like to let you know about an upcoming Baroque Lute Concert
recorded live and streaming from Sep 25 - Oct 4 online. I think you
all might enjoy it.
As part of Tempesta di Mare's Artist Recital Series, Richard Stone will
play German and Austrian lute music from the high baroque
Dear fellow Lute Enthusiasts,
I would like to let you know about an upcoming Baroque Lute Concert
recorded live and streaming from Sep 25 - Oct 4 online. I think you
all might enjoy it.
As part of Tempesta di Mare's Artist Recital Series, Richard Stone will
play German
Dear Lutenists,
A note to say that I will be playing a
12-COURSE LUTE RECITAL IN LONDON: SATURDAY 19 NOVEMBER AT NOON
"Dedicatory Lute Music from Louis le Grand to Frederick the Great:
Musical Extrapolations on Blancrocher and the Tombeau Tradition"
Music by Gallot, Mouton,
Hi All,
If you're within striking distance of Oxford this Saturday, please come!
http://luteshop.co.uk/summerconcert/
Best wishes,
Martin
---
This email has been checked for viruses by Avast antivirus software.
https://www.avast.com/antivirus
To get on or off this list see list
Hi All,
Just in case any of you are within striking distance of southern
Burgundy on that date:
Stewart McCoy and I are doing a concert of lute duets on Sunday 15th
September at 15.30h in the church at Vaudebarrier (71120 France). Free
entry, venez nombreux!
Martin
To get on or off
Aloha!
I would like to share with you a link from the francophone lute group
http://sites.radiofrance.fr/francemusique/em/concert-midi/emission.php?e_id=8055d_id=515000754
Click on (ré)écouter l'émission
It is a solo concert (Dowland and a contemporary composer) by a very
gifted young
Dear Luters,
In case any of you happen to be in Paris tomorrow
Best,
Benjamin
Jardiniers de l'ame
Un concert de musique baroque autour de G.F. Haendel et J.S. Bach
avec Maud Gnidzaz, soprano
Laure Vovard, clavecin
Ulrike Bruett, violoncelle baroque
Michelle
Dear Luters,
In case any of you happen to be in Paris tomorrow
Best,
Benjamin
Jardiniers de l'ame
Un concert de musique baroque autour de G.F. Haendel et J.S. Bach
avec Maud Gnidzaz, soprano
Laure Vovard, clavecin
Ulrike Bruett, violoncelle baroque
Michelle
Hi all,
For any of you who might be attending the Boston Early Music Festival this
week, you might be interested in the solo concert I'll be playing on the Fringe
series. It will be Saturday, June 18th at the Goethe-Institut Boston (170
Beacon St., Boston) at 1:00pm. Tickets are a paltry
Dear everybody,
if you happen to be near Bremen on May 6th 2011, don't miss the opportunity:
Simon Linné
plays music by Robert Ballard on the 10c lute
Friday, May 6th 2011, 8:00 pm
St. Johannes-Kirche
In der Traenke 24
28279 Bremen
Bus # 51, stop Arster Kirche
Entrance is free, donations are
Dear everybody,
if you happen to be near Bremen, Germany, tonight, don't miss the
opportunity of attending a concert of La Ninfea:
Venue: Kirche St. Johannis, In der Tränke 24, 28279 Bremen, at 7:00 pm
La Ninfea: Italian Baroque Music
Simon Linné (Lute)
Barbara Heindlmeier (Recorder)
Dear NYC Friends,
There will be an excellent gala-performance
at the Ukrainian Institute (79th Street @ 5th Avenue)
on May 7th, at 7PM, in which I shall accompany
Julian Kytasty, Michael Andrec and Ron Howard
in a few anonymous late 17th century Ukrainian lute-songs
and instrumental pieces
Dear everybody,
if you happen to be near Bremen, Germany, tomorrow don't miss a concert
with music by W. Laws and J. Jenkins, music for viols and theorbos.
Venue: Sa. Januar 30th, 8:00 pm, Immanuel-Kapelle, Bremen-Walle
(Elisabethstr. 17/18 in 28217 Bremen)
--
Mathias
To get on or off this
Concert demain - venez nombreux !
Concert tomorrow - come along if you can!
[1]http://www.ville-leslilas.fr/quotidien/place_agenda.php?id_place=269id=691
theme=Culture/Loisirs
--
Dr Benjamin A. Narvey
Institute of Musical Research
School of Advanced Study
University of
To All:
We have added to our web site some new mp3 clips from a recent concert
of 16th century chansons. Also, we have posted a short
descriptive essay on us and Mignarda Editions, for those
who may be interested. [1]http://www.mignarda.com/news
Best wishes,
Ron Donna
Dear everybody,
if you happen to be in Bremen on forthcoming Saturday, April 26th, don't
miss to attend a concert with lute music:
7:00 pm, Chapel at Ritter-Raschen-Str. 41, 28219 Bremen/Walle
Simon Linne will be playing music by de Visée
--
Mathias
To get on or off this list see list
Paul O'Dette, lute
Ellen Hargis, soprano
Music of Monteverdi, Sances, Strozzi, and Castaldi
Saturday, March 8, 2008 at 8pm
First Church in Cambridge, Congregational in Harvard Square
Tickets: $25, $38, $49, $64; $5 off for students seniors
Free pre-concert talk at 6:30pm - Free
Dear All:
Anthony Rooley's article in the revised edition of A Performer's Guide to
Renaissance Music (Indiana University Press, 2007) is, I think, a fine example
of a lute player thinking beyond the bounds of his instrument. His discussion
of the dynamics of early music ensembles and
In my younger days, and in a very different life, I was rather deft =20
at playing the stove-pipe, well actually it was a longish drain-pipe =20
tuned to A 440. Any takers for a lute + stove-pipe duet?
Anthony
Le 26 sept. 07 =E0 00:36, howard posner a =E9crit :
On Sep 25, 2007, at 2:19 PM,
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
Date: Tuesday, September 25, 2007 4:04 pm
Subject: [LUTE] Lute concert
On the subject of Tony Rooley's performance, I would say that any
lute in a hall big enough to hold over 800 people, is going to be
difficult to hear
Re Rooley/Unrooley
When I first starting recording in the 70s, there was a realism
movement (Direct Metal Mastering, and so on--yikes)
People wanted the real sound. Now, no one wants the real sound. All
recordings are processed by limiters, spectral enhancers, convolvers,
acoustic modeling,
...
Glad to read your reply,
Bruno.
Best wishes,
Ron Andrico
http://www.mignarda.com
Date: Sun, 23 Sep 2007 23:13:24 -0300
To: lute@cs.dartmouth.edu
From: [EMAIL PROTECTED]
Subject: [LUTE] Lute concert
Dear lutenists,
While having a glass of Malbec wine and my
Dear David
I have problems with analyses that take apart the
playing of a person on one occasion. Especially, in the case of a
lutist who began playing in a completely different context from ours,
I prefer to try to see how his technique may show the way playing has
tended to
Even recordings that are unprocessed are processed (unbeknownst by
the original engineer) by goofballs at the pressing plant who don't
know how the machines work.
This is the big problem... people are used to listen to edited recording and
are not aware of this. So when they attend a concert
David
Could I also add that I began playing the lute in the mid 70s. At
the same time I began reading all the discussions in the Early music
magazine, at a moment when basically two groups of lutists could be
found discussing their opposing views. The first were in favour of
Dear All,
Just a few comments:
Anthony Rooley was a great inspiration to me when I went to one of his
lecture-recitals in 1973. His enthusiasm was infectious and he was
friendly and encouraging. I have seen him only occasionally since, but
have always had the same impression.
At the Lute
I agree - quietness should be thought of as one of the lute's key
qualities - not an issue to be overcome - as with another famously
quiet instrument, the clavichord...
Andrew
On 25 Sep 2007, at 10:11, Francesco Tribioli wrote:
Even recordings that are unprocessed are processed
My wife and I heard Anthony Rooley give a recital entitled 'Orpheus
Stories' at Waterperry House in Oxfordshire, UK on a gloomy wet
afternoon in July (so wet, in fact, the organisers provided us with
overshoes to wear into the ballroom where the event was taking
place). He alternated
Dear All,
Just a few comments:
I think it is probably wrong to assume that Julian Bream or Wanda
Landowska were louder than their modern counterparts - in fact it
seems
to me that with both lutes and harpsichords, as modern makers have got
closer to historical models and methods (and
I agree - quietness should be thought of as one of the lute's key
qualities - not an issue to be overcome - as with another famously
quiet instrument, the clavichord...
Andrew
I seem to remember Willy Apel once commenting on hearing a clavichord in
concert that at first he could not
- Original Message -
From: Anthony Hind [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, September 25, 2007 3:03 AM
Subject: [LUTE] Re: Lute concert
Martin
I had never actually heard either Bream or Landowska in concert,
but loudness, particularly in the case
Was it Stan Beutens who recorded that piece of PDQ Bach?
ed
At 03:18 AM 9/25/2007 -0700, gary digman wrote:
This discussion also reminds me of Peter Schickele's (sic) performance notes
to his Duet for Bagpipe and Lute:
When the bagpipe plays, you will not be able to hear the lute, but the lute
Correia
Subject: [LUTE] Re: Lute concert
Dear all,
We seem to be concentrating on just the softness
of playing. What about Bruno's other comment that it
was also painful to hear or to understand what
[Rooley] was doing? (Bruno even went so far as to
call him a poor chap.) All the painstaking
Dear Anthony,
Please don't be put off by my remarks. They're harmless, believe
me. Behind the flippant tone really was a serious question and your
replies, and those of the others who have commented on the current
state of lute playing, have been very enlightening.
I came to the lute in
When the bagpipe plays, you will not be able to hear the lute, but
the lute
is pleasant to look at. So, when the bagpipe plays, enjoy the lute.
Gary
For a lute that is pretty to look at but drowned out, see
http://youtube.com/watch?v=hQywhloSBlE
To get on or off this list see list
Daniel,
Look at it this way: I didn't hear the lutenist make a single mistake.
Stephen
- Original Message -
From: Daniel Shoskes [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]
Cc: lutelist lute@cs.dartmouth.edu
Sent: Tuesday, September 25, 2007 10:25 AM
Subject: [LUTE] Re: Lute
Dear David
Perhaps, your experience shows that my view has been too strongly
coloured by the lutists who have most effected my sensitivity to the
lute at key moments. Julian Bream (who first interested me in the
lute), then my teacher and Hoppy, who I saw and heard a number of
Daniel Shoskes [EMAIL PROTECTED] schrieb:
When the bagpipe plays, you will not be able to hear the lute, but
the lute
is pleasant to look at. So, when the bagpipe plays, enjoy the lute.
Gary
For a lute that is pretty to look at but drowned out, see
For a lute that is pretty to look at but drowned out, see
http://youtube.com/watch?v=hQywhloSBlE
Nice playing. A cembalo player once taught me that a lute helps to make the
cembalo sound milder. That's a good way of thinking of the combination.
Don't try to be louder by playing sharper, but
For more on lutes and bagpipes, see Samuel Pepys' diary for 28 July 1666.
But strange to hear my Lord Lauderdale say himself that he had rather hear
a cat mew, than the best musique in the world; and the better the musique,
the more sicke it makes him; and that of all instruments, he hates the
I agree, but my new arclute is still sitting in the builder's studio with =
a Kingham case on the way.
On Tuesday, September 25, 2007, at 04:48PM, Mathias R=F6sel Mathias.Roes=
[EMAIL PROTECTED] wrote:
Daniel Shoskes [EMAIL PROTECTED] schrieb:
=20
When the bagpipe plays, you will not be able
Dear lutenists,
While having a glass of Malbec wine and my memory is still reasonably
fresh, I'd like to share a few coments about the concert that Anthony Rooley
and Emma Kirkby gave here in Rio de Janeiro last Friday.
First of all, I was very excited to see two very famous specialists in early
,
Ron Andrico
http://www.mignarda.com
Date: Sun, 23 Sep 2007 23:13:24 -0300 To: lute@cs.dartmouth.edu From:
[EMAIL PROTECTED] Subject: [LUTE] Lute concert Dear lutenists, While
having a glass of Malbec wine and my memory is still reasonably fresh, I'd
like to share a few coments about
On Sep 24, 2007, at 10:16 AM, Ron Andrico wrote:
...your comments about the lute playing seemed a bit misguided.
My first question to you is, do you know how much ground work
Anthony Rooley has done to make the 'lute revival' what it is
today? While this question has nothing to do with
Dear David and all,
on 9/24/2007, David Rastall wrote:
Why? Are we still living in the age of Divine Rhetoricians and Lute
Gods, where sacred cows safely graze? Certainly we all recognize
Rooley's contribution in the lute world, but that doesn't place him
above criticism.
I agree with
Dear Bruno and Andronico
I think there may be phases in historical music in which players
reject what went before, partly for reasons of greater authenticity,
but not only, so.
Following a period in which pioneering musicians played with modern
techniques on modern heavy high tension
[EMAIL PROTECTED]
www.davidvanooijen.nl
- Original Message -
From: Bruno Correia [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, September 24, 2007 4:13 AM
Subject: [LUTE] Lute concert
Dear lutenists,
While having a glass of Malbec wine and my
No one who has heard the recordings Tony and Emma have done over the
years would be surprised at how soft he is. Even in the studio,
where he could easily control the balance, he tends to be soft.
To get on or off this list see list information at
Dear Anthony,
As you are a man of so few words, perhaps you can explain, in 25
screens or less, just what is the present state of lute playing?
My reason for asking is this: I have seen many changes in my own
playing over the last five years or more. But as I don't promote
myself at all,
Dear all,
We seem to be concentrating on just the softness
of playing. What about Bruno's other comment that it
was also painful to hear or to understand what
[Rooley] was doing? (Bruno even went so far as to
call him a poor chap.) All the painstaking academic
research in the world doesn't
instrument...
Glad to read your reply,
Bruno.
Best wishes,
Ron Andrico
http://www.mignarda.com
Date: Sun, 23 Sep 2007 23:13:24 -0300
To: lute@cs.dartmouth.edu
From: [EMAIL PROTECTED]
Subject: [LUTE] Lute concert
Dear lutenists,
While having a glass of Malbec wine and my memory
Vered Forbes, a viola da gamba player and soprano singer, student of
phillippe pierlot (and ex-lute player :-) ) and reinhilde bovendaerde
in the royal belgian conservatory (starting her 3rd year) is looking
a place for house concerts in london between the dates 17-20 in
september.
you
To the List:
For those who were not fortunate enough to attend, the baroque lute and
theorbo concert by list member Chris Wilke last night was a triumph on
several levels. First, Chris is a really nice and gentle guy and that's
enough in so gifted a musician but his playing has a wonderful,
(hi - for technical reasons this did not go through
- be sure to reply directly to [EMAIL PROTECTED] )
Announcing a solo recital and a master class:
The Annual McFarlane Weekend Lute Seminar of DC
in cooperation with
The Washington Conservatory of Music
present
UNCHARTED WATERS: NEW AND
This evening El Mundo will perform a program of 17th 18th century music
from from Spain and Italy on the Music On The Hill series in San Francisco, CA.
The program will feature music by: Jose Marin, Juan Hidalgo , Sebastian
Duron, Dario Castello, Biagio Marini, Giovanni Legrenzi, Giovanni
Greetings
I will be doing a lecture recital Elizabethan
Airs and Dances for Lute at the Presbyterian
Church in Stamford, NY this Sunday, January 29th at 3
pm. On the program will be works by Cutting, Dowland,
Robinson, Holborne and anonymous pieces from
manuscript sources. If you are in
Hello -
A friend is organizing early music concerts in Normandy
and is interested in contacting musicians. She is trying
to save a museum/classified monument which dates from the
13th century in Normandy and has wonderful acoustics for
certain instruments, such as the lute, cithare,
SOLDIERS' SONGS
A look into the lives and
perspectives of Ukrainian soldiers who fought on both sides in the Great War
of 1914-1918
Folk Songs Instrumental Arrangements/Improvisations by Julian Kytasty and
Roman Turovsky-Sautscheck
Poems and Prose by Wilfred Owen and Ernest Hemingway
Armistice
I'll be playing two concerts of music around Don Quijote in Alcala de
Henares, birthplace of Cervantes, near Madrid.
It's in the Corral de Comedias.
Saturday 8 October 20:30
Sunday 9 October 20:00
The group is called La Grande Chapelle, conductor Angel Recasens.
We're four singers, two recorders,
Dear friends,
=20
I am sorry to have to announce what will be my final lute concert =
(details below). I hope that some of you can make it to the gig. Due to =
the lack of support for musicians and artists in Scotland (substitute =
your own country...), I have to sell my instruments and move
Dear Rob,
I am thunderstruck by your announcement. Wish I could be there, and I hope you'll
return to these grounds one day.
--
Best wishes,
Mathias
Mathias Roesel, Grosze Annenstrasze 5, 28199 Bremen, Deutschland/ Germany, Tel +49 -
421 - 165 49 97, Fax +49 1805 060 334 480 67, e-mail:
61 matches
Mail list logo
