2.19.36"
\paper {
% system-system-spacing.basic-distance = #0
page-breaking = #ly:one-page-brea
> On Jan 18, 2016, at 7:09 PM, Paul Morris wrote:
>
> (Also, I now see how to improve the ly:one-line-auto-height code to avoid
> some of the unintuitive results related to bottom-margin and
> top-system-spacing. So a new patch set for that is on the way, when I can
> get t
t; LilyPond at a larger page size.
I think that should work pretty well for your use case. I considered a similar
approach before I worked out the current one.
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
g from Stem to NoteHead (one Stem per
NoteHead, potentially many NoteHeads per Stem).
Cheers,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
e note column, as
it seems these both work directly:
(note-heads-grob-array (ly:grob-object stem-grob 'note-heads))
(stem-grob (ly:grob-object note-head-grob ‘stem))
Cheers,
-Paul
%
\version "2.19.35"
#(define shorten-stem
(lambda (note-head)
(l
rther than simply solving the problem at hand. Of course this totally
> makes sense - and works perfectly.
This is indeed helpful info. I checked the CG to see if it covers this kind of
thing, and it looks like it does, although I didn’t check closely enough to see
if it covers this ex
> On Jan 25, 2016, at 4:19 PM, musicus wrote:
>
> See attached. Comments, suggestions are very welcome ;)
Hi musicus,
I think you’re right that standard notation is not as good as it could be for
such chromatic music, and you have an interesting approach for improving it. I
agree with what
> On Jan 26, 2016, at 5:35 AM, Chris Yate wrote:
>
> BTW, is there a standard term for non-accidental notes? You would think it
> would be “natural notes” but sometimes natural notes are also accidental
> notes.
>
> In a chromatic scale, what are the accidental notes? They're certainly NOT
>
ot in the key). Also, Clairnote's key signatures help by showing the notes in
the current key / scale, a reminder and aide when reading and writing.
Cheers,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
> On Jan 26, 2016, at 5:40 AM, Chris Yate wrote:
>
> Unless they spend their lives playing on their own at home, musicians have
> eventually to play with other people who will have learnt a method of
> notation that's been good for 400 years.
Yikes, it’s not that grim. One can always:
1. Lea
> On Jan 26, 2016, at 7:35 AM, Chris Yate wrote:
>
> As it is, when I mark up confusing music I sometimes use an upside-down "V"
> to indicate semitones, "=" to indicate 'same note' and a square bracket (like
> upside down "|__|") between notes to indicate a tone. This is occasionally
> useful
erval patterns behind it, which also happen to
be the interval patterns you have to play on an instrument to produce it.
Cheers,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
is a sharp in the new key… in
the music that note appears altered by a sharp sign… you have to read that
sharp sign as if it were a double sharp sign.
Or, say a note was a sharp in the first key, but is a natural in the second
key… and that note appears in the music altered by a natu
> On Jan 26, 2016, at 4:49 AM, musicus wrote:
>
> I really admire the effort and courage of alternative notation systems, but I
> cannot see a reasonable improvement in this case. I don't think it's a good
> idea to remove all great advantages, which our standard notation system has.
> IMO, th
> On Jan 26, 2016, at 11:24 AM, David Kastrup wrote:
>
> "in-key"?
Hmmm, yeah, that works and is clear. I think I’ll start using that.
Thanks,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailma
ects a system like Clairnote lies between standard notation and
tablature, providing a more direct mapping between notes on the page and how
you play them on an instrument, but without being tied to a single instrument –
so providing some of the benefits of tablature without th
stem, but then came to think the benefits
were worth it. Of course, YMMV.)
Cheers,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Any ideas why this doesn’t work? Thanks, -Paul
\version “2.19.35"
% works:
{
\override NoteHead.no-ledgers = ##t
c c c c
}
% nope:
{
\override NoteHead.before-line-breaking =
#(lambda (grob) (ly:grob-set-property! grob 'no-ledgers #t))
is:
Can anyone see this becoming a scheme function which could sit in my
defs.ily file and save this ugly step?
