is there anyone alive - other than ... - who even
knows who al bowlly was?
blowblowthouwinterwind - bill
--- Stewart McCoy <[EMAIL PROTECTED]>
wrote:
> This afternoon I was sent this little bit of
> nonsense, which I pass
> on, with the hope that some might find it amusing.
>
> Stewart McCoy.
This afternoon I was sent this little bit of nonsense, which I pass
on, with the hope that some might find it amusing.
Stewart McCoy.
-o-O-o-
The following appeared in "Early Music Review" for November 2003.
"Years ago, in what seems another life, I worked in record shops.
Customers would come
Thank you all who gave me information on Jiri Cepelak (Czech Republic).
I just bought an 11 course Baroque lute after Frei by Cepelak. It hasn't
arrived yet.
The last time I had a Baroque lute, Terry Schumaker was very helpful.
Does anyone know how I can contact him? He used to live in
What's your viewpoint when observing the discoloration? If it's from a
playing position, maybe you're not seeing the finger-string contact points
which would be on the strings' underside from that perspective; whereas, the
thumb would be hitting "topside".
Regards,
Leonard Williams
On 5/22/06 11
Herbert Ward wrote:
> Anyhow, my wound strings are darker by the rose where the right thumb
> touches them. But they are lighter close to the 3rd and 4th frets,
> where the left-hand fingers touch them.
Could be that your thumb is merely discoloring the string, while your
fingers and the lute's
I have a wound 5th course string, so maybe this is a little off-topic
:).
Anyhow, my wound strings are darker by the rose where the right thumb
touches them. But they are lighter close to the 3rd and 4th frets,
where the left-hand fingers touch them.
Thumb and fingers get washed about the same,
> Why arent you tuning the instrument often enough that this cant be a
> problem?
My lute stays tuned. Seems like I can go 1-2 months without tuning it.
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Dear Donatella,
I forward your message to Frank Legl with this mail.
Probably I also will phone him this evening and tell him about it.
Best
Markus
[EMAIL PROTECTED] schrieb:
> Dear Thomas and dear all,
>
>
> I strangely did not translate the page in English, when I wrote it, as
> there
> was
Hi Donatella,
I'll forward your mail or ask Markus to forward it (if I should not find the
correct eMail addresses).
Vieux Gaultier is called Abbé in a ms. but we don't have evidence he had a any
ecclesial function.
The idea I got from the lecture is that it possibly depicts a french person
tra
Dear Thomas and dear all,
I strangely did not translate the page in English, when I wrote it, as
there
was a discussion on the Italian lute list when the painting was
discovered
( not by me, I think someone working in a museum in Florence found it
and
asked Giorgio Ferraris to make a stud
Dear Donatella,
Yes - it's the painting on your page.
Frank Legel mentioned that you discovered the painting and identified the piece
earlier (so Tony Bailes and Frank Legel could have spared some work - if they
knew about it).
I don't want to say something wrong (Frank is scientist and *very*
Dear Thomas,
thanks for your message. Is the painting you speak about the one on
my
website, which was studied by Giorgio Ferraris and some other
lutenists, on
show in Florence? ( See also his website). I was the one who
discovered the
music is by Gaultier. What is strange, is that the paint
We sympathize with you and your theorbo. I cannot offer a replacement, but
may we know what happened to your instrument, and how it happened? In view
of the recent discussion on how to bring your (large) lute on an airplane,
it might be educational for all of us. Perhaps another trap to avoid an
Hi all,
Wolfgang is right - St.mang was a perfect place for music and everything
belonging to the festival.
I haven't attended every "event" because some were paralell to others. For
instance Beate Dittmann made an event for children and introduced the lute and
Miguel gave lessons.
I also enj
dear list,
after 6 hours of sleep at home, i enjoy to read the first impressions from
fuessen. it was a wonderful weekend full of music and communication!
thomas forgot to tell us about the wonderful benedictine cloister st. mang,
where the festival took place. its a very large complex of baroque
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