I very much agree and I deprecate the various lute societies making editions of
Italian music in French tablature when they ought to be encouraging people to
read the latter - it's really not difficult.
MH
Are Vidar Boye Hansen [EMAIL PROTECTED] wrote:
As you imply: I guess it's
I'm afraid this is only really addressed to makers in Europe, but it is the
easiest way to pass the message.
I've just been contacted by a friend in Northern Brittany who has between 6 and
7 m3 of yew trunks that he would like to sell. They are from 30 to 60 cm in
diameter and are not hollow.
At 07:52 AM 1/17/2008, G. Crona wrote:
Does anybody know, when making a PDF in Acrobat, how to avoid that the
location of the file on the harddrive shows up at the top or bottom of
each page of the finished PDF?
From whatever software I am creating a pdf, I just click print in the
file menu
Related to this: are you aware if any lists of players at the 17thC/early
18thC Italian Opera Houses listing theorbos, harpsichords players also showing
guitarists.?
Martyn
The theorbist can also play the guitar. Normally not at the same time...
Lex
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To get on or off this list see
G. Crona wrote:
Some years back, I watched a concert by Il Giardino Armonico, where
they played in a castle in Austria somewhere. In one sequence, the
following image appeared:
http://tinyurl.com/ywuhgj
I asked if this instrument would possibly qualify as an example of a
Gallichon, but
Dear All: I am pleased to announce that I will be hosting another
lute weekend in Cleveland. It will be held on April 5 and 6 and will
feature Richard Stone, leading continuo player, conductor and baroque
lutenist. The focus will be Baroque Lute, Theorbo and Archlute.
Tentative topics:
hi Bruno!
how are you???
Nice to hear from you.
As you know, I have some instruments made by Raul Perez.
A renaissance lute, 8c after laux maler (you can see it in the web site, it is
the 2000's pictures), a baroque guitar (voboam) , a rebec, and last december I
received a new lute (6c,