I guess I mean an internal to Lilypond rather than external solution.
I'm not at all familiar with Scheme, but I did peek at "svg-output.scm". I
can't find the equivalent for png output.
Regards
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Paul,
> On Feb 1, 2016, at 7:36 AM, paul booker wrote:
>
> Can anyone see this becoming a scheme function which could sit in my
> defs.ily file and save this ugly step?
> I guess I mean an internal to Lilypond rather than external solution.
> I'm not at all familiar
>
> These are timely questions. See ly:one-line-auto-height-breaking
>
>
http://lilypond.org/doc/v2.19/Documentation/notation/page-breaking#one_002dline_002dauto_002dheight-page-breaking
>
> which just landed in the LilyPond development release, 2.19.36
>
Interesting!
I had a go, guessing w
> On Feb 1, 2016, at 8:00 PM, Paul Booker wrote:
>
> Interesting!
> I had a go, guessing with
>
>paper-height=#(one-line-auto-height-breaking)
Try this:
%
\version "2.19.36"
\paper {
page-breaking = #ly:one-line-auto-height-breaking
}
{ c1 }
Paul Morris paulwmorris.com> writes:
>
> %
>
> \version "2.19.36"
>
> \paper {
> page-breaking = #ly:one-line-auto-height-breaking
> }
>
> { c1 }
>
> %
>
> The syntax is documented on that page in the Not
> On Feb 1, 2016, at 10:15 PM, Paul Booker wrote:
>
> Ok, that wasn't clear, got it now, thanks
> Works for one-line parts but also converts two line pieces to one line,
> ignoring the \break. Can I reinstate that somehow, without the white-space?
Not with this function. I
Paul Morris paulwmorris.com> writes:
>
> > On Feb 1, 2016, at 10:15 PM, Paul Booker homebass.net> wrote:
> >
> > Ok, that wasn't clear, got it now, thanks
> > Works for one-line parts but also converts two line pieces to one line,
> > ignoring the \
the middle of slurs, only
those on the ends. And Harm’s code that deals with note heads directly is
probably better for addressing that.
Cheers,
-Paul
\version "2.19.36"
#(define (color-slur-notes grob)
(let*
((right-note-col (ly:spanner-bound grob RIGHT))
e it didn’t
create or update the Allura issue?)
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
a thickness argument (and maybe optionally a line
pattern list). So for a staff with a single line at position '(2) it would
return '(1.9 2 2.1) or maybe just '(1.9 2.1) when given a thickness argument
of 0.2
Cheers,
-Paul
___
> On Feb 8, 2016, at 11:33 AM, Paul Morris wrote:
>
> To make things easier, I can imagine a user function that returns a list of
> line positions based on a thickness argument (and maybe optionally a line
> pattern list). So for a staff with a single line at position '(2
> On Feb 7, 2016, at 5:42 PM, David Nalesnik wrote:
>
> Slur grobs store a pointer to an array of NoteColumns they encompass. So,
> expanding on Paul's solution, you could do something like this:
Very nice solution! Might be worth an LSR snippet as a good example of this
kind of grob to grob
Regarding LSR item 623:
http://lsr.di.unimi.it/LSR/Search?q=623
I'm sure I had this working with v2.18.2 but not having any luck with v2.19.36
In Win 8.1 I get an error message:
/lily/grob-property.cc, Line 243
Expression: scm_is_null(value) || scm_is_eq(value, marker)
I've only narrow
> On Feb 16, 2016, at 8:35 AM, Paul Booker wrote:
>
> I've only narrowed the problem down to the function
Hi Paul, Can you send a full but tiny example that we can run/test with
LilyPond? See:
http://lilypond.org/tiny-examples.html
That will make it easier to see what’s go
Paul Morris paulwmorris.com> writes:
>
> > On Feb 16, 2016, at 8:35 AM, Paul Booker homebass.net> wrote:
> >
> > I've only narrowed the problem down to the function
>
> Hi Paul, Can you send a full but tiny example that we can run/test with
LilyPon
> Done.
