While Dowland's song Flow My Tears is in A minor, the solo
version
is
in G minor. Is there any reason why
It's not unusual for instrumental versions of songs to be in a
different key from the original, because the song is pitched to
> On Nov 27, 2017, at 8:02 PM, Edward C. Yong wrote:
>
> Query for the luteverse.
> While Dowland's song Flow My Tears is in A minor, the solo version is
> in G minor. Is there any reason why
It’s not unusual for instrumental versions of songs to be in a different ke
Hullo!
Query for the luteverse.
While Dowland's song Flow My Tears is in A minor, the solo version is
in G minor. Is there any reason why, and would anyone have the
accompaniment in a G minor version?
Best,
Edward from Singapore
--
To get on or off this list see
My thanks! The need has been filled! My thanks!
William
On Sun, Jul 29, 2012 at 9:19 AM, William Brohinsky wrote:
> Luters,
>
> I am in need of the original version of 'flow my tears' (whatever the
> spelling) from Dowland's second book of ayres. I am specifically
&
Luters,
I am in need of the original version of 'flow my tears' (whatever the
spelling) from Dowland's second book of ayres. I am specifically
looking for white mensural notation and lute tablature, as well as the
original lyrics in their originally printed spellings.
I know that
Am 01.05.2011, 00:04 Uhr, schrieb David Tayler :
There are a number of pavans both in lute sources and in keyboard
sources that have fully, richly, brilliantly ornamented A's and B's,
but single C's. There are too many of these pieces to discount.
But did they add, or improvise divisions for the
I certainly can't claim to know the answer to this one--I certainly
don't disagree that there is some repeatyness indicated.
The presence of the repeat sign unfortunately may not signify whether
the music should be repeated or not. But it is something, it can't be
discounted completely.
However,
est wishes,
>>
>> Denys
>>
>> -Original Message-
>> From: lute-...@cs.dartmouth.edu
>> [mailto:lute-...@cs.dartmouth.edu]
>> On Behalf
>> Of be...@interlog.com
>> Sent: 30 April 2011 01:00
>> To: lute-cs.dartmouth.edu
>> Subj
mailto:lute-...@cs.dartmouth.edu]
> On Behalf
> Of be...@interlog.com
> Sent: 30 April 2011 01:00
> To: lute-cs.dartmouth.edu
> Subject: [LUTE] Flow my tears
>
> Hi, everyone! I may be taking my life in my hands (in the
> sense of
> inviting a deluge of emails), but what
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu]
On Behalf
Of be...@interlog.com
Sent: 30 April 2011 01:00
To: lute-cs.dartmouth.edu
Subject: [LUTE] Flow my tears
Hi, everyone! I may be taking my life in my hands (in the sense of
inviting a deluge of emails), but what the heck. Wh
the instrumental collection Lachrimae. However, 'In darkness' is a
through-composed song, while FMT has a more conventional verse
structure.
RA
> Date: Sat, 30 Apr 2011 14:45:46 +0200
> To: lute@cs.dartmouth.edu
> From: davidvanooi...@gmail.com
> Subject: [LUTE
> opinions regarding a repeat in performance of the third section of
> Dowland's "Flow My Tears"; yes, no, and why?
I always repeat for form's sake. An AABBC Pavan feels so unfinished.
Solus Cum Sola comes to mind as another AABBC where the C 'must'
: 30 April 2011 01:00
To: lute-cs.dartmouth.edu
Subject: [LUTE] Flow my tears
Hi, everyone! I may be taking my life in my hands (in the sense of
inviting a deluge of emails), but what the heck. What are people's
opinions regarding a repeat in performance of the third section of
Dowl
mpted to record 'Flow my tears' we had an
interesting artifact in the second half of the middle section.
Directly on the tail of the word, 'pain' I had a wound string squeak
incident that added a 'k' sound to the word resulting in what sounds
like 'pink&
viting a deluge of emails), but what the heck. What are people's
>opinions regarding a repeat in performance of the third section of
>Dowland's "Flow My Tears"; yes, no, and why?
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi, everyone! I may be taking my life in my hands (in the sense of
inviting a deluge of emails), but what the heck. What are people's
opinions regarding a repeat in performance of the third section of
Dowland's "Flow My Tears"; yes, no, and why?
To get on or of
Thank you Chris.
Regards,
Craig
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ep playing,
Chris.
On Tue, Jan 4, 2011 at 1:21 PM, <[3]co...@medievalist.org> wrote:
Happy New Year one and all,
Would anyone have a copy of Dowland's Flow My Tears in Fronimo file
format they'd be kind enough to send to me? Thank you in advance.
Regards,
Happy New Year one and all,
Would anyone have a copy of Dowland's Flow My Tears in Fronimo file format
they'd be kind enough to send to me? Thank you in advance.
Regards,
Craig
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi Mark,
Hi Tom,
Thanks for the interesting information about Raleigh!
The article mentioned by Mark seems to be in:
EMM Jan 1983 # 11.1: New light on John Dowland's songs of darkness
I should be able to get it from a local library.
Thanks for your help,
Benjamin
To get on or off this list s
ok of this title that discusses the literary
relationships of Ralegh.
Tom
On Thu, Mar 31, 2005 at 12:01:08PM +0200, Benjamin Stehr wrote:
> Dear *,
>
> recently i attended a concert in which, after playing Flow my Tears by
> Dowland, one of the performers mentioned that Dowland had writ
Hi Benjamin,
I think the person probably meant "The school of night". Here is what one
online site has to say about them
The School of Night was a cabal of men centered around Sir Walter Raleigh. They
were a collection of poets and scientists who included Christopher Marlowe,
George Ch
Dear *,
recently i attended a concert in which, after playing Flow my Tears by
Dowland, one of the performers mentioned that Dowland had written this
for a group of people who were exiled from the court and called
themselves the "School of Darkness" (?).
I tried to find a source menti
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