: Antwort: Re: Antwort: Weiss MS
Some years ago Barto concluded -- or at least arrived at the theory --
that
Weiss used the third finger only rarely, and that his arpeggio passages
should be played with thumb and two fingers. This was ostensibly the
subject of an entire week-long class at an LSA
On 4/28/05, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
My first tutor was Giesbert's book (only the very first starting exercices)
and then Satoh's book which is usefull if you already have played the
renaissance lute. If one should start lute playing with the baroque lute
Giesbert is still
With the legato style of playing the baroque lute, there are so many
slurs,
hammers-on, pull-off's, etc. It seems almost opposite of renaissance
lute,
where every note is plucked. So, with the legato left hand work, it is
really not all that foreign to repeat plucked notes with a right
27.04.2005 19:14:06
An:lute@cs.dartmouth.edu, Howard Posner [EMAIL PROTECTED]
Kopie:
Thema: Re: Antwort: Re: Antwort: Weiss MS
Some years ago Barto concluded -- or at least arrived at the theory --
that
Weiss used the third finger only rarely, and that his arpeggio passages
should be played
the original facsimile of.
MT Michael Thames
MT www.ThamesClassicalGuitars.com
MT - Original Message -
MT From: Thomas Schall [EMAIL PROTECTED]
MT To: Lutelist lute@cs.dartmouth.edu
MT Sent: Tuesday, April 26, 2005 3:12 PM
MT Subject: Re: Antwort: Weiss MS
MT
MT
MT Hi Michael,
MT
MT I directed you
deriving from hints
that the a-finger was used occassionally that it would have been used in a
more general sense would lead to far.
Best wishes
Thomas
[EMAIL PROTECTED] (Markus Lutz) am 27.04.2005 10:25:15
An:lute@cs.dartmouth.edu
Kopie:
Thema: Re: Antwort: Weiss MS
Hi Michael,
indeed
PROTECTED] (Markus Lutz) am 27.04.2005 10:25:15
t
t An:lute@cs.dartmouth.edu
t Kopie:
t
t Thema: Re: Antwort: Weiss MS
t
t Hi Michael,
t indeed there are only very few indications of fingering of the right hand.
t There is one Sarabande, where probably Weiss himself has indicated the
t fingers
, of repeating
the same finger, on the same string. Very liberating!
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Wednesday, April 27, 2005 5:39 AM
Subject: Antwort: Re: Antwort: Weiss MS
Hi Markus,
I
Michael Thames wrote:
A friend just sent me a video of Barto playing a
concert at the LSA last year. I couldn't help but notice He rarely use's
A finger, but did seem to use it sometimes. Hence, I became curious as to
the correct application of A.
Another interesting thing I noticed, was
: Antwort: Re: Antwort: Weiss MS
Michael Thames wrote:
A friend just sent me a video of Barto playing a
concert at the LSA last year. I couldn't help but notice He rarely
use's
A finger, but did seem to use it sometimes. Hence, I became curious
as to
the correct application of A.
Another
A friend just sent me a video of Barto playing a
concert at the LSA last year. I couldn't help but notice He rarely use's
A finger, but did seem to use it sometimes. Hence, I became curious as to
the correct application of A.
Another interesting thing I noticed, was Barto's technique, of
With the legato style of playing the baroque lute, there are so many slurs,
hammers-on, pull-off's, etc. It seems almost opposite of renaissance lute,
where every note is plucked. So, with the legato left hand work, it is
really not all that foreign to repeat plucked notes with a right
@cs.dartmouth.edu;
Howard Posner [EMAIL PROTECTED]
Sent: Wednesday, April 27, 2005 4:21 PM
Subject: Re: Antwort: Re: Antwort: Weiss MS
With the legato style of playing the baroque lute, there are so many
slurs,
hammers-on, pull-off's, etc. It seems almost opposite of renaissance
lute,
where every note
!
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, April 26, 2005 8:37 AM
Subject: Antwort: Weiss MS
take a look at the d-major capriccio fairly at the beginning of the first
book - I don't have it at hand
: Tuesday, April 26, 2005 8:37 AM
Subject: Antwort: Weiss MS
take a look at the d-major capriccio fairly at the beginning of the first
book - I don't have it at hand but it simulates barriolage which is
common for violin players.
Best Thomas
Michael Thames [EMAIL PROTECTED] am
www.ThamesClassicalGuitars.com
- Original Message -
From: Thomas Schall [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, April 26, 2005 3:12 PM
Subject: Re: Antwort: Weiss MS
Hi Michael,
I directed you to the wrong place. Finally being at home I checked the
London
Ms
16 matches
Mail list logo
