Dear Mathias,
It's interesting you say that. I'd be curious to know what you and
other people on this list think about the differences
(advantages/disadvantages) between rider lutes and swan neck lutes. I
think the main difference between these lute types is one of balance
vs.
David Rastall dlu...@verizon.net schrieb:
In some music I've been playing recently (Losy, Lauffensteiner) which
was written for 11-c, I'm very glad to have that open B-flat
available on my 13-c. It does make life a lot easier.
Lauffensteiner's lute assumedly had 12 courses as evidenced by
Benjamin Narvey luthi...@gmail.com schrieb:
It's interesting you say that. I'd be curious to know what you and
other people on this list think about the differences
(advantages/disadvantages) between rider lutes and swan neck lutes.
As far as I can see, the only proper advantage of
GIGA Gaitas Compostelanas, in Bb -
http://torban.org/swv/compostelana/compostelana2.pdf
http://torban.org/swv/compostelana/compostelana2.mp3
para laúd barroco.
Saludos,
RT
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Hi Sam,
I've got photocopies of the 1611 Morley edition kept in the New York
Public Library. Not first lass quality but readable. I could scan these
but it may take some time to do. Is there any particular piece (or
pieces) you're interested in ?
Best, my regards to Ian
The internet is a bathroom wall.
Gary
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Monday, January 12, 2009 5:01 AM
Subject: [LUTE] Lutes were the earliest form of guitar developed in the
thirteenth century
Lute and guitar
Sam;
I have uploaded a zip file with photos of the complete Treble Viol Book
(Morley, 1611) done after my photocopies. I think they are big enough to be
used for reading or printing.
You can get the file by clicking there : http://le.luth.free.fr/Morley.htm
Then, just right click on the link and
I would say that I was at the meeting when these were presented and this
list is really not intended to be definitive.
Monica
- Original Message -
From: Leonard Williams arc...@verizon.net
To: Lute List lute@cs.dartmouth.edu
Sent: Tuesday, January 13, 2009 1:01 AM
Subject: [LUTE] Re:
This is not really part of this thread but... associations happen.
On Jan 13, 2009, at 8:17 AM, Sam Chapman wrote:
As part of the lecture, my group Microcosmos will be making their
debut performance.
That is similar to the name Micrologus, an early music group based in
Paris. The
Hello Ed,
Micrologus have not officially disbanded, but they haven't performed for
quite a few years now, which in fact means the same... I have never met Marc
Tallet personnally but heard of him through the lady violist who probably was
the one you heard in Tokyo, Danièle Alpers. She is in
I remember Marc Tallet playing archicister (made by Bernard Prunier,
the famous violmaker in the '80s) on Mood Indigo and others
Ellington's standards, with Bernard on the clarinet and me on the
harpsichord, at Bernard's workshop...I think Mathieu Lusson (in short
pants!) played
On Jan 13, 2009, at 12:02 AM, sterling price wrote:
...For me, after playing a 13 course for many years, I wouldn't
dream of playing an instrument that didn't have an octave of open
bass strings.
In some music I've been playing recently (Losy, Lauffensteiner) which
was written for 11-c, I'm
On Jan 13, 2009, at 11:29 PM, Jean-Marie Poirier wrote:
Hello Ed,
Micrologus have not officially disbanded, but they haven't
performed for quite a few years now, which in fact means the
same... I have never met Marc Tallet personnally but heard of him
through the lady violist who
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