> http://lsr.di.unimi.it/LSR/Item?id=623
> Cheers,
> Harm
That's great,
Thanks Thomas.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Paul,
If you are using 2.19 you might want to use "make-path-stencil” instead. (It
is not in 2.18 and so not in the LSR yet. Although maybe we should add it
commented out?) It calculates the extents of the stencil for you so you don’t
have to specify them. See below.
Cheers,
#customClefStencilOne
> \markup " "
> \markup " "
> \markup \stencil #customClefStencilTwo
>
Hi Paul,
I think this is connected to a previous post of yours back in 2013, is it
not? I'm glad it has been absorbed into the mix, because I like the
from music functions as David has said. So that leaves custom engravers
(although I don’t really know how \applyContext fits into this).
Maybe that helps?
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ossible
to have
white-out on the barline and staff to help it stand out?
Many thanks
Paul
%}
\version "2.19.36"
samplePath =
#'((moveto 0 0)
(rcurveto 0 1 1 1 1 0)
(rlineto 0 -5)
(rcurveto 0 -1 -1 -1 -1 0)
(closepath))
\markup {
\hspace #33
\
Klaus Blum gmx.de> writes:
> you could use
> \override Score.BarLine.whiteout = ##t
> but that would make the white "frame" around the barlines cover the staff
> lines.
> But as you wrap your score into a markup block, you can use the \whiteout
> command for the entire score.
Hi Klaus,
T
(filled . #t) \path #0.1 #samplePath
and Klaus has helped me get some white-out which works fine for me.
\override Staff.StaffSymbol.whiteout = ##t
All I would like now is to get the score markup back to the top of the page
with the graphic visible behind it.
Thanks
Paul
___
nu.org/archive/html/lilypond-user/2008-09/msg00083.html
I should be able to move forward with this, though I can't find an
explanation of the tweak prefixes.
Do you know the difference between
-\tweak
^\tweak and
\tweak
in the above script? It doesn't work without them!
Cheers
Paul
>
> A direction modifier (- for ‘neutral’, ^ for ‘up’ or _ for ‘down’) is
> needed to mark a post event, i.e. in this case a text script attached to
> a note.
>
> HTH, Simon
>
Thanks Simon
I should have figured that out. What I have figured out is that a post event
may handle a layer change to
>
> Hi Paul,
>
> one more try: I've installed LP 2.19.37.
> Yes, it has a different behavior: default whiteout style is the "classic"
> old box style that covers everything behind. You can set the "outline"
> style:
> Does that work for you?
&
\myLinePositions
c d e f
}
%%%
> 3. Is it possible to make you own for example \pianotabStaff?
Search the LSR for "Defining a Custom Staff Context"
http://lsr.di.unimi.it/LSR/Search
HTH,
-Paul
rests-vertical-position.ly
Description: Binary data
__
ippet, although it is for slurs:
http://lsr.di.unimi.it/LSR/Item?id=777
Or the other snippets that come up with an LSR search for “shape”.
Maybe that helps,
-Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
"Gratipay is funded on Gratipay. We
don't take a cut of payments (though we do pass through processing fees at
cost).” from https://gratipay.com/about/
Also, they are now organized around teams and what they call “open-work”. It’s
an interesting model, one that may or may not fit your p
is *s*ixteenth, *e*ighth, *q*uarter
I just execute the one I want for the code which follows it.
Forgive me if I'm not understanding your need.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Stefan Thomas wrote:
Dear Paul,
I would like to have the Sixtheenth-Triplets beamed in groups of three,
altough when there is a 2/2 bar, e.g..
Ah!
I haven't taken the time to understand auto beaming rules yet. I
usually just manually beam some of the notes and the rest seem to f
Hi,
Should the following work? I'm looking for a way to put a centered
fermata over a bar of music.
(In the actual case I want a tremolo under the fermata.)
