And again, it can get even better.
Improved alignment - these rhythms are complex...
.and it's a long version!
Fun Fact: This is a film song from the 1964 movie "Chitralekha", based
on Raga Kamod.
This would be like a newly composed ciacona with modern English lyrics
for a movie (I think this
> On Jun 9, 2018, at 5:17 PM, Tristan von Neumann
> wrote:
>
> Lutists, please don't kill me
Not even a little?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Zak, can I borrow your left hand for my next project?
Like the review said you make light of the technical challenges.
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/
--
To get on or off this
Zac said " While most people in the
wider classical music community think about this development as having
been spearheaded by the keyboard instruments (J.S. Bachs The
Well-Tempered Clavier collection greatly contributed to it), I wanted
to emphasize that the lute and lutenists were
Well, you are free to join in the scholarly discourse :-)
Stephan
Von: Dante Rosati [mailto:danteros...@gmail.com]
Gesendet: Montag, 1. Februar 2016 16:18
An: Stephan Olbertz
Cc: Lute Net
Betreff: Re: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
you mean
Dear Zak,
Thankfully this is not about tuning.
The Libro d’intavolatura is indeed fascinating and deserves greater interest. I
have a question about your word “circulated”. I was under the impression that
VG prepared the ms. for publication and it never proceeded further. Since it
remained
Sun, 31 Jan 2016 19:57:32 +
> To: danteros...@gmail.com; r.turov...@gmail.com
> CC: lute@cs.dartmouth.edu
> From: chriswi...@cs.dartmouth.edu
> Subject: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
>
> "Well-tempered" is a non-s
.edu
Subject: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
Dear Omer,
Thank you for your interest! In the US the CD will be released on 5
Feb., and it will be widely available (including Amazon):
[1]http://www.amazon.com/Galilei-Well-tempered-Lute-Zak-Ozmo/dp/B017MZS
JR
sprA 1/4ngliche Nachricht-
Von: [3]lute-...@cs.dartmouth.edu
[mailto:[4]lute-...@cs.dartmouth.edu] Im Auftrag
von Christopher Wilke
Gesendet: Sonntag, 31. Januar 2016 20:58
An: Dante Rosati; Roman Turovsky
Cc: Lute Net
Betreff: [LUTE] Re: Vincenzo G
i dont see anyone arguing against ET. the point is simple: the CD is
called "the well tempered lute" (an obvious reference to the "well
tempered clavier"), but, unlike Bach's cycle, which was actually meant
to be played in a "well temperament" (which is not equal temperament),
the
"Well-tempered" is a non-specific term. It's been applied to tuning
systems proposed by a number of theorists including Werckmeister,
Neidhardt, Kirnbertger, Valotti, etc. There is no scholarly consensus
about which one of these - if any - Bach may have intended in "Das
Lute was an early vehicle of EQUAL temperament. and that is the
scholarly consensus.
RT
On 1/30/2016 8:53 PM, Dante Rosati wrote:
HI Zak - does the Galelei book talk about tuning? As you know, there
were various methods of placing the frets back then, none of which were
exactly
Early history
One of the earliest discussions of equal temperament occurs in the
writing of [1]Aristoxenus in the 4th century BC.
[2]Vincenzo Galilei (father of [3]Galileo Galilei) was one of the first
practical advocates of twelve-tone equal temperament. He composed a set
of
Jan 2016 20:53:12 -0500
> To: [4]z_o...@hotmail.com
> CC: [5]lute@cs.dartmouth.edu
> From: [6]danteros...@gmail.com
> Subject: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
>
> HI Zak - does the Galelei book tal
[1]https://en.wikipedia.org/wiki/Well_temperament
On Sun, Jan 31, 2016 at 12:11 PM, Roman Turovsky
<[2]r.turov...@gmail.com> wrote:
Early history
One of the earliest discussions of equal temperament occurs in
the
writing of [1]Aristoxenus in the 4th century
beh, dipende sul masochismo acustico individuale!)))
