There is little difference between renaissance viol and baroque viol
as they are now made. If the ren viol has a sound post (and bass bar,
but that's harder to see) then it's not historical. On the other hand,
I know of very few viol players who will attempt public performance
without them.
That s
I enjoy very much Buxtehude and Salverde, Purcell & William Young,
in addition to the others mentioned.
You can arrange some of the Mattheis as well.
dt
At 01:46 AM 7/15/2009, you wrote:
>On Wed, Jul 15, 2009 at 10:19 AM, hera caius wrote:
> > =A0 I am searching for some music for renaissance v
Hille Perl and Lee Santana recenty put out a duo cd of music for viol
and lute/theorbo etc.
--- On Wed, 7/15/09, Eleanor Smith wrote:
From: Eleanor Smith
Subject: [LUTE] Re: viol and theorbo
To: "David van Ooijen"
Cc: lute@cs.dartmouth.edu
Date:
There is also a Dowland duet for lute and bass viol (if you do end up
taking your lute!) ... it's at the end of one of his lute song books
although I do have a pdf of the original (and my own working edition
of it) if anyone is interested ...
E
Quoting David van Ooijen :
On Wed, Jul 15
On Wed, Jul 15, 2009 at 10:19 AM, hera caius wrote:
> I am searching for some music for renaissance viol and theorbo...
A theorbo being a baroque instrument and a renaissance viol a, well,
renaissance instrument, you'll have to compromise somewhere, but this
should not distract you in any way f
