Amen: It does not matter if you use Nylon, Gut or Graphite and have the
most brilliantly constructed Lute on the planet, if you play like you are
wearing boxing gloves it will sound like you are wearing boxing gloves.
Vance Wood.
- Original Message -
From: "Manolo Laguillo&quo
pieces
like Lachremae, or ground and treble duets. Studying these sources will
give you an idea of how they were used. Most English pieces are full of
examples of theme and ornamentation with divisions, simply disceting these
pieces should give you some sort of idea how they were used.
Vance Wood
away. Try to relax
the right arm. I hope this helps in some way if nothing more than making
you think about the tension in your body. I look forward to more informed
responses.
Vance Wood.
- Original Message -
From: "Craig Allen" <[EMAIL PROTECTED]>
To: "Lute L
Personally I don't like octaves on any course. As to why the placement of
octaves would change with the addition of the seventh course? All anyone
can tell you is not much more than an informed assumption that with the
arrival of the seventh course the music changed.
Vance Wood.
- Ori
.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Thursday, November 03, 2005 2:07 AM
Subject: [LUTE] Left hand tension
>
>Can anyone suggest method of relieving tension in left hand. I have
adopted
>the use of a strap so as not to hav
know enough about it
in other areas to be critical. I would recomend it to anyone who has the
opportunity to access a good teacher.
Vance Wood.
- Original Message -
From: "Denys Stephens" <[EMAIL PROTECTED]>
To: "lute net"
Sent: Saturday, November 05, 2005 11:45 AM
glean from
examining it as a real Lute.
Vance Wood.
- Original Message -
From: "David Van Edwards" <[EMAIL PROTECTED]>
To:
Sent: Saturday, November 05, 2005 12:43 PM
Subject: [LUTE] french baroque lute painting
> Dear Taco,
>
> The picture is an anonymous French S
After rethinking my previous response I should have included that a lot
depends on what comes after and what preceeded it. Your fingering is
correct in most cases that I can imagine.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Sunday, November 06, 2005 8
you get the hang of it the technique will simplify a lot of more
difficult passages. Where you now may be using two fingers you could use
one. It is even possible to play diminutions off of this configuration.
Vance Wood.
- Original Message -
From: "Arto Wikla" <[EMAIL P
ed. It is
not too dificult to deaden the bass response when necessary with overspuns,
as opposed to just allowing it to fade out naturally as is the practice of
some with more traditional strings.
Vance Wood.
- Original Message -
From: "Herbert Ward" <[EMAIL PROTECTED]>
To
point where you
understand that you are not getting a good sound out of the Lute and must
change your technique if you are to improve.
Vance Wood.
- Original Message -
From: "Garry Bryan" <[EMAIL PROTECTED]>
To: "saw 192837" <[EMAIL PROTECTED]>
Cc:
Sent: Thursd
o consider better
options than plain old nylon.
Vance Wood.
- Original Message -
From: "LGS-Europe" <[EMAIL PROTECTED]>
To: "Lute List"
Sent: Wednesday, November 16, 2005 1:54 AM
Subject: [LUTE] Re: Octave string question
> >>
> playing late 16th
se, see:
http://www.cs.dartmouth.edu/~lsa/associated/index.html#Lautenweltadressbuch
If you do a search, typing 15 into the date field, you will see quite a few
hits for instruments originally built in the 1500s.
Regards,
Daniel Heiman
On Wed, 16 Nov 2005 18:32:02 -0500 "Vance Woo
never
go back to the Guitar. I still have problems making chords do this but
single notes against a base line are no problem for me. Anyone with any
suggestions as how to remedy this issue short of amputation would be
welcomed.
Vance Wood
- Original Message -
From: <[EMAIL PROTEC
tmare a' la
Murphy's Law. The quest for the perfect string, or more authentic string is
actually just begining. But I feel in the end, if there is to be one, we
will settel for some sort of sythetic man made string that is neither
historically correct or totally organic.
Vance Wood.
Thanks Stephan You have helped me before, I'll work on that little bit of
information and try to adapt it.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Sunday, November 20, 2005 5:23 AM
Subject: [LUTE] Re: Computer analysis of double string sound.
Rob: I agree with you it could be a very useful endeavour. You play
Vihuela?, that's close enough. By the way, do you use the doubled first
course? I understand that is the way the Vihuela is designed but everyone I
have heard talk about the subject do not use the doubled first course.
