On Jun 13, 2009, at 3:02 AM, howard posner wrote:
> Strings that will be good for an F should be pretty
> flabby for a D.
Personally, I haven't found that to be an issue on my 7 course, but
right now it has an overspun and a Nylgut octave. Maybe it would be
more difficult with gut. I will find
That's very true,
Thanks!
2009/6/12 <[1]wi...@cs.helsinki.fi>
On 6/13/2009, "Bruno Correia" <[2]bruno.l...@gmail.com> wrote:
> This is part of my Doctoral thesis...
And I guess (=hope) your questions about the differences between
those
two types of lutes really
"CANTIO RUTHENICA LXXXV" -
http://www.torban.org/ruthenicae/images/242.pdf
http://www.torban.org/ruthenicae/audio/242L.mp3
Enjoy,
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Possibly a relative of the WestVirginia song "I am my own grandad!" ???
RT
From: "Drew Villeneuve"
Perhaps it means "My mother married me" or "My mother is married to me"
Moy is, I think, old French for me (modern being moi). The Marie has an
accent on it, perhaps the dot that Dana Emery
On 6/13/2009, "Bruno Correia" wrote:
> This is part of my Doctoral thesis...
And I guess (=hope) your questions about the differences between those
two types of lutes really are not essential for your thesis... Even our
LuteList cannot produce PhD level valued info on that? Or perhaps we
actua
Perhaps it means "My mother married me" or "My mother is married to me"
Moy is, I think, old French for me (modern being moi). The Marie has an
accent on it, perhaps the dot that Dana Emery saw, which would indicate
that it would be past participle, thus "My Mother married me". Just a
http://www.colonialdancing.org/Easmes/Source5/S059030.htm
rt
- Original Message -
From:
To:
Sent: Friday, June 12, 2009 7:12 PM
Subject: [LUTE] Re: Ma mere Marie moy(?)
On Fri, Jun 12, 2009, wi...@cs.helsinki.fi said:
The name looks like something
like "Ma mere Marie moy".
it
On Fri, Jun 12, 2009, wi...@cs.helsinki.fi said:
> The name looks like something
> like "Ma mere Marie moy".
its does indeed, but I think I see an abreviation in it -
Ma Mer~ Marie moy
hmmm, a second dot after marie, mariai, mariae, marie', perhaps mariee'
--
Dana Emery
To get on or off t
Hey Everybody,
Can anyone speak of the quality or reccomendof a Mikhail Fedchenko
lute, preferably a 13 course lute or theorbo?
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hey Everybody,
Can anyone speak of the quality of Mikhail Fedchenko's lutes,
preferably a 13 course lute or theorbo?
Thanks,
Drew
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On 6/12/2009, "Steffen Gliese" wrote:
>Dear Lustlist!
>Then I took a break,
>and then I returned.
>When I returned
>they showed me the way
>to youtube and wimeo etc.,
>and I saw everybody
>starring at signs on paper,
>lute in their hands,
>struggling their
On Jun 12, 2009, at 3:13 PM, Bruno Correia wrote:
> So, you say they are different "animals", interesting... but
> soundwise,
>how would you describe both? More or less ressonant, brighter or
> darker
>tone, more powerful? Why Piccinini would prefer an archlute and
>Michelangelo Gali
On 6/13/2009, "Bruno Correia" wrote:
>So, you say they are different "animals", interesting... but soundwise,
>how would you describe both?
Well, many, many differences, but to start: single long basses and
shorter bass courses with octaves sound _very_ different. And because of
that a
Dear collective wisdom - especially the French one,
could you possibly find out / recognise / remember, what is the model of
one anonymous French baroque theorbo arr.? It is a piece in ms.
Res-1106, fol. 30r, Bibl. National, Paris. The name looks like something
like "Ma mere Marie moy".
You can
Hi Arto,
So, you say they are different "animals", interesting... but soundwise,
how would you describe both? More or less ressonant, brighter or darker
tone, more powerful? Why Piccinini would prefer an archlute and
Michelangelo Galilei would write for a ten course? From your sta
Dear Lustlist!
Then I took a break,
and then I returned.
When I returned
they showed me the way
to youtube and wimeo etc.,
and I saw everybody
starring at signs on paper,
lute in their hands,
struggling their ways
through the text,
dead faces and stiff bodies,
On 6/13/2009, "Bruno Correia" wrote:
>I have a question regarding the difference between a 10 course lute and
>an archlute. I know that an archlute may have up to 14 courses and the
>lowest basses will run on an extension head, unlike the 10 course that
>will have all the strings
> On Jun 12, 2009, at 11:20 AM, wayne cripps wrote:
>
> > whatever lute you get, you will
> > probably change your mind in a few years and want something
> > different. So get a good lute that you can sell again. I
> > run a 'lutes for sale' web page, and Larry Brown student lutes
> > always s
Hello to everyone!
