As for being able to return to the original key, maybe
we should conceptualize harmonic cycles as being
spirals rather than circles. (spiral of fifths?)
Ever flatter, eh? Many singers already do this.
Movable frets is an interesting concept.
Yes very interesting. I can't imagine cheap, though.
I'm looking for sources for broken consort music. Morley and the likes.
Any
Musica Brittanica has a volume with broken consort music.
David
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Thomas:
This semester Case Western Reserve University here in Cleveland is performing
all known music connected with Lord Hayes 1607 masque, directed by David
Douglass. I'm playing cittern in the broken consort, although only two works
exist originally as broken consort settings (Richard
Recently we had some discussion of what historical lutenists used
for music theory.
Unfortunately, I did not capture the basic idea. Perhaps if it were made
more explicit by our constructing a few multiple choice questions, such
as a historical lutenist might have drilled with.
To get on or
Greetings all,
I can't but help to jump into this conversation since my dissertation
topic addresses this exact issue. Though I'm still in the beginning
stages of my research on the context of Protestant lute music
performance, I can add that a small tidbit. Paul Nettle's book Luther
and
Dear Lute Net,
I want to invite those of you who might be interested to join a new
list for discussing historical citterns and their music. This will not
be a forum for discussing Celtic music and the modern mando-family of
instruments used to play it (commonly known as CBOMs), but rather a
timothy motz [EMAIL PROTECTED] said:
Hi Lutenetters,
I am in the middle of turning pegs for a new lute and I've started
having problems with them coming out of the shaver off-center
I just finished making my first pegs on an engine lathe, so I can sympathise
with
you. I made two sets,
Dear Gary,
I'm afraid I can't help you with the Laelius, but I may be able to help you
with that Luther story. Have you checked the following?
G. Rietschel, Die Aufgabe der Orgel im Gottesdienste (Leipzig, 1893)
Brenet quotes this as a source detailing the use of lutes in place of organs
in