Vance
-
ourse. If
you do use the doubled first I would be interested in how you find this
different than playing with a single first course as would be common on the
Lute.
Vance
- Original Message -
From: "Rob MacKillop" <[EMAIL PROTECTED]>
To: "'Vance Wood'" <
t;Rob MacKillop" <[EMAIL PROTECTED]>
To: "'Vance Wood'" <[EMAIL PROTECTED]>; "'lute list'"
Sent: Thursday, November 24, 2005 2:54 AM
Subject: RE: [LUTE] Re: tele-Teaching
> I use a single. Always have.
>
> Does anyone here use a doub
le first course seems to be out of line to you and of questionable
credibility you are probably correct and I have been playing it wrong. But
that does not change the fact that the doubled first course makes a
beautiful and unique sound I doubt many here have heard or considered.
Vance Wood.
wland.
Vance Wood.
- Original Message -
From: "Ken Brodkey" <[EMAIL PROTECTED]>
To: "Lute List (E-mail)"
Sent: Thursday, December 08, 2005 1:14 PM
Subject: [LUTE] Sir Henry Guilforde his Almaine
> Hello All,
>
> Is John Dowland the composer of &
on it to prove you
are wrong. In this case I hope that happens because I too want to know.
Vance Wood.
- Original Message -
From: "Ken Brodkey" <[EMAIL PROTECTED]>
To: "'Vance Wood'" <[EMAIL PROTECTED]>
Sent: Thursday, December 08, 2005 11:10 P
Before checking construction dates I would suggest checking pawn-shops.
VW
- Original Message -
From: "Robert Clair" <[EMAIL PROTECTED]>
To: "Lute List"
Sent: Wednesday, December 14, 2005 9:59 AM
Subject: [LUTE] STOLEN LUTE
> Lute stolen in New York City, on 12/7/05:
>
> 8 course ten
oticed anything
being so out of tune that it colored the performance. Is it not possible we
are placing too much significance on this issue? We know that the foundering
fathers played in all sorts of groups. Do you think they agonized over the
problem the way some of us are doing?
Vance Wood
I am thinking that there is probably a point where the actual weight/mass of
the instrument plays a significant role in the sound of the instrument. I
am also certian that someone has done some sort of research project full of
charts and graphs demonstrating their point of view/theory. Personally
described I think the traditionalist
would string their next Lute with your inards.
Vance Wood.
- Original Message -
From: Greet Schamp
To: Vance Wood
Sent: Thursday, December 22, 2005 8:04 AM
Subject: Re: [LUTE] Re: Sound vs studiness trade-off.
Hello Vance,
Actually I know a
picture of
which I could not find, is a tantalizing clue that should be explored more
carefully.
Vance Wood.
- Original Message -
From: "Louis Aull" <[EMAIL PROTECTED]>
To:
Sent: Friday, December 23, 2005 10:22 AM
Subject: [LUTE] Re: Sound vs studiness trade-off.
> Va
Louis:
You did not understand what I was saying. I was saying that the grain in
the braces, was parrallel with the grain in the sound board/belly/top of the
Lute, even though the braces are set more or less 90degress to the
orientation of the top. So we do not have another misunderstanding I
und
Louis:
You did not understand what I was saying. I was saying that the grain in
the braces, was parrallel with the grain in the sound board/belly/top of the
Lute, even though the braces are set more or less 90degress to the
orientation of the top. So we do not have another misunderstanding I
und
play the Lute. It
is great to have some really first rate Spanish music to play, most of the
Spanish repertoire I have found boring. Admittedly my exposure to it has
been small.
Vance Wood.
- Original Message -
From: "Rob MacKillop" <[EMAIL PROTECTED]>
To:
Sent: Saturday,
two strings vibrate back and forth against each other producing what sounds
like a natsy fret rattle. In other words you go with the string tension on
both strings that you would use for the course if it were single.
Vance Wood.
- Original Message -
From: "LGS-Europe" <[EM
f the single first course.
Vance Wood.
- Original Message -
From: "LGS-Europe" <[EMAIL PROTECTED]>
To: "Martin" <[EMAIL PROTECTED]>;
Sent: Monday, January 02, 2006 2:51 AM
Subject: [LUTE] Re: double fisrst course
> > David, please tell us how it works
.
Vance Wood.
