At 04:20 PM 12/2/2007, Arthur Ness wrote:
Also associated with Francesco Conti in Vienna was Camilla de
Rossi. A few years ago I looked at some of her oratorios (publ.
ClarNan Editions), and
they often feature prominent part (in pitch notation) for
obbligato theorbo, played doubtlessly by Conti,
]
Sent: Tuesday, November 27, 2007 6:07 PM
Subject: [BAROQUE-LUTE] Re: Narvey article online/Dm continuo in
Italy
Dear Taco,
On 2007-11-27, at 13:12, Taco Walstra wrote:
On Monday 26 November 2007 21:23, Jerzy Zak rattled on the
keyboard:
On 2007-11-26, at 20:06, Roland Hayes wrote:
What about
/arthurjnesslutescores/
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: Jerzy Zak [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, December 02, 2007 4:20 PM
Subject: [LUTE] Re: Narvey article online/Dm continuo in Italy
Also associated with Francesco Conti
The whole oratorio, Il Sacrifizio di Abramo, was recorded by Weser-
Renaissance Ensemble, directed by Manfred Cordes, with Susanne Ryden,
soprano; Ralf Popken, alto; Jan Stromberg, tenor, and most
importantly, Thomas Ihlenfeldt on archlute. Classic Produktion
Osnabruck, CPO 999 371-2.
Dear Taco,
On 2007-11-27, at 13:12, Taco Walstra wrote:
On Monday 26 November 2007 21:23, Jerzy Zak rattled on the keyboard:
On 2007-11-26, at 20:06, Roland Hayes wrote:
What about the Francesco Conti ms. - songs with instruments and d
minor lute in tab (?) Could this be a theorbo in d
Hi Benjamin. Good to see you contributing to this discussion. I was
interested in your comments in your article regarding Klaus Jackobsen's
thought that the very large Schelle theorbo might have had the first two
strings displaced because of its long string length. Is this the tuning you
use on
The large Schelle theorbo is not, in fact that large in terms of string length
(NB original bridge position is higher than at present and gives an original
string length of only 85/86cm). Because it has a neck for 8 frets (rather than
the 9 or 10 some people go for these days) it does,
:[EMAIL PROTECTED]
Sent: 26 November 2007 15:24
To: [EMAIL PROTECTED]; baroque-lute@cs.dartmouth.edu
Subject: Re: [BAROQUE-LUTE] Re: Narvey article online/Dm continuo in Italy
The large Schelle theorbo is not, in fact that large in terms of string
length (NB original bridge position is higher than
Hello Benjamin and others,
there are many sources for ensemble playing with 11-course lute
before and after 1700 (Bohemian-Austrian repertoire: Weichenberger, von Radolt,
et others).
For continuo there are not that many direct sources, but I want to remind of
Fundamenta der Lauten Musique und