\version "2.13.12"
\new Staff << { s1^\fermataMarkup } { a1 }
Patrick Karl wrote:
On 5 Feb 2010 at 14:50 Paul Scott wrote:
Should the following work? I'm looking for a way to put a centered
fermata over a bar of music.
(In the actual case I want a tremolo under the fermata.)
\version "2.13.12"
\new Staff << { s1^\fermataMa
On Mon, Feb 08, 2010 at 05:04:09PM -0500, Kieren MacMillan wrote:
> Hi Paul,
>
> > I'm looking for a way to put a centered fermata over a bar of music.
>
> Did anyone answer this?
No. I was about to post again since I was almost there.
> Here's one possibility:
On Mon, Feb 08, 2010 at 04:50:27PM -0700, Paul Scott wrote:
> On Mon, Feb 08, 2010 at 05:04:09PM -0500, Kieren MacMillan wrote:
> > Hi Paul,
> >
> > > I'm looking for a way to put a centered fermata over a bar of music.
> >
> > Did anyone answer this?
&g
asure rest and gets centered there. (I also don't often need
MIDI output).
I have brought this up before without getting an acceptable answer. If
anyone has an acceptable solution for this I would appreciate hearing
about it.
TIA,
Paul Scott
_
Robin Bannister wrote:
Paul Scott wrote:
If anyone has an acceptable solution for this I would appreciate
hearing about it.
Inserting a grace spacer is fairly painless (unless it triggers issue 34).
Wow!! How did you figure that out?
Thanks,
Paul
and could scan and send you the Bb part.
You can also get it from Luck's Music Library for probably a very
nominal fee.
Paul Scott
Librarian and Clarinetist
Southern Arizona Symphony Orchestra
___
lilypond-user mailing list
lilypo
right page. In that case
first-page-number = -1
might work but I don't know that.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On Sun, Jul 11, 2010 at 09:12:03AM -0400, Kieren MacMillan wrote:
> Hi Akira,
>
> Maybe it would if you put a skip grace before the override, so that the
> timing is synched?
Is that use of "skip grace" documented somewhere
ace note sychronization due to
the old LilyPond "bug".
I was referring to what seemed in this thread to be another kind
of synchronization using \grace
This came up in another thread as a possible solution to getting text
synchronized to the left side of multi-measure rests.
Paul
___
es at that point?
Certainly we expect the MMR number to be centered but not tempo
indications. ISTM there needs to be a simple way to left justify text
over MMR's. My current work-around is to use \mark and roll my own
rehearsal marks into the tempo indication.
Thanks for any thoughts.
On 07/23/2010 03:35 AM, Kieren MacMillan wrote:
Hi Paul,
I'm asking again about my most challenging cosmetic problem with
Lily: How can I create/place tempo indications in a score/parts so
that the instruments that have multi-measure rests at that point in
the music have the tempo indica
up{ Tempoa } a' a'
\tempo \markup{ Tempo } a' a'
}
I'll submit this as a bug if I haven't done something silly.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
uld use to just scale
> everything to, say, 90%. Is there a lilypond equivalent?
Change the global-staff-size:
#(set-global-staff-size xx.x)
HTH
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
a verbose output.
Thanks for any ideas. I'll keep trying to get a simple file with the
error. I just did a reduction of the one of the failing parts with most
of the music removed which succeeds with 2 staves.
Paul Scott
GNU LilyPond 2.13.32
warning: Relocation: is absolute: argv0=/usr
On Fri, Sep 03, 2010 at 11:30:58PM -0700, Paul Scott wrote:
> I'm getting a seg. fault with 2.13.32. I haven't got the exact
> cause yet but one variable is that I only see the fault when I add a
> second \new Staff in a StaffGroup. I have two parts based on the
> same sc
Staff << \timing \parta >>
>>
}
Part B:
\score{
<<
\new Staff << \timing \partb >>
>>
}
I may have every detail correct but that's the idea.