- Original Message -
From: "LGS-Europe" <[EMAIL PROTECTED]>
To: "Lute net"
Sent: Tuesday, January 03, 2006 3:24 AM
Subject: [LUTE] Re: double fisrst course
> > For what it's worth I have been using a doubled first course on an eight
&g
by some fifty years or so.
Vance Wood
- Original Message -
From: "Christopher Challen" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, January 10, 2006 4:15 AM
Subject: [LUTE] Magnus Tieffenbrucker
> Hello all aficionados of the lute, this is my first posting and so hope it
reache
em being from the original
Tieffenbrucker group, but probably the result of a later repair or
conversion.
Vance Wood.
- Original Message -
From: "Benjamin Narvey" <[EMAIL PROTECTED]>
To: "Vance Wood" <[EMAIL PROTECTED]>
Cc: "lute list" ; "Chr
if it
is still there you should be able to find it.
Vance Wood.
- Original Message -
From: "James A Stimson" <[EMAIL PROTECTED]>
To: "Steve Walters" <[EMAIL PROTECTED]>
Cc: "List - Lute"
Sent: Monday, January 16, 2006 8:54 PM
Subject: [LUTE] Re: Qu
ile editions in which case they are basically photo copies of the
original old print or manuscript. I hops in some way I have provided you
with the answers you were looking for.
Vance Wood.
- Original Message -
From: "dc" <[EMAIL PROTECTED]>
To: "LUTE-LIST"
Sent:
Lutenist
would prefer is likely to be more a personal preference that can vary from
player to player. A player with enough experience and ability probably
plays both forms equally well and probably wont care much.
Vance Wood.
- Original Message -
From: "dc" <[EMAIL PROTECTED]>
Those were my thoughts. Where's the beef? Or in this case, where is the
Lute?
- Original Message -
From: "Ed Durbrow" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "lute list"
Sent: Saturday, February 11, 2006 5:03 AM
Subject: [LUTE] Re: Best lute video ever
> There wasn't any lute in t
.
Vance Wood.
- Original Message -
From: "marigold castle" <[EMAIL PROTECTED]>
To:
Sent: Friday, February 17, 2006 6:59 PM
Subject: [LUTE] Re: not so many 6 course lutes?
> This is an issue very close to my heart at the moment as I'm shopping for
a first lute. S
e the opportunity to go to Cleveland you might find the Lute you
want for sale there. Also if you have the opportunity to take some lessons
from some of the great in Lute performance I would go for it.
Vance Wood.
- Original Message -
From: "Christopher Witmer" <[EMAIL PROTECTED]>
Actually we have no survivors. Understanding that the argument is made that
the use of the thumb in finger technique was a direct result of the hand
position used with the plectrum, it is not likely that a pick guard was
necessary. I don't think the first Lute players banged away on the Lute the
arder stiffer heart wood (dark redish brown) against the softer sap wood
( white to light tan). Had the staves been of Maple, Sycamore, or some
tropical hard wood it is more likley they would have been much wider.
Vance Wood.
- Original Message -
From: "Alfonso Marin" <[EM
be able to
get four Lutes out of the bunch. You should know I am an amature builder
and build Lutes only for myslef at this point.
Vance Wood.
- Original Message -
From: "Taco Walstra" <[EMAIL PROTECTED]>
To: "Rebecca Banks" <[EMAIL PROTECTED]>
Cc: &q
Hi Bill:
I particularly appreciated your inclusion of the link to Mike's Oud forum.
I would love to see this list, or something like it take on that form and
application. It is a great deal more interesting and easy to follow than a
bunch of oft disjointed emails clogging the inbox. And of course
good
Lutes you could be looking at $2000 for a similar instrument were you to
have it made, sadly that is on the cheap side for a ten course. However not
knowing the maker and how it is made I would offer $500 and go up from
there. You could get lucky.
Vance Wood.
- Original Message
rings you are supposed to.
Vance Wood.
- Original Message -
From: "David Rastall" <[EMAIL PROTECTED]>
To:
Sent: Sunday, March 26, 2006 9:56 AM
Subject: [LUTE] Playing With Nails
> Hello luters,
>
> Just out of curiosity: how many of you, if any, play the lute wi
That's the way the Lute is supposed to sound, more of a soft shoe.
- Original Message -
From: "Mayes, Joseph" <[EMAIL PROTECTED]>
To: "LGS-Europe" <[EMAIL PROTECTED]>; "Lutelist"
Sent: Sunday, March 26, 2006 5:35 PM
Subject: [LUTE] Re: Playing With Nails
> For me - playing without nails
operly you will get just as loud a sound as you will get with the nails
before distortion sets in.