RT
On 1/31/2016 12:10 PM, Dante Rosati wrote:
in which case calling it "well tempered" is particularly inappropriate.
notice that the 18:17 fret placing method is only approximately equal.
On Sun, Jan 31, 2016 at 12:11 PM,
in which case calling it "well tempered" is particularly inappropriate.
notice that the 18:17 fret placing method is only approximately equal.
On Sun, Jan 31, 2016 at 12:11 PM, Roman Turovsky
<[1]r.turov...@gmail.com> wrote:
Early history
One of the earliest discussions of equal
Exactly. Well said.
RT
On 1/31/2016 2:57 PM, Christopher Wilke wrote:
"Well-tempered" is a non-specific term. It's been applied to tuning
systems proposed by a number of theorists including Werckmeister,
Neidhardt, Kirnbertger, Valotti, etc. There is no scholarly consensus
"something like" equal temperament. If you look at fret placing
instructions in Bermudo, etc, there is nothing that gives exact equal
temperament. There is also the use of tastini to take into account. But
yes, the convergence on equal temperament that became universal a few
hundred
uffa
Reminds me of an old armenian joke, about a guy who was selling a weird
purple horse. Asked how come it is that way, he said: "It is mine, and
I paint it whatever color I want." You may tune your axe whichever way
pleases you, if the end-result justifies it.
I'm certain
Betreff: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
"Well-tempered" is a non-specific term. It's been applied to tuning
systems proposed by a number of theorists including Werckmeister,
Neidhardt, Kirnbertger, Valotti, etc. There is no scholarly consensus
about
HI Zak - does the Galelei book talk about tuning? As you know, there
were various methods of placing the frets back then, none of which were
exactly equal temperament. maybe the problem is calling it "the well
tempered lute", since "well temperament" such as Bach used in his
Sometimes an + means an ornament like a hammer and pull off or small trill.
Vance Wood.
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, April 16, 2007 11:09 AM
Subject: [LUTE] Vincenzo Galilei
Dear All:
In looking at the manuscript of Vincenzo
Dear Jim,
I don't have the book w/ me at work but I think they are hold signs. Usually
they are placed in the first strain and you're expected to remember them on the
(usually nearly identical) second strain. I think they show up in the places
one would expect a note to be held.
MS collection compiled by Galilei intitled:
'Libro d'intavolatura di liuto,' dated 1584 on the flyleaf.
Location: Biblioteca Nazionale Centrale di Firenze: Fondo Anteriori a Galileo
6.
Modern facsimile edition published with forward (in Italian and English) by
Could you please give more exact details on the mentioned facsimile
edition? I can't find them. Isn't it a confusion with the printed
Fronimo dialogo of 1584 (Vincentino Galilei)?
Andreas
Am 05.02.2007 um 09:18 schrieb Martyn Hodgson:
MS collection compiled by Galilei intitled:
'Libro
Dear Andreas,
Martyn must be referring to the facsimile of
V. Galilei, Libro dintavolatura di liuto nel quale
si contengono i passemezzi, le romanesche, i
saltarelli, et le gagliarde et altre cose ariose, ms.
Gal. 6 (1584) della Biblioteca Nazionale di Firenze
published by SPES in Florence.
Thanks to everyone for the avalanche of responses to my query. I now
have what I need.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
: Bernhard Hofstoetter
[EMAIL PROTECTED]
To: Andreas Schlegel [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Monday, February 05, 2007 5:46 AM
Subject: [LUTE] Re: Vincenzo Galilei
Dear Andreas,
Martyn must be referring to the facsimile of
V. Galilei, Libro dintavolatura di liuto nel
No it's not the same (Fromino is printed; this is a large MS - prhps
representing G's attempt to compile a fine version of his complete lute works).
I see I ommited to mention the facsimile publisher: SPES.
M.
Andreas Schlegel [EMAIL PROTECTED] wrote:
Could you please give more exact
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