Dear friends,
next October I'll spend a few days in New York.
I'm looking for a theorbo or an archlute to ren,t from 2nd to 11th.
Can be at 415 or 440.
Can someone help me?
thanks,
Diego
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- Original Message -
From: Eugene C. Braig IV brai...@osu.edu
To: 'Lute Dmth' lute@cs.dartmouth.edu
Sent: Wednesday, January 05, 2011 5:10 PM
Subject: [LUTE] Re: RV93 - which instrument?
Instrumentation
follows the recently popular status quo: RV 82, 85, and 93 on archlute by
Diego
I'm happy to announce that during the next year the City of Leno (where
Capirola was born) will produce a cd with some music (recorded by me) and
the full pdf Capirola book, like in my Kapsberger cd.
I'll send you more news when the cd will be ready.
Diego Cantalupi
To get on or off this
: The tiorba was used in
Vienna, Prague and Berlin during the 18th century: J.J. Fux, Orfeo ed
Euridice (Vienna, 1715), Costanza (Prague, 1723); C. H. Graun. Montezuma
(Berlin, 1755).
Also, it's possible to hear an aria with obbligato lute in an old LP by
Decca (1967), with Joan Sutherland singing
- Original Message -
From: tio...@gmail.com
What you think about the Cantabo Domino by Paolo Quagliati, (printed in
Fabio Costantini, Scelta di mottetti [...] libro secondo, Roma, Robletti
1618) where we have 2 pentagrams for the chitarra?
I made a mistake: there's just a continuo
From: Monica Hall mjlh...@tiscali.co.uk
That is interesting becuase if it just says chitarra it may not refer to
the 5-course guitar but rather to the 4-course mandora or possibly even
the chitarrone.
Never find any reference about the use of the 4 course mandora in Roma.
Also I think it's
From: Monica Hall mjlh...@tiscali.co.uk
I can't believe this - it is all nonsense. There is a difference between
sacred songs which may be dance like and intended to be performed in a
domestic setting and music to be performed in a liturgical context.
The problem with so many performers
IMO he's trying to do something interesting,
IMO he's trying to do something easy to sell.
In his own words: This recording is all about the Italian renaissance,
That's ok, at least for the composers.
how it understood itself,
Sciencefiction ...
how we understand it today
May be
From: Charles Browne char...@brownecowie.fsnet.co.uk
Greetings!
does anyone on the list have any experience of playing duets with a harp
(either renaissance or baroque lute)? I would be grateful for some help
in terns of possible repertoire!
Thanks
Charles
I think you can arrange some of
- Original Message -
From: Spring, aus dem, Rainer rspringaus...@tee.toshiba.de
To: lute@cs.dartmouth.edu
Sent: Thursday, January 22, 2009 2:30 PM
Subject: [LUTE] Looking for an article form Lute Society of America
Quarterly
Dear lute netters,
I am looking for
Title: [Re:
I'm watching outside my window.
It's the sunset of a sunny day of November: it begins to be a bit cold,
and, as usual, fog is going to hide the top of the city tower (hope not
the whole cathedral).
I'm sure Merula could see exactly the same panorama, and perhaps smell
the same
I'm wondering how many of the early publications for a 'theorbo' (various
spellings) or chitarrone were actually for large 10c bass lutes with
re-entrant tunings?
I wonder about this too! As far as I know, Kapsberger's Libro primo for
chitarrone is for a 10-course instrument.
You can find
Banchieri in his Conclusioni nel suono dell'organo (Bologna 1609), p. 59,
gives a G tuning for the chitarrone, with the
reentrant tuning for the first string only.
From my homepage (under 'docs tab') you can download a pdf copy of my
dissertation about the chitarrone and the continuo in
Martyn Hodgson wrote:
[...] if we use a proper size instrument (ie not an implausible 'toy'
theorbo), against the laws of physics.
Let's assume a string lenght of 80 cm. It's not a toy, but a theorbo usable
for solo music (i.e. the Mantuan 18 courses instrument).
The 'breaking index' for gut
My theorbo (copy of an original by Matteo Sellas) is 80/161. The size is
quite usual in historical instruments.
I can't imagine playing Castaldi or Kapsberger on a 95 cm instrument...
Also I can't imagine to have an instrument for any single pitch !
My instrument is stringed with plain gut.
With
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