Vance Wood.
- Original Message -
From: "Mayes, Joseph" <[EMAIL PROTECTED]>
To: "Vance Wood" <[EMAIL PROTECTED]>; "lute list"
Sent: Monday, March 27,
g, being
a Christian and disappointed that the instrument you love does not have a
tradition that allows you to play the kind of music you would like from
original sources and performers.
Vance Wood.
- Original Message -
From: "Christopher Witmer" <[EMAIL PROTECTED]>
To: "Lu
Very interesting, too bad the music was not included.
Vance Wood.
- Original Message -
From: "Rob MacKillop" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, March 28, 2006 1:49 AM
Subject: [LUTE] Griffiths and Bermudo
> The English translation of John Griffiths' vi
It may be from places where you are consistantly touching the wood, either
where you anchor your little finger, right hand, or where the left hand
tends to touch the sound board in the higher registers, or where you may
tend to occassionally rest your chin or cheek on the top of the top side of
the
table.
Vance Wood.
- Original Message -
From: "Herbert Ward" <[EMAIL PROTECTED]>
To:
Sent: Monday, April 03, 2006 6:25 PM
Subject: [LUTE] The lute builder as woodworker.
>
> Aplogies to those who find this slightly off topic.
>
> Does a good lute builder know
his will change in
a few years, and continue changing for many years, in subtle ways. You may
have a good idea knowing that you did everything right and you tuned the
sound board, but sometimes the inteplay between different woods cannot be
totally predicted. It's a lot like having c
>From what I am hearing about this instrument I would take a close look at
it, in my rear view mirror moving away from it at a rapid pace. I think you
are going to get taken if you purchase this instrument.
Vance Wood.
- Original Message -
From: "Steve Ramey" <[EMAI
It appears to be a 19th or 20th century conversion or rip-off of an older
Lute. It obviously has metal or Guitar like frets, the peg box is not
original and the bridge again looks like it might possibly have, or at one
time had, a saddle like a Guitar. This is what we used to call a Galute.
The b
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: "Rob Dorsey" <[EMAIL PROTECTED]>
Sent: Saturday, April 08, 2006 11:17 AM
Subject: Re: [LUTE] Re: 1733 ebay lute for a mere ...
> It is possible that the bowel is an original 1733 bowel
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: "Rob Dorsey" <[EMAIL PROTECTED]>
Sent: Saturday, April 08, 2006 12:24 PM
Subject: Re: [LUTE] Re: 1733 ebay lute for a mere ...
> Thanks Rob for the non-sarcastic response. I agree with
and
see what happens.
Vance Wood.
- Original Message -
From: "Herbert Ward" <[EMAIL PROTECTED]>
To: "bill kilpatrick" <[EMAIL PROTECTED]>
Cc: "Ed Durbrow" <[EMAIL PROTECTED]>; "LuteNet list"
Sent: Friday, April 14, 2006 1:27 PM
S
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, April 15, 2006 8:24 AM
Subject: Re: [LUTE] What is it?
> I know virtually nothing of Medieval instruments but from the looks of it,
> and the fact both instr
That's too bad Thomas, I thought they were worth auditing and enjoyed them.
Having said that I would certainly like to see some of the same from the
critics. I wish you would leave them up unitil I can download them at
anyrate.
VW
- Original Message -
From: "Thomas Schall" <[EMAIL PROTEC
ature than
the Lute gods we now worship.
Vance Wood.
- Original Message -
From: "Thomas Schall" <[EMAIL PROTECTED]>
To: "lutelist"
Sent: Saturday, April 29, 2006 1:37 PM
Subject: [LUTE] videos deleted
> Hi all,
>
> after the receipt of harsh cri
7;t know and have never heard play
telling me my playing sucks and so does my Lute. It's too bad this group
has taken this turn, and I think it will be a long time before it turns
back. Thomas---thanks for your courage and thanks for exposing a serious
chink in the armor of those of us who are
I know you play David, but did you tell Thomas he couldn't or should delete
his videos? And is this what we want? No one learns who does not try.
That's just simple wisdom.
Vance Wood.
- Original Message -
From: "David Rastall" <[EMAIL PROTECTED]>
To: "Van
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: "David Rastall" <[EMAIL PROTECTED]>
Sent: Monday, May 01, 2006 2:36 PM
Subject: Re: [LUTE] Re: videos deleted
> Thank You David, I did not think it was you and agree with everything else
had this happen to
me several times but understanding we were not impugning someone's heritage
or assigning oedipal tendencies, no harm has been done.