I have a question regarding the difference between a 10 course lute and
an archlute. I know that an archlute may have up to 14 courses and the
lowest basses will run on an extension head, unlike the 10 course that
will have all the strings on the fingerboard. I
Dear Friends,
Here's the link to an EM music course in which Evangelina Mascardi
(fantastic player, teacher and friend) teaches the lutes and related
instruments.
http://www.incontrimediterranei.cittadiorte.it/eventi/corsi_musica_antica_2009/corsi_musica_antica_2009.htm
I highly recommend h
On Jun 12, 2009, at 11:20 AM, wayne cripps wrote:
> whatever lute you get, you will
> probably change your mind in a few years and want something
> different. So get a good lute that you can sell again. I
> run a 'lutes for sale' web page, and Larry Brown student lutes
> always sell well, and s
Dear Lustlist!
Then I took a break,
and then I returned.
When I returned
they showed me the way
to youtube and wimeo etc.,
and I saw everybody
starring at signs on paper,
lute in their hands,
struggling their ways
through the text,
dead faces and stiff bodies,
I will add my two cent's worth - whatever lute you get, you will
probably change your mind in a few years and want something
different. So get a good lute that you can sell again. I
run a 'lutes for sale' web page, and Larry Brown student lutes
always sell well, and sometimes can be gotten for
On Jun 12, 2009, at 10:56 AM, morgan cornwall wrote:
> I have a question regarding Howard Posner's comment that a 7 course
>lute with the 7th course tuned to D is a different instrument
> than the
>7 course lute tuned to F. Is it actually a different
> instrument, or
>was that a matt
Hello Again,
Let me begin by giving a big thank you to everyone for the replies.
Many were sent to me and not the list, and all have been helpful and
informative. I live in rural Nova Scotia, Canada, and I am not aware
of any lutenists nearby, although I'm sure there may be some.
And if you have a more westerly inclination, there's also the LSA seminar in
Vancouver BC (Jul. 26 - Aug 1).
Guy
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Nancy Carlin
Sent: Friday, June 12, 2009 10:14 AM
To: lute@cs.dartmouth.edu
S
There will be/already have been plenty of lutes at BEMF. The LSA has a
booth and has sponsored a concert featuring up and coming lute players:
Salome Sandoval
Dieter Hennings
Chris Wilke
Chris is on the list, so perhaps he will make some comments on this.
There are also a numbe
On Jun 11, 2009, at 6:53 AM, morgan cornwall wrote:
>Of the 6, 7, and 8 course lutes, it would seem that a 7 course lute
>would be most practical. It would allow me to play the earlier
>repertoire as well as most of the Dowland pieces. It doesn't
> seem like
>there is a whole lot
On 6/12/2009, "Rob MacKillop" wrote:
>Regarding the 8c/7c question, there are many players who switch the
>lower two courses around, so you have a 'normal' 7c with the 7th course
>at D, plus an extra F on the 8th course. I haven't done this myself,
>but wonder if it is a good idea
6,7,8 course
Much depends on what you want to play.
And also how you intend to play.
Some play alone, others in consort. Some consorts are more formal than
others. A sunday afternooon jam session or a pickup band playing for
dancers is going to be far less formal than a collegium musicum or a
On Thu, Jun 11, 2009, morgan cornwall said:
>Hello,
>
>
>
>I am looking for advice on a first student lute
hopefully you have a teacher to discuss this with, even if they mainly do
guitar, cant hurt to ask, you never know.
Not the first time this Q has been posed here, take some time
On Fri, Jun 12, 2009, Nigel Solomon said:
> Rob MacKillop wrote:
>
>> Regarding the 8c/7c question, there are many players who switch the
>> lower two courses around, so you have a 'normal' 7c with the 7th course
>> at D, plus an extra F on the 8th course. I haven't done this myself,
>>
Rob MacKillop wrote:
Regarding the 8c/7c question, there are many players who switch the
lower two courses around, so you have a 'normal' 7c with the 7th course
at D, plus an extra F on the 8th course. I haven't done this myself,
but wonder if it is a good idea?
Rob
--
To get o
Regarding the 8c/7c question, there are many players who switch the
lower two courses around, so you have a 'normal' 7c with the 7th course
at D, plus an extra F on the 8th course. I haven't done this myself,
but wonder if it is a good idea?
Rob
--
To get on or off this list
On Jun 11, 2009, at 10:53 PM, morgan cornwall wrote:
> Number of courses:
>
>Of the 6, 7, and 8 course lutes, it would seem that a 7 course lute
>would be most practical. It would allow me to play the earlier
>repertoire as well as most of the Dowland pieces. It doesn't
> seem like
35 matches
Mail list logo
