I find Stewart McCoy's discussion fascinating. His distinction between
primary sources and the sometimes crucial value of secondary sources when they
preserve evidence of notations recently lost is important. As an art conservator
specializing paintings in the museum field I deal with these ma
Dan Heiman wrote:
> I have recently encountered a distressing problem with a recording --
> although it is only about 15 years old, it will no longer play in any of
> the players in my possession. The CD, disk 1 of Monteverdi's Second
> Vespers for Santa Barbara done by the Sixteen (with Nigel No
Dear all,
while we're at it, I would like to once again point out that
the Bavarian State Library in Munich will gratefully take
donations that aim at certain lute manuscripts and books. See
http://www.lautengesellschaft.de/bedroht.html for further
explanations and http://www.lautengesellscha
Dear Kenneth,
Very interesting to hear your parallel with the art world. I suppose
the problems with a painting are far more complex than those with
music manuscripts. As often as not, a bit of damp or aging here or
there will not necessarily lose us the music (the raison d'être of
the manuscript)
Hello Friends,
I have a John Rollins Alto lute on ebay priced to sell, there is also
a separate listing for a Poulton book of easy pieces.
Allan
www.fluteandguitar.com
www.guitarandlute.com
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I have a photo of the Budapest axe. Ask off-list if anyone is interested.
RT
> Dear lute makers and all, I recently got back from a trip to the east =
> coast where I was kindly given permission to draw a couple of lutes. =
> One was the Andreas Berr in Boston , but more importantly the Andreas
[EMAIL PROTECTED] wrote:
> I find Stewart McCoy's discussion fascinating. His distinction between
> primary sources and the sometimes crucial value of secondary sources when they
> preserve evidence of notations recently lost is important. As an art conservator
> specializing paintings in the
[EMAIL PROTECTED] wrote:
> Dear all,
>
> while we're at it, I would like to once again point out that
> the Bavarian State Library in Munich will gratefully take
> donations that aim at certain lute manuscripts and books. See
> http://www.lautengesellschaft.de/bedroht.html for further
> expla
Seems to be a matter of taste and anyway: Who are you to say what's
worth surviving and what not?!
Thomas
Rainer aus dem Spring schrieb am 02.09.2003:
>[EMAIL PROTECTED] wrote:
>
>> I find Stewart McCoy's discussion fascinating. His distinction
>between
>> primary sources and the sometimes cruc
I've worked up the lute/voice part for "Fine Knacks for Ladies" (J. Dowland)
from the 1613 facsimile of his first book of songs. I'm playing the lute part
as written (very fun indeed). I've listened to a few recordings where this
piece is played very fast, and consequently the lute part is paired d
Am 2 Sep 2003 um 21:39 hat Rainer aus dem Spring
geschrieben:
> Anybody will acccept donations.
>
> Unforunatly they do NOT always accept orders.
> Some time ago I tried to order several microfilms form the
> Staatsbiliothek.
>
> They simply told me I can't buy them all.
>
> Who do these peop
Dear Chris,
You mean Dowland's _Second Booke_ (London, 1600), of course, but no
matter.
My experience with this song is that singers want to sing it
quickly, and lute players want to play it slowly. Somehow the two
need to compromise.
I remember attending a Dowland Day at Holme Pierrepont Hall i
About the Jauck lute in Budapest:
I have a small booklet with photos of some of the instrument of the
Hungarian National Museum. It contains a a photo of a theorba made by
Joannes Jauck. (I can scan and send you the photo if needed.) The short
description in the booklet says the instrument has tw
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