Vance Wood.
- Original Message -
From: "David Rastall" <[EMAIL PROTECTED]>
To: "bill kilpatrick" <
You are a funny man David. Levitateing Lutes, whoever heard of such a
thing-would that be the original Air Lute? I'm sorry I just couldn't
resist this one.
Vance Wood.
- Original Message -
From: "David Rastall" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED
That's a funny thing about the way different people's minds work. When I
memorize music I don't memorize the tablature I memorize the music. I could
no more remember a line of tab than fly, though I guess if I could visualize
the tab. memorization would be a lot easier.
- Original Message ---
Here is something else I would like to know if anyone has tried? Ti Chi? I
have found it to be a very good, but not aggressive, exercise that stretches
more than taxes joints and muscles.
Vance Wood.
- Original Message -
From: "guy_and_liz Smith" <[EMAIL PROTECTED]
umble through
passages where there are a lot of shifts up and down the neck, even if it is
only one fret. Three: It forces the left hand to multitask and as such is
a probable cause of a lot of physical problems down the road.
Vance Wood.
- Original Message -
From: "Howard Posne
I would assume if you make the mistake of screwing the peg into the joint
itself you will have a problem, the peg should be screwed into the neck
block.
Vance Wood.
- Original Message -
From: "guy_and_liz Smith" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>;
Sent: Sa
It is interesting to listen to this presentation. It has been hypothesized
that Dowland came from Ireland. Listening to Flow My Tears in this version
I really perceive a Celtic flavor I had never noticed before. No culture
sings a sad song so sweetly like the Celts.
Vance Wood
I think when you come at this issue by way of Bach you are forgetting that
Bach is an icon. I know of no composer who has been more studied, more
defined, more argued about, and more used to define musical form in the
Universities of Western Culture than Bach.
Does this make him the best? Hel
Aside from the physical survival of manuscripts and ancient publications,
these would be nothing more than historical documents and oddities if it
were not for the extremely high quality of the music they preserve.
This is much more reinforced by the fact that the majority of it can only be
rea
sound board as well, which
you should not do. If that is so that is the source of your problem.
vance Wood.
- Original Message -
From: "Alan Barnosky" <[EMAIL PROTECTED]>
To:
Sent: Saturday, January 13, 2007 3:24 PM
Subject: [LUTE] Re: Preventing buzz with the '
Why don't you go sleep it off Arto?
- Original Message -
From: "Arto Wikla" <[EMAIL PROTECTED]>
To:
Sent: Friday, January 26, 2007 6:32 PM
Subject: [LUTE] VERY OFF TOPIC! (political?)
>
> Dear all,
>
> it is going bad! Mr. Bush - the winner of the USA elections, the man
> chosen by (nea
Are you dealing with an instrument that you don't want to ruin, or is it an
instrument that is impossible to ruin. I mean no offence, but if you have a
good Lute you might be well advised to at least get Lundberg's book on
historical Lute building and learn a little about bridges and their
re
es to doing things cheap and
easy I am all in favor--within reason. Some things cannot be done so, they
require a degree of skill and care.
- Original Message -
From: "Stuart Walsh" <[EMAIL PROTECTED]>
To: "vance wood" <[EMAIL PROTECTED]>;
Sent: Saturday,
I would like to know that as well.
- Original Message -
From: "Stewart McCoy" <[EMAIL PROTECTED]>
To: "Lute Net"
Sent: Thursday, February 01, 2007 1:45 PM
Subject: [LUTE] Dowland portrait
> Please could anyone tell me if the alleged portrait of Dowland - the
> one to be found on the B
Vance,
>
> The web address is
>
> http://www.musikhistorie.dk/sider/temaer/komponister/giardino_novo_s
> tor.html
>
> It was kindly supplied by Arne Keller.
>
> Best wishes,
>
> Stewart McCoy.
>
> - Original Message -
> From: "vance wood" <
Thank you all for supplying the correct URL, I did get it cut and paste.
- Original Message -
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "vance wood" <[EMAIL PROTECTED]>; "Lute List"
Sent: Sunday, February 04, 2007 1:02 PM
Subject: Re: [LUT
I think it might be an Orpharion understanding the Dowland wrote music for
that instrument. Seen from the back it is almost impossible to determine a
body shape and an Orpharion neck is longer than a Lute neck if memory serves
me correctly.
