Sorry, my iPad didn't load all of the lutelist mail for some
reason. The question was answered very completely in earlier emails.
In the words of the great Emily Litella from the original Saturday
Night Live... "Ohh, never mind"
Steve
> Date: Sat, 16 Jun 2012 00:14:21 -0700
>
It sounds like the version that was in the Rooley Lute Tutor. I can't
remember the name of the book and it is in storage so I can't put my
hands on it.
I would hazard a guess that it was edited that way to be "friendlier"
to a novice lutenist.
Steve
> Date: Fri, 15 Jun 2012 21
I have a series of jpegs of the microfilm of the original with
alfabeto. I also have a modern typeset version that only lacks the
alfabeto. Let me know which you would like.
Steve
> Date: Thu, 3 May 2012 15:02:50 +0200
> To: lute@cs.dartmouth.edu
> From: mandolinens...@web.de
: Thursday, July 14, 2005 12:11 AM
Subject: Re: pipa
> "Steve Amazeen" <[EMAIL PROTECTED]> schrieb:
>> How lucky! The p'i p'a is an amazing instrument.
>
> often seen this transcription of the instrument's name, wonder how to
> pronounce it (becaus
How lucky! The p'i p'a is an amazing instrument.
The wood most often used for the body these days is hua-li mu (Pterocarpus
indicus) translated as rosewood or hong-mu (a cousin that some refer to as
mahogany) translated as redwood.
It is a slab that is cut to shape and then hollowed out, kind
ual object; thus it became the music used by sages of our Middle
Kingdom to control the government, and the object used by princely men to
cultivate (themselves); it is only appropriate to stitched sleeves (i.e.,
scholars) or yellow caps (Daoists)."
While they may have "officially" disdai
- Original Message -
From: "Michael Thames" <[EMAIL PROTECTED]>
To: ; "Steve Amazeen" <[EMAIL PROTECTED]>
Sent: Sunday, April 10, 2005 4:49 PM
Subject: Re: Blind players and memory
> Steve,
> Whilst it's true these instruments bare a re
ring it to be vulgar. However this didn't stop
them from enjoying the music or the instrument!
Steve Amazeen
- Original Message -
From: "Stuart LeBlanc" <[EMAIL PROTECTED]>
To:
Sent: Sunday, April 10, 2005 1:19 PM
Subject: RE: Blind players and memory
>
> So
U...
I use it for the fourteenth course of my theorbo. Gut was a bit too muddy
sounding and the carbon matches the tone of the other diapasons nicely.
Steve
- Original Message -
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>;
Sent: Wednesday, January 26, 2005 1
The advice from a well known local luthier, Frank Ford, is to make sure that
the neck is well supported and well padded. He said that in his experience
the neck/body and pegbox/neck joints are the areas most susceptible to shock
damage, i.e. being dropped etc. Hr also advised against 'over-pa
gh as 520 kilos depending on
the instrument.
A modern concert harp is under approximately 1500 kilos of tension.
Many harpies buy their strings pre-packaged, sometimes with no choice as to
tension. Experimenting with different strings can be prohibitively
expensive.
Steve Amazeen
To get on or of
grateful to M. Civiol for taking the time to make them available. The
facsimile is out of print and I don't have access to a library with a copy.
Best,
Steve Amazeen
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Hi Michael,
Glad you got your beloved instrument repaired.
Nylgut is made of a type of nylon that has a very similar density to gut.
It also has a different tactile feel from nylon - kind of like some
unpolished gut that I used a very long time ago.
Gut strings are made from the collagen of shee
r this morning too! Might be worth
> investigating next time around.
>
> Does anyone happen to know the density constant of this material?
>
> Thanks,
>
> Tony
>
> > -Original Message-
> > From: Steve Amazeen [mailto:[EMAIL PROTECTED]
> > Sent:
They are called Alliance KF and made by Savarez. I use it for the diapasons
on my theorbo.
It looks quite similar to gut - the fibres are twisted - which could lead to
confusion. My understanding is that they are entirely synthetic.
The material has a higher density than gut so the equivalent d
--
test
--
Anthony Bailes recorded a lovely disc of music by Mesangeau and the
Gaultiers back in the 80s on EMI. It has been re-released as part of the
Reflexe box set available from Amazon.de
Steve Amazeen
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