Thank you for this Rob,
However I disagree. As mentioned earlier there are other sources (eg
Michelmas) who discuss this further.
regards
MH
PS what do you think the Old Ones used?
Rob Dorsey <[EMAIL PROTECTED]> wrote:
Hi Martyn,
I hate to be redundant all over
Hi all,
does somebody have a valid email address of Peter Oljelund? His telia-address
doesn't seem to work anymore. ...
All the best
Thomas
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>> Dear Collective Wisdom,
>> A 1694 collection of violin+continuo sonatas by Johann Paul von Westhoff
>> contains a movement entitled IMITAZIONE DEL LIUTO (as the 3rd movement of
>> the 2nd sonata in d-moll, in the collection).
>> The said piece bears (more than) striking resemblance to SLWeiss' G
Hello Thomas and everyone
My email address is nowadays [EMAIL PROTECTED]
BTW...a tip: The italian label Tactus has a new release with lute music by
Spinacino performed by Massimo Marchese ...to my knowledge it is a world
premier recording with music entirely devoted to Spinacino
>>> A 1694 collection of violin+continuo sonatas by Johann Paul von
Westhoff
>>> contains a movement entitled IMITAZIONE DEL LIUTO (as the 3rd
movement of
>>> the 2nd sonata in d-moll, in the collection).
>>> The said piece bears (more than) striking resemblance to SLWeiss'
Gigue
>>> from the Sona
Dear Rob,
Thank you again fr ths.
Having pondered your views, I think you misunderstand the nature of Stand
Oil: being so extremely viscous it does not penetrate the wood to any
significant degree. Indeed, its characteristics are closer to a stiff varnish
(be it oil or the spir