Thanks to all with your help in identifying the piece. If you at home guessed
Rondo in D, K. 485, you win! The thing that threw me off in finding this piece
was that Mozart used a different rhythmic notation in the first measure from
Carulli - I must have flipped right past it in haste. He
Dear Chris,
please don't stop. If you come into another flow of writing I will be
most happy to read your explanations of the following (even if it is
not exactly about the lute, but guitar is a close-by instrument, isn't
it?):
I'd better stop before I go into my rant about
SC005336.
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Hello all,
I know this is a little bit OT, but I could use some help with identifying a
piece. On my 19th century guitar, I'm playing Carulli's duo arrangement of two
pieces by Mozart which he has entitled Andante et Rondo de Mozart. The
editors of this particular edition have given no other
Hello all,
I know this is a little bit OT, but I could use some help with identifying a
piece. On my 19th century guitar, I'm playing Carulli's duo arrangement of two
pieces by Mozart which he has entitled Andante et Rondo de Mozart. The
editors of this particular edition have given no other
So has anyone compiled Bartolotti's theorbo pieces, or a selection of
them, in any format?
Also, a translation of his continuo treatise? Anybody made one of
those?
Thanks,
John
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For best results, standing is a must.
I resisted this for years, but then I realized that sitting AND
holding the lute is just not good for the voice. It can be done, but
it can be done better standing.
Sitting is perhaps a bit better for the lute, but most lute parts can
be played standing.
It looks like one of the early piano concertos, do you have a bit more?
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
There's a compiled edition available from the French Lute Society. See
http://www.sf-luth.org/en/?%26nbsp%3BMusical_Publications/Le_Secret_des_Muses
Volume 15 : A. M. Bartolotti, Pièces pour théorbe, 36 original pieces
and transcriptions from the 2nd book for guitar. By Massimo Moscardo.
Paris
The main thing is to pluck both strings. Most players have a strong
and a weak string. Thumb in is a bit easier for some to learn to
hit both strings, depending on the geometry of the hand.
dt
To get on or off this list see list information at
Thanks, Mathias!
Subject: Re: [LUTE] Bartolotti
From: mathias.roe...@t-online.de
To: johnle...@hotmail.com
CC: lute@cs.dartmouth.edu
Date: Fri, 19 Mar 2010 18:46:00 +
There's a compiled edition available from the French Lute Society.
See
Thanks to all with your help in identifying the piece. If you at home guessed
Rondo in D, K. 485, you win! The thing that threw me off in finding this piece
was that Mozart used a different rhythmic notation in the first measure from
Carulli - I must have flipped right past it in haste. He
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