The top 3 of the day for renaissance lute:
M.Reymann: Fantasia super Vom Himmel Hoch
the Valderabanos duets
the Heckel duets
for baroque lute:
St.Luc: Suit in f# minor
the Telemann duets
much of Le Sage's music
there are a lot of pieces by composers which are a constant pleasure for
me. Mo
Tony,
I would expect that you will get some foolish messages on this (to be played
as Weisskiki, or whatever). But there are many instruments in the world -
and there have been many fine composers. An arrangement may be an
orchestration of a simpler piece, or it may be taking an orchestral score
a
>From my "premium priced seat" 3 rows from the back, I saw his right
thumb in action 3 times during the 2 hr concert and on those occasions
it was out (but playing lower courses at the time).
>Thanks for the report, Daniel, this indeed is fascinating news. Did he
>play thumb-in or-out?
>
>Regard
No, honestly, it does exist, and someone _did_ post a message in the last
couple of months with the link. As it happens, I don't yet have a ukelele,
but I thought this might be a fun place to start. I shall have to look on
the archives.
- Original Message -
From: "Jon Murphy" <[EMAI
Jason and all:
Lyn has moved to Vermont. Here is his current contact information:
74 North Street
Bristol, VT 05443
His e-mail address remains as before: [EMAIL PROTECTED]
Eric Hansen
[EMAIL PROTECTED]
--- On Mon 01/17, Jason Yoshida < [EMAIL PROTECTED] > wrote:
From: Jason Yoshida [mailto
It was yesterday, as part of the Music Before 1800 series.
Extremely well done, on a relatively new 13c baroque lute. From his
comments, it was his first foray into baroque (public) performance. I was
in the 5th row or so, and from my vantage point, it appeared that he was
playing thumb under mo
On Friday 14 January 2005 18:45, you wrote:
Not mentioned among the other replies are the works by Pietro Paolo Melii.
Which is contrary to the others in his ornament indications, but explains
what he means.
He writes the following in 'il quinto libro'
' ... dove trovarai un T come questo anteced
Gianoncelli marks open strings with a T, where an appoggiatura from the note
below is unlikely.
HP
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>Mathias Roesel wrote:
>So, I'd say that combinations of trills or mordents with appogiature
>from above or below were European, not only French. BTW in French
>baroque lute music, mordents or trills do _not_ always start from upper
>notes. Have a look into Jacques Gallot's table of ornaments (167
Tacho Walstra wrote:
>Another indication is
>'dove trovarai un diesis come questo XX (he indicates something which looks
>like a 'w'), ponterai col dito nella nota dove sera sotto facendo sostenare
>la voce alla cora a pocho a pocho'
>which I interprete as making a mordent with the note below the
Dear Andrea,
martellement is what I had in mind, indeed. What I was trying to say was
that French ornaments don't necessarily start from auxiliary notes.
Although using differing signs, Gallot and Mouton agree that the
martellement starts from the main note. (Harpsicordists like Francois
Couperin
Dear All,
I am back again after an intense period of work that did not allow me
to keep up reading the messages.
Now that I am on the market for a new 10 or 11-course lute I realized
how difficult it is to choose the right maker among the many ones
available today.
It is difficult to get refer
0
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
For the general edification, I have posted Mimmo's US patent for the
manufacture of musical instrument strings on the "Downloads" page of the
LSA website:
http://www.cs.dartmouth.edu/~lsa/download/index.html#patent
Regards,
Daniel Heiman
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