>Hi Ed,
>
>Yes, I only ever play seated. Mostly at a table where I use a
>chamois-leather as you use a mouse-mat.
I should mention that my mouse pad is pure HIP leather.
--
Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
To get on or off this list see list information at
http://ww
Dear Manolo,
Does this mean that in Spanish the word bordon never had the meaning of a
bee, (bourdon in French and for other instruments drone)?
Yours,
Tony
- Original Message -
From: "Manolo Laguillo" <[EMAIL PROTECTED]>
To: "LUTELIST"
Sent: Saturday, May 21, 2005 8:03 PM
Subject: Re:
Perhaps I am getting old? ;-)
>> It's MAY! The month when even in Finland the sun rises over
>> the horizon, so you should be jolly and cherish spring time instead
>> of thinking about old age ;-)
> Indeed. This is the month in which the thumb position of IN/OUT and
> RE-ENTRANCY assume an a
Dear Tony, dear Monica, dear list,
in the spanish ethimological dictionary by Corominas (1980), under
"bordón", it is said more or less the same as in Covarrubias (1611), but
in our time's way: more "scientifically".
So "bordón" (= walking stick) derives from the latin word "burdo" (=
mule, th
On Sat, 21 May 2005, Roman Turovsky wrote:
>> Let me put it this way: I have never picked on the undeserving.
>RT seems to consider himself the God? Cute.
>Arto
Arto, don't worry, he only dreams of being God. If he were God, he
could perform the miracle of actually making a living through
Hello,
I am currently working on the above piece and would like some insight
into ornamentation. There seem to be two ornament marks in the piece:
a '+' and a '.' just before the tab letter. Could someone comment on
the differences between the two?
Thanks,
Steven
To get on or off this li
> Perhaps I am getting old? ;-)
>
>>> It's MAY! The month when even in Finland the sun rises over
>>> the horizon, so you should be jolly and cherish spring time instead
>>> of thinking about old age ;-)
>
>> Indeed. This is the month in which the thumb position of IN/OUT and
>> RE-ENTRANCY a
Whilst visiting the one of the most charming cities in Italia, Cremona, where
Stradivari worked. I visited the museum that houses tools, and moulds etc.
from his workshop, I was hoping some energy from the master would be absorbed
into my DNA, my hopes were fulfilled.
I noticed a lute temp
> Whilst visiting the one of the most charming cities in Italia, Cremona, where
> Stradivari worked. I visited the museum that houses tools, and moulds etc.
> from his workshop, I was hoping some energy from the master would be absorbed
> into my DNA, my hopes were fulfilled.
>
> I noticed a lut
Hi Ed,
I have the book, both the Italian and English versions. They are very
good and I recommend them. It seems to me I ordered them from
Italy. Sometime when I don't have to play a concert if you are interested
in it I can look up the source. Ohterwise maybe some other list members
can tell you
>Stewart Pollens, the Musical Instruments Conservator at >the Metropolitan
>Museum has written a large article on the subject, which >by now should be
>submitted to LSA Editors in the expanded version of the >previously
published
>one.
>Nice try, Thames, but this is not a job for mickey-mouse->luth
> Cheers,
> Marion
> Mezzosoprano
> Mano di magia sul
> Mandolino milanese
> Meraviglioso in maggio
Che mangiacristiani...
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
>> Stewart Pollens, the Musical Instruments Conservator at >the Metropolitan
>> Museum has written a large article on the subject, which >by now should be
>> submitted to LSA Editors in the expanded version of the >previously
> published
>> one.
>> Nice try, Thames, but this is not a job for mickey
On Sat, 21 May 2005 09:19:11 -0800 (GMT-08:00), Dr. Marion Ceruti
> We are all getting older but age has its advantages
> as well as its disadvantages. I would like to be 20
> years younger but have as much experience as
> I will have 20 years from now.
>
> Best wishes to all,
> Marion
> Me
That came just in time. Thank you, Stephen.
Mathias
"The Other" <[EMAIL PROTECTED]> schrieb:
> Old age hath yet his honour and his toil;
> Death closes all: but something ere the end,
> Some work of noble note, may yet be done,
> Not unbecoming men that strove with Gods.
>
> The lights begin t
Dear Other,
Thank you for sharing this poem with us.
We may age but some themes and the lute songs
that capture them are ageless and timeless. Please
see below to bring this thread back to the topic of lutes.
Best regards,
Marion
*Mezzosoprano**
Old age hath yet his honour and
Hi Michael,
++Glad you enjoyed your trip.
Whilst visiting the one of the most charming cities in Italia, Cremona, where
Stradivari worked. I visited the museum that houses tools, and moulds etc.
from his workshop, I was hoping some energy from the master would be absorbed
into my DNA, my ho
Thank you, Michael.
I remind everyone of what Wayne has written on the site.
No one is under any obligation to read the email of people who
bother them. If I bother anyone, that person is most welcome
to ignore my email. What goes around, comes around. If someone
makes it a practice to insult othe
> -Original Message-
> From: Dr. Marion Ceruti [mailto:[EMAIL PROTECTED]
> Sent: Sunday, May 22, 2005 9:44 PM
> To: Michael Thames; Arto Wikla; lute@cs.dartmouth.edu; Roman Turovsky
> Subject: Re: The List!
>
> Thank you, Michael.
>
> I remind everyone of what Wayne has written on the s
Back when I worked the watermelon ranch in Minnesota (and for you
neophytes, that's west of Tennessee, on the Yukon-Nebraska border) we
were only allowed to make authentic bordon traps. All the others were
fauxbordon.
Sean
On May 22, 2005, at 7:19 PM, Garry Bryan wrote:
>
>
>> -Original
- Original Message -
From: "Dr. Marion Ceruti" <[EMAIL PROTECTED]>
Date: Sunday, May 22, 2005 9:13 pm
Subject: Re: Stradivari lute?
> ++Yes, that is interesting. I also learned, while I was there,
> that Stradivari also made mandolins, although I have yet to see
> one in person.
There
>There are only two authenticated Stradivari mandolini >and two
authenticated guitars to have survived (along >with a few leftover parts and
some guitars of dubious >attribution).
That's news to me, that there are 2 surviving guitars by Stradivari. I
know of the well known one with the longe
Marion,
Yes, it was one of the highlights of the trip for my wife and I. There
are also 4 Strads, and an Amati, as well as a Gesu, in a private room in the
city hall, that we found out about by accident, not well known there.
G.B. Ceruti any relation to you?
Michael Thames
www.ThamesClassica
>Thank you, Michael.
>I remind everyone of what Wayne has written on the site.
>No one is under any obligation to read the email of >people who
>bother them. If I bother anyone, that person is most >welcome
>to ignore my email. What goes around, comes around. If >someone
>makes it a practice to in
24 matches
Mail list logo
