I'm going all the way with my new continuo theorbo: I'm having the full
19-
courses. As far as I am aware, this is the maximum number of courses that
Good luck! Are you planning chromatic setup or all the 'black keys' at the
bottom?
David
To get on or off this list see list
This week's installment of my g'-string saga.
The string that started fraying two weeks ago, was shortened and lasted
another three concerts and a radio performance in the week after, saw me
through three more recitals-with-singer this weekend. But coming week the
instrument has to go to 440
So Merton was drinking and whoring into the night in his hermitage? I'm
shocked!
Gary Digman
- Original Message -
From: Sandy Hackney [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Saturday, November 12, 2005 1:32 PM
Subject: [LUTE] Speaking of John Jacob
Northern Renaissance Instruments makes some open-wound strings for
violoncello, pardessus de viole, quinton etc.
http://www.nrinstruments.demon.co.uk/Guide.html
As well as Kürschner and Larson...
No, I think we (?) are talking aout the demi-filé (thank you, Greet) strings
Mimmo is making.
All the chromatics at the bottom is what Kapsberger suggested. I imagine this
pretty difficult to handle ...
Thomas
Am Sonntag, 13. November 2005 09:16 schrieben Sie:
I'm going all the way with my new continuo theorbo: I'm having the full
19-
courses. As far as I am aware, this is the
Dear David and Thomas,
Yes, I'm going to try it at first the way Kapsberger suggests, although I may
change things around later. I already have some experience with this having
played a 16 course theorbo for some time with the f and g sharps at the
bottom. No doubt this will be rather
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu
Sent: Sunday, November 13, 2005 11:01 AM
Subject: [LUTE] Re: Open wound bass strings
No, I think we (?) are talking aout the demi-filé (thank you, Greet)
strings
Mimmo is making. Gut core,
His political naivete was astounding (his letters to Milosz attest to that),
but it is heartening to know he was not an aberrant.
RT
So Merton was drinking and whoring into the night in his hermitage? I'm
shocked!
Gary Digman
I was surprised to run across Niles' name in
Hi
I'm using Finale and was wondering if anyone out there
knows how to change the auto tab function from numbers
to
letters for french tab style - I seemed to have done
it before - but I forgot what I did -
SS
Salvatore Salvaggio
http://www.Salvaggio.50megs.com
On Saturday, Nov 12, 2005, at 12:08 America/Los_Angeles, dc wrote:
Where might I find the music for this Ciaccona?
It's in his 1623 book. Both Piccinini books are included in SPES #50
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
In French tablature the diapasons or bordons are written as numbers
and / or as extra a letters with slashes separately below the ruled
lines (of the main six courses), viz:
---
---
I have a transcription (Italian tablature also with keyboard
realization), as three PostScript files at
http://ace.acadiau.ca/score/archive/ftp.htm#P
GJC
On 12 Nov 2005 at 21:08, dc wrote:
Date sent: Sat, 12 Nov 2005 21:08:52 +0100
To: lutelist
Sandy Hackney wrote:
In Kapsberger's Libro Primo d'Intavolatura di Chitarone (1604) there
is a Toccata Arpeggiata
Indeed there is. I remember Greg Hamilton playing this piece for a
concert of lute people (it was in conjunction with an LSA seminar) and
getting laughs when he referred to
Very nice, like a breath of fresh air.
I really appreciate all of the links and wealth of information this
forum provides.
Best,
David
Alexander Batov wrote:
I wonder if some of you have not yet come across this recording of courante
from the Wemyss Manuscript on Rob MacKillop's web site
Great resource, Gordon, but how many of us have a Postscript printer?
Rob
-Original Message-
From: Gordon J. Callon [mailto:[EMAIL PROTECTED]
Sent: 13 November 2005 16:51
To: dc; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Theorbo tablature
In French tablature the diapasons or bordons
Rob,
If you're looking for PDF you can use the free net distillery to convert .ps
to .pdf
[1]http://www.babinszki.com/distiller
Just make sure to rename the file to have a .ps (not .eps) extension before
you upload it.
P.S. thanks very much for the nice recordings.
Best,
Dear All,
Just to say that my beautiful Voboam guitar is still on sale - but that I need
to sell it quickly in order to finance a lute that I desperately need for an
upcoming recording. I have been asking 3400 GBP/5000 Euros for it, but have
decided to lower the price to 3000 GBP/4450 Euros,
Or get a copy of Ghostscript
(http://www.cs.wisc.edu/~ghost/http://www.cs.wisc.edu/~ghost/), and you can
just print them yourself. It's free for non-commercial use and works quite well
in my experience.
Guy
- Original Message -
From: Rob MacKillopmailto:[EMAIL PROTECTED]
To:
Use GS View (with Ghost Script). It is free, installs quickly and
easily and works very well.
It is multi-platform and will show PostScript files and print to any
standard printer.
See my links at:
http://ace.acadiau.ca/score/archive/ftp.htm#P
You must install both Ghost Script (the
I have Adobe Acrobat 5 with Distiller, and following David's instructions
have managed to convert the files to a printable form. Thanks to all,
especially Gordon. Actually, Gordon, there is nothing I require right now,
but it is certainly a website I shall utilise at somepoint.
Cheers,
Rob
Begin forwarded message:
From: Eric Crouch [EMAIL PROTECTED]
Date: 13 November 2005 15:30:11 GMT
To: dc [EMAIL PROTECTED]
Subject: Re: [LUTE] Piccinini
You can find it here: http://www.gerbode.net/ft2/composers/
Piccinini/
Eric Crouch
On 12 Nov 2005, at 20:08, dc wrote:
Where
Dear list,
as I drove from switzerland to germany this friday I had the pleasure to
meet Rainer of Seicento Editions for some small talk and on that
occasion I also got some new editions I would like to recommend to you:
First of all the lutebook of Elisabeth von Hessen (whose godmother was
for those interested in learning about arabic modes -
maqam - have a look at mike's oud list:
http://www.mikeouds.com/
check out the Learn to Play! item posted by
revaldo29 on the General Oud Forum (Ouds, Ouds,
Ouds)
on it, revaldo29 is posting a series of maqams from a
cd called Arabic Maqams
Hi Sal,
Sal Salvaggio wrote:
I'm using Finale and was wondering if anyone out there
knows how to change the auto tab function from numbers
to letters for french tab style - I seemed to have done
it before - but I forgot what I did -
Using the Staff Tool, click on the staff to open up the
Just in case any of you are in Paris or Rouen in upcoming weeks
All best to all,
Benjamin
L'Ensemble Palais Royal
Le Soleil de l'Espagne baroque
Vepres du Padre Antonio Soler (1729-1783)
Stabat Mater a 10 voix de Domenico Scarlatti (1685-1757)
Avec un riche continuo de 6 musiciens:
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