[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread David van Ooijen
Dear Peter No, you're not crazy, these things happen. Welcome to the world of lutes where imperfection is the standard. I love it; it's not a bug, it's a feature. What you're describing sounds like overtone-trouble to me. Simple solution: ditch the octave string and go for two fundamentals. Other

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Lex van Sante
Dear Peter, The reason that the octave is flat has to do with the fact that the difference in string diameter makes you bend the base string more when you fret it. I can't upload images here but maybe I can make it a little clearer thus Imagine your sixth course thus: Oo In order to press the oc

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Sean Smith
I just checked how it works on my lute and, yes, I get a slight difference, too. I guess my ear has been absorbing it. There are a lot of factors going into it so it'll be pretty complex trying to find the root(s) of this. I'll assume you have your frets set to the proper meantone place a

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread alexander
The difference in height-tension between the fundamental and the octave. A little thicker octave helps. To compensate, you can start with a single piece of paper, insert under the octave on the nut - try for pitch. Fold it in two - try, in four - try. normally as soon as you get it near the top

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Christopher Wilke
David, I agree with you that these are the quirks of the lute that one can get used to. I might also add that when individual strings of a course are out of tune, it usually sounds worse to the player than the listener. I've had several experiences of doing concerts in which I thought I w

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread David van Ooijen
OT warning: the CG-word is mentioned! Chris wrote: >  I understand that many good classical guitars are starting to use something > similar (this sort of thing has ironically been in use on $150 Yamaha > classical guitars for years. Classical Guitars these days often come with nut and saddle co

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Edward Martin
Hello, Peter. You have received many excellent responses, and I think that all those who wrote are correct. Before you go to the effort to alter the mechanical set-up of your lute, I would start with strings. One of the reasons that I do not like nylgut is that to my ear, it often sounds out

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread David van Ooijen
On Sun, Jul 11, 2010 at 4:37 PM, Edward Martin wrote: > of the reasons that I do not like nylgut is that to my ear, it often > sounds out of tune. Agreed. There seems to be something funny going on in the harmonics of nylgut strings. Thicker nylguts suffer more, or it's more obvious with the thic

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Sean Smith
I'm starting to agree w/ Ed more on the idea that a monofilament nylgut rings at more than one frequency, confounding the ear and tuner box. Ironically, I think the near perfect smoothness and controlled diameter do this. It is very near perfect when manufactured and unstretched but chang

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Leonard Williams
I have lived with this problem for some time, with both gut and synthetics--most noticeable when I get to the 3rd fret (Bb). I've replaced strings, checked for falsity, skewed my frets, etc. David's explanation referring to relative stiffness of the two strings seems most reasonable to me: I

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Edward Martin
Thanks Sean and David. Although I am predominantly a gut player, I occasionally get this problem at the 6th course, 3rd fret. I use a Pistoy gut fundamental, and a treble gut (plain) octave. When new, they are the most true strings I have tried. The most usual problem starts when the 3rd oct

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Sean Smith
So true, Ed. It's especially noticable on that C major chord: --- --- -d- -c- -e- -f- And then when the nylgut octave goes false _down_ and the fundamental goes false _up_ it's really time to change strings ...or stop playing anything that uses that combination. Unfortunately there's the

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Peter Ruskoff
Thanks so much for all the responses! And so fast! I was afraid no one would read something so long and convoluted as my post. I have three distinct things to try that I have not yet done when regarding the strings, including some combinations I have not yet thought to try based on

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Martin Shepherd
Just a small correction, Sean - nylon is less dense than gut (about 10% - but I'm sure someone will provide the exact figure). PVF is about 10% more dense than gut. Nylgut is almost the same density as gut, but just a little less dense, and also stretches more, so you often have to start off

[LUTE] Re: Tonality issues with single course -- the evil octave string

2010-07-11 Thread Sean Smith
Thanks, Martin! I don't use them very often and that's probably a good thing or I'd probably pull the bridge off. Does nylon stretch less than nylgut? ie, Does less length go onto the peg before it reaches pitch? Sean On Jul 11, 2010, at 3:03 PM, Martin Shepherd wrote: Just a small cor