- Original Message -
From: <[EMAIL PROTECTED]
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: "Ed Durbrow" <[EMAIL PROTECTED]>
Sent: Tuesday, October 07, 2003 8:23 PM
Subject: Re: Rob MacKillop changing professions
> I know about frustration and a need to put food on the table, es
s the most
dominant musical instrument of the period, out side the human voice.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, October 11, 2003 12:39 PM
Subject: Re: looking for a "lutar" - forwarded
> Jo
have to use a proper technique. I
know this can be done because this is what Julian Bream used to do, play the
Guitar with nails and the Lute without, and this is in the same concert. I
asked him about this after a performance I was privileged to attend many
years ago. So it can be done.
Vance
- Original Message -
From: "Vance Wood" <[EMAIL PROTECTED]>
To: "Matanya Ophee" <[EMAIL PROTECTED]>
Sent: Sunday, October 12, 2003 8:04 PM
Subject: Re: MO's attacks. Final, para mi
> Not wanting to get into this debate on the political level, M
I did not ask him exactly how he did this or how he filed his nails. All I
know is this is what he told me. There was an entire room full of people
that wanted to talk to him so he did not have time to be specific.
Vance Wood.
- Original Message -
From: "Ed Durbrow" <[EM
. "Please forgive me
if I come to a screeching halt in the middle of this piece, I broke a finger
nail, the Guitar is played with the nails and the Lute without."
Vance Wood.
- Original Message -
From: "Lindberg Richard-MGIA0539" <[EMAIL PROTECTED]>
To: "'
your finger attack correct. Incidentally, Mr. Bream played with =
the thumb out as on a Guitar and he (as I remember) did not anchor the =
pinky of the right hand.
Vance Wood.
- Original Message -=20
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED] ; [EMAIL PROTECTED]
Sent: Monday
early days when I taught Guitar, one of the books I used was the
Carcassi method. I guess this book was originally written in the 19th
Century, but he advocated finger tips, no nails.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[
about Dowland's
dance pieces being more recital compositions than pieces to be danced to
gets a mark in the win column. Either way it brings up some thought on both
sides of the issue.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent:
taught that
painters from this period had an almost obsession with, what we would call
photographic, accuracy in their work.
Vance Wood.
- Original Message -
From: "Gernot Hilger" <[EMAIL PROTECTED]>
To: "Jon Murphy" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]
rendition of a
subject may not be accurate.
Vance Wood.
- Original Message -
From: "Jon Murphy" <[EMAIL PROTECTED]>
To: "Gernot Hilger" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>
Sent: Monday, October 20, 2003 9:14 AM
Subject: Holbein, addendum
> Forg
point considered
un-Godly and therefore forbidden in some circles, especially the extremely
contrapuntal compositions. I wish I could remember where I ran across this
bit of information but I remember it clearly.
Vance Wood.
- Original Message -
From: "Ed Durbrow" <[EMAIL PROTECTE
considering the
Martin Luther is said to have played the Lute though nothing is said as to
how well or how often.
Vance Wood.
- Original Message -
From: "lutesmith" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, October 21, 2003 7:08 PM
Subject: Re: Holb
Paganinni was said
to have sold his soul to the devil.
Vance Wood.
- Original Message -
From: "lutesmith" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, October 21, 2003 7:56 PM
Subject: Re: Holbein, addendum
>
> Vance,
>
>
> >It is my underst
t they are repairable. I
will be interested to review additional answers to your question.
Vance Wood.
- Original Message -
From: "Herbert Ward" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, October 23, 2003 6:48 PM
Subject: How long can a lute last?
>
>
to be
true and if so how do you maintain this condition through a session lasting
more than fifteen minutes? Or as I suspect what am I doing wrong ?
Vance Wood.
left with
the conclusion that the remedy is in the skin of the hands and not the
direction or method of articulation. I appreciate the efforts of all who
have replied to my question and will try some of the alternatives mentioned.
Vance Wood.
- Original Message -
From: "Serge-André C
es.
Vance Wood.
- Original Message -
From: "bill sterling" <[EMAIL PROTECTED]>
To: "lute list" <[EMAIL PROTECTED]>; "Serge-André Comeau"
<[EMAIL PROTECTED]>; "Vance Wood" <[EMAIL PROTECTED]>
Sent: Saturday, October 25,
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