Dear ones,
I read about this a year ago, and it is finally available in the
USA. I just received it, and I think it is a really nice recording
of French lute music. It is entitled: Apollon Orateur: 17th Century
French Lute Music, and it is on the label RAMEE, number is RAM 0904.
The recorded
This is an interesting thread which I have been following somewhat.
I have made many recordings, and each one is a learning experience.
The technology we have today is (compared to 40 years ago) inexpensive
and amazing.
Given that the gear is of high quality the limitations are:
On Sat, 3/20/10, Christopher Stetson <[1]cstet...@smith.edu> wrote:
PLEASE! I do NOT need another reason to wish I lived
in San Francisco!
I'll second that. I just returned from a trip to the States day before
yesterday. I had a lovely evening at the house of Nancy Carlin la
On Apr 3, 2010, at 6:55 AM, [1]nedma...@aol.com wrote:
I'm sceptical that - assuming the positioning of a
main pair of mics is very good but not perfect - that adding in other
pairs that are necessarily even less well placed will provide
improved
sound.
Like DT said, yo
Not to beat this issue of recorded sound to death, but I just listened
to a CD I'd forgotten I had: The Renaissance Lute, by Ronn Mc Farlane
on Dorian. To me this is one of the better recent (well, 1994) lute
recordings I've heard. I'm familiar with Dorian as a company well
regard
Here is the tiny url for the higher resolution image
[1]http://tinyurl.com/yatt2yv
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References
1. http://tinyurl.com/yatt2yv
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Dear List,
as you may know the fac-simile edition of the Mss. Vaudry de
Saizenay is out of print since a lot of time, nor has Minkoff announced
a re-print.
If anybody has a fac-simile to sell, please let me know directly. I
already have a PDF of the manuscript (in black and white) -thanks to
For sure many good recordings have come from the Decca tree set-up (I'm
not sure if I've heard any other than orchestral). I hope d will have
time this summer to put some mixes on line - I'd like to compare them.
Ned
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[1]Click here: Web Gallery of Art - Image Viewer
Actually this is not the one I had in mind - the other one shows the
cello strings more clearly and the C string is substantially thicker
than the G. But this is quite nice too, and includes an all gut violin.
Oliver
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Refe
[1]Click here:
http://www.nationalmuseum.se/Global/Pressbilder/RubensvanDyck/Hoegupplo
est%20jpg/0410.jpg
My Swedish friend and colleague Hannah Tibell, whose husband is
lutenist Richard Sweeney, has managed to track down the details of this
painting; this is what she said:
Dear All,
My apologies for digressing from the interesting discussion on the use of
microphones.
My copy of the Marco CD arrived this morning, and having listened to it
intently,
I agree with many of the sentiments expressed here about the sound,
particularly
when played through a speaker system,
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