HTH
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
or pointers to anything I might have missed.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I am having an error in using lilypond 2.13.38Here is my input file:\book { \bookOutputName
"Romanze" a a a}\book { \bookOutputName "Menuetto"\score{ a a a}}I am getting a persistent error:testa.ly:3:4: error: syntax error, unexpected NOTENAME_PITCH I am inexperienced, but have gone thru
fine, just 2 in the middle of a string of measures. Paul Thompson___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
someone learning Scheme though. :-)
Cheers,
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Generative-music-and-Algorithmic-composition-tp157896p158085.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-
at's more easily specified by the
user.
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Generative-music-and-Algorithmic-composition-tp157896p158086.html
Sent from the User mailing list archive at Nabble.com.
___
if it is not already running, and open the file.
All of these work for me (as well as dragging it onto the icon in the
Finder) on OSX 10.9.1 with:
Frescobaldi: 2.0.13
Python: 2.7.6
Qt: 4.8.5
PyQt4: 4.10.3
sip: 4.15.3
Operating System: Darwin-13.0.0-x86_64-i386-64bit
-Paul
--
View this me
Paul Morris wrote
> All of these work for me (as well as dragging it onto the icon in the
> Finder) on OSX 10.9.1 with:
> Frescobaldi: 2.0.13
> Python: 2.7.6
> Qt: 4.8.5
> PyQt4: 4.10.3
> sip: 4.15.3
> Operating System: Darwin-13.0.0-x86_64-i386-64bit
Oops, this is
t; }
Why do you set Hairpin #'to-barline = ##f if you want the hairpin to go
to the barline? What's wrong with:
{ c'1~ \< c' <>\! \bar "|." }
(I only tested with 2.19.1)
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
guments.
Cheers,
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Positioning-of-markup-at-grob-refpoint-tp158489p158504.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-u
Something like this should do the trick. -Paul
\version "2.18.0"
myFunction =
#(lambda (grob)
(let* ((notehead-stl (ly:grob-property grob 'stencil))
;; for scaling your stencil according to font size
(fsz (ly:grob-property grob 'font-size 0.0))
unclear to me:
"You may delete the Portfile repository directory, even though it doesn’t
interfere with the installation."
Which directory is this? (Not a big deal, since this is optional...)
Thanks again!
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabbl
oper Scheme function will be needed to this,
> actually.
Here's what I use:
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup "scripts.caesura.straight")
caesuraOff = \revert BreathingSign #'text
caesura = { \once \caesuraOn \revert BreathingSign #'
On Thu, Feb 06, 2014 at 09:18:11PM -0800, Matthew wrote:
> On 02/05/2014 09:36 PM, Paul Scott wrote:
> > On Wed, Feb 05, 2014 at 09:17:53PM -0800, Matthew wrote:
> >> Not wanting to type a long \override command in every staff I want a
> >> caesura, I
> >>
On Fri, Feb 07, 2014 at 07:23:22AM +0100, David Kastrup wrote:
> Paul Scott writes:
>
> > On Wed, Feb 05, 2014 at 09:17:53PM -0800, Matthew wrote:
> >> Not wanting to type a long \override command in every staff I want a
> >> caesura, I
> >> tried defi
/LSR/Item?id=401
And an updated version of it I made:
http://lsr.dsi.unimi.it/LSR/Item?id=893
(It hasn't been approved yet so it doesn't show up in the LSR search.)
HTH,
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Custom-clef-tp159049p159060.html
Sent
tweaking code that
I use. Thanks!
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Define-custom-new-accidentalStyles-dodecaphonic-minus-repeated-notes-tp158770p159105.html
Sent from the User mailing list archive at N
eas or corrections of any mistaken understandings
I may have.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
g duration in the same way, so every long note is
always split up using durations that proceed from longest to shortest,
completely ignoring the beat divisions implied by the prevailing time
signature."
I haven't actually been able to test this as I couldn't get midi2ly to r
901 - 1000 of 2292 matches
Mail list logo
