On Wednesday 17 August 2005 18:13, you wrote:
> Can anyone tell me something about the title Tastegiata which appears
> in Gianoncelli. It also seems to be spelled or misspelled
> tasteggiata and tastagiata.
>
> thank you,
>
> Ed Durbrow
> Saitama, Japan
> [EMAIL PROTECTED]
> http://www9.plala.or.
On Aug 18, 2005, at 1:58 AM, bill kilpatrick wrote:
> "tastare" in italian means to feel as in "tastare il
> polso" (to feel the pulse). "tasto" means to touch
> and "tastiera" in musical terms means the keyboard or
> - literally - "touch board." "tasteggiata" would
> indicate a light touch.
- Original Message -
From: "Bernd Haegemann" <[EMAIL PROTECTED]>
To: "Fossum, Arthur" <[EMAIL PROTECTED]>
Sent: Thursday, August 18, 2005 9:15 AM
Subject: Re: [LUTE] V. Galilei
> Dear all,
>
>
>>> The link I gave
>>>
>> http://visualiseur.bnf.fr/Visualiseur?Destination=Gallica&O=NUMM-
Dear List,
Ariel's pledge for the duets of V. Galilei might stem from the
following paper by Dinko Fabris. (So sad he's not on this list!). The
whole text is available on the net, a.o. in "Magnatune's" Paul Bier
recording of Michelagnolo's 1620 book.
"Born in Florence the 18th of December 1575 (a
PS.
Further research yielded the following from "New Grove", so Nr. 3
might just be the one. I'd also love to get my hands on that one. Does
anybody here know of it?
B.R.
G.
WORKS
1. Intavolature de lauto, madrigali e ricercate, libro primo (Rome,
156323); 17 ed. in IMi, iv (1934)
2. Il prim
Dear all,
I have just been in contact with one of the major musical flight case
manufacturers in Europe, and after many years he has finally considered -
after much manipulation from yours truly - to make such things for lutenists.
This would mean that we can finally check in our lutes/theorbo
Dear list,
First of all, thanks to all of you for you precious help.
Iâm experiencing all sorts of problems with this email account, so please
accept my apologies for not having replied earlier.
As soon as this gets fixed Iâll give more details of what I was looking for.
Thanks again.
Regar
This seems to refer to the pubished contrapuncti (publ. 1584), and perhaps his
words are printed in the dedication. He was born in 1575, so the date fits.
These are duets in mensural notation. It would be interesting to see if any
are identicalwiththe one's attrbuted to B.M. in Fronimo dialog
You need to look in the list of "Bibliographical Abbreviations" at the
beginning of each volume of New Grove. SCMA, viii (1945) stands for volume 8
of the series Smith College Music Archives. Many well stocked music libraries
will have that series, especially in the U.S. But I would expect yo
I've always thought that tastar de corde was totouchthestrings inorderto
seeifthey were in tune.
(That's spelledtoccata, by the way. I'm having trouble with my new keyboard.
The "feel" isn't right.)
I'll re-type that
I've always thought that Tastar de corde was to touch the strings in order to
Bernardo Monzino is Francesco's brother. Dinko Fabris rejects the possibility
that he might be B.M. due to chronology. Instead he ingeniously proposes Paolo
Biemme (BM=Biemme). He also had Florentine associations, whereas Monzino was
almost entirely in Rome or Milan. But Biemme was a professio
Dear all,
I'm not sure I've seen references below to the earlier edition of Il
Fronimo (I'm sorry I don't know the publ date --my HMBrown resides at
the library ;^). It has different musical examples, eg, the Ancor che
col partire and its fantasy aren't in the 1584 ed. Are there other
contrap
Dear Sean,
> I'm not sure I've seen references below to the earlier edition of Il
> Fronimo (I'm sorry I don't know the publ date --my HMBrown resides at
> the library ;^). It has different musical examples, eg, the Ancor che
> col partire and its fantasy aren't in the 1584 ed. Are there other
> c
Aha! The perfect answer! I rarely go to the LSA page --more fool me.
Thanks Arto,
Sean
On Aug 18, 2005, at 6:26 AM, Arto Wikla wrote:
> Dear Sean,
>
>> I'm not sure I've seen references below to the earlier edition of Il
>> Fronimo (I'm sorry I don't know the publ date --my HMBrown resides at
I've recently had some communications from Han-Wen Nienhuys
<[EMAIL PROTECTED]> the developer of LilyPond, who is interested in adding
lute tabulature functionality to his software, FOR A FEE. He is interested
to know what lute tab "ARE", and what "THEY" takes.
He is CC'ed in this message.
LP seem
On Thursday 18 August 2005 17:06, you wrote:
Han-wen nienhuys did a marvelous job as programmer (at university utrecht here
in the netherlands). Lilypond is very unix/linux oriented but can be run from
the windows bashshell (cygwin). Installing the latest version on linux is
even quite complicat
> Han-wen nienhuys did a marvelous job as programmer (at university utrecht
here
> in the netherlands). Lilypond is very unix/linux oriented
And that is quite a problem, because linux people seem to think that the
rest of us love programming.
but can be run from
> the windows bashshell (cygwin).
> ... linux people seem to think that the
> rest of us love programming.
This is a wild generalization from RT. Linux has dozens of
point-and-click programs of first-rate quality and everyday
usefulness. A sample:
spreadsheets
personal finance
word processors
drawing progr
On Thursday 18 August 2005 17:46, you wrote:
> > Han-wen nienhuys did a marvelous job as programmer (at university utrecht
>
> here
>
> > in the netherlands). Lilypond is very unix/linux oriented
>
> And that is quite a problem, because linux people seem to think that the
> rest of us love programm
> > > in the netherlands). Lilypond is very unix/linux oriented
> >
> > And that is quite a problem, because linux people seem to think that the
> > rest of us love programming.
> In the same spirit: windows people love computerviruses.
> As herbert said, linux is surely not only for programmers; 1
> > > in the netherlands). Lilypond is very unix/linux oriented
> >
> > And that is quite a problem, because linux people seem to think that the
> > rest of us love programming.
> In the same spirit: windows people love computerviruses.
There is simply no reason to write a virus that no one would
Hi all,
Personally, I have never been totally happy with the Windows
environment, but I feel stuck with it because of 10 years of
development... For one thing the data files are not exportable to any
other platforms. So the hard work of transcribing music may be easily
lost, and the number one
On Aug 18, 2005, at 9:15 PM, Arthur Ness wrote:
> Now Gianconcelli also has movements called "La sua spezzata"
> following gagliardas and correntes. What does _that_ mean. Most
> of them take the previous gagliarda or corrente and present it in a
> broken chord figurations. So it seems t
For Eugene Braig et al.
What do you make of this?
http://www.renard-music.com/selectficheinstrument.php3?1000171
H
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Wow, that page has lots of stuff: a 17th century lute, a keyboard harp,
a ca. 1700 7-course gamba, a vihuela (1961 modern copy still worth 15000
euros mind you...). A mere 300 years from now, your lute will be worth
something!
I think that unfortunately the author's English gets in the way
some
Sometime ago there was some correspondence regarding seats for correct
playing position. Maybe this is a suggestion!
[1]http://www.europebynet.com/Detail_nn_sku_ISTLT011.html
Perhaps, good for 'chamber' music!!
BTW, Alain, maybe the reference wasn't mother of pearl after all!!
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