On Sun, Jan 25, 2009 at 6:10 PM, David van Ooijen
davidvanooi...@gmail.com wrote:
Sort of anyway.
This morning's live radio was on internet as well:
http://wm1.avro.jet-stream.nl/avro/web/klassiek/090125_spiegelzaal.wmv
In the first 15 minutes of chat show you can hear (and see!) me
Many
=== 29-01-2009 01:14:46 ===
I only mention the Monteclair because it is so
readily available, and explains the key points.
I think that for most of the basic things, that
is fine. It is translated into English, and so on.
Experts will always prefer the primary
sources--mainly the music
Le 29 janv. 09 à 01:17, Herbert Ward a écrit :
The
width of the central peak ... increases as
the interval decreases, but I could not come up with any simple
mechanism
that would shift the maximum of the curve noticeably.
I verified this experimentally.
In other words, determining
Le 29 janv. 09 à 11:09, Anthony Hind a écrit :
Le 29 janv. 09 à 01:17, Herbert Ward a écrit :
The
width of the central peak ... increases as
the interval decreases, but I could not come up with any simple
mechanism
that would shift the maximum of the curve noticeably.
I verified this
Dear Jean-Marie,
Thanks for you detailed response.
I would be happy to refute your points one by one, but my main
point--in fact my only point, really--
that everyone is playing the ornament backwards, is the one you don't discuss.
I'm sorry about the spelling of Broderie, although it is
Technically, you needed a sign at the entrance. Which I'm sure you
had, I saw it!
dt
At 01:05 AM 1/29/2009, you wrote:
On Sun, Jan 25, 2009 at 6:10 PM, David van Ooijen
davidvanooi...@gmail.com wrote:
Sort of anyway.
This morning's live radio was on internet as well:
The variant border vs brouder, is exactly of the same sort as
that of French fromage vs fourmage (from M.L. formaticum, from L.
forma shape, form, mold), originally formage (something that is
shaped) giving also the regional variant Fourme. In other words it
is an easilly explainable
Dear David,
Thank you for your reply. I didn't mean to get controversial and I understand
your point very well. Moreover, being a lefty - including for lute playing -
I know what you mean when you speak of backwards movements, but I am quite
sure my memoryworks both ways ;-).
Lewis Carroll is
On Thu, Jan 29, 2009 at 1:40 PM, David Tayler vidan...@sbcglobal.net wrote:
Technically, you needed a sign at the entrance. Which I'm sure you
For this gig I had to show up with my passport some weeks in advance,
on the day of the concert arrive _very_ early, show a personal pass
with digital
On Wed, 28 Jan 2009, Herbert Ward wrote:
The
width of the central peak ... increases as
the interval decreases, but I could not come up with any simple mechanism
that would shift the maximum of the curve noticeably.
I verified this experimentally.
In other words, determining frequencies
Dear David and All,
Strange discussion or rather no dscussion...
It's good point about today preference for a short appogiatura among
lutenists playing baroque music. Very often it sounds as if a
luteplayer were playing those small notes in Giuliani or Carulli ;-))
I don't know if it's
There is no argument concerning the duration of an appogiatura, I
suppose. One half with even value, at least two thirds with odd value.
My question, however, was if there should be an appogiatura at all.
There is that opening measure e. g. of Bocquet's allemande #7 (Vm7 6214
fol. 5)
.2 31
Mathias,
As you asked David, I'll refrain from answering that particular
questio. But something not so far removed comes to my mind. Some of
you may know the famous French work by Jean-Féry Rebel, namely Les
elemens and its first part, Le Cahos. Here you can clik and listen
to the first
Rebel's Cahos is not really to the point, since it is a depiction of
primordial Chaos. Mathias was questioning a dissonance that was
presumably intended for the composer's well-ordered French universe.
On Jan 29, 2009, at 2:39 PM, Jerzy Zak wrote:
Some of you may know the famous French
An answer to Mathias question is still to come -- I said that.
But the well-ordered French universe, as well as any other European
baroque music universe is permanently beeing 'devastated' -- isn't
it? -- by all the expected or unexpected appogiaturas creating 4ths,
7ths or 9ths. It's
A year or so ago, I scored one of the Lawes Harp Consort Fantasyes for
Roland Hayes, and posted the score to my web site.
http://mysite.verizon.net/vzepq31c/wm_lawes.html
Erich Crouch has made an arrangement for three guitars, which might
serve for
performance as a lute trio. See
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