At 02:40 PM 12/10/2003 +0100, Spring, aus dem, Rainer
RSpringausdemee.toshiba.de wrote: How would you write 3 versus 5 in
tablature? I couldn't resist :)
Just an idea, but how about different colored inks?
--
Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
At 02:40 PM 12/10/2003 +0100, Spring, aus dem, Rainer
RSpringausdemee.toshiba.de wrote: How would you write 3 versus 5 in
tablature? I couldn't resist :)
MOpheeExcellent point, which tells why there is no liklihood of modern
composers using tablature.
RadSOf course, it is almost impossible
Dear Matanya,
Yes, I do seem to be contradicting myself, so perhaps I may
elaborate a little. I think a lot depends on how much experience one
has with any particular notation. For a complete beginner tablature
will be easier to read, because it by-passes the concept of pitch
and goes straight to
Stewart wrote:
[BIG SNIP]
As you know from previous messages, I believe lute players should be
familiar with both staff notation and tablature. The question is,
which
should a beginner learn first? That's the $64,000 question. :-)
Stewart, as usual you make some very good points. I agree
At 11:08 AM 12/11/2003 +, Stewart McCoy
[EMAIL PROTECTED] wrote:
Dear Matanya,
Yes, I do seem to be contradicting myself, so perhaps I may
elaborate a little. I think a lot depends on how much experience one
has with any particular notation. For a complete beginner tablature
No argument
Dear Tom,
Here's a simple example. (You will need a monospaced font like
Courier to get the vertical alignment correct.) The inner part has a
bit of syncopation:
|\ |\|\ |
|\ | |\ |
| | ||
___
__|_||_
__c__d_c__|_d___||_
How would you write 3 versus 5 in tablature?
I couldn't resist :)
Of course, it is almost impossible to play 3 versus 5 on a lute or guitar.
Best wishes,
Rainer aus dem Spring
IS department, development
Tel.: +49 211-5296-355
Fax.: +49 211-5296-405
SMTP: [EMAIL PROTECTED]
Spring, aus dem, Rainer wrote:
Of course, it is almost impossible to play 3 versus 5 on a lute or guitar.
Says who? I do it all the time. :)
--
Rough-edged songs from a dark place in the soul:
http://DoctorOakroot.com
The example does not show an advantage of tab over staff notation... you
could just as easily write the bar in staff notation as 4 quarter notes
(expecting the player to figure out which notes to hold), with no less
simplicity nor less accuracy than the tab. In fact, such simplifications
are
From: Doctor Oakroot [EMAIL PROTECTED]
Subject: RE: Tabs, Staff and the rest of it. (for Stewart McCoy)
Spring, aus dem, Rainer wrote:
Of course, it is almost impossible to play 3 versus 5 on a lute or guitar.
Says who? I do it all the time. :)
You can hear Doctor Oakroot at:
Thanks for the plug Wayne. Don't think there's any 3 on 5 in that one.
(And lute folks probably won't like it anyway).
Wayne Cripps wrote:
From: Doctor Oakroot [EMAIL PROTECTED]
Subject: RE: Tabs, Staff and the rest of it. (for Stewart McCoy)
Spring, aus dem, Rainer wrote:
Of course, it
At 07:43 PM 12/10/2003 +, Stewart McCoy
[EMAIL PROTECTED] wrote:
Matanya Ophee has argued that reading from tablature is like playing
by rote. I wouldn't quite put it that way, because playing from
staff notation can be much the same, if you are on auto-pilot. What
I think he means (please
Dear Stewart,
Many thanks for your for points. I have spent some time considering your
point (c) polyphony in three voices. The example you give is very ingenious and
makes perfect sense. Indeed, I rather imagine I have played such pieces, which
must have been notated thus, I would guess, on
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