Hello all
My name is Peter Hoar. I am making a radio documentary for New Zealand's
Concert FM radio network (http://www.radionz.co.nz/cfm/home) about German
Baroque lute music. This will go to air in November. This is a 'Composer of
the Week' slot. There will be a 1 hour talk on a Sunday and the
Am 29 Mar 2006 um 17:00 hat Edward Martin geschrieben:
> Howard,
>
> I agree with everything you said, totally. That is exactly my
> practice with fret placement. slightly diminish the 2nd & 4th
> frets, for renaissance tuning.
..and adjust the open courses and the other frets accordingly,
That CD appear in the movie "Love actually" and you haer it ("Both sides now")
when Emma Thomson is crying in her bedroom
Paolo
-- Initial Header ---
>From : "Lino Messina" [EMAIL PROTECTED]
To : lute@cs.dartmouth.edu
Cc :
Date : Thu, 30 Mar 2006 14:0
In some areas of my soundboard the grain of the wood can
be felt as slighly raised ridges.
In other areas, the grain, though visually apparent,
cannot be felt.
Is this discrepancy due to an inherent difference
in the wood, or is it due to the manner in which the lute
was built?
To get on or
It may be from places where you are consistantly touching the wood, either
where you anchor your little finger, right hand, or where the left hand
tends to touch the sound board in the higher registers, or where you may
tend to occassionally rest your chin or cheek on the top of the top side of
the
arthur -
thanks you very much - a wonderful find. the music is
so much easier to play - rhythm and timing - with
visualize reference to the steps people are making.
thanks heaps! .. and leaps!
- bill
early music charango ... http://groups.google.com/group/charango
The discrepancy is found in areas which are seldom touched, except
(gently, one would hope) by the lid of the case.
On Thu, 30 Mar 2006, Vance Wood wrote:
> It may be from places where you are consistantly touching the wood, either
> where you anchor your little finger, right hand, or where the l
the grain on my oud stands up in those places where
the rounded tip of my plectrum pecks the sound board
and below the strings where i consistently brush the
top of my little finger across the grain as i play -
there's a patinated area on the surface where this
happens.
a nice tight grain is impo
Thanks Paolo,
But "Both sides now" is not part of Travelogue...
Best regards
Lino
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 30, 2006 2:42 PM
To: linomessina
Cc: lute
Subject: Re:[LUTE] Joni and Jacob
That CD appear in the movie "Love
Herbert,
The easy answer is, yes. It can be due to either one or both of those
things. You did not mention the species of the wood so I will imagine that
it is spruce of some kind. The grain lines in quarter sawn spruce for a
soundboard, or any wood for that matter, are annual annular (not a repea
- Original Message -
From: Tony Morris
Newsgroups: rec.music.classical.guitar
Sent: Thursday, March 30, 2006 11:11 AM
Subject: Nigel North on CGA!
Greetings, Everyone,
This week's edition of Classical Guitar Alive! features some very old
and very new music, and an interview with luteni
On 3/30/06 8:05 PM, "Stuart Walsh" <[EMAIL PROTECTED]> wrote:
> What doe he mean by saying that he 'got it down' to something very thin?
About 1 mm. But it will probably take a few feathers to find out what
thickness suits you.
> And now I'm left with a cylindrical object (well, slightly oblong)
On Thu, Mar 30, 2006, Rob Dorsey <[EMAIL PROTECTED]> said:
> If the
> soundboard is too roughly sanded (I don't sand a soundboard, I plane and
> scrape only, even for final finishing) it can erode the softer material in
> the lighter streaks more than the more dense lines, resulting in what I call
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