Dear collective knowledge,
does anyone happen to have a link to a pdf (or such) version
to the score of Lully's "Marche pour la cèrèmonie des Turcs"?
After the film "Tous les matins du monde" that piece has become
very popular (at least in the Finnish Classical FM radio), and
for a good reason;
In einer eMail vom 28.09.2006 19:47:29 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
> so it's hardly a requirement.
>
I agree it is one of many possibilities and as I have written in another mail
not the only answer.
I have a solo lute gig for a guitar society in a couple of weeks
Having also played in costume on a few occasions, a lot depends on how you do
it. If you simply sit up on stage and play in costume, much like you would in a
conventional concert, I think it ends up looking a bit affected and adds little
to the performance. Adding a bit of theatre with the costu
In einer eMail vom 28.09.2006 13:04:11 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
> From: <[EMAIL PROTECTED]>
> >Maybe they would have the last laugh, but "keeping up appearences" is not
> >what I am interested in.
> What about your costumes???
> RT
>
I always thought costumes we
I had no intention of suggesting that it was - my ears are so awash with what
other people think it might have been like that I am beyond the stage of
rational criticism.
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED] ; lute@cs.dartmouth.edu
Sent: Thursday,
From: <[EMAIL PROTECTED]>
> Maybe they would have the last laugh, but "keeping up appearences" is not
> what I am interested in.
What about your costumes???
RT
==
http://polyhymnion.org
Feci quod potui. Faciant meliora potentes.
___
$0 W
"Something that has exasperated me since the late 60s and still does on some
recent recordings, is the inability of many singers a) to sing the words in
front of them, and b) to sing them so that a listener can understand them -
it is as though the content is inconsequential and musical techniqu
If there is one thing that Sting missed in talking about "normal voices", it
was that his does not possess that degree of anonymity. It is undoubtedly
him singing, with all that may bring.
If there is another thing he missed, it is that like so many trained
professional singers from David Munr
> For a museum with lutes theorbos, go to the Cite de la Musique (tube
> station
> : Porte de Pantin) info in english :
> http://www.cite-musique.fr/anglais/accueil.html
Yes, don't miss it. They have a nice bookshop as well.
David
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for concerts see also : http://www.abeilleinfo.com/result_concert.php
Good luck !
GC
-Message d'origine-
De : Clauss Gilbert [mailto:[EMAIL PROTECTED]
Envoyé : jeudi 28 septembre 2006 12:06
À : Arto Wikla; lute@cs.dartmouth.edu
Objet : [LUTE] Re: Paris 5.-12.10.?
For a museum with lut
For a museum with lutes theorbos, go to the Cite de la Musique (tube station
: Porte de Pantin) info in english :
http://www.cite-musique.fr/anglais/accueil.html
An early music shop : la Maison de la Musique Ancienne (tube station
Oberkampf or Saint-Ambroise), opened from Tuesdays to Saturdays, 10
I would strongly suggests her to visit "La cité de la Musique" (The
Music City).
Have a look to their lutes collection directly under
http://mediatheque.cite-musique.fr/masc/?INSTANCE=CITEMUSIQUE&URL=/MediaComposite/CMDM/CMDM00500/luth_musee_03.htm
All informations (in English!) under
http://
Dear all,
one friend of mine, who only reads this list, doesn't write, asked me to
ask the List something
This friend is a lute and theorbo player, and she is going to Paris 5th
October. She would like to have advice and ideas about
- (early) music shops
- museums (with lutes and the
Am 26 Sep 2006 um 18:07 hat [EMAIL PROTECTED] geschrieben:
> It's interesting most violinists & harpsichordists I know never
> enter into these kinds of debates, in particular the keyboard players
> love the diversity.
Their battlefield seems to be temperament...
Regards,
Stephan
To ge
> he believes in his approach. God, what is he, forty (or fifty?)-something,
> a
> musician and he's hearing Debussy for the first time? Unbelieveable.
I was equally shocked with my colleage at the music shcool yesterday. He
teaches something poppy, fine. But disliked Bach! How can you be a musi
I agree that Sting's comments are naive and ridiculous, but, disturbing
grammar and spelling aside, they may be just an expression of the fact that
he believes in his approach. God, what is he, forty (or fifty?)-something, a
musician and he's hearing Debussy for the first time? Unbelieveable.
Gar
> Just one thing, does anyone else think that Stings comments mean that he
> is
> just doing his own thing or is he claiming to have the answer ?
Sting lives in another world than we, (hip) lutenists do, so I think you
should not take his comments personally whatsoever.
David
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