Another way would be to create a new part. This was done in the old
days and we have contra-parts for Francesco Fantasias and many other
pieces.
On Apr 28, 2008, at 9:48 PM, Herbert Ward wrote:
The obvious method for making a duet from a solo is
to simply divide the notes between the two
: mercredi 30 avril 2008 15:36
À : Herbert Ward; LuteNet list
Objet : [LUTE] Re: Making a duet from a solo.
Another way would be to create a new part. This was done in the old
days and we have contra-parts for Francesco Fantasias and many other
pieces.
On Apr 28, 2008, at 9:48 PM, Herbert Ward wrote
This is an important point: if the aim is HIP, then this is it. Many
three-part works written during the early chanson period were given
new life by the addition of a fourth part. Some of these extra parts
are quite ingenious, providing a complete change in chord structure
(not that the composers
Hello
When making a guitar duo arrangement of a four-part work, I try to
interlock the voices. That is, I give guitar one parts one and three and
guitar two parts two and four. This takes the piece out of the one-sided
area and makes it a one big instrument duo. Perhaps the same process would
I think the Valderrabano itabulations for two vihuelas work that way.
-Original Message-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: Monday, April 28, 2008 9:22 AM
To: Herbert Ward; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Making a duet from a solo.
Hello
When making
In the composition of a solo piece for a lute-like instrument, compromises
are made to accommodate the limitations of the instrument. If one can
discern these compromises, one could undo them to fill out the intended
harmony in the second lute part.
The obvious method for making a duet from a
-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: Monday, April 28, 2008 9:22 AM
To: Herbert Ward; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Making a duet from a solo.
Hello
When making a guitar duo arrangement of a four-part work, I try to
interlock the voices. That